scholarly journals Ammattitaiteilijuus ja kirjailijana olemisen ehdot muunkielisten kirjailijoiden näkökulmasta

2020 ◽  
Vol 5 (1) ◽  
pp. 6-25
Author(s):  
Katri Talaskivi
Keyword(s):  
Trade Unions ◽  
Publishing Industry ◽  
Publishing House ◽  
Practical Reasons ◽  
Art World ◽  
Income Source ◽  
Dominant Language ◽  
Background Data ◽  
Publishing Houses ◽  
Professional Artist

In this article I describe the results of a questionnaire survey done on non-dominant language writers in Finland, and reflect this on the criteria by which a professional artist has been traditionally defined in Finland. The background data consists of reports and studies on artists' social standing conducted by Arts Promotion Center Finland, Cupore and the Finnish Writers' Union. There were 31 responses to the study from non-dominant language residents of Finland who identify themselves as writers. Among these writers, the most often mentioned factor to define a professional writer were published works. Published works have also been central when a professional artist / writer has been defined in the Finnish art support system since its beginning in the late 1960's and early 1970's, and indirectly they are important also when professionalism is defined through memberships of trade unions, grants, main income source etc. as in all these evaluation in based on work that has been approved as part of the art world, i. e published by a publishing house.  According to this reflection, the Finnish way of defining a professional writer to a great extent excludes writers who are unable to publish their work on paper through commercial publishing houses, let alone in Finnish or Swedish. This is the case with most writers with refugee, assylum seeker or voluntary exile background, or writers who come from countries with a different publishing industry from the Finnish model, or whose audiences are spread in all parts of the globe; instead, they publish online for political, financial, or practical reasons. My article strengthens the argument that the Finnish institutionalist way of defining a professional artist needs to be modified, especially on the level of institutional practises, to meet the reality of a quickly multilingualized society.

scholarly journals Mikhail Prishvin's «Diaries» as a publishing project

Bibliosphere ◽  
2019 ◽  
pp. 42-48
Author(s):  
N. Р. Dvortsova
Keyword(s):  
System Analysis ◽  
Publishing Industry ◽  
Publishing House ◽  
Modern Science ◽  
Local History ◽  
Point Of View ◽  
Soviet Period ◽  
Editorial Work ◽  
History Of ◽  
Publishing Houses

The research centers upon the bibliographical study of the history (1991–2017) and prehistory (1957–1990) of M. M. Prishvin’s «Diaries» (1905–1954) publication recognized as the longest (18 volumes) diaries in Russian literature.  In modern science Prishvin’s «Diaries» are studied in a number of aspects: as a historical and cultural chron­icle of the country in 1905–1954; the writer’s self-consciousness and creative laboratory; a fiction text in the system of its motives, literary and philosophical contexts, as well as from the point of view of its publishing fate which is narrowly understood as a fragmentary history of its publication.  The paper novelty is due to, first, reconstruction of the history and prehistory of the «Diaries» publication, and second, the system analysis of the publication history in connection with the changing economic models of publishing business, types of publishing houses, their repertoire, strategies, and features of the editorial work during the publication of the collected works. Moreover, the author distinguishes three types of ego-texts in Prishvin’s works (sketch books, diary, and diary books) and, accordingly, different publication strategies.  The study reveals that within the prehistory of the «Diaries» publication there were two main approaches to their publishing: first, they were published in shortened versions (1986); second, in fragmentary versions based on the thematic or chronological principle, most often in a journal variant.  Prishvin’s «Diaries» are considered in the context of the writer’s whole collected works: the pre-Soviet («Znanie Publishing House», 1912–1914) and the Soviet («Gosizdat», 1927–1930, 1929–1931; «Goslitizdat», 1935–1939; «Khudozhestvennaya literature», 1982–1986) periods.  The history of Prishvin’s «Diaries» publication in the post-Soviet period is described as a collective book project carried out by the efforts of five state and non-state publishing houses: «Moskovskii Rabochii» (1991–1995), «Russkaya kniga» (1999–2004), «ROSSPEN» (2012); «Novyi Khronograf» (2013–2014); and «Rostok» (2006–2017). The author demonstrates the «Diaries» connection with the repertoire and strategies of these publishers.  After the reconstruction of the history and prehistory of Prishvin’s «Diaries» publication from the initial fragments to full print and electronic versions, the author convincingly proves that this long-term collective book project belongs to the local history of the Russian publishing industry in the XX–XXI centuries.  

scholarly journals Globalization and the direction of the Canadian publishing industry

2021 ◽  
Author(s):  
Casey Gurfinkel
Keyword(s):  
Publishing Industry ◽  
Book Industry ◽  
Publishing House ◽  
Global Market ◽  
General Distribution ◽  
Retail Market ◽  
Book Market ◽  
Market Sector ◽  
Publishing Houses ◽  
Funding Cuts

Since the merger of Indigo and Chapters in 2001, and the bankruptcy of Stoddart Publishing and General Distribution Services in 2002, the Canadian publishing industry has faced perilous times in an already troubled market sector. In addition to the problems specific to the Canadian publishing industry- for example, federal and provincial funding cuts to the industry; the monopoly of the book retail market by the chain outlet Chapters-Indigo; the difficulty and expense of book distribution within Canada; competition from multinational publishing companies; the lack and expense of traditional marketing opportunities- the growing global market for books presents further difficulties for an industry that is struggling to retain its "Canadian" focus. This study considers the recent impact, both positive and negative, of globalization on the Canadian book industry, with a specific focus on publishers as the key figures in this industry. By surveying three publishing houses that represent specific segments of the industry- large multinational, mid-size, and small presses- I examine different approaches to surviving in the current book market and offer several conclusions about the future of Canadian publishing, most notably that the larger the publishing house, the less it is troubled by challenging market conditions.

PR COMMUNICATIONS OF PUBLISHING HOUSES AS A SCIENTIFIC OBJECT

2017 ◽  
pp. 35-43
Author(s):  
Tetyana Jezhyzhanska
Keyword(s):  
Theoretical Basis ◽  
Publishing Industry ◽  
Publishing House ◽  
Scientific Development ◽  
Professional Literature ◽  
Current State ◽  
Modern Media ◽  
Media Space ◽  
Publishing Houses ◽  
Book Publishers

The article studies the current state and prospects of researches of publishing house’s communications, namely PR communications of book publishers. The attention is drawn to insufficient scientific development of this problem, on t one hand, and obvious importance in the modern conditions to provide publishing house with competitiveness, on the other one. The literature and sources related to this issues are analyzed, the theoretical and practical possibilities of using PR in the activity of book publishers are determined, the history and current state of research of publishing house`s PR communications is studied. The prospects for further scientific study and practical use of PR communications in the activities of publishing houses are determined. The relevance of the research topic is that communication in the information society is a fundamentally new phenomenon that creates new values, changes the technologies and product configurations, systems of work with the clients. The companies have always tried to establish communication, that is built around and within the system of interactions, which would help managers to achieve a strategic goal. However, the modern communications are different from traditional ones. The objective of the article is to investigate formation of theoretical basis of PR-communications of publishing houses in the modern media space of Ukraine. The realization of this objective involves performing the following research tasks: to analyze the professional literature on the main issues of research; to find out the positions of foreign and domestic communications researchers in the publishing industry; to consider the theoretical studies of PR communications of publishing houses in the modern media space. To achieve this objective, we use such general scientific methods as analysis that allowed us to separate the actual tendencies of communication in publishing industry for their subject study, synthesis, by which the integral picture of theoretical basis of the research of communications of publishing industry of Ukraine is integrated into the whole. The method of generalization allowed to study, to systematize and to structure the information. Also, the descriptive method and method of comparison were used, as well as with the help of the method of scientific forecasting we were able to determine the prospects of development of PR- communications of publishing houses in the modern media space

scholarly journals Globalization and the direction of the Canadian publishing industry

2021 ◽  
Author(s):  
Casey Gurfinkel
Keyword(s):  
Publishing Industry ◽  
Book Industry ◽  
Publishing House ◽  
Global Market ◽  
General Distribution ◽  
Retail Market ◽  
Book Market ◽  
Market Sector ◽  
Publishing Houses ◽  
Funding Cuts

Since the merger of Indigo and Chapters in 2001, and the bankruptcy of Stoddart Publishing and General Distribution Services in 2002, the Canadian publishing industry has faced perilous times in an already troubled market sector. In addition to the problems specific to the Canadian publishing industry- for example, federal and provincial funding cuts to the industry; the monopoly of the book retail market by the chain outlet Chapters-Indigo; the difficulty and expense of book distribution within Canada; competition from multinational publishing companies; the lack and expense of traditional marketing opportunities- the growing global market for books presents further difficulties for an industry that is struggling to retain its "Canadian" focus. This study considers the recent impact, both positive and negative, of globalization on the Canadian book industry, with a specific focus on publishers as the key figures in this industry. By surveying three publishing houses that represent specific segments of the industry- large multinational, mid-size, and small presses- I examine different approaches to surviving in the current book market and offer several conclusions about the future of Canadian publishing, most notably that the larger the publishing house, the less it is troubled by challenging market conditions.

Scientific and Informational Almanac about Libraries, Publishing Houses and Higher Educational Institutions

2010 ◽  
pp. 122-124
Author(s):  
Valerii P. Leonov ◽  
Mariya G. Bokan ◽  
Nina V. Ponomareva
Keyword(s):  
Higher Education ◽  
Publishing House ◽  
Educational Institutions ◽  
State University ◽  
Higher Educational Institutions ◽  
Eastern State ◽  
Publishing Houses ◽  
Higher Educational ◽  
Far Eastern

On the publishing of scientific and informational almanac «Power of a Book: Library. Publishing House. Institute of Higher Education» by Far Eastern State University.

Educational Book and Book Publishing of Moscow Student Community at the Beginning of XX century: Libraries, Publishers, Book Trade

2015 ◽  
pp. 110-116
Author(s):  
A. V. Zaitseva
Keyword(s):  
Twentieth Century ◽  
Publishing House ◽  
Book Publishing ◽  
Book Trade ◽  
Library Service ◽  
Technical School ◽  
Student Community ◽  
Publishing Houses ◽  
Trading Activities ◽  
The Moment

The article focuses on the libraries and the publishing and book trading organizations established by Moscow students in the early twentieth century. These organizations were founded to make the textbooks more available, cheaper and less deficient than they were at the moment. As the resource of the textbooks, libraries of compatriots’ associations were widespread. At the Moscow University students publishing commissions (parts of benefit societies) printed lecture notes and examination programs. Library, publishing, and trading activities were tightly bound in these societies. In the Moscow Technical School and the Moscow Women High Courses the libraries and publishing houses functioned independently of each other and of economical organizations of students. The students Library of textbooks at the Moscow Agricultural Institute was really unique, as it combined library service with book publishing for a while. Book trade was usually managed by publishers. Besides students organizations within educational institutes, there functioned a cooperative bookstore and a publishing house at the same time, common for all Moscow students. A dream, that never came true, was a Students House and united library collections of textbooks in it. In spite of many complications, the cooperation was successful, and due to it, access to the textbooks was facilitated for many students.

Dār al-Ṭalīʿah and the Question of Arab Authenticity in the 1960s

2021 ◽  
Vol 52 (1-2) ◽  
pp. 228-253
Author(s):  
Ahmad Agbaria
Keyword(s):  
Publishing House ◽  
Cultural Institutions ◽  
Cultural Authenticity ◽  
Colonial Era ◽  
Post Colonial ◽  
Conventional View ◽  
Cultural Expectations ◽  
Publishing Houses ◽  
The 1960S ◽  
Institutional Location

Abstract Cultural institutions and publishing houses have been essential to the making of Arab intellectual conversations in the post-colonial era. The publishing house of Dār al-Ṭalīʿah (est. 1959) played a central role in naturalizing social classifications, ideological views and cultural expectations that have influenced the then-new articulation of the notion of Arab authenticity. Yet, al-Ṭalīʿah was more than a publishing house: it was an intellectual hub that sustained intellectuals and unified them into a coherent group. Despite its centrality, however, the group of authors published by al-Ṭalīʿah has rarely drawn the attention of literary critics or intellectual historians. This article rethinks the connection between ideas and their institutional location, rejecting the conventional view that institutions are only secondary to, or even parasitic on, the supremacy of ideas. Looking at the idea of cultural authenticity (aṣālah) fiercely opposed by al-Ṭalīʿah authors, this article examines the ways the publishing house informed the meaning and deployment of aṣālah during the 1960s, even while rejecting it.

scholarly journals Lower-Secondary School Chemistry Textbooks’ Didactic Equipment

2020 ◽  
Vol 25 (1-2) ◽  
pp. 69-77
Author(s):  
Martin Rusek ◽  
Karel Vojíř ◽  
Šárka Šubová
Keyword(s):  
Publishing House ◽  
Materials Chemistry ◽  
Structural Elements ◽  
Lower Secondary School ◽  
Secondary Chemistry ◽  
Chemistry Teachers ◽  
Current State ◽  
Chemistry Textbooks ◽  
Publishing Houses ◽  
Insight Into

Abstract Textbooks’ fundamental influence on teaching is caused not only by their subject matter, but also by their didactic elaboration. Textbooks’ individual functions are fulfilled through incorporated structural elements. Their pool is referred to as the didactic equipment of the textbook and represents qualities of the textbook through the options it gives to its users. The presented overview of lower-secondary chemistry textbooks’ didactic equipment included 7 series of currently available textbooks. Results of the analysis serve not only as a possible guide for chemistry teachers’ textbook selection, but they also provide insight into the current state to authors of textbooks and other didactic materials. Chemistry textbooks for lower-secondary schools achieve relatively high didactic equipment (75-92 %). The best equipped are the series of textbooks published after the current state curriculum introduction (by publishing houses Fraus and Nova Skola). Surprisingly, however, the most recently published textbooks by the Taktik publishing house showed the lowest didactic equipment.

Research and Web 2.0

2019 ◽  
pp. 855-869 ◽  
Author(s):  
Diego Ponte ◽  
Stefan Klein
Keyword(s):  
Publishing Industry ◽  
Service Innovation ◽  
Academic Publishing ◽  
Scientific Journals ◽  
Pricing Models ◽  
Citation Indexes ◽  
Disruptive Innovations ◽  
Publishing Houses ◽  
Social Media Tools ◽  
Lasting Influence

The scientific publishing industry has witnessed a plethora of innovations across the life cycle of writing, publishing and archiving of scientific journals. Open access is only the visible tip of an iceberg that contains new players and new services and modes of publishing—which span from new review processes, online citation indexes and social media tools—that have become available over the past 20 years. One might have the impression that disruptive innovations are underway and that many of the well-established themes of digital transformation, such as business model and service innovation, disintermediation, ProSuming and new pricing models, have had a profound impact on the market of scientific journals. Nonetheless, the commercial academic publishing houses (the incumbents) so far have not only successfully defended but even extended their market position. By categorizing the innovations underway and relating them to the constellation of actors in this market, the authors reflect on and try to explain the lasting influence of traditional publishers in the market.

Research and Web 2.0

2017 ◽  
pp. 17-31 ◽  
Author(s):  
Diego Ponte ◽  
Stefan Klein
Keyword(s):  
Publishing Industry ◽  
Service Innovation ◽  
Academic Publishing ◽  
Scientific Journals ◽  
Pricing Models ◽  
Citation Indexes ◽  
Disruptive Innovations ◽  
Publishing Houses ◽  
Social Media Tools ◽  
Lasting Influence

The scientific publishing industry has witnessed a plethora of innovations across the life cycle of writing, publishing and archiving of scientific journals. Open access is only the visible tip of an iceberg that contains new players and new services and modes of publishing—which span from new review processes, online citation indexes and social media tools—that have become available over the past 20 years. One might have the impression that disruptive innovations are underway and that many of the well-established themes of digital transformation, such as business model and service innovation, disintermediation, ProSuming and new pricing models, have had a profound impact on the market of scientific journals. Nonetheless, the commercial academic publishing houses (the incumbents) so far have not only successfully defended but even extended their market position. By categorizing the innovations underway and relating them to the constellation of actors in this market, the authors reflect on and try to explain the lasting influence of traditional publishers in the market.

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