scholarly journals MOCKING NATION BUILDING AND IDENTITY. AN ANALYSIS OF CARICATURES IN HUNGARIAN, ROMANIAN, SERBIAN, AND SLOVAK SATIRICAL PERIODICALS IN THE MID TO LATE NINETEENTH CENTURY

2020 ◽  
pp. 150-182
Author(s):  
ÁGNES TAMÁS
Keyword(s):  
Nineteenth Century ◽  
Nation Building ◽  
The Self ◽  
The Other ◽  
Late Nineteenth Century ◽  
Building Process ◽  
The Press ◽  
Historical Memories ◽  
Definition Of

This paper aims to present a comparative analysis of caricatures published in Hungarian (Üstökös, Borsszem Jankó), Serbian (Bič, Vrač pogađač), Romanian (Gur’a Satului), and Slovak (Černokňažník) satirical press in Hungary in the second half of the nineteenth century. The depth of the connection between identity, nation building, and humour will be demonstrated. Theories of nationalism often emphasise the primacy of the role of the press and of print media in nation building processes. To investigate this, humorous printed sources have been selected. The comparison utilises and complements Anthony D. Smith’s definition of the ethnic core and reflects on Christie Davies’ theory of ethnic humour. Tethered by these concepts, the analysis of the caricatures investigates the following aspects: names for the Self and the Other, elements of culture and tradition (languages, habits, religions, supposed characteristics, clothing and bodily features), symbols of the Self and the Other, historical memories and myths of the common ancestry of the Self and the Other, and the definitions of “our” vs. “their” territory and homeland. This analysis reveals that the stereotypes observed in satirical magazines and the images of the Other and of the Self depicted through the use of humorous or ironic techniques can be effectively distinguished and connected to the nation building process and to the process of shaping “enemies”.

Illustrated Media, the Built Environment and Identity Politics in Fin-de-siècle Catalonia: Printing Images, Making the Nation

2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart
Keyword(s):  
Nineteenth Century ◽  
Built Environment ◽  
Identity Politics ◽  
Nation Building ◽  
Constitutive Relationship ◽  
Fin De Siecle ◽  
Late Nineteenth Century ◽  
Fin De Siècle ◽  
Late Nineteenth

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.

Lily Montagu and Liberal Judaism

2018 ◽  
Author(s):  
Richa Dwor
Keyword(s):  
Nineteenth Century ◽  
Social Work ◽  
Career Path ◽  
Late Nineteenth Century ◽  
The Press ◽  
Late Nineteenth

This chapter looks at the role of Judaism in late nineteenth-century culture, focussing on the life of Lily Montagu, whose importance lies in her activism and the unique way that she brought her faith (liberal Jewish) and her politics (socialist) into productive relationship. Montagu’s unorthodox career-path is traced and her social work and theology mapped in relation to larger debates about the Sabbath and sweated industries, at a time of heightened anxiety that Jewry was riven by a socialism in its midst. The chapter shows how models for female independence were in practice more varied than those represented in the press.

From Data to News: Weather Reporting, Telegraphy and the Press in Colonial Australia

2015 ◽  
Vol 157 (1) ◽  
pp. 93-102 ◽  
Author(s):  
Denis Cryle
Keyword(s):  
Nineteenth Century ◽  
South Australia ◽  
Late Nineteenth Century ◽  
Reading Public ◽  
The Press ◽  
Late Nineteenth

This article examines the role of telegraphy and newspapers in the provision of weather news during the late nineteenth century. In order to trace the transformation from data to news, the discussion begins by documenting the formation of both technical and professional meteorological networks, at a time when government observers across the colonies began to compile joint reports for an expanding reading public. In this respect, its focus will be primarily on the use of the inter-colonial telegraph, and upon two influential observers operating in different Australian colonies: Charles Todd in South Australia and Clement Wragge in Queensland. In order to explore the development of colonial weather networks in the age of the telegraph, the article examines the protracted press and professional controversy that arose between these two media personalities, and maps the transformation of weather telegrams into news by late colonial newspapers.

Displacing Political Islam in Indonesia

Itinerario ◽  
2021 ◽  
pp. 1-22
Author(s):  
Chiara Formichi
Keyword(s):  
Twentieth Century ◽  
Nation Building ◽  
Political Islam ◽  
The Self ◽  
The Other ◽  
The Political ◽  
Political Strategy ◽  
Political Force ◽  
Building Process ◽  
The One

ABSTRACT This article investigates the narrative of Islamic nationalism in twentieth-century Indonesia, focussing on the experience of, and discourse surrounding, the self-identified Islamist Darul Islam movement and its leader, S. M. Kartosuwiryo (1905–1962). I offer a narrative of the independence struggle that counters the one advanced by Indonesia's Pancasila state, and allows us to capture subtleties that old discussions of separatism—with their assumption of fixed centres and peripheries—cannot illuminate. The article unfolds three historical threads connected to ideas of exile and displacement (physical and intellectual), and the reconstitution (successful or failed) that followed from those processes. Starting from the political circumstances under which Kartosuwiryo retreated to West Java after the Dutch reinvasion of 1947—in a form of physical exile and political displacement from the centre of politics to the periphery, from a position of political centrality to one of marginality and opposition—I then transition to an elaboration of Kartosuwiryo's ideology. His political strategy emerges as a form of voluntary intellectual displacement that bounced between local visions of authority, nationalist projects, and transregional imaginations in order to establish the political platform he envisioned for postcolonial Indonesia. Lastly, I argue that the elision of Islam from the reconstructed narrative of Kartosuwiryo's intentions, characterised as separatist and anti-nationalist, was a key aspect of Indonesia's nation-building process. It is my final contention that official Indonesian history's displacement of Kartosuwiryo's goals away from Islam and into the realm of separatism allowed for two reconstitutive processes, one pertaining to political Islam as a negative political force, and the other to Kartosuwiryo as a martyr for Islam.

Cultural Encounters Offshore

2019 ◽  
pp. 67-109
Author(s):  
Andrés Baeza Ruz
Keyword(s):  
Nineteenth Century ◽  
Contact Zone ◽  
Nation Building ◽  
Late Nineteenth Century ◽  
Cultural Encounters ◽  
Building Process ◽  
Late Nineteenth ◽  
Personal Interactions ◽  
State Actors ◽  
Independence Era

During the wars for independence Britain maintained a policy of neutrality between Spain and its colonies. As a result, relations between Chile and Britain were largely enacted by ‘non–state’ actors. This chapter delves into the role played by one of these ‘non–state’ actors: British seamen who participated in the newly created Chilean navy from 1817 and their interactions with their Chilean counterparts. The analysis of the inter–personal interactions that took place on board reinforces the argument that Chile’s Independence era cannot be considered a prelude to the neo–imperial relations established in late nineteenth century. British seamen were rarely seen – and did not see themselves – as imperial agents. The navy worked as a ‘contact zone’, in which relationships were troubled. In addition, this brought about significant repercussions for the nation–building process in Chile.

scholarly journals Confessione e biografia: per un avvenire fondato nella storia. Note a partire da Jacques Derrida e Jean-Luc Marion

2017 ◽  
Vol 8 (1) ◽  
pp. 61-74
Author(s):  
Francesca Peruzzotti
Keyword(s):  
Jacques Derrida ◽  
Crucial Role ◽  
The Self ◽  
The Other ◽  
Negative Theology ◽  
The Future ◽  
Definition Of ◽  
The Relationship

This paper aims to draw a connection between Jacques Derrida and Jean-Luc Marion in regard to the role of negative theology. This scrutiny shows meaningful contributions of the Authors to a new definition of subjectivity in a post-metaphysical age, and their consideration about which possibilities are still open for a non-predetermined history given outside of the presence domain. The future is neither a totalisation of history by its end, nor a simple continuation of the present. It is an eschatological event, where the relationship with the other plays a crucial role for the self-constitution. Such an interlacement is generated by the confession, where the link between past and future is not causally determined, but instead it is self-witness, as in Augustine’s masterpiece, essential reference for both the Authors

From Container to Claustrum: Projective Identification in Couples

2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Tamara Feldman
Keyword(s):  
Psychological Health ◽  
Projective Identification ◽  
The Self ◽  
The Other ◽  
Intimate Partners ◽  
And Control ◽  
The Relationship ◽  
As If

This paper is a contribution to the growing literature on the role of projective identification in understanding couples' dynamics. Projective identification as a defence is well suited to couples, as intimate partners provide an ideal location to deposit unwanted parts of the self. This paper illustrates how projective identification functions differently depending on the psychological health of the couple. It elucidates how healthier couples use projective identification more as a form of communication, whereas disturbed couples are inclined to employ it to invade and control the other, as captured by Meltzer's concept of "intrusive identification". These different uses of projective identification affect couples' capacities to provide what Bion called "containment". In disturbed couples, partners serve as what Meltzer termed "claustrums" whereby projections are not contained, but imprisoned or entombed in the other. Applying the concept of claustrum helps illuminate common feelings these couples express, such as feeling suffocated, stifled, trapped, held hostage, or feeling as if the relationship is killing them. Finally, this paper presents treatment challenges in working with more disturbed couples.

Gender, Technology and the New Woman

2017 ◽  
Author(s):  
Lena Wånggren
Keyword(s):  
Nineteenth Century ◽  
New Woman ◽  
New Technologies ◽  
Gender And Sexuality ◽  
Literary Texts ◽  
Late Nineteenth Century ◽  
Gender And Technology ◽  
The New Woman ◽  
Grant Allen

This book examines late nineteenth-century feminism in relation to technologies of the time, marking the crucial role of technology in social and literary struggles for equality. The New Woman, the fin de siècle cultural archetype of early feminism, became the focal figure for key nineteenth-century debates concerning issues such as gender and sexuality, evolution and degeneration, science, empire and modernity. While the New Woman is located in the debates concerning the ‘crisis in gender’ or ‘sexual anarchy’ of the time, the period also saw an upsurge of new technologies of communication, transport and medicine. This book explores the interlinking of gender and technology in writings by overlooked authors such as Grant Allen, Tom Gallon, H. G. Wells, Margaret Todd and Mathias McDonnell Bodkin. As the book demonstrates, literature of the time is inevitably caught up in a technological modernity: technologies such as the typewriter, the bicycle, and medical technologies, through literary texts come to work as freedom machines, as harbingers of female emancipation.

Disruptions of the Local, Eruptions of the Feminine: Local Reportage and National Anxieties in Egypt’s 1890s

2018 ◽  
Author(s):  
Marilyn Booth
Keyword(s):  
Nineteenth Century ◽  
Gender Roles ◽  
Late Nineteenth Century ◽  
Female Images ◽  
The Feminine ◽  
Late Nineteenth ◽  
Advocacy Role ◽  
Representations Of Women ◽  
Gendered Expectations

This chapter demonstrates that inscriptions of female images in Cairo’s late nineteenth-century nationalist press were part of a discursive economy shaping debates on how gender roles and gendered expectations should shift as Egyptians struggled for independence. The chapter investigates content and placement of ‘news from the street’ in al-Mu’ayyad in the 1890s, examining how these terse local reports – equivalent to faits divers in the French press – contributed to the construction of an ideal national political trajectory with representations of women serving as the primary example in shaping a politics of newspaper intervention on the national scene. In this, an emerging advocacy role of newspaper correspondents makes the newspaper a mediator in the construction of activist reader-citizens.

Pater's Parerga: Framing the Imaginary Portraits

2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley
Keyword(s):  
Nineteenth Century ◽  
Formal Structure ◽  
Literary Genre ◽  
Late Nineteenth Century ◽  
Liminal Space ◽  
Critical Attention ◽  
Similar Operation ◽  
Late Nineteenth ◽  
The Relationship

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.

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