scholarly journals ISLAM AND LOCAL CULTURE IN TIMOR

2020 ◽  
Vol 4 (1) ◽  
pp. 57-83
Author(s):  
Bertolomeus Bolong ◽  

Religious teachings come from Allah's revelation while culture is a human creation. However, religion and culture are two things that influence each other. Religious values and cultural values penetrate and shape the character of the community who adhere to them. This paper is a study of the life of Islam in East Nusa Tenggara Province in its interaction with local culture. Muslims in Timor who come from various ethnic and cultural backgrounds are people who are devout in practicing their religious faith. But on the other hand, they also stick to and obey their culture. In its embodiment, religion purifies culture and culture forms the character of society to be loyal to their religious faith.

2019 ◽  
Vol 14 (1) ◽  
pp. 42
Author(s):  
Ahmad Izzuddin

Islamic marriage rules in practice form values that are lived out and practiced in the context of cultural society so that they emerge as symbols as a form of the dialectical process between religious values and cultural values. As an example of the concept of dowry in Islam which has two dimensions, the universality of the values adhered to by all its adherents and also the value locality that is formed from the dialectical process that occurs between religious teachings and the local culture of the adherents. This was seen in the santri community in Karangbesuki Village, Malang City in determining the dowry in their marriage by identifying aspects of the normative dowry in the fiqh that they embraced into their marital culture.


2020 ◽  
Vol 43 (1) ◽  
pp. 180-188
Author(s):  
Afonso de Albuquerque

Non-western scholars usually face a dilemma if they want to pursue an international scholarly career: On the one hand, mastering western media theories is mandatory for taking part in international forums and exchanging experiences with people from different parts of the world; on the other hand, these theories are, in many aspects, foreign to their cultural backgrounds and, in many cases, seem inadequate for describing their own societies. My personal contribution to the debate arises from the fact that, although having some experience in participating in Anglophonic communication meetings and publishing in international academic vehicles, I never had first-hand experience, either as a student or as a professor, in American or European universities. In consequence, I was exposed to Western Anglophonic theories without being socialized in a scholarly environment in which they are taken as ‘natural’. Based on this experience, I contend that the global impact of western theories cannot be explained only by their intrinsic merits, but as the result of the socialization of scholars from all parts on the world in western educational institutions, and the networks built around them.


2006 ◽  
Author(s):  
Maria Schoina

Abstract Considering the largely unacknowledged connection between Byron and Mary Shelley on the logistics which pertain to the experience of crossing-over cultures, this paper investigates the notion of authentic Italianisation as exemplified in their related texts, and discusses its problematics in the context of the dominant themes and preoccupations in Romantic culture. Thus, on the one hand, my paper examines how the Romantic anticipation of being immersed in local culture and of “going native” is articulated – or rather, performed – by Byron himself, by considering specific rhetorical strategies and figures of filiation he used to ground his relationship to Italian place. More specifically, I contend that although Byron’s polymorphic identification to Italian place is constructed in the imagination, it is also grounded in time- and space-bound actions and involves a structure of social relations. On the other hand, the paper delineates how Byron’s idiosyncratic immersion into Italianness is theorised by Mary Shelley and counted on as a model of second culture acquisition.


1970 ◽  
Vol 18 (1) ◽  
pp. 35-44
Author(s):  
Ahmad Mukhlishin ◽  
Muhammad Jamil ◽  
Aprezo Pardodi Maba

Islam as a religion that is present in all tribes in the archipelago as a value system that integrates with the local culture, so this is often seen by people outside the tribe with Islam Minangkabau, Javanese Islam, and so on. The accumulation of cultures with various intercourses called multiculturalism. But the great possibility both can play an important role in shaping a new culture, because there is a dialogue between the orders of religious values ​​that become the idealism of a religion with local cultural values. As a system of knowledge, religion is a belief system that is full of moral teachings and guidance of life must be studied, examined and then practiced by man in his life. In this case religion provides clues about the "good and bad that are inappropriate and inappropriate" and the "right and inappropriate". Religious values ​​can form and develop human behavior in their daily lives. It is therefore not difficult to understand that having a common symbol is the most effective way to strengthen unity among religious followers. This is because the meaning of these symbols deviates far from the intellectual definitions so that the symbol's ability to unite is greater, whereas the intellectual definition causes division. Symbols can be shared because they are based on feelings that are not formulated too tightly. That is why Islam has historically come to various parts of the archipelago with a relatively peaceful atmosphere with almost no tension and conflict. Islam can easily be accepted by society as a religion that brings peace, even though at that time people have been religious and have their own belief in animism, dynamism, Hinduism and Buddhism. The spread of Islam causes the emergence of Islamic patterns and variants that have uniqueness and uniqueness. It must be realized that the existence of Islam in Indonesia is never single.


2019 ◽  
Vol 12 (2) ◽  
pp. 61-78
Author(s):  
Sayed Sikandar Shah Haneef ◽  
Mohd Abbas Abdul Razak

Technological developments in the domain of fertility treatment in spite of thier utilitarian uses come with a plethora of ethico-religious challenges for people of faith particularly if they contradict some of their core religious values and beliefs about human procreation. The most disruptive among such challenges is declaring parental choice of a specific gender to their future offspring as part of their reproductive liberty (right). As to how major semitic religions, such as Christionaity and Islam respond to it, the answer is polemical. Christianity genrally objects to it mainly because it turns procreation into a manufacturing business instead of leaving the sex of a baby to God. The Islamic position, on the other hand, is less rigid as the majority of Sunni Muslim legists, without much reflections on its ethical dilemmas, approve it not only for medical reason but also family balancing while dissenting views among them consider it a direct affront on what God has declard to be His domain of perfection of human procreation. This paper, therefore, argues that defining parents` decision on sexing a “right” or “liberty” is difficult to maintain unless a far-fetched perspective of scriptural texts is adopted.


1997 ◽  
Vol 33 (3) ◽  
pp. 43-62
Author(s):  
Brenda Dunn-Lardeau

In 1534 Pierre de Sainte Lucie published Jehan Du Pré's Le Palais des Nobles Dames in which the treatment of the theme of prodigious births and death in childbirth is of particular interest compared to that of his sixteenth century contemporaries. On the one hand, the author's religious faith enables him to adopt a sympathetic attitude toward certain aspects of pregnancy such as unusual variations in gestation length. On the other hand, the same faith limits Du Pré's critical powers since it prevents him from distinguishing legend from reality. His conception of motherhood is confined to the biological level. Finally, the woodcuts represent midwives still playing a major role in obstetrics in contrast with their growing marginalization by surgeons in the fifteenth and sixteenth centuries.


2020 ◽  
Vol 6 (01) ◽  
pp. 101
Author(s):  
Dhika Yuan Yurisma ◽  
Muhammad Bahruddin

ABSTRACT This research attempts to dismantle the meaning in the Ponogogo Reog symbol by using Javanese tradition studies, both in asthabrata teachings and Javanese cosmogony: keblat papat kelimo pancer. This research is important because not many people understand the meaning contained in the Reog symbols. On the other hand, the Reog symbols are now being reduced by the interests of commercialism so as to eliminate the valuable values in them. This can be seen in the use of Reog symbols which are used as a citybranding media in the city of Ponorogo and performances that come out of the standards Reog tradition. Reog's art has turned into a commodity that is traded to the market. This study uses qualitative methods using a critical paradigm. A paradigm that assesses social reality is not a neutral reality, but is deliberately shaped by and for political, economic, and social interests that are dominated by dominant groups in society by collecting data through observation and in-depth interviews with experts in the field of Javanese culture, specifically about Reog to obtain the meaning of the Reog Ponorogo symbol from Javanese tradition. The results of this study describe the meaning in the Reog symbol and see the development of traditional Javanese art is reduced by market interests. The symbols in Reog Ponorogo have meanings related to lust that exists in humans. Symbolization in Reog's art forms valuable meanings and values in society. in general, Reog Ponorogo is a show that can provide guidance in living life for those who see it or understand it deeply. Reog is no longer an art and culture that requires special rituals in every performance but is commodified into a commercial merchandise. At this stage, Reog's products are adjusted to market demands with market standards as well. Products related to Reog are then mass-produced and even made replicas that resemble Reog. Keywords: Reog, Ponorogo, Symbols, Meanings, Cultural Values, Commodities ABSTRAK Penelitian ini berusaha membongkar makna dalam simbol Reog Ponorogo dengan menggunakan kajian tradisi Jawa, baik dalam ajaran asthabrata maupun kosmogoni Jawa: keblat papat kelimo pancer.Penelitian in penting karena tidak banyak masyarakat memahami makna yang terkandung dalam simbol-simbol Reog. Di sisi lain, simbol-simbol Reog saat ini mulai direduksi oleh kepentingan komersialisme sehingga menghilangkan nilainilai adiluhung di dalamnya.Hal ini tampak dalam penggunaan simbol-simbol Reog yang digunakan sebagai media citybranding kota Ponorogo maupun pertunjukan-pertunjukan yang keluar dari pakem-pakem tradisi Reog. Seni Reog berubah menjadi sebuah komoditas yang diperdagangkan ke pasar. Penelitian ini menggunakan metode kualitatif dengan menggunakan paradigma kritis. Sebuah paradigma yang menilai realitas sosial bukan sebagai sebuah realitas yang netral, melainkan sengaja dibentuk oleh dan untuk kepentingan politik, ekonomi, dan sosial yang dikuasai oleh kelompok-kelompok yang dominan dalam masyarakat dengan pengumpulan data melalui observasi dan wawancara mendalam kepada ahli bidang kebudayaan Jawa, khususnya tentang Reog untuk memperoleh makna-makna simbol Reog Ponorogo dari tradisi Jawa. Hasil dari penelitian ini mendiskripsikan makna dalam simbol Reog sekaligus melihat perkembangan seni tradisional Jawa ini tereduksi oleh kepentingan pasar. Simbol-simbol dalam Reog Ponorogo memiliki makna terkait dengan nafsu yang ada dalam diri manusia. Simbolisasi dalam kesenian Reog membentuk makna-makna dan nilai-nilai adiluhung di masyarakat. secara umum, Reog Ponorogo merupakan sebuah pertunjukan yang bisa memberikan tuntunan dalam menjalani kehidupan bagi yang melihatnya atau mengerti secara mendalam. Reog bukan lagi sebuah seni budaya yang memerlukan ritual khusus dalam setiap pertunjukan melainkan dikomodifikasi menjadi sebuah barang dagangan yang dikomersialkan. Pada tahapan ini, produk Reog disesuaikan dengan permintaan pasar dengan standar-standar pasar pula. Produk-produk yang berkaitan dengan Reog kemudian diproduksi secara massal bahkan dibuat replika-replika yang menyerupai Reog. Kata Kunci: Reog, Ponorogo, Simbol, Makna, Nilai Budaya, Komoditas


2020 ◽  
Vol 1 (2) ◽  
pp. 210-225
Author(s):  
Sonny Dewi Judiasih ◽  
Elycia Feronia Salim ◽  
Agitha Putri Andany Hidayat ◽  
Cynthia Kurniawan ◽  
Rifny Meirizka ◽  
...  

Abstrak Seiring perkembangan zaman, dewasa ini terdapat orang yang berkeinginan mengubah jenis kelaminnya yang disebut sebagai transeksual. Faktor yang menyebabkan seseorang menjadi transeksual selain dari faktor hormonal dapat juga terjadi karena pengaruh faktor lingkungan. Dalam hal ini akan menimbulkan masalah dalam segala aspek hukum dan bidang kehidupan salah satunya terkait dengan pewarisan bagi transeksual. Di Indonesia, eksistensi hukum adat terutama dalam hal waris masih diakui. Masyarakat adat khususnya adat Minangkabau yang menjunjung tinggi nilai-nilai dan norma agama Islam tentunya menolak keberadaan transeksual di lingkungan mereka dan dengan ditolaknya keberadaan transeksual di Adat Minangkabau, transeksual tidak berhak dalam pewarisan dalam waris adat khususnya di Minangkabau. Tujuan dari penulisan ini adalah untuk mengetahui, menjelaskan dan menganalisis tentang pewarisan transeksual dalam Hukum Waris Adat Minangkabau. Kata Kunci : agama, hukum adat, hukum waris, transeksual Abstract Along with the times, there are people who wants to change their sex, which is called transsexual. Factor that cause a person to become transsexual aside from hormonal factors can also occur due to the influence of environmental factors. On the other hand returning to norms and religion is considered to violate the norms and values of custom and religion, in this case, it will cause problems in all aspects of law and life, one of which is related to inheritance for transsexual. In Indonesia, the existence of Adat Law esspecialy in heir matter still recognized. Indigenous peoples especially Adat Minangkabau, who uphold Islamic religious values and norms naturally reject the existence of transsexual in their environment. There fore, transsexual are not entitled to inhertitance in Adat Minangkau in inheritance. The purpose in this paper is to find out, explain, and analyze abput transsexual inhertitance in Minangkabau Adat Law. Keyword : adat law, inheritance adat law, religion, transsexual


2017 ◽  
Vol 15 (2) ◽  
pp. 273
Author(s):  
Donald Qomaidiansyah Tungkagi

This article discusses how the encounter of Islam and culture in Indonesia, and how Islam on one hand  affects culture and on the other hand it is influenced by culture. The encounter between Islam and local culture has formed a new habitat that is later called the Islamic Nusantara tradition. The findings in this article prove that the interaction of Islam with local culture occurs in a socio-historical context influenced by the pattern of the spread of Islam in the archipelago. By using the theory of Taufik Abdullah in this article the author compares the three variants of Islamic Nusantara with the pattern and uniqueness of each form: a) Javanese variant, there is a process of acculturation between Islam and culture which are equally strong. The Javanese Islamic variant describes the result of a reconciliation process between identity, belief and the style of Javanese and Islam as "Mystic Synthesis". B) Minangkabau variant, born from "Negotiation of Islam and Adat" as a very thick area of Islamic and customary nuances make the dimensions in Islamic variants in Minangkabau cannot be separated from the conflict between the two parties who gave the role. C) Gorontalo variant, with different Islamiza­tion process with other kingdoms in the Nusantara in general. Since the early period of Islamic encounter with Gorontalo culture, there has been more tangible "Integration between Islam and Adat". Keywords: Java, Minangkabau, Gorontalo, Islam NusantaraArtikel ini mendiskusikan bagaimana perjumpaan Islam dan budaya di Indonesia, dan bagaimana Islam pada satu sisi berpengaruh terhadap budaya dan di sisi lain dipengaruhi oleh budaya. Perjumpaan antara Islam dan budaya lokal telah membentuk habitat baru yang belakangan disebut tradisi Islam Nusantara. Temuan dalam artikel ini membuktikan bahwa interaksi Islam dengan budaya lokal terjadi dalam konteks sosio-historis yang dipengaruhi pola penyebaran Islam di kawasan Nusantara. Dengan menggunakan teori Taufik Abdullah dalam artikel ini penulis memban­ding­kan tiga varian Islam Nusantara dengan corak dan keunikannya masing-masing diantaranya: a) Varian Jawa, terjadi proses akulturasi an­tara Islam dan budaya yang sama-sama kuat. Varian Islam Jawa meng­gambarkan hasil proses rekonsiliasi antara identitas, keyakinan serta gaya Jawa dan Islam ini dengan sebutan “Sintesis Mistik”. b) Varian Minang­kabau, lahir dari “Negosiasi Islam dan Adat” sebagai wilayah yang sangat kental nuansa Islam dan adat membuat warna dalam varian Islam di Minangkabau tidak lepas dari dari konflik antara dua pihak yang memberi peranan tersebut. c) Pola Gorontalo, dengan proses Islamisasi yang ber­beda dengan kerajaan-kerajaan di Nusantara pada umumnya. Sejak periode awal perjumpaan Islam dengan budaya Gorontalo lebih berwujud “Integ­rasi antara Islam dan Adat”.Kata kunci: Jawa, Minangkabau, Gorontalo, , Islam Nusantara 


2019 ◽  
Vol 4 (2) ◽  
pp. 111
Author(s):  
Sandra Megayanti ◽  
Arie Elcaputera

Abstact : Local wisdom is part of the field of community life that reflects the cultural values. Every region in Indonesia has its own local wisdom, some of which is still preserved today. For the example, one of the local wisdoms in Bengkulu community, Tabot festival which is routinely held every year that it has religious values and local culture. But in its implementation, there are things that are debated, especially regarding the tendency for practices that are contrary with the values of Islam. Therefore, in this article will discuss about  the local wisdom of the Bengkulu people in the Tabot Festival and the concept of the Tabot Festival based on the Receptio In Complexu theory.Keywords: Local Wisdom; Tabot Festival; Receptio In Complexu Theory.


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