scholarly journals A escrita movediça de Paulo Leminski em Catatau / Paulo Leminski’s quick writing in Catatau

2021 ◽  
Vol 30 (3) ◽  
pp. 129
Author(s):  
Keyla Freires da Silva ◽  
Martine Suzanne Kunz
Keyword(s):  
Jacques Derrida ◽  
Gilles Deleuze ◽  
Jorge Luis Borges ◽  
The Novel ◽  
Literary Practice ◽  
Sound Image ◽  
Tongue Twisters ◽  
Poetic Texts

Resumo: Em Catatau (1975), obra subintitulada pelo próprio autor como “romance-ideia”, Paulo Leminski vive a aventura da própria escrita e cria seu texto a partir da permeabilidade das palavras, das línguas, dos tempos e dos espaços, mostrando o escritor como locutor e o leitor como ouvinte de suas palavras-ímãs. Nesse sentido, o objetivo deste artigo consiste em verificar como esse percurso da escrita leminskiana em Catatau conflui para construção de uma escrita movediça, culminando numa reflexão acerca do fazer literário, traço recorrente na obra do autor. Destaca-se, então, o tecer da escrita de Catatau mediante o entrelaçar constante de aliterações, jogos tipográficos, parônimos, justaposições, trava- línguas, num ritmo próprio, como um turbilhão de linguagem. Para que se possa circular nesse redemoinho, buscou-se comparar a escrita do “romance-ideia” com alguns de seus textos poéticos e dialogar com ideias de Jacques Derrida (1973), Gilles Deleuze (1997), Anne-Marie Christin (2006), Márcia Arbex (2006), Arnaldo Antunes (2005) e Jorge Luis Borges (2011). Percebe-se que a escrita de Paulo Leminski está sempre no percalço da palavra, seguindo seus rastros, seja por meio do som ou da imagem. Em Catatau, a escrita é como um laboratório em que a linguagem é experimentada nos níveis sonoro, sintático e imagético sempre em busca de uma explosão de sentidos surpreendentes.Palavras-chave: Paulo Leminski; Catatau; escrita; som; imagem.Abstract: In Catatau (1975), a work subtitled by the author himself as a “novel idea”, Paulo Leminski lives the adventure of writing itself and criates his text from the permeability of words, languages, times and spaces, showing the writer as a speaker and the reader as a listener of his magnets words. In this sense, the purpose of this article is to verify how this path of Leminskian writing in Catatau converges to the construction of a quick writing, culminating in a reflection on literary practice, a recurring feature in the author’s work. Then, the weaving of Catatau’s writing stands out through the constant interweaving of alliterations, typographical games, paronyms, juxtapositions, tongue twisters, in a proper rhythm, like a whirlwind of language. In order to be able to circulate in this whirlwind, we sought to compare the writing of the “novel-idea” with some of its poetic texts, dialoguing with the ideas of Jacques Derrida (1973), Gilles Deleuze (1997), Anne-Marie Christin (2006) and Márcia Arbex (2006), Arnaldo Antunes (2005) and Jorge Luis Borges (2011). It is noticed that the writing of Paulo Leminski is always in the hitch of the word, following its tracks, either through sound or image. In Catatau, writing is like a laboratory where the language is experienced at sound, syntactic and imagery levels, always in search of an explosion of surprising meanings.Keywords: Paulo Leminski; Catatau; writing; sound; image.

scholarly journals Bernard Stiegler, pensador do humano e da tecnologia

DoisPontos ◽  
2015 ◽  
Vol 12 (1) ◽  
Author(s):  
Moysés Pinto Neto
Keyword(s):  
Jacques Derrida ◽  
Gilles Deleuze ◽  
Philosophical Tradition ◽  
General Introduction ◽  
Bernard Stiegler ◽  
Gilbert Simondon

resumo: Este artigo é uma introdução geral ao pensamento de Bernard Stiegler em torno da relação entre técnica e humano. Stiegler desconstroi a tradição filosófica que costumava separar technê e episteme com um enfoque histórico e materialista, a fim de provar como é impossível pensar a humanidade sem a técnica. Portanto, a relação não é de oposição, como a tradicional metafísica do espírito defende, mas composição, do modo como defendem Gilbert Simondon, Jacques Derrida, Andre Leroi-Gourhan e Gilles Deleuze.abstract: This paper is a general introduction to Bernard Stiegler's thinking about the relation between technique and human. Stiegler deconstructs the philosophical tradition that used to separate teckhnê and episteme with a historical and materialist approach in order to prove how it is impossible to think humanity without technique. Therefore, the relation is not one of opposition, like the traditional metaphysics of spirit defends, but one of composition, as thinkers like Gilbert Simondon, Jacques Derrida, Andre Leroi-Gourhan and Gilles Deleuze defend.

scholarly journals Violência urbana no documentário contemporâneo brasileiro: uma questão de diferença e poder

E-Compós ◽  
2008 ◽  
Vol 7 ◽  
Author(s):  
Gustavo Souza
Keyword(s):  
Michel Foucault ◽  
Jacques Derrida ◽  
Gilles Deleuze ◽  
Stuart Hall ◽  
Violencia Urbana

Este trabalho quer investigar os fatores que possibilitam a recorrente presença dos segmentos socialmente marginalizados na produção de documentários brasileiros após 1993 ou da “retomada”. Nosso enfoque concentra-se nos documentários que apresentam como personagens pessoas ou grupos diretamente vinculados ao contexto de violência urbana. Partimos do pressuposto que a visibilidade conquistada por esses setores relaciona-se, de uma forma ou de outra, às demarcações da “diferença” e às estruturas de poder. Para tanto, tomaremos como referência a leitura do conceito de différance, de Jacques Derrida, empreendida por Stuart Hall e os estudos sobre formações e estruturas de poder realizados por Michel Foucault e Gilles Deleuze

7. Michel Foucault and governmentality

2021 ◽  
pp. 94-106
Author(s):  
Richard Whatmore
Keyword(s):  
Michel Foucault ◽  
Jacques Derrida ◽  
Gilles Deleuze ◽  
Innovative Approach ◽  
Common Currency

‘Michel Foucault and governmentality’ talks about Michel Foucault, who is often associated with the poststructuralist and postmodernist ideas of Jacques Derrida, Gilles Deleuze, and Jean-François Lyotard. Lyotard’s famous La condition postmoderne in 1979 gave common currency to the term postmodern. Texts that contributed to mental climates in diverse ways are being adapted to the passage of time and alteration of circumstance. Derrida’s 'arche-writing' is an innovative approach to the study of texts. Derrida claimed that the author’s intentions are constrained by language and logic that relied upon the expression of ideas, as the text could go beyond the limits imagined by the author.

Critiques and Integrations of Phenomenology

2018 ◽  
pp. 87-95
Author(s):  
Federico Leoni
Keyword(s):  
Twentieth Century ◽  
Michel Foucault ◽  
Jacques Derrida ◽  
Gilles Deleuze ◽  
Spatial Structures ◽  
Temporal And Spatial ◽  
Way Of Thinking

Phenomenology played a central role in twentieth-century philosophy. But, from the second half of the century, many alternative philosophical movements emerged. Despite their radical criticism of phenomenology, they regularly touched upon themes that had been originally propounded by phenomenology itself. This is true of Jacques Derrida, Michel Foucault, and Gilles Deleuze. At the basis of their approaches, there is the need for a new version of the transcendental, the idea of an impure transcendental, and the intuition of a non-transcendental structure of the transcendental, which they all name “difference.” Phenomenology could draw useful insights from these perspectives: e.g., a more continuous view of the range of psychopathological experiences; a more exact comprehension of the different temporal and spatial structures of psychopathological worlds, as the internal possibilities and infinitesimal variations of the transcendental; and a more critical way of thinking through the structure of institutions and the normativity that dominates them.

scholarly journals Refutar el tiempo

2021 ◽  
pp. 1-18
Author(s):  
Cristian Enrique Cisternas Cruz
Keyword(s):  
Michel Foucault ◽  
Gilles Deleuze ◽  
Jorge Luis Borges ◽  
Maurice Blanchot ◽  
Felix Guattari

En este artículo proponemos que en la obra literaria de Jorge Luis Borges existe una preocupación por los fines y los límites del tiempo, que ha sido abordada, desde diversos enfoques teórico-metodológicos, por sus comentadores. Este preocupación incide notablemente en el desarrollo estilístico y en el interés temático posibles de advertir en la escritura de Borges. El propósito de este artículo es iluminar las vías de orientación que genera su escritura literaria en pensadores tales como Maurice Blanchot, Michel Foucault, Gilles Deleuze y Félix Guattari. El diálogo entre literatura y filosofía es, consecuentemente, clave en este artículo, que pretende además, a partir de una serie de ejemplos de la escritura narrativa y ensayística del escritor argentino, re-instalar la preocupación por el tiempo  dentro del marco de la reflexión sobre la escritura borgeana

Gilles Deleuze (1925–1995)

2014 ◽  
Author(s):  
Anders R. Kristensen ◽  
Thomas Lopdrup-Hjorth ◽  
Bent Meier Sørensen
Keyword(s):  
Jacques Derrida ◽  
Gilles Deleuze ◽  
Organization Studies ◽  
Process Ontology ◽  
Organization And Management ◽  
Process Thinking ◽  
Spirit Of Capitalism ◽  
The Creation ◽  
Contemporary Management

Gilles Deleuze is a French philosopher known for his ontological thinking. In the field of organization studies, Deleuze is associated with postmodernism and post-structuralism along with fellow thinkers such as Jacques Derrida. This chapter examines Deleuze’s philosophical views and considers how processual thinking has emerged as an important area of research within organization and management studies. It first looks at Deleuze’s understanding of metaphysics and the creation of concepts, along with the connection between process organization studies and the creation of concepts. It then discusses the process ontology that exists within process organization studies in the context of process thinking. It also describes the new spirit of capitalism and its implications for contemporary management thought and highlights some individual cases in which a certain, perhaps Deleuzian, philosophy of organization is developed. The chapter concludes by arguing that the deployment of Deleuze’s philosophy in process organization studies should be more normative and pragmatic.

scholarly journals “The Mirror Crack’d”: Representation of Characters in Terry Pratchett’s Witches Abroad

2019 ◽  
Vol 25 (1) ◽  
pp. 13-19
Author(s):  
Jumana Mussa
Keyword(s):  
Jacques Derrida ◽  
Gilles Deleuze ◽  
Current Article ◽  
Similarities And Differences

The current article presents a discussion of two characters in Terry Pratchett’s Witches Abroad (1990), Esmeralda and Lily Weatherwax. These two sisters are almost mirror images of each other, yet each takes a different path in life. Through their similarities and differences, one is able to examine the idea of uncanny repetition, as it was discussed by Jacques Derrida and Gilles Deleuze. Through the characters’ choices and interaction with each other, one may also be able to explore their identities, as imperfect mirror reflections that contradict and inform each other.

scholarly journals Dissemination and Reterritorialization

Asian Studies ◽  
2020 ◽  
Vol 8 (3) ◽  
pp. 15-33
Author(s):  
Kuan-min Huang
Keyword(s):  
Intellectual History ◽  
Jacques Derrida ◽  
Gilles Deleuze ◽  
Historical Background ◽  
Academic Disciplines ◽  
Chinese Diaspora ◽  
Felix Guattari ◽  
Mou Zongsan ◽  
Mode Of Life ◽  
Confucian Philosophy

Confucianism as a mode of life was brought to Taiwan as early as Chinese settlement. Regarding Confucian philosophy, however, it must be traced back to the founding of modern institutions. Even though the historical background of the Chinese diaspora after 1949 is rather complex, it seems possible to examine how it has contributed to the development of academic disciplines in Taiwan, especially with regard to Confucianism. The present paper investigates the corresponding contributions of two philosophers, Tang Junyi (1909–1978) and Mou Zongsan (1909–1995). Both are important scholars, who are indispensable for the development of contemporary intellectual history in Taiwan. In order to describe the creativity in their way of dealing with ruptures, of transforming the separation into the renovation of tradition, the author analyses their efforts in terms of geo-philosophy, through the lens of two concepts, dissemination and reterritorialization, that are borrowed from Jacques Derrida, Gilles Deleuze, and Felix Guattari.

scholarly journals Usos de Foucault, Deleuze y Derrida en la crítica literaria argentina (1980-2010)

2020 ◽  
Author(s):  
◽  
Natalí Antonella Incaminato
Keyword(s):  
Michel Foucault ◽  
Jacques Derrida ◽  
Gilles Deleuze ◽  
Manuel Puig ◽  
César Aira ◽  
America Latina ◽  
Cesar Aira

La tesis se enfoca en el estudio de los usos de Michel Foucault, Jacques Derrida, y Gilles Deleuze en textos de crítica literaria argentina del período comprendido por los años que van de 1980 a 2010. El corpus está conformado por El género gauchesco. Un tratado sobre la patria (1988), El cuerpo del delito. Un manual (1999), Aquí América latina. Una especulación (2010), de Josefina Ludmer; Críticas (2000) y una serie de artículos de Jorge Panesi; Médicos maleantes y maricas. Higiene, criminología y homosexualidad en la construcción de la nación Argentina (1995) de Jorge Salessi; La chancha con cadenas (1994), Clases. Literatura y disidencia (2005) Fantasmas. Imaginación y sociedad (2009) de Daniel Link; Manuel Puig: La conversación infinita (2001) de Alberto Giordano; Las vueltas de César Aira (2002) de Sandra Contreras y Un desierto para la nación. La escritura del vacío (2010) de Fermín Rodríguez. El análisis lleva a cabo una lectura cercana que describe y construye hipótesis sobre las operaciones críticas, las torsiones y reapropiaciones de los conceptos filosóficos en las escrituras críticas argentinas, en el marco de las relaciones entre literatura y filosofía.

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