“The Natural History of My Inward Self”: Sensing Character in George Eliot's Impressions of Theophrastus Such

PMLA ◽  
2014 ◽  
Vol 129 (1) ◽  
pp. 35-51 ◽  
Author(s):  
S. Pearl Brilmyer

A large body of Eliot scholarship is dedicated to the question of human sympathy. My essay moves in a different direction, arguing that Eliot saw literature not only as a medium for intersubjective understanding but also as an amplificatory technology, a tool for sensory enhancement. This technology is embodied by the affective dynamics of character in Eliot's final published work, Impressions of Theophrastus Such (1879), a collection of character sketches and philosophical essays composed in conversation with the ancient Greek naturalist and sketch writer Theophrastus of Eresus. In Impressions Eliot invokes the descriptive traditions of natural history and the character sketch to suggest that human beings, like other animals, are conditioned by bodily frameworks and habitual responses that allow them to sense some things and not others. A meditation also on the history of characterization itself, Impressions puts pressure on the modern association of character with individual human psychology.

2019 ◽  
Vol 47 (1/2) ◽  
pp. 257-304
Author(s):  
Lauri Linask

The paper organizes the topic of signs in Lev Vygotsky’s various writings into a coherent whole in order to study signs’ role in child development. Vygotsky related conventional signs that have their origin in interpersonal communication, and are subject to cultural history taking place over generations during historical time, to psychological functioning of individual human beings. Vygotsky’s “natural history of signs” is the study of how symbolic activity appears and develops. The paper outlines the process of inclusion of symbols within the behaviour of the child and gives an account of various changes in psychological functions and their interrelations that it brings along. In cultural development specifically human forms of behaviour appear, and children’s relationship to social and material environment is changed qualitatively. Vygotsky outlines the formation of sign use and analyses its developmental steps. Vygotsky’s approach explains how the use of various sign systems shapes both the cognitive processes in the person, the child, and the cognitive development as a whole. Vygotsky’s approach to signs is presented within the conceptual framework of its time.


Author(s):  
Jonathan Wolff

To trace the history of the concept of equality in political philosophy is to explore the answers that have been given to the questions of what equality demands, and whether it is a desirable goal. Considerations of unjust inequality appear in numerous different spheres, such as citizenship, sexual equality, racial equality, and even equality between human beings and members of other species. Ancient Greek political philosophy, despite Aristotle's famous conceptual analysis of equality, is generally hostile towards the idea of social and economic equality. Plato's account of the best and most just form of the state in the Republic is a society of very clear social, political, and economic hierarchy. It is with Thomas Hobbes that the idea of equality is put to work. This article explores equality as an issue of distributive justice; equality in the history of political philosophy; equality in contemporary political philosophy; the views of Ronald Dworkin, Karl Marx, and David Hume; equality of welfare; equality, priority, and sufficiency; Amartya Sen's capability theory; and luck egalitarianism.


2021 ◽  
pp. 81-103
Author(s):  
James A. Harris

‘Religion' discusses Hume’s various treatments of religion, particularly in the essay ‘Of Miracles’, Dialogues concerning Natural Religion, and ‘The Natural History of Religion’. Hume's earlier writings show some interesting implications for religion, including A Treatise of Human Nature and the essay ‘Of National Characters’. Looking at ‘Of Miracles’ shows that Hume’s theme was not the possibility of miracles as such, but rather the rational grounds of belief in reports of miracles. Considering the Dialogues emphasizes the distinction between scepticism and atheism. Meanwhile, ‘Natural History’ emphasizes Hume’s interest in the dangerous moral consequences of monotheism. What is the future for religion? Perhaps Hume was unlikely to have supposed that his writings would do anything to reduce religion’s hold on the vast majority of human beings.


2020 ◽  
Vol 11 (21) ◽  
pp. 71
Author(s):  
Marcelo Araújo

When we think of the contributions made by the ancient Greek, the philosophy of Socrates and Plato, the plays by Sophocles, Euripides, and Aristophanes, or the historical thinking of Herodotus and Thucydides may come to or minds. Between the fifth and fourth centuries BCE, Athens set the stage for unprecedented cultural developments in the history of humankind. However, we sometimes forget that the historical period in which these authors lived and produced their masterpieces was also a time of war and plague. Some way or other, all these authors participated in the Peloponnesian War. And the Athenians, who were a major power at the beginning of the conflict, emerged as the defeated party in the end.The main source of information we have about the Peloponnesian War is Thucydides’ work known as the Peloponnesian War. Thucydides took an active part in the war as a general on the Athenian side. But after failing to protect a city, of strategic value for the Athenians, he lost his position as a general and was forced into exile. It is in the exile, then, that Thucydides writes the Peloponnesian War, seeking to take into consideration the accounts provided by all parties involved in the conflict. The text, though, remained unfinished. And it is unclear whether the order of chapters, as displayed in most modern editions, matches Thucydides’ original plan. It is not my intention here to examine the structure of the Peloponnesian War as a whole. My goal is far more modest: I intend to focus only on a few specific passages in which Thucydides discusses the causes of war and the reasons for violent conflict among human beings.


Author(s):  
Martin Breul

Summary Being one of most influential anthropologists of contemporary times, Michael Tomasello and his groundbreaking evolutionary approach to a natural history of human beings are still to be received by theological anthropology. This article aims at evaluating the prospects and limitations of Tomasello’s natural history of human ontogeny from a philosophical and theological perspective. The major advantages of Tomasello’s approach are a new conceptual perspective on the mind-brain problem and a possible detranscendentalization of the human mind which leads to an intersubjectively grounded anthropology. At the same time, evolutionary anthropology struggles with the binding force of moral obligations and the human ability to interpret one’s existence and the world in a religious way. This article thus offers a first theological inventory of Tomasello’s account of evolutionary anthropology which praises its prospects and detects its limitations.


10.1068/d359t ◽  
2005 ◽  
Vol 23 (5) ◽  
pp. 787-793 ◽  
Author(s):  
Lars Christian Risan

In this paper I explore some limits of the generalized symmetry of actor-network theory. The paper is based on a study on cows, farming technology, and farming science, and is empirically based on an anthropological fieldwork in modern, computerized cowsheds. By exploring differences in interactions between human beings and cows, on the one hand, and between human beings and computers, on the other, I argue that the partly common natural history of human beings and cows, and the lack of such a history in human–computer interactions, makes it impossible to be agnostic about where to find subjectivity in such a place as a cowshed. Animal bodies (including human beings) demand certain kinds of interactions, and thus produce certain distributions of subjectivities. The boundary of animality is not a purely ‘cultural’ distinction, and cannot be deconstructed as such.


Author(s):  
Gregory Currie

The subject of this article is the connection between art and all those aspects of mind that have, to some degree, an empirical side. It covers results in neuropsychology and neuroscience, in cognitive and developmental psychology, as well as in various parts of the philosophy of mind. This article, however, ignores questions about the natural history of our mental capacities. To the extent that art has human psychology as its subject, there must be potential for conflict with the sciences of mind. As philosophers have recently noted, results in social psychology challenge our ordinary conception of human motivation, suggesting that moral character either does not exist at all or plays an insignificant role in shaping behaviour.


1996 ◽  
Vol 13 (1) ◽  
pp. 117-120
Author(s):  
Amjad Atallah

The most striking element of Majid Fakhry's Ethical Theories in Islam is its reminder of the intellectual and philosophical dynamism that characterized Muslim scholarship during the late Umayyad and 'Abbasid periods. No discussion was too small or considered taboo. Rather, the search for truth took on many manifestations, ranging from the strict ethical logic of the Mu'tazilites to the philosophical contemplations of Fakhr al Um al Raz1. All are recounted in Fakhry's primer, which may be considered a f me summary for students of Islamic ethics and also a good introduction for western ethicists. Not only might many myths be dispelled, but west­ern ethicists may find striking similarities between this discourse, which took place ill the Islamic world centuries ago, and the one that took place in Europe hundreds of years later. Fakhry sets out his task clearly in the introduction: An ethical theory is a reasoned account of the nature and grounds of right actions and decisions and the principles underlying the claim that they are morally commendable or reprehensible.  Thus, the term ethical concepts must be defined and our discrimina­tions between right and wrong justified. The Qur'an, despite its centrality in Muslim intellectual and philosophical contemplation, contains no ethi­cal theories per se. It does, however, provide an "Islamic ethos." Fakhry limits the list of those who developed an Islamic view of the universe and humanity's place in it to those who practiced Qur'anic exege­sis (tafs7r), jurisprudence (fiqh), and scholastic theology (kalam). As for the Sufis (mystics) and philosophers, Fakhry argues that too much "extrane­ous" influence colored their view for their arguments to be considered thor­oughly Islamic. Whether th.is is true or not is, of course, still debatable. It is also outside the author's field of concern, for his task is not to prove as much as it is to describe, which he does tenaciously and admirably. The central debate revolves around two approaches to theology: the Mu'tazilite and the Ash'arite. The Mu'tazilite position will be the most familiar to students from the western tradition as it is based largely on a metaphorical interpretation of the Qur'an to support positions influenced by the Hellenistic trend. Th.is was possible largely because of the remark­able work done in translating ancient Greek philosophical works into Arabic during the ninth and tenth centuries. The Mu'tazilites argued that human beings were free agents responsi­ble to a just God. The Qur'an abounds with verses reminding humanity of its responsibility and the consequences of failing to act within that context. However, if God were to be fair in His judgment of humanity, individual human beings had to have the capacity to distinguish right from wrong. In addition, the category of justice had to be objective if God were to judge all of humanity for its actions. Although elements of justice could be pro­ pounded in a divinely inspired revelation bestowed upon a prophet, human beings could still be expected to recognize the rightness of an act whether it was revealed or not. In other words, the Mu'tazilite view considered nat­ural reason a source of spiritual and ethical knowledge. According to the Mu'tazilites, this reason-based knowledge exists as a universal guidance provided to all humanity and helps human beings rec­ognize the truth revealed through revelation and prophethood. Once they ...


2018 ◽  
Vol 22 (1) ◽  
pp. 114-129
Author(s):  
John Charles Hill

In the years following the end of the Second World War Carol Reed directed three films, Odd Man Out (1947), The Third Man (1949), and The Man Between (1953), that all dealt with individuals somehow cast alone into post-war urban environments that shared certain characteristics of division and violence. This article argues that they can be usefully analysed through the lens of Walter Benjamin's notion of the creaturely, especially through Eric Santner's explication of the concept. It considers the films from three aspects of Santner's creaturely life: natural history, the state of exception, and undeadness. These qualities of the creaturely as an analysis of the human condition help to encompass some of the strangeness of Reed's apparently conventional film narratives. The films' characters can be seen as overtly modelling a kind of Benjaminian natural history, the history of the brutal twentieth century, in which the vulnerable, mortal, dying human beings at the centre of these tales stumble around in real cities manifesting in real broken stones and brick, the allegorical ruins of a past order. They are victims of an arbitrary law experiencing life in a permanent now as the endless liminality of death, and are therefore, as examples of our creaturely state, terminally undead.


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