scholarly journals CONCEPT OF NATIONALISM EMPLOYED IN THE GOLDEN LEGEND BY NADEEM ASLAM

2021 ◽  
Vol 9 (4) ◽  
pp. 41-47
Author(s):  
Shaista Shahzadi ◽  
Muhammad Hanif ◽  
Ali Ahmad ◽  
Hira Ali ◽  
Mehnaz Kousar
Keyword(s):  
Careful Analysis ◽  
The Other ◽  
Imagined Communities ◽  
The Political ◽  
The Novel ◽  
Basic Resource ◽  
The World ◽  
Benedict Anderson ◽  
Golden Legend ◽  
Entire Text

Purpose of the study: The main purpose of this study is to analyze the novel The Golden Legend by Nadeem Aslam in the light of the concept of Nationalism given by Benedict Anderson in Imagined communities. Methodology: The entire data is evaluated by the entire text related to nationalism. This research is based on qualitative research skills. The basic resource of this research is the novel of Nadeem Aslam, named The Golden Legend. Further, the other resources used in this research are the journals or the articles regarding or reflecting the explanation of this novel (The Golden Legend). Main Findings: The findings depict a wonderful series of characters who have humanity in their hearts; they have love and respect for others, either the other person is from their religion or a different one. It is a story of sorrow and the game of religions in the world which is being played under the acts of the political authorities. Applications of this study: This study can be applied to the nationalism literature. Novelty/Originality of this study: The study is one of its kind because, after a careful analysis of the literature available, it is safe to say that no study is done up till now on analyzing the concept of nationalism in the Golden Legend.

Camus's Absurd and the World of Melville's Confidence-Man

PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer
Keyword(s):  
Careful Analysis ◽  
The Other ◽  
The Novel ◽  
The Past ◽  
The World ◽  
Critical Attention ◽  
Confidence Man ◽  
Ugly Duckling ◽  
History Of ◽  
The One

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”

The Political Impact of Affective Polarization: How Partisan Animus Shapes COVID-19 Attitudes

2020 ◽  
Author(s):  
James Druckman ◽  
Samara Klar ◽  
Yanna Krupnikov ◽  
Matthew Levendusky ◽  
John B. Ryan
Keyword(s):  
21St Century ◽  
American Politics ◽  
The Other ◽  
Policy Discourse ◽  
The Political ◽  
The Novel ◽  
Political Impact ◽  
Novel Coronavirus ◽  
Citizens Attitudes

Affective polarization is a defining feature of 21st century American politics—partisans harbor considerable dislike and distrust of those from the other party. Does this animus have consequences for citizens’ opinions? Such effects would highlight not only the consequences of polarization, but also shed new light onto how citizens form preferences more generally. Normally, this question is intractable, but the outbreak of the novel coronavirus allows us to answer it. We find that affective polarization powerfully shapes citizens’ attitudes about the pandemic, as well as the actions they have taken in response to it. However, these effects are conditional on the local severity of the outbreak, as the effects decline in areas with high caseloads—threat vitiates partisan reasoning. Our results clarify that closing the divide on important issues requires not just policy discourse but also attempts to reduce inter-partisan hostility.

La transposition profane de l’Exode dans Moïse fiction de Gilles Rozier

2013 ◽  
pp. 174-183
Author(s):  
Piotr Sadkowski
Keyword(s):  
Present Article ◽  
Old Testament ◽  
The Other ◽  
Jewish Tradition ◽  
Human Being ◽  
The Novel ◽  
Jewish Origin ◽  
French Writer ◽  
The World ◽  
Jewish Writers

Throughout the centuries French and Francophone writers were relatively rarely inspired by the figure of Moses and the story of Exodus. However, since the second half of 20th c. the interest of the writers in this Old Testament story has been on the rise: by rewriting it they examine the question of identity dilemmas of contemporary men. One of the examples of this trend is Moïse Fiction, the 2001 novel by the French writer of Jewish origin, Gilles Rozier, analysed in the present article. The hypertextual techniques, which result in the proximisation of the figure of Moses to the reality of the contemporary reader, constitute literary profanation, but at the same time help place Rozier’s text in the Jewish tradition, in the spirit of talmudism understood as an exchange of views, commentaries, versions and additions related to the Torah. It is how the novel, a new “midrash”, avoids the simple antinomy of the concepts of the sacred and the profane. Rozier’s Moses, conscious of his complex identity, is simultaneously a Jew and an Egyptian, and faces, like many contemporary Jewish writers, language dilemmas, which constitute one of the major motifs analysed in the present article. Another key question is the ethics of the prophetism of the novelistic Moses, who seems to speak for contemporary people, doomed to in the world perceived as chaos unsupervised by an absolute being. Rozier’s agnostic Moses is a prophet not of God (who does not appear in the novel), but of humanism understood as the confrontation of a human being with the absurdity of his or her own finiteness, which produces compassion for the other, with whom the fate of a mortal is shared.

scholarly journals Герменевтические подступы к русской литературе

2018 ◽  
pp. 245-257
Author(s):  
Roman Szubin
Keyword(s):  
Russian Literature ◽  
The Self ◽  
The Other ◽  
The Novel ◽  
The World ◽  
New Space ◽  
Methodological Studies

The article is devoted to the search for a new space in the methodological studies on Russian literature. The author takes as its basis the method of hermeneutics  of words by Vardan Hayrapetyan. Especially the basic categories such as the world man (homo mundi), the Other and its variants: the self (rus. самость), otherness (rus. дру­гость), the alien (rus. чужесть) and two triads, which postulate two types of intellectual situations. In this regard, the author identifies the concept of the hybrid man of the hero of Russian literature in which a small person is a representative of an impersonal collective personality of the world man, home, family, ideas, etc. The author demonstrates the type of a hybrid man on the example of the protagonist of the novel by Vasily Shukshin Stepan Razin.

scholarly journals Does the novel coronavirus 2019 like heart more than the other family members of coronaviruses?

2020 ◽  
Vol 12 (2) ◽  
pp. 156-157
Author(s):  
Mohammad Mostafa Ansari Ramandi ◽  
Mohammadreza Baay ◽  
Nasim Naderi
Keyword(s):  
Middle East ◽  
Severe Acute Respiratory Syndrome ◽  
Family Members ◽  
Middle East Respiratory Syndrome ◽  
The Other ◽  
The Novel ◽  
The World ◽  
Future Challenges ◽  
Novel Coronavirus ◽  
Coronavirus Infections

The disaster due to the novel coronavirus disease 2019 (COVID-19) around the world has made investigators enthusiastic about working on different aspects of COVID-19. However, although the pandemic of COVID-19 has not yet ended, it seems that COVID-19 compared to the other coronavirus infections (the Middle East Respiratory Syndrome [MERS] and Severe Acute Respiratory Syndrome [SARS]) is more likely to target the heart. Comparing the previous presentations of the coronavirus family and the recent cardiovascular manifestations of COVID-19 can also help in predicting possible future challenges and taking measures to tackle these issues.

scholarly journals (Im)possible Escape? H. G. Wells, Utopia and the World State

2021 ◽  
Vol 6 ◽  
pp. 235-241
Author(s):  
Barbara Klonowska
Keyword(s):  
New York ◽  
The Other ◽  
The Political ◽  
Nation State ◽  
World State ◽  
Political Ideas ◽  
Utopian Studies ◽  
The World ◽  
The One ◽  
Recent Monograph

This article reviews the recent monograph by Maxim Shadurski, The Nationality of Utopia. H. G. Wells, England, and the World State (New York: Routledge, 2020) in the context of utopian studies on the one hand, and the political ideas of the nation state vs. world state on the other.

scholarly journals Intermingling of History and Politics in The God of Small Things

2018 ◽  
Vol 9 (4) ◽  
pp. 138
Author(s):  
Md. Abdul Momen Sarker ◽  
Md. Mominur Rahman
Keyword(s):  
The Political ◽  
The Novel ◽  
Indian Culture ◽  
Arundhati Roy ◽  
Political Condition ◽  
The World ◽  
History Of ◽  
Democratic Election ◽  
Small Things ◽  
First Time

Suzanna Arundhati Roy is a post-modern sub-continental writer famous for her first novel The God of Small Things. This novel tells us the story of Ammu who is the mother of Rahel and Estha. Through the story of Ammu, the novel depicts the socio-political condition of Kerala from the late 1960s and early 1990s. The novel is about Indian culture and Hinduism is the main religion of India. One of the protagonists of this novel, Velutha, is from a low-caste community representing the dalit caste. Apart from those, between the late 1960s and early 1990s, a lot of movements took place in the history of Kerala. The Naxalites Movement is imperative amid them. Kerala is the place where communism was established for the first time in the history of the world through democratic election. Some vital issues of feminism have been brought into focus through the portrayal of the character, Ammu. In a word, this paper tends to show how Arundhati Roy has successfully manifested the multifarious as well as simultaneous influences of politics in the context of history and how those affected the lives of the marginalized. Overall, it would minutely show how historical incidents and political ups and downs go hand in hand during the political upheavals of a state.

To Speak in a Secular Fashion of God

2013 ◽  
Author(s):  
Harvey Cox
Keyword(s):  
Historical Change ◽  
The Other ◽  
Social Differentiation ◽  
The Political ◽  
Characteristic Mode ◽  
Political Issue ◽  
The World

This concluding chapter argues that speaking about God in a secular fashion is both a sociological problem and a political issue. The reason speaking about God in the secular city is in part a sociological problem is that all words, including the word God, emerge from a particular sociocultural setting. When words change their meanings and become problematical, there is always some social dislocation or cultural breakdown which lies beneath the confusion. There are basically two types of such equivocality; one is caused by historical change, the other by social differentiation. However, speaking about God in a secular fashion is not just a sociological problem. Since views of the world in today's period are being politicized, in which the political is replacing the metaphysical as the characteristic mode of grasping reality, “naming” today becomes in part also a political issue.

Menggarami burung terbang: Local understandings of national history

2011 ◽  
Vol 167 (1) ◽  
pp. 1-15 ◽  
Author(s):  
Pamela Allen
Keyword(s):  
The Political ◽  
The Novel ◽  
National History ◽  
Political Events ◽  
The World

This paper focuses on the ways in which watershed events in Indonesian national history are illuminated in a work of fiction, and how a Javanese worldview gives rise to particular, localized understandings of the events. The work of fiction is Sitok Srengenge's first novel, Menggarami burung terbang (Seasoning the flying bird), the action of which is bracketed by the years 1948 and 1965. The protagonists of the novel are unassuming village folk who are bewildered at the political events and mass brutality that overtake them, and whose understanding of the world is filtered through natural omens. Such a worldview is described by Quinn (1992:124) as a 'teleological' view of phenomena, in other words a belief that everything that exists and happens - including natural omens - does so for a final purpose, that there is a reason for everything.

The Free Press: Necessary Illusions

2016 ◽  
Vol 15 (3) ◽  
pp. 826-843
Author(s):  
John Charney
Keyword(s):  
Political Economy ◽  
Free Speech ◽  
Social Reality ◽  
False Belief ◽  
The Other ◽  
The Political ◽  
Free Press ◽  
The Press ◽  
The World ◽  
False Idea

This article claims that the relevance of the ‘truth argument’ to free speech theory is based on an illusion. According to some critical perspectives this illusion consists in the false belief that a free press is a proper means for the mediation of social reality. The Critique of the Political Economy of the Press attributes it to the modes of production of the press in capitalist systems. Some cultural theorists, on the other hand, claim that the press cannot adequately represent reality because reality is non-representable. Building upon but superseding these approaches, this article affirms that the illusion of the free press is not merely a false idea of what the press really is. The illusion is – in contrast – an epistemological necessity: we need the illusion of a free press in order to retain the belief of a correspondence between the world that appears through the press and that same world as it is in itself.

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