The method of transit in humanistic education. Pop culture and the canon

2020 ◽  
Vol 13 ◽  
pp. 13-25
Author(s):  
Adam Regiewicz

In Poland, a discourse on the relationship between the canon and pop culture has been going on for almost thirty years. It is dominated by the belief that these methods of cultural communication are completely divergent. The canon is understood as a bastion of tradition and values and as such is in contradiction with popular culture. This conflict has educational consequences. Creates a resonance in the relationships and teachers, who more and more often show greater knowledge of pop culture phenomena than the so-called cultural canon. The impasse that the school is currently ex-periencing requires a reaction, and this seems to be possible by drawing attention to the subject of education and turning to the “here and now”. In order to explain the possibility of breaking the “cold war” situation between the canon and pop culture, the article cites the transitive principle as a method of building a dialogue between both sides of the dispute.

X ◽  
2020 ◽  
Author(s):  
Simona Bravaglieri

Since the Fall of the Berlin Wall, more than 8000 militaries installations worldwide have been made available for civilian use. To many, the idea of attempting to conserve military sites from the Cold War sounds discordant due to the awkward or “uncomfortable” nature of the subject matter and the generally unappealing aesthetics associated. Even if the Cold War influenced many aspects of the popular culture, science and technology, architecture, landscape and people’s perception of the world, the legacy of this war is less tangible than others, and for this reason it is important to make an attempt to preserve its relics. Military sites might be the only representative Cold War remains of a country and reflect issues beyond their military functions. The aim of this contribution is to present few cases of reuse of Cold War military structures in Italy and to introduce the lack of their identification and preservation.


1998 ◽  
Vol 30 (1) ◽  
pp. 97-116 ◽  
Author(s):  
Yezid Sayigh

Three decades later, the circumstances that led to the Arab–Israeli war of June 1967 bare again the subject of scholarly attention as the end of the Cold War and the release of official documents in the United States, Soviet Union, Britain, and Israel have allowed surviving participants to compare notes and made possible the detailed reconstruction of decision-making in those states. Much of this historiography has focused on the critical two months immediately preceding the start of hostilities, giving rise to broad agreement that Egyptian President Gamal Abdel Nasser “stumbled into the crisis rather than provoking it deliberately,” through miscalculation and ill-advised brinkmanship. However, there is still no consensus regarding the relationship between Nasser's decisions in spring 1967 and his policy toward Israel in the preceding three years, partly because the dearth of official documents from the Egyptian side has made it difficult to substantiate his real intentions and “historicize” his crisis behavior. Most recent studies tend to skim over the earlier period, if they cover it at all, or now accept the view that Egyptian strategy before 1967 was essentially defensive, based on deterrence and containment, and that Nasser ultimately shifted course due to perceptions of threat that steadily heightened in the course of the previous three years due to the revival of the Arab “cold war,” fear of Israeli nuclear power, and deteriorating relations with the United States, all set against a background of the debilitating military entanglement in Yemen and economic malaise at home


Author(s):  
Phyllis Lassner

Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.


2020 ◽  
pp. 27-34
Author(s):  
Vladimir Batiuk

In this article, the ''Cold War'' is understood as a situation where the relationship between the leading States is determined by ideological confrontation and, at the same time, the presence of nuclear weapons precludes the development of this confrontation into a large-scale armed conflict. Such a situation has developed in the years 1945–1989, during the first Cold War. We see that something similar is repeated in our time-with all the new nuances in the ideological struggle and in the nuclear arms race.


This handbook provides an overview of the emerging field of global studies. Since the end of the Cold War, globalization has been reshaping the modern world, and an array of new scholarship has risen to make sense of it in its various transnational manifestations—including economic, social, cultural, ideological, technological, environmental, and in new communications. The chapters discuss various aspects in the field through a broad range of approaches. Several chapters focus on the emergence of the field and its historical antecedents. Other chapters explore analytic and conceptual approaches to teaching and research in global studies. The largest section deals with the subject matter of global studies—challenges from diasporas and pandemics to the global city and the emergence of a transnational capitalist class. The final two sections feature chapters that take a critical view of globalization from diverse perspectives and essays on global citizenship—the ideas and institutions that guide an emerging global civil society. This handbook focuses on global studies more than on the phenomenon of globalization itself, although the various aspects of globalization are central to understanding how the field is currently being shaped.


Cold War II ◽  
2020 ◽  
pp. 95-111
Author(s):  
Ian Scott

The chapter examines the way the Cold War has been historicized in the mode of films like Tinker Tailor Soldier Spy and Bridge of Spies but also how in other texts it has increasingly been filtered through the lens of nostalgic pop-culture referents. The locations are not simply backdrops but active signifiers, the characters less archetypes than reassembled studies in cinematic RPGs, the soundtracks no longer sombre diegesis but more a mix-tape of your favorite hit songs. This chapter, therefore, argues that, over the course of the 2010s, from Tinker Tailor to Atomic Blonde, art as the unconscious face of politics has never been more important. Reminiscence has thus shifted from a mode of nimble historical furnishings to one that contains a jumble of ideological contradictions designed to accentuate–and critique–the reassembled Cold War mentality of the Trump-Putin age.


Author(s):  
John W. Young ◽  
John Kent

This chapter examines US–Soviet relations during the Cold War as well as the question of the genuineness of efforts by the United States and the Soviet Union to achieve disarmament and resolve troublesome disputes. It begins with a discussion of the German question, noting that Germany’s future position was vital to the future of Europe and a particular concern of the Soviets. It then considers the progress of arms control and peace efforts by the United States and the Soviet Union, before concluding with an analysis of the relationship of arms control to the use of armaments in hot war and to some aspects of fighting the Cold War.


2020 ◽  
Vol 96 (2) ◽  
pp. 401-418
Author(s):  
Olivier Schmitt

Abstract From the perception of the imminence of threats at the political level to the seizing of initiative through proper timing at the tactical level, temporality is directly related to war and warfare. Yet, despite some analyses of the importance of time at the political/grand strategic level (usually by scholars) and at the tactical level (usually by military professionals) there is surprisingly little discussion of the impact of time on the preparation and the conduct of warfare. This article introduces the concept of ‘wartime paradigm’ as a heuristic device to understand the relationship between the perception of time and the conduct of warfare, and argues that after the Cold War, a specific ‘wartime paradigm’ combining an optimization for speed and an understanding of war as risk management has guided western warfare, from force structure to the conduct of actual operations. It shows how the changing character of warfare directly challenges this wartime paradigm and why, if western forces want to prevail in future conflicts, the establishment of a new wartime paradigm guiding technological improvements and operational concepts is critical.


2011 ◽  
Vol 29 (2) ◽  
pp. 85-87
Author(s):  
Una M. Cadegan ◽  
Thomas J. Ferraro ◽  
Anthony Rotella

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