Cultural Encounters Offshore

Author(s):  
Andrés Baeza Ruz

During the wars for independence Britain maintained a policy of neutrality between Spain and its colonies. As a result, relations between Chile and Britain were largely enacted by ‘non–state’ actors. This chapter delves into the role played by one of these ‘non–state’ actors: British seamen who participated in the newly created Chilean navy from 1817 and their interactions with their Chilean counterparts. The analysis of the inter–personal interactions that took place on board reinforces the argument that Chile’s Independence era cannot be considered a prelude to the neo–imperial relations established in late nineteenth century. British seamen were rarely seen – and did not see themselves – as imperial agents. The navy worked as a ‘contact zone’, in which relationships were troubled. In addition, this brought about significant repercussions for the nation–building process in Chile.

Author(s):  
Andrés Baeza Ruz

This is a study on the relations between Britain and Chile during the Spanish American independence era (1806–1831). These relations were characterised by a dynamic, unpredictable and changing nature, being imperialism only one and not the exclusive way to define them. The book explores how Britons and Chileans perceived each other from the perspective of cultural history, considering the consequences of these ‘cultural encounters’ for the subsequent nation–state building process in Chile. From 1806 to 1831 both British and Chilean ‘state’ and ‘non–state’ actors interacted across several different ‘contact zones’, and thereby configured this relationship in multiple ways. Although the extensive presence of ‘non–state’ actors (missionaries, seamen, educators and merchants) was a manifestation of the ‘expansion’ of British interests to Chile, they were not necessarily an expression of any British imperial policy. There were multiple attitudes, perceptions, representations and discourses by Chileans on the role played by Britain in the world, which changed depending on the circumstances. Likewise, for Britons, Chile was represented in multiple ways, being the image of Chile as a pathway to other markets and destinations the most remarkable. All these had repercussions in the early nation–building process in Chile.


2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.


Urban History ◽  
2019 ◽  
Vol 46 (04) ◽  
pp. 722-746
Author(s):  
ANNE PETTERSON

ABSTRACT:Public monuments are considered an important tool in the nineteenth-century nation-building project. Yet while the intended (nationalist) message of the monumental landscape is often clear, the popular perception of the statues and memorials has been little problematized. This contribution analyses the popular interaction with public monuments in late nineteenth-century Amsterdam and questions whether ordinary people understood the nationalist meaning. With the help of visual sources – engravings, lithographs and the novel medium of photography – we become aware of the multilayered meanings and usages of the monuments in daily urban life, thus tackling the methodological challenge of studying the monumental landscape from below.


2014 ◽  
Vol 24 (1) ◽  
pp. 163-213 ◽  
Author(s):  
George Colpitts

In late nineteenth century and especially in the interwar years, “free traders” took advantage of better transport systems to expand trade with Dene people in the Athabasca and Mackenzie Districts. Well versed in fur grading and supported by credit in the expanding industrializing fur industry in the south, “itinerant” peddlers worked independently and often controversially alongside larger capitalized fur companies such as the Hudson’s Bay Company. A large number of these newcomers were Jews. This article suggests that Jews and, to a lesser extent, Lebanese and other Arabic traders became critical in the modernization of the Canadian North. They helped create an itinerant trader-Dene “contact zone” where the mixed meaning of credit, cash, and goods transactions provided northern Aboriginal trappers the means to negotiate modernism on their own terms in the interwar years. However, by the late 1920s, the state, encouraged by larger capitalized companies, implemented policies to restrict and finally close down this contact zone. The history of itinerant trading, then, raises questions about the long-term history of capitalism and co-related economic neo-colonialism in the Canadian north and their impact on First Nations.


Author(s):  
Anna Gasperini

Abstract This article compares images of food as temptation, and hunger as test, in two samples of late-nineteenth century British and Italian children’s literature. It reads the narratives alongside coeval popular medical manuals on child health, examining recurring descriptions of children as natural gluttons in works dedicated to child nutrition. Putting the select fiction and non-fiction in dialogue with moral, scientific, and nation-building middle-class discourses circulating in both countries, the article finds that the ‘gluttonous child’ narrative was both transnational and transtextual.


Author(s):  
ÁGNES TAMÁS

This paper aims to present a comparative analysis of caricatures published in Hungarian (Üstökös, Borsszem Jankó), Serbian (Bič, Vrač pogađač), Romanian (Gur’a Satului), and Slovak (Černokňažník) satirical press in Hungary in the second half of the nineteenth century. The depth of the connection between identity, nation building, and humour will be demonstrated. Theories of nationalism often emphasise the primacy of the role of the press and of print media in nation building processes. To investigate this, humorous printed sources have been selected. The comparison utilises and complements Anthony D. Smith’s definition of the ethnic core and reflects on Christie Davies’ theory of ethnic humour. Tethered by these concepts, the analysis of the caricatures investigates the following aspects: names for the Self and the Other, elements of culture and tradition (languages, habits, religions, supposed characteristics, clothing and bodily features), symbols of the Self and the Other, historical memories and myths of the common ancestry of the Self and the Other, and the definitions of “our” vs. “their” territory and homeland. This analysis reveals that the stereotypes observed in satirical magazines and the images of the Other and of the Self depicted through the use of humorous or ironic techniques can be effectively distinguished and connected to the nation building process and to the process of shaping “enemies”.


2013 ◽  
Vol 11 (1) ◽  
pp. 17-26 ◽  
Author(s):  
Leonard K. Eaton

In the late nineteenth century, the construction of warehouse districts became an important part of the building process in the North American city. These warehouse districts were the centres of activity for the wholesalers who were the key agents for the expansion of mercantile capitalism. The warehouses themselves were often structures of unusual architectural distinction. With the railroad station, the warehouse was ordinarily the true civic monument of the North American city. This article studies the process by which the wholesale district was formed.


2016 ◽  
Vol 12 (4) ◽  
pp. 469-483
Author(s):  
Eleanor Pritchard

AbstractSince the late nineteenth century, ideas about law, both Albanian and ‘other’, have played significant parts in the development of a sense of ‘Albanian-ness’ and remain central to the ongoing construction of the nation. In this paper, I examine how comparative thinking about ‘Albanian law’ in northern Albania and predominantly Albanian Kosovo has contributed to nation-building aims, with particular reference to comparative thinking around the Kanun of Lekë Dukagjin, an early-twentieth-century legal code rooted in northern-Albanian customary practices. I look at this from two perspectives: comparative thinking by the law-writer in the Kanun and comparative thinking by a contemporaneous writer about the Kanun. Through these perspectives, we gain a more nuanced understanding of the intellectual context of the Kanun’s production than is reflected in the existing literature, and a glimpse of its continued relevance today to ideas of nation.


Modern Italy ◽  
2020 ◽  
Vol 25 (4) ◽  
pp. 421-437
Author(s):  
Beatrice Falcucci

The Fascist model of exhibiting power and placing it in museum settings had its origins in the Liberal exhibitions of the late nineteenth century, and in the first exhibitions devoted to the Risorgimento. However, the regime's museum initiatives were numerous, innovative and varied, and many of them have not yet been adequately investigated; those launched in Italy's colonies, in particular, remain largely unexplored. This article highlights the surprisingly extensive network of museums and temporary exhibitions that Fascism initiated in Italian possessions abroad, involving prominent figures from the regime and contemporary culture, and shows how science, culture and nation-building (in both the colonies and the mother country, and between them) were interwoven in the Fascist museological project for the colonies.


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