scholarly journals From mathematical linguistics to philology: Some remembered impressions

2021 ◽  
Vol 12 ◽  
pp. 41-45
Author(s):  
Dorota Heck

The author recalls her youth in Wroclaw where Jerzy Woronczak — a  philologist and one of the pioneers in applying mathematical linguistics to literary analysis — worked. Woronczak was a true master for his students in the nineteen-seventies and eighties. It is interesting to trace the paradoxical journey from traditional Polish philology to mathematical linguistics, semiotics and structuralism fifty years ago, and from them to the new philology as a phenomenon of digital humanities.

2021 ◽  
Vol 35 ◽  
Author(s):  
Lauren Rouse

Reader comments appended to online fan fiction stories provide benefits as close reading and critical analysis tools. Fan fiction provides a space where fans can develop literary analysis skills and literacy through their interactions in comments. This multimethod study combined the interview of a fan author with various digital humanities methods to closely study the value of comments. A web scraping tool was used to collect comments, and documentary, textual, and terminological analyses were performed alongside topic modeling to assess the frequency of words associated with learning. The co-occurrence of certain words was studied to understand the assessments and analyses that readers were performing in their comments. The study found that fan fiction readers apply strategies of literary analysis to their pleasure reading.


Author(s):  
James E. Dobson

This chapter positions the use of machine learning within the digital humanities as part of a wider movement that nostalgically seeks to return literary criticism to the structuralist era, to a moment characterized by belief in systems, structure, and the transparency of language. While digital methods enable one to examine radically larger archives than those assembled in the past, a transformation that Matthew Jockers characterizes as a shift from micro to macroanalysis, the fundamental assumptions about texts and meaning implicit in these tools and in the criticism resulting from the use of these tools belong to a much earlier period of literary analysis. The author argues that the use of imported tools and procedures within literary and cultural criticism on the part of some digital humanists in the present is an attempt to separate methodology from interpretation. In the process, these critics have deemphasized the degree to which methodology participates in interpretation. The chapter closes by way of a return to the deconstructive critique of structuralism in order to highlight the ways in which numerous interpretive decisions are suppressed in the selection, encoding, and preprocessing of digitized textual sources for text mining and machine learning analysis.


AI Narratives ◽  
2020 ◽  
pp. 382-408
Author(s):  
Gabriel Recchia

By applying techniques used to understand large corpora within the digital humanities to a dataset of over 100,000 film subtitles ranging from the era of silent film to the present, this chapter presents a qualitative and quantitative overview of salient themes and trends in the way artificial intelligence is portrayed and discussed in twentieth- and twenty-first-century film. Examples are provided that demonstrate how combining the tools of traditional literary analysis with computational techniques for analysing large quantities of text can lead us to important texts, patterns, and nuanced insights that complement those derived from manual study alone.


2020 ◽  
Author(s):  
Oliver Moisich

This article will focus on teaching with digital humanities (DH) methods and tools as they relate to their practicability in the context of the classroom. It will concentrate on the specific challenges that the teaching of computational methods pose to educators who are experts in their discipline but might feel that they lack the technical know-how to steer their students towards DH. In particular, the article will introduce a number of tools that allow school students and educators to access digital approaches and to start appreciating their relevance for research. These include online resources for literary analysis, simple programs that may be used for research into media, and archival projects that stem from the collaboration of students and staff and bring neglected histories to an outside audience. While these tools do not demand any practical programming knowledge, I will also present resources that teach widely used coding languages such as Python and R on a step-by-step basis. The third and final part of the article will introduce a number of methods and services that empower educators to create a digital classroom with quantitative approaches and distant learning as their primary characteristics. Teaching these methods might prove challenging at first.; yet the hands-on, collaborative, quality of DH also leads to classroom situations in which students and staff become co-learners, and therefore leads to a democratizing effect.


2015 ◽  
Vol 7 (1) ◽  
pp. 90
Author(s):  
Catherine E. Saunders

This poster/demonstration session illustrates how the digital humanities publishing platform Omeka and its Neatline plugin can be used to guide students in a general education class through the process of conducting and reporting on a modest amount of original document-based research. The presentation centers around an Omeka/Neatline site created by students in an ENGH 202 (Texts and Contexts) section titled, "American Women's Bestsellers: Digital Humanities Perspectives." Students identified significant places in the novels they read, located primary sources that shed light on contemporary cultural associations with those places, created Omeka items based on the sources, and wrote item and exhibit text that explores the meaning of the place in the novel and in the culture from which the novel arose. The unfamiliar experience of using digital humanities tools encourages students to approach literary analysis from a fresh perspective, while Omeka's insistence on careful documentation of sources and Neatline's built-in geographic structure facilitate analysis that connects the course's twin themes: historical/cultural context and place. Participants will have the chance to interact with the Omeka site, which includes both student-created projects and instructor-created course materials.Student projects are available online at http://202s15.cesaunders.net/ and the course materials (which may be reused/adapted/remixed under the terms of a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported license) are posted at http://202s15.cesaunders.net/cmtls.


2015 ◽  
Vol 8 (2) ◽  
pp. 127-141
Author(s):  
Margrete Lamond

Literary analysis tends to be conceptual and top-down driven. Data-driven analysis, although it belongs more to the domain of scientific method, can nevertheless sometimes reveal elements of narrative that conceptual readings may fall short of identifying. In critiques of Burnett's The Secret Garden, the children's return to health is generally understood to be the result of their interactions with nature. Some readings add the power of storytelling as a healing force in the novel. Burnett's concept of magic has tended to be treated with uneasy abstractions, and the influence of affect on health remains open for further investigation. This article bases its argument on data-driven analysis that charts how affective content in the novel occurs in conjunction with references to magic. It identifies the narrative significance of negative allusions to nature and how concepts of magic occur alongside representations of positive affect, and suggests that the magic of healing in The Secret Garden is not the transforming power of biological nature, nor the transforming power of storytelling, but the transforming power of surprise, wonder and happiness in conjunction with all these factors. Positive affect represents the essence of what Burnett means by magic.


2013 ◽  
Vol 6 (2) ◽  
pp. 176-191
Author(s):  
Ester Vidović

The article explores how two cultural models which were dominant in Great Britain during the Victorian era – the model based on the philosophy of ‘technologically useful bodies’ and the Christian model of empathy – were connected with the understanding of disability. Both cultural models are metaphorically constituted and based on the ‘container’ and ‘up and down’ image schemas respectively. 1 The intersubjective character of cultural models is foregrounded, in particular, in the context of conceiving of abstract concepts such as emotions and attitudes. The issue of disability is addressed from a cognitive linguistic approach to literary analysis while studying the reflections of the two cultural models on the portrayal of the main characters of Charles Dickens's A Christmas Carol. The studied cultural models appeared to be relatively stable, while their evaluative aspects proved to be subject to historical change. The article provides incentives for further study which could include research on the connectedness between, on one hand, empathy with fictional characters roused by reading Dickens's works and influenced by cultural models dominant during the Victorian period in Britain and, on the other hand, the contemporaries’ actual actions taken to ameliorate the social position of the disabled in Victorian Britain.


1970 ◽  
Vol 4 (6) ◽  
pp. 17
Author(s):  
Vikram Patel

hetan Bhagat is one of the most influential fiction writers of contemporary Indian English literature. Postmodern subjects like youth aspirations, love, sex, marriage, urban middle class sensibilities, and issues related to corruption, politics, education and their impact on the contemporary Indian society are recurrently reflected thematic concerns in his fictions. In all his fictions, he has mostly depicted the contemporary urban social milieu of Indian society. Though the fictions of Chetan Bhagat are romantic in nature, contemporary Indian society and its major issues are the chief of the concerns of all his fictions. He has focused on the contemporary issues of middle class family in his fictional works. All of the chief protagonists of his works are sensitive youth and they do not compromise with the prevalent situations of society. Most of the characters are like caricatures that represent one or the other vice or virtue of the contemporary Indian society. The author has a mastery to convince the reader about the prevalent condition of society so that one can easily reproduce in mind, a clear cut image of contemporary Indian society. The present article is a sincere endeavor to present the detailed literary analysis of the select fictions of Chetan Bhagat keeping in mind how the contemporary Indian society has been replicated in the fictions.


2020 ◽  
Vol 6 (Extra-A) ◽  
pp. 157-161
Author(s):  
Lutfullo Eshonovich Ismoilov ◽  
Ramil Tagirovich Yuzmukhametov ◽  
Markhabo Tukhtasunovna Rajabova

The article considers the topic of the Plant World in the Sufi writings of the 16th century Transoxiana, based on the material of manakibs, i. e. the so-called Lives of the Saints. The significance and relevance of the topic is due to the need to study the issues of semantic interpretation of the concept of plant and plant world in Sufi writings. Hence, the purpose of this article is to disclose the diverse meanings of the concept of the “World of Plants” contained in the 16th-century Transoxiana manakibs of such authors as Abdurakhman Jami, Abu-l Baka b. Khodzha Bakha-ud-din, Khusein Serakhsi. The main method in the study of this issue is the historical and comparative method, and the method of literary analysis, which allows you to create a holistic understanding of the symbolism of the Plant World in Sufi writings of Transoxiana of the 16th century.      


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