FORM AND BUILDING MATERIALS AS A FACTOR OF CULTURAL IDENTITY IN THE REGIONAL ARCHITECTURE

2014 ◽  
Vol 4 (4) ◽  
pp. 19-24
Author(s):  
Alexander V. IVANOV ◽  
Tatiana V. SHEINA

The article discusses the cultural and ecological factor the use of local building materials in the regional architecture, the main objective of which is the ability to re-create in the form of the medium in its socio-functional device, the styles and ways of life that are typical of regional, ethnic and cultural traditions. The meaning of question of national originality of architecture and environment ethnocultural identity is explained.

2021 ◽  
pp. 312-324
Author(s):  
Ryszard Piotrowski

The system of governance in contemporary Poland is founded mainly on a negative narrative of distrust. That narrative brought to power the country’s present scaremongering rulers. They continue feeding the public with frightening stories of an influx of refugees, threats of war and terrorist attacks, evils of globalisation and a loss of cultural identity to foreign ways of life. A balance between distrust of rulers and trust in them is part of democracy’s constitutional identity. Those currently in power sow distrust in liberal democracy and its values – they violate the constitution, stir up distrust of elites, and make attempts at bringing the judiciary to heelwhile staging judges bashing propaganda campaigns. Distrust of European law and European institutions is part and parcel of this process. The negative narrative weakens and threatens to disenfranchise civil society, blurring the line between law and lawlessness. It also weakens those in power.


2019 ◽  
Vol 3 (1) ◽  
pp. 30
Author(s):  
Siti Nur Asiyah ◽  
Mudjahirin Thohir ◽  
Af'idatul Lathifah

Along with the development of modern times, society maintains its tradition as a unique cultural identity, including the phenomenon of rituals that take place under a large tamarind tree which is believed to be the firing of a sacred figure named Mbah Gosang, located in the middle of an urban area, precisely at Peterongan Semarang Market. The focus of the discussion which is the main objective of this research is to interpret the ritual meanings express in the ritual implementation. This research uses the theory of symbolic interactionism in explaining ritual phenomena, which in implication refers to social actions carried out by individuals in representing cultural meanings and symbols around them. The method used in this study is in the form of ethnographic methods, while the source of research data is obtained from participatory observation, in-depth interviews, and literature review. The informants consisted of the caretaker and Mbah Gosang pilgrim who had been directly involved in the implementation of ritual traditions. Based on the results of the study, the phenomenon of rituals carried out under the Mbah Gosang tamarind tree has two forms of cultural traditions in the form of a pilgrimage ritual and suronan ritual which in essence involves Mbah Gosang as an intermediary for prayer or tawassul to God. The series of ritual processions has their own symbolic meaning. Generally, people who carry out these rituals have the motivation to improve the economy, look for prosperity in life, and look for clues in dealing with life problems. The function of the ritual itself is as a form of respect for ancestors, cultural inheritance, forms of effort, reminders of death, and means of social integration, while the purpose of the ritual is to draw closer to God Almighty.


2021 ◽  
Vol 5 (2) ◽  
pp. 24-32
Author(s):  

“Batik” or “Pateh” is an important cloth in the south of Thailand. Its unique features such as pattern, colour, and production process make Batik different from other cloth in the other part of Thailand. Traditionally, Batik was originated in Indonesia and India where people used paraffin wax as a dye-resist paint. It was also reported that other Asian countries such as Japan and India made Batik fabric in their country. In Thailand, local people in the south made their clothes from Batik fabric and wore them in daily life or during special social events. They designed pattern and applied wax-resist dyeing by hand or blocks on the fabric to create colourful and creative designs. Batik is a cultural identity of the south of Thailand. The study found that the process of creating pattern and colour for Batik was used a long time ago. In the past, artisans primarily employed wooden molds or blocks and wax to create patterns. Through the accumulation of knowledge and experience over time, the development of metal blocks makes Batik’s patterns more delicate and vivid. In addition, the research aimed to study about Batik pattern in the southern provinces of Thailand.It can be said that Batik is a uniquely beautiful fabric that should be collected as a national heritage and for the future study of this fabric. The study of Batik pattern in the south revealed that former patterns simply used basic geometric shapes such as lines, squares, and circles. Then, these patterns have been developed by integrating rhythms and spaces to create more distinctive and delicate designs. Moreover, the patterns of Batik in the south were inspired by nature, religious beliefs, and ways of life. Warm tone colours such as red, brown, yellow and cool tone colours such as blue and green were employed. It was also found that the materials used in the past were primarily from plants and nature. Nowadays, artificial colors are also used because they allow vivid and durable effects.


2020 ◽  
Vol 17 (1) ◽  
pp. 31-38
Author(s):  
Erzhen V. Khilkhanova ◽  
Dorzhi L. Khilkhanov

The article presents some results of the project, the purpose of which was to study the processes of definition and (re)construction of ethnic identity and its relationship with the language and culture of Asian migrants from the former USSR. The results are analyzed in terms of differences in cultures and values as the most important part of culture. This once again tests the universality of the theories of “clash of civilizations” and “clash of cultures” by S. Huntington and R. Lewis. The author comes to the conclusion that, first, cultural identity, unlike ethnic identity, is subject to transformation and at the same time it is stable. Secondly, the difference of cultures (“Eastern” and “Western”) exists and is perceived at the level of cultural values and norms, but it is not of a conflict, antagonistic nature. The conclusion explains the reasons for this in the light of the above-mentioned theories.


Heritage ◽  
2019 ◽  
Vol 2 (1) ◽  
pp. 787-796 ◽  
Author(s):  
Despina Dimelli

Historic urban conservation has, for more than a century, been a major focus of planning, architectural debate and public policy. Today, there is a growing consensus that the historic city should be viewed not only as a unity of architectural monuments and supporting fabric, but also as a complex layering of meanings, connected both to its natural environment and to its geological structure, as well as to its metropolitan hinterland. The current paper will attempt to analyze the principles of modern urban conservation and to evaluate the effectiveness of their application in Mediterranean historic centers. It is structured in two parts. In the first part it examines the changes that diachronically took place in planning for historic urban conservation. It will analyze the principles that were followed until today and the existing strategies, policies and practices of historic urban conservation. The second part will examine the application of these policies in the historic city of Valletta and it will analyze the effectiveness of these principles’ application in the conservation of its historic environment. The evaluation of these policies and practices will be based on basic urban conservation pillars, such as the support of their identity through communication strategies; the promotion of cultural identity and contribution to economic growth; the enhancement of a better quality of life for residents through the strengthening of the use of the dwelling; the increase of the attractiveness of tourists; and the application of regeneration strategies and environmental planning. It is essential to address the issue of urban conservation in ways that reflect the great diversity of cultural traditions, to support new practices, and to define management systems aimed at preserving values within sustainable processes.


Author(s):  
Dominik Bonatz

At the end of the 2nd millennium bce, the geographical term Aram appears for the first time in the annals of the Middle Assyrian kings and in connection with the ahlammû or ahlammu Arameans (or Aramaeans). At that time, the ahlammu Arameans were considered nomadic tribes who lived in the area between the Khabur and the Middle Euphrates, where they constituted a serious threat to the cultivated land and the Assyrian state. From the 9th century bce on, when the Aramean tribes had already spread to other parts of Syria as far as to Mount Lebanon, it was more common to refer to the “Land of Aram” as the geographic designation for a large area that included several different ethnolinguistic population groups. The term is used by the Assyrians and in the Hebrew Bible, but only very rarely in local Aramaic written sources. Therefore, it is important to stress that Aram was mostly a foreign-constructed term that local dynasts adopted only in a few cases for political or territorial self-expression. Despite the fact that the Aramaic language, which includes several subdialects, gradually developed from the 9th to the 7th century bce, there is no reason to assume an Aramean political or cultural identity for this period. This is confirmed by the material culture, which definitely shows no distinction between territories and states dominated by Aramaic-speaking population groups and others, such as the so-called Luwian states. Hence, the task to review the archaeology and material culture of Aram and the Arameans in this volume has to be cautious about any ethnic ascriptions. In fact, the Aramean states of the first half of the 1st millennium bce, like Bīt Bahiani/Guzana, Huzirina, Bīt Adīni, Bīt Agusi, Sam’al-Ya’udi, Hamat/Lu’aš, and Damascus-Aram, were individually shaped political units with a strong sense of urban identity. They developed and interacted within the larger Syrian koine that emerged based on common cultural traditions and that continuously transformed its image until it was fully integrated into the Neo-Assyrian state. In this context, it is rather illuminating to investigate the cultural layout of a single state in order to depart from the fallacious idea of a conscious Aramean identity.


2011 ◽  
Vol 255-260 ◽  
pp. 1373-1377
Author(s):  
Chang Yong Chen

This paper attempts to summarize the idea of tectonics in regional architecture creation, analyze its technical and artistic characteristics, and consider its significance and limitations. It also analyzes the usage methods of local building materials in terms of practicing regional tectonic design, by testing the idea.


2012 ◽  
Vol 178-181 ◽  
pp. 213-216
Author(s):  
Hui Ling Meng ◽  
Li Li

The global integration process accelerated the traditional architectural style of the same tendency in China. New building materials, such as concrete, steel and glass are used, the regional architecture that suitable environment and climate characteristics were rebuilt or demolished. The energy saving mechanism and the indoor thermal and humidity environment has undergone tremendous changes, thus to some extent affected the people's way of life and life experience. Regional architecture in Henan is also faced with the same problem. Regional architecture energy saving based on the profound understanding of regional environmental and climate condition, how to make full use of local technical conditions and natural factors and taking energy-saving measures, make its accord with the local history, social and cultural characteristics, the low carbon environmental protection “Regional energy-saving mechanisms” is the right way .


2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Vladimir A. Ermolaev ◽  
Dmitry A. Ruban ◽  
Natalia N. Yashalova

AbstractActive use of berries in regional cuisines underlines gastronomic specifics of Russia. The present study focuses on three regions of Russian Siberia and establishes that edible berries are numerous there and determine specifics of the regional cuisine rooted into the cultural traditions. These cultural and gastronomic traditions developed during four centuries by Russian settlers in Siberia who adapted to severe natural conditions, explored new food resources, and interacted with the local peoples. If so, berries and berry products can be regarded as a kind of ethnic food. Modern berries-based tourism (bacatourism) initiatives and, particularly, berry picking and tasting at you-pick farms and raspberry festival are registered on the study territory. Sellers tend to position berry products as typically Siberian, which permits their use as regional, quasi-ethnic souvenirs. Berries determine significant gastronomic attractiveness of Southern Siberia, and further exploitation of this potential can contribute to sustainable development of this vast territory and maintaining its cultural identity within the broad and diverse Russian space.


2021 ◽  
Author(s):  
Abdul Ahmad

This paper has a purpose to explain the weaving tradition of Bugis Pagatan community which still carried out tomaintain their identity. The focus of this study is Pagatan Weaving craftswomen in Tanah Bumbu Regency as part ofBugis Pagatan community and known for their unique cultural traditions in South Kalimantan.It is interesting toexplore the influence of global culture to the weaving tradition values and strategies carried out by the craftswomenso their products can be accepted by the wide length of society.The external role of local government is alsoexplained in strengthening the Bugis Pagatan cultural identity in Tanah Bumbu Regency.This research useddescriptive qualitative method which data were collected by observation, in-depth interview, and documentation.The informants are Pagatan Weaving craftswomen in Pagatan, South Borneo. The results show that 1) Pagatanweaving is a result of negotiate by Pagatan’s culture and tradition also global culture. Negotiate strategy was doneby Pagatan Weaving craftswomen for its quality can fulfill international standart. 2) Government of KabupatenTanah Bumbu have a role in affirmation of Bugis Pagatan culture’s identity


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