scholarly journals When private property masquerades as public space: the shifting face of publicness in London’s city squares

2020 ◽  
Vol 9 (1) ◽  
pp. 141-159
Author(s):  
Jessie Martin
Keyword(s):  
Public Space ◽  
Private Property ◽  
Public Life ◽  
Local Communities ◽  
Public Land ◽  
The Public ◽  
Public Square ◽  
Private Corporations ◽  
The City ◽  
Spatial Identity

"Access to space is fundamentally related to social status and power...changing the allocation of space is inherently related to changing society" (Weisman, 1992)   In contemporary London, a pattern has emerged whereby private corporations create and take ownership of public space, but the type of publicness they promote is conditional. In private-public space, private property masquerades as public land with rules of inhabitation often impenetrable, unknowable until they are broken. International owners activate networks of relations beyond the local; I question how private-public space fits with local communities, and how these networks shift notions of authenticity and inauthenticity in relation to public belonging. There is a specific focus on the public square as a form of private-public space, because the city square has a long-established spatial identity that embodies notions of publicity. The public square stimulates and contains public life, and neoliberal dynamics of ownership and management threaten public assemblages. Private-public squares do not fit into the majority of theories that have been developed on place, public space and private dynamics, but they are exemplative of a type of space increasingly prominent in Britain. I focus on four private-public squares in London to examine what can be learnt when a format of space is reproduced under incompatible conditions. How do these spaces work on a quotidian level and how does this intervention in public life shift urban identities and behavioural paradigms? The basis of my research is to examine concepts of publicness and privateness and how they apply to private-public squares in London, whilst utilising the practice of photography, observation and inhabitation to gain empirical ethnographic evidence. My research intends to assemble a toolkit to facilitate understanding about pseudo-public space, rather than ascribe fixed meanings to a subject which requires specificity.

scholarly journals Public space: an exhibition of photography and video

2021 ◽  
Author(s):  
Martin Franchi
Keyword(s):  
New York ◽  
Public Space ◽  
General Public ◽  
Private Property ◽  
Urban Environments ◽  
First Century ◽  
The Public ◽  
Unrestricted Access ◽  
Private Corporations ◽  
The Public Sphere

Public Space is a photographic and video project examining the relationship between the public sphere and private corporations. The project explores various sites throughout Toronto and New York that are on private property but have been built with the intention of allowing the general public to have unrestricted access to these areas. These spaces are referred to as Privately Owned Public Space or “POPS”. The goal of the project is to question and document, through photographic and video practice, these spaces within the urban environment and to challenge others to consider whether these spaces are effective in achieving their intended use and if they are truly accessible to the general public. Loss of the public space is an ongoing issue that faces cities and developers often receive concessions to bylaw zoning requirements in exchange for incorporating POPS. This thesis project is a personal exploration of how these spaces are changing the urban environments of North American cities in the twenty first century.

The Changes in Character of the City Center in Sofia

1995 ◽  
Author(s):  
Maya Nanitchkova-Ozturk ◽  
Keyword(s):  
Economic System ◽  
Public Space ◽  
Public Life ◽  
Value Systems ◽  
Spiritual Needs ◽  
Power Structures ◽  
Social Significance ◽  
City Center ◽  
The Public ◽  
The City

This paper aims to provide insight into the repercussions of the recent changes in power structures and economic system in Bulgaria on the architectural features of public spaces in the city center. Within the general instability and confusion, increasing deterioration of the public domain is observed and this is interpreted as a field of opportunities through which the meaning of architectural environment as support of public life and its social significance could be regained. Whether and how this potential can turn into quality depends on a variety of factors, some of which are suggested as areas of inquiry. These include value systems of the society and the architectural practice respectively and their relationship. The architectural environment cannot fully determine the public life of a city, rather it can support the attainment of the practical and spiritual needs of people, expanding experience while allowing for dwelling. In a general condition of confusion and deterioration observable in almost every aspect of life in Bulgaria resulting from the fragmentation of power, the change of the economic system and the instability of values, the weight of responsibility concerning the qualities of public space tends to shift. It is important to identify the changing features of public space in relation to the forces effecting them. Thus directions of inqulry into conditions promoting positive developments could be recognized in terms of aspects of cultural wealth of the society as well as in terms of reassessing the role of the architect-planner.

Multiculturalism, gentrification, and Islam in the public space: the case of Baitul Mukarram in Lavapiés

2021 ◽  
Vol 18 (1) ◽  
pp. 85-96
Author(s):  
Óscar Salguero Montaño ◽  
Hutan Hejazi
Keyword(s):  
Public Space ◽  
Public Life ◽  
Religious Communities ◽  
Right To The City ◽  
Social Actors ◽  
The Public ◽  
The City

In plural and secular societies today, religious communities understand access to public space as a right to the city. Thisright legitimises their status as social actors and, through various notions linked to modernity and transparency, entitlesthem to have a public life and be recognised by others. By examining the case of Bangladeshi Muslims in Lavapiés, oneof Madrid’s multicultural district undergoing intense gentrification and touristification processes, this article analyses theconditions through which this community accesses public space and achieves legitimisation and recognition through different practices and discourses displayed in a variety of events and festivities.

scholarly journals Public space: an exhibition of photography and video

2021 ◽  
Author(s):  
Martin Franchi
Keyword(s):  
New York ◽  
Public Space ◽  
General Public ◽  
Private Property ◽  
Urban Environments ◽  
First Century ◽  
The Public ◽  
Unrestricted Access ◽  
Private Corporations ◽  
The Public Sphere

Public Space is a photographic and video project examining the relationship between the public sphere and private corporations. The project explores various sites throughout Toronto and New York that are on private property but have been built with the intention of allowing the general public to have unrestricted access to these areas. These spaces are referred to as Privately Owned Public Space or “POPS”. The goal of the project is to question and document, through photographic and video practice, these spaces within the urban environment and to challenge others to consider whether these spaces are effective in achieving their intended use and if they are truly accessible to the general public. Loss of the public space is an ongoing issue that faces cities and developers often receive concessions to bylaw zoning requirements in exchange for incorporating POPS. This thesis project is a personal exploration of how these spaces are changing the urban environments of North American cities in the twenty first century.

Conclusion

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Health ◽  
Public Space ◽  
Social Conflict ◽  
Musical Performance ◽  
The Public ◽  
Political Interests ◽  
Musical Practices ◽  
The Media ◽  
The City

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.

Conquering the Public Space

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Public Space ◽  
Social Services ◽  
Social Groups ◽  
Public Image ◽  
Working Classes ◽  
The Public ◽  
San Bernardino ◽  
The City

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.

scholarly journals Activating Data through Eco-Didactic Design in the Public Realm: Enabling Sustainable Development in Cities

2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran
Keyword(s):  
Sustainable Development ◽  
Public Space ◽  
Knowledge Exchange ◽  
Public Spaces ◽  
Public Realm ◽  
Design Data ◽  
Art And Design ◽  
The Public ◽  
Community Based Design ◽  
The City

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.

Mocking Parades and the Place of Pagan Statuary in Late Antique Alexandria

2020 ◽  
Vol 24 (2) ◽  
pp. 270-288
Author(s):  
Jonathan Stutz
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Religious Communities ◽  
Late Antique ◽  
Mob Violence ◽  
Visual Contact ◽  
The Public ◽  
Sacred Objects ◽  
The One ◽  
The City

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.

Reconceptualizing the Public Spaces of New Urban Areas in Hanoi: The End or the New of Public-Making?

2021 ◽  
Vol 12 (1) ◽  
Author(s):  
Minh-Tung Tran ◽  
◽  
Tien-Hau Phan ◽  
Ngoc-Huyen Chu ◽  
◽  
...  
Keyword(s):  
Public Space ◽  
Urban Areas ◽  
Public Spaces ◽  
The Public ◽  
Doi Moi ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
The City ◽  
Neighborhood Level

Public spaces are designed and managed in many different ways. In Hanoi, after the Doi moi policy in 1986, the transfer of the public spaces creation at the neighborhood-level to the private sector has prospered na-ture of public and added a large amount of public space for the city, directly impacting on citizen's daily life, creating a new trend, new concept of public spaces. This article looks forward to understanding the public spaces-making and operating in KDTMs (Khu Do Thi Moi - new urban areas) in Hanoi to answer the question of whether ‘socialization’/privatization of these public spaces will put an end to the urban public or the new means of public-making trend. Based on the comparison and literature review of studies in the world on public spaces privatization with domestic studies to see the differences in the Vietnamese context leading to differences in definitions and roles and the concept of public spaces in KDTMs of Hanoi. Through adducing and analyzing practical cases, the article also mentions the trends, the issues, the ways and the technologies of public-making and public-spaces-making in KDTMs of Hanoi. Win/loss and the relationship of the three most important influential actors in this process (municipality, KDTM owners, inhabitants/citizens) is also considered to reconceptualize the public spaces of KDTMs in Hanoi.

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