scholarly journals Efektifitas Metode Eksplorasi Konsep dalam Studio Perancangan Arsitektur Tematik Bagi Mahasiswa Studi Kasus: Universitas Merdeka Surabaya

Arsitektura ◽  
2019 ◽  
Vol 17 (2) ◽  
pp. 249
Author(s):  
Vijar Galax Putra Jagat Paryoko

<p class="Abstract"><em>Study in thematic architectural design studios for undergraduate students requires the participants to be able to convey the image and the meaning behind it through architectural design. Skills on comprehensive design process and utilization of appropriate methods are determine the success on implementing architectural meanings through design theme. This research aims to find exploring ideas methods which are effective be </em><em>used to</em><em> for generate thematic concepts. The research uses qualitative strategies to examine the processes and products outcomes of studio participant’s study that are controlled through design theories which studied by them. It was concluded that analogic design method is an effective category to be used, both analogy by sources inside architecture field and outside. Both analogy of form, meaning, and image. In addition, the level of diversity and depth understanding of design methods also influence the success of architectural design by themes.</em></p>

Author(s):  
Jan Schumann ◽  
Ulrich Harbecke ◽  
Daniel Sahnen ◽  
Thomas Polklas ◽  
Peter Jeschke ◽  
...  

The subject of the presented paper is the validation of a design method for HP and IP steam turbine stages. Common design processes have been operating with simplified design methods in order to quickly obtain feasible stage designs. Therefore, inaccuracies due to assumptions in the underlying methods have to be accepted. The focus of this work is to quantify the inaccuracy of a simplified design method compared to 3D Computational Fluid Dynamics (CFD) simulations. Short computing time is very convenient in preliminary design; therefore, common design methods work with a large degree of simplification. The origin of the presented analysis is a mean line design process, dealing with repeating stage conditions. Two features of the preliminary design are the stage efficiency, based on loss correlations, and the mechanical strength, obtained by using the beam theory. Due to these simplifications, only a few input parameters are necessary to define the primal stage geometry and hence, the optimal design can easily be found. In addition, by using an implemented law to take the radial equilibrium into account, the appropriate twist of the blading can be defined. However, in comparison to the real radial distribution of flow angles, this method implies inaccuracies, especially in regions of secondary flow. In these regions, twisted blades, developed by using the simplified radial equilibrium, will be exposed to a three-dimensional flow, which is not considered in the design process. The analyzed design cases show that discrepancies at the hub and shroud section do exist, but have minor effects. Even the shroud section, with its thinner leading-edge, is not vulnerable to these unanticipated flow angles.


2019 ◽  
Vol 11 (16) ◽  
pp. 4416 ◽  
Author(s):  
Do Young Kim

In this study, a design methodology based on prototyping is proposed. This design methodology is intended to enhance the functionality of the test, differentiating it from the prototyping that is being conducted in conventional architectural design projects. The objective of this study is to explore reference cases that enable designers to maximize the utilization of both digital models and physical models that have been currently used in architectural designs. Also, it is to explore the complementary roles and effects of digital models and physical models. Smart Building Envelopes (SBEs) are one of challenging topics in architectural design and requires innovative design process included tests and risk management. A conceptual prototyping-based model considering the topic is applied to the design studio (education environment in university). Designing SBEs is not difficult to conceive ideas, but it is impossible to “implement” using the conventional design method. Implementing SBEs requires to strengthen validities and improve responsibilities of ideas in the stages of architectural designs, with cutting-edge technologies and smart materials. The design methodology enables designers (represented by students) to apply materials and manufacturing methods using digital models (parametric design, simulation, BIM) and physical models, rather than representing vanity images that are considered simple science fiction.


2003 ◽  
Vol 1 (1) ◽  
pp. 72-91 ◽  
Author(s):  
Achten Henri H.

Architects and architectural students are exploring new ways of design using Computer Aided Architectural Design software. This exploration is seldom backed up from a design methodological viewpoint. In this paper, a design methodological framework for reflection on innovate design processes by architects that has been used in an educational setting is introduced. The framework leads to highly specific, weak design methods, that clarify the use of the computer in the design process. The framework allows students to grasp new developments, use them in their own design work, and to better reflect on their own position relative to CAAD and architectural design.


2021 ◽  
Vol 3 (2) ◽  
pp. 84-96
Author(s):  
Djoko Indrosaptono ◽  
Tri Susetyo Andadari ◽  
Alfanadi Agung Setiyawan

The design processes and strategies applied to each architect in carrying out their design tasks are different. The stages in producing architectural work can be based on the theory of certain design methods, intuition or design experience from each architect. As an architect, it is mandatory to know the design process in accordance with existing methods. There are several variables in the design method according to Jones and Schmitt. And this study aims to find the variables most widely used by 8 architects in designing. Including the average of the variables it uses. The method used in this research is quantitative method with one way ANOVA (analysis of variant) as its statistical analysis, by examining the mean difference between the research objects. The literature study was used to obtain an analysis of the design process and the methods used by 4 well-known architects as their secondary empirical data source, while field observations in the form of direct interviews were carried out to obtain the reality of the design process for 4 local architects with various backgrounds and characteristics as well as different architectural works. The end result shows that the average level of architects in the use of research variables is not much different and the design process variables that are most often used by architects in carrying out architectural designs, are the clarity of the need for the design function, the use of the drawing system and the design results that are meaningful and logical.


2017 ◽  
Vol 15 (2) ◽  
pp. 107-118 ◽  
Author(s):  
Michael Weizmann ◽  
Oded Amir ◽  
Yasha Jacob Grobman

This article presents a framework for the design process of structural systems based on the notion of topological interlocking. A new design method and a computational tool for generating valid architectural topological interlocking geometries are discussed. In the heart of the method are an algorithm for automatically generating valid two-dimensional patterns and a set of procedures for creating several types of volumetric blocks based on the two-dimensional patterns. Additionally, the computational tool can convert custom sets of closed planar curves into structural elements based on the topological interlocking principle. The method is examined in a case study of a building floor. The article concludes with discussions on the potential advantages of using the method for architectural design, as well as on challenging aspects of further development of this method toward implementation in practice.


2021 ◽  
Vol 21 (4) ◽  
pp. 271-289
Author(s):  
Renato Godoi da Cruz ◽  
Cláudia Maria Arcipreste ◽  
Rafael Lemieszek Pinheiro ◽  
Rovadávia Aline de Jesus Ribas

Abstract This paper describes the construction of an information flow that combines parametric modelling and genetic algorithms to optimise both the total weight of a structured steel roof and the shape of its surface to maximise the generation potential of photovoltaic energy. Through the systematisation of a design process using genetic algorithms integrated with generative design as an architectural design method, architects can work with problem parameterisation, going one step further than the mere formal proposition of solutions.As a result, we present a process in which there is a dialogical relationship between the architect and project in a continuous flow of information in the initial steps of the design process, guided by predefined optimisation objectives. Therefore, it is relevant to note that the designer accepts a reduced creative control over the final shape in favor of control over the core principles that constitute the optimisation algorithms. An approach that involved the designer in a process of post computational processing evaluations is also highlighted, giving him better support to discuss and analyze the design options.


ARSNET ◽  
2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Kristanti Dewi Paramita

Exploration of stories in architectural discourse has yet to generate a structured discussion in the methods of its operations as part of a design endeavour. This issue of ARSNET presents a collection of articles that demonstrates a variety of everyday stories emerging from the experience of space and objects, and outlines the methodologies of their corresponding spatial operations. Through the stories of occupying, manoeuvring, navigating, dispersing, and sensing, this issue highlights various methods of spatial operations. With operations ranging from tracing as a way of revealing space, reduction as manoeuvring strategy, connecting the virtual and the real as a way of finding new meaning and use of space, and creating a spatial atmosphere based on trajectories of senses; the issue expands the discussion of stories-driven architectural design methods.


DYNA ◽  
2016 ◽  
Vol 83 (196) ◽  
pp. 106-112 ◽  
Author(s):  
Vicente Chulvi ◽  
Mª Carmen González-Cruz

<p>This paper presents the results of an experiment carried out on 21 subjects, all of whom had an engineering background, with the aim of determining the influence of the designer’s attitude on the design process and on the finished design. The participants were asked to solve a range of design problems by employing different methods while their emotional response parameters were being registered by a noninvasive neuroheadset. The recorded data was used firstly to compare the different reactions of the subjects when using different design methods. A second analysis was carried out to determine whether the variations in the emotional parameters bore any direct relation to the creativity of the outcomes. The results obtained indicate a relation between emotional parameters, individuals and the design method used. However, there does not appear to be any direct association between emotional parameters and the creativity of the results.</p>


Author(s):  
Javier Garzas ◽  
Mario Piattini

In recent years different areas of knowledge related to the construction of object-oriented (OO) designs such as principles, heuristics, patterns, and refactoring techniques have been consolidated, but there is a lot of work still to be done in order to systematize and offer this knowledge to OO designers in such a way that it can be easily used in practical cases. In order to clarify this, we have defined an ontology of OO Micro Architectural Design Knowledge and the foundations of an OO design method based in the knowledge.


2020 ◽  
Vol 189 ◽  
pp. 03038
Author(s):  
Xie Guanyi ◽  
Duan Huifang

Talking about form and function in the architecture, two major traditions in design are always inevitable. They are two methods of architectural design: the first one is used by Beaux-Art system which takes form and order as the core; the second one is of Bauhuas system which focuses on function. Architecture is closely related to the interior, so are there also two design methods in the field of interior design? Through analysis of interior design textbooks in different academies, it was found that most existing design methods are based on function. Function-based design methods have a series of operable standard methods for function, but also have the problem of high level of functional logic and low level of formal logic. Does interior design also have a design approach starting from form and order and unifying function logic and formal logic? By transplanting the “kit-of-parts approach” in architectural design into interior design, applying the two design methods in undergraduate course of environmental design and comparing the two course design results, it was verified in this paper which design method is easier to balance form and function in basic design course.


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