scholarly journals Recepção da poesia erótica latina no séc. XIX: José Feliciano de Castilho e sua edição dos Amores, de Ovídio

2009 ◽  
Vol 4 ◽  
pp. 71-81
Author(s):  
Brunno Vinicius Gonçalves Vieira
Keyword(s):  
Classical Tradition ◽  
19Th Century ◽  
Rio De Janeiro ◽  
Latin Literature ◽  
Research Project ◽  
Romantic Poet ◽  
Classical Poetry ◽  
The 19Th Century

This paper presents some results of the research project “José Feliciano de Castilho and classical tradition in the 19th Century”, financed by FAPESP. My aim is to offer a presentation to the “Grinalda Ovidiana”, a large commentary to Ovid’s Amores that ends up the paraphrastic translation of romantic poet Antônio Feliciano de Castilho published in Rio de Janeiro in 1858. The wise comments of José Feliciano de Castilho constitute a concrete evidence of the reception of ancient Latin Literature during the “Segundo Reinado”. Some considerations about how Castilho Antônio and Castilho José read and translated erotic classical poetry will be made too. 

scholarly journals Recepção da poesia erótica latina no séc. XIX: José Feliciano de Castilho e sua edição dos Amores, de Ovídio

2009 ◽  
Vol 4 ◽  
pp. 71
Author(s):  
Brunno Vinicius Gonçalves Vieira
Keyword(s):  
Classical Tradition ◽  
19Th Century ◽  
Rio De Janeiro ◽  
Latin Literature ◽  
Research Project ◽  
Romantic Poet ◽  
Classical Poetry ◽  
The 19Th Century

<p>This paper presents some results of the research project “José Feliciano de Castilho and classical tradition in the 19th Century”, financed by FAPESP. My aim is to offer a presentation to the “Grinalda Ovidiana”, a large commentary to Ovid’s <em>Amores </em>that ends up the paraphrastic translation of romantic poet Antônio Feliciano de Castilho published in Rio de Janeiro in 1858. The wise comments of José Feliciano de Castilho constitute a concrete evidence of the reception of ancient Latin Literature during the “Segundo Reinado”. Some considerations about how Castilho Antônio and Castilho José read and translated erotic classical poetry will be made too.</p>

Crise de la littérature et partage des disciplines

2020 ◽  
Author(s):  
Marie Blaise ◽  
Małgorzata Sokołowicz ◽  
Sylvie Triaire
Keyword(s):  
19Th Century ◽  
Contemporary Literature ◽  
Research Project ◽  
Research Practices ◽  
Renaissance Period ◽  
New Knowledge ◽  
The 19Th Century ◽  
Historical Thought

This volume, the result of a conference held in Warsaw in December 2019 as a part of a Franco-Polish research project on crises in literature, focuses on the relationships that the literature maintains with other fields of knowledge. These relationships, made up of sharing, collaboration or tension, were primarily theorized in the 19th century when the founding "disciplines" of our universities and research practices were established, but they had existed before. The texts presented in this volume allow us to verify this, from the Renaissance period to contemporary literature. They deal with historical circumstances and aesthetic changes in the course of which literature has forged links with religious or historical thought and discourse, accompanied the emergence of sociology or ethnography, and prepared new disciplines, such as demography. And it has always reinvested this new knowledge with a humanist and poetic dimension. Does the literature crisis lay in its capacity for reinvestment of what seems to escape from it and aiming at autonomy?

scholarly journals The music of sorcery in Brazil (Literary Conference)

2017 ◽  
Vol 14 (1) ◽  
Author(s):  
Mário de Andrade
Keyword(s):  
19Th Century ◽  
Rio De Janeiro ◽  
Research Experience ◽  
Brazilian Music ◽  
Mario De Andrade ◽  
Brazilian Northeast ◽  
The 19Th Century ◽  
Afro Brazilian

Abstract “The music of sorcery in Brazil” was given as a lecture by Mário de Andrade to the Brazilian Music Association (Associação Brasileira de Música), in Rio de Janeiro, in 1933. The author never managed to complete its revision for publication. This was undertaken by Oneyda Alvarenga, who published the text of the lecture and a series of related documents in Volume XIII - Música de Feitiçaria no Brasil-of the Complete Works of Mário de Andrade (Editora Itatiaia/Instituto Nacional do Livro, 1983, p.23-70). The author is in search for the role of music, with its distinctive rhythms and melodic form, in the mystical trance of Afro-Brazilian religions. The text combines the flavour of his direct research experience in the catimbó of the Brazilian Northeast; his erudite bibliographical studies that were strongly influenced by evolutionary and diffusionist anthropology at the end of the 19th century and beginning of the twentieth; and an analysis of the music of macumba in the Rio de Janeiro around the 1930s as found in the recordings that Andrade so much enjoyed collecting and listening to.

scholarly journals The Alhambra: Transformation and Change through Architectural Ceramics

Arts ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 79
Author(s):  
María Díez Jorge ◽  
Ignacio Maturana ◽  
Nieves Díaz
Keyword(s):  
19Th Century ◽  
Ceramic Tile ◽  
Essential Element ◽  
Research Project ◽  
Glazed Ceramic ◽  
Restoration Work ◽  
The Subject ◽  
The University ◽  
The 19Th Century

In the following paper, we look at the Alhambra from a perspective of architectural ceramics, an essential element in the understanding of the monument. From the Nasrid era onward, glazed ceramic tile mosaics were used to adorn the walls, a style that extended into the Christian conquest, when the palace complex was used as a royal residence. Since then, restoration work has continued to be carried out on the alicatados that cover the Alhambra’s walls, especially during an intense period in the 19th century, when it was the subject of much interest from Romantic travellers to Granada. A detailed, documented analysis of this work shows the complexity of the palace and fortress complex, helping us to better understand a part of its history. In the following pages, we specifically focus on one room in the Alhambra, the so-called Cuarto Dorado (Golden Room), outlining the preliminary findings of a research project that we are undertaking in association with the University of Granada and the Patronato de la Alhambra y el Generalife (Council of the Alhambra and the Generalife).

scholarly journals Dostoyevsky and epilepsy: between science and mystique

2010 ◽  
Vol 68 (1) ◽  
pp. 140-142 ◽  
Author(s):  
Antenilson Franklyn Rodrigues Lima ◽  
Dante Marcello Claramonte Gallian
Keyword(s):  
Health Education ◽  
19Th Century ◽  
Graduate Program ◽  
Fyodor Dostoyevsky ◽  
The Novel ◽  
Research Project ◽  
Mystic Experience ◽  
The 19Th Century ◽  
The Relationship ◽  
Literary Narrative

This article, the result of a research project presented as a Master's degree dissertation in the graduate program of "Teaching of Health Education" at UNIFESP, seeks to highlight the pertinence of analyzing epilepsy and especially, the paradoxical experience of the epileptic individual through literary narrative. Using as its object the novel, The Idiot, by Fyodor Dostoyevsky, it seeks to discuss the relationship between epilepsy and the mystic experience, bearing in mind the context of the scientific and humanistic perspectives of the 19th century and today.

scholarly journals Um estudo comparativo entre a Fundição de Typos Henrique Rosa e a Funtimod | A comparative study between Henrique Rosa Type Foundry and Funtimod

2019 ◽  
Vol 16 (3) ◽  
pp. 419-433
Author(s):  
Isabella Aragão ◽  
Edna Lucia Cunha Lima
Keyword(s):  
Comparative Study ◽  
19Th Century ◽  
Rio De Janeiro ◽  
Sao Paulo ◽  
São Paulo ◽  
Doctoral Research ◽  
History Of ◽  
The 19Th Century

A partir do começo do século 19, o Brasil abrigou fundições tipográficas habilitadas a manufaturar ou comercializar todo tipo de material utilizado nas oficinas tipográficas, entre elas encontra-se a Fundição de Typos Henrique Rosa, do Rio de Janeiro, e Funtimod – Fundição de Tipos Modernos, de São Paulo. Recentemente, as duas autoras deste artigo desenvolveram pesquisas com foco na firma carioca. Enquanto Edna Lucia Cunha Lima estava interessada na narrativa da família Rosa, Isabella Ribeiro Aragão intencionava responder questões comerciais, levantadas durante sua pesquisa doutoral sobre a Funtimod. Este artigo, portanto, visa contribuir com a história da tipografia no Brasil por meio da relação dos resultados dos estudos realizados, respectivamente, no Rio de Janeiro e Recife.*****Since the beginning of the 19th century, Brazil has housed type foundries qualified to manufacture or commercialize all types of material used at printing workshops, among them the Fundição de Typos Henrique Rosa, from Rio de Janeiro, and Funtimod – Fundição de Tipos Modernos, from São Paulo. Recently, the two authors of this paper have developed researches with interest in the carioca firm. While Edna Lucia Cunha Lima was interested in the story of the Rosa family, Isabella Ribeiro Aragão intended to answer commercial questions raised during her doctoral research on Funtimod. This paper, therefore, aims to contribute to the history of typography in Brazil by the results of the studies carried out, respectively, in Rio de Janeiro and Recife.

scholarly journals Frei Francisco do Monte Alverne: Plano de Reforma para a Província Franciscana da Imaculada Conceição do Brasil

2019 ◽  
Vol 68 (270) ◽  
pp. 326
Author(s):  
Sandro Roberto da Costa
Keyword(s):  
19Th Century ◽  
Rio De Janeiro ◽  
Religious Life ◽  
Easy Access ◽  
Reform Project ◽  
Life Itself ◽  
Historical Moment ◽  
The 19Th Century ◽  
The Relationship ◽  
The Church

O estudo da situação de decadência em que se encontrava a vida religiosa tradicional no Brasil em meados do século XIX fornece subsídios para se compreender a dinâmica da própria vida religiosa, ao mesmo tempo em que nos ajuda a entender um momento importante da relação Igreja-Estado. No presente artigo debruçamo-nos sobre o tema, a partir da ótica de um dos personagens mais representativos deste momento histórico, frei Francisco do Monte Alverne. Franciscano do Convento de Santo Antônio do Rio de Janeiro, homem culto, um dos mais famosos pregadores imperiais, com bom trânsito entre as personalidades da corte, Monte Alverne nos legou um Projeto de Reforma, cuja análise permite conhecer a situação da vida religiosa a partir da trajetória e do ponto de vista de um personagem que, de certa forma, é a própria personificação deste momento de crise.Abstract: The study of the decadent condition in which the traditional religious life found itself in the middle of the 19th century provides us with the necessary information to understand the dynamics of religious life itself; it also helps us to understand an important moment of the relationship between the Church and the State. In this present article we deal with this subject from the perspective of one of the most representative characters of that historical moment, Friar Francisco de Monte Alverne. A Franciscan from the St. Anthony Convent in Rio de Janeiro, Monte Alverne was not only a cultured man but also one of the best known preachers of the Empire and had easy access to the most important courtiers. The analysis of his Reform Project enables us to find out about the situation of the religious life at that time through the trajectory and the opinions of someone who was, to a certain extent, the very personification of that moment of crisis.

scholarly journals Intraindividuelle Variation auf lexikalisch-semantischer Ebene bei unroutinierten Schreibern des 19. Jahrhunderts

2019 ◽  
Vol 99 (6) ◽  
pp. 51-76
Author(s):  
Markus Schiegg ◽  
Sabrina Freund
Keyword(s):  
19Th Century ◽  
Lower Class ◽  
Structural Approach ◽  
Control Group ◽  
Research Project ◽  
Historical Sociolinguistics ◽  
Lexical Semantic ◽  
Language History ◽  
Different Types ◽  
The 19Th Century

Lexis and semantics are under-researched fields both in contemporary and historical sociolinguistics. This paper focuses on intra-speaker variation in texts written by unroutined writers of the 19th century and examines different types of variation in the areas of lexis and semantics. Our data are taken from a new corpus of historical patients’ documents (see http://copadocs.de), which is currently being compiled as part of our research project “Flexible Writers in Language History”. In order to analyse lexical-semantic variation, we combine a number of different methods. An onomasiological approach is used to explore one writer’s linguistic repertoire and use of terms for women, while a structural approach allows us to compare functionally equivalent structures, such as routine formulae and expressions of a writer’s origo (e.g. I, here, now). Finally, we examine the use of emotional lexis in texts by writers diagnosed with melancholia, which is found to be more frequent as compared to a control group. Our findings provide evidence for considerable intra-speaker variation in lower-class writing. In addition, the emphasis on lexis is shown to have particular value for the investigation of patients’ texts, as this approach provides insights into the stylistic repertoires of historical writers which would otherwise remain hidden.

O HOMEM BENFAZEJO: Bibliotheca Constitucional do Cidadão Brasileiro, Mercado Editorial, Cidadania e a Construção do Império Brasileiro, Rio de Janeiro 1831”“1832

2014 ◽  
Vol 11 (18) ◽  
Author(s):  
LUIZ FERNANDO SARAIVA
Keyword(s):  
19Th Century ◽  
Rio De Janeiro ◽  
Social Groups ◽  
Royal Family ◽  
National Project ◽  
Palabras Clave ◽  
Siglo Xix ◽  
The 19Th Century ◽  
Cultural Movement ◽  
Current Standards

O perá­odo delimitado pela transmigração da Famá­lia Real Portuguesa e o processo de independência, construção e consolidação do Estado Brasileiro no segundo quartil do século XIX foi marcado por grande efervescência polá­tica, social e cultural. As indefinições dos diversos grupos sociais que aqui se encontraram a partir de 1808 encontraram eco na ausência de um projeto único de nação, na estranheza das populações quanto as formas de governo e sociedade aqui encontrada e desejada. Parte dessa efervescência se deu no esforço de construir uma civilização adequada aos padrões vigentes, oscilando em relação ao lugar das ideias importadas ou nacionais. Diversos intelectuais ”“ de diferentes estratos sociais ”“ buscaram um projeto de nação e as formas de como implementá-lo. Parte desse esforço pode ser visto em parte das vidas de Pierre (Seignot) Plancher e José Francisco Xavier Sigaud e na publicação da coleção Bibliotheca Constitucional do Cidadão Brasileiro entre os anos de 1831 e 1832 que marca o retorno de Plancher a França e ainda a interrupção das atividades editoriais de Sigaud. Palavras-Chave: Mercado Editorial. Tipografia. Caixa Econômica.  THE BENEFICENT MAN: the Bibliotheca Constitucional do Cidadão Brasileiro Editorial market, Citizenship, and the Construction of the Brazilian Empire, Rio de Janeiro 1831”“1832.Abstract: The period defined by the transmigration of Portuguese Royal Family and the process of independence, construction and consolidation of the Brazilian State in the second quarter of the 19th century was marked by great political, social and cultural movement. The uncertainties of the various social groups reunited here from 1808 on echoed in the absence of a single national project as much as in the discomfort of these people about the forms of government and society found and wanted here. Part of this movement happened by the effort to build a civilization suited to the current standards, hovering about the place of imported or domestic ideas. Several scholars - from different social origins and strata - sought a national project and ways to implement it. Part of this effort can be seen in the lives of Pierre (Seignot) Plancher and José Francisco Xavier Sigaud and in the publication of the Bibliotheca Constitucional do Cidadão Brasileiro collection between 1831 and 1832, which marks Plancher”™s return to France and the interruption of Sigaud”™s editorial activities. Keywords: Editorial market. Tipography. Caixa Econômica.  EL HOMBRE GENEROSO: Biblioteca Constitucional del Ciudadano Brasileño, Mercado Editorial, Ciudadaná­a y Construcción del Imperio Brasileño, Rio de Janeiro, 1831-1832Resumen: El periodo delimitado por la transmigración de la Familia Real Portuguesa y el proceso de independencia, construcción y consolidación del Estado Brasileño en el segundo cuarto del siglo XIX fue señalado por gran efervescencia  polá­tica, social y cultural. Las indefiniciones de los diversos grupos sociales que aquá­ estuvieron a partir de 1808, encontraron eco  en la ausencia de un proyecto único de nación, en el desconocimiento de las poblaciones cuanto a formas de gobierno y sociedad aquá­ situada. Parte de este alboroto, se dio para construir una civilización adecuada a los padrones en vigor, oscilando en relación al lugar de las ideas importadas o nacionales. Diversos intelectos - de diferentes niveles sociales- buscaron un proyecto de nación y las formas de cómo implementarlo. Ese esfuerzo puede ser observado en partes de las vidas de Pierre (Seignot)   Plancher y José Francisco Xavier Sigaud y en la publicación de la colección Bibliotheca Constitucional do Cidadão Brasileiro entre los años de 1831 y 1832 que señala la vuelta de Plancher a Francia como también la interrupción de las actividades editoriales de Sigaud. Palabras clave: Mercado Editorial. Tipografá­a. Caja de Ahorros.

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