scholarly journals Mewujudkan Citra Pemimpin Abad Ke-21 Bertolak Pada Ajaran Astha Brata Untuk Masa Depan Kabupaten Nganjuk

Author(s):  
Siti Musa’adah ◽  
Akhmad Arif Musadad ◽  
Sudiyanto Sudiyanto

<p><em>The purpose of this study is to find out and examine the existing leadership Nganjuk Regency, as for the formulation of the problem to be discussed, namely 1) what is the defenition of leadership?, 2) how is the concept of Astha Brata teachings?, 3) how is the image of the Nganjuk Regent’s leadership based on Astha Brata teachings?, research using a qualitative methodology with a literature study appoach. The findings show that leaders in Nganjuk Regency don’t yet have and apply the leadership attitudes that exist in the teaching of the Astha Brata, leaders often abuse power, to improve the image of the Nganjuk leadershio, it is necessary to reorganize so that the same case does’nt happen again.</em></p>

2021 ◽  
Vol 18 (1) ◽  
Author(s):  
Ferdinandus Moses

Tradisi lisan dolo merupakan tarian massal khas Lamaholot yang sarat akan kelisanan, seperti sole, oha, lili, dan dolo itu sendiri. Penelitian ini berfokus pada dolo di Pulau Adonara, Flores Timur, Nusa Tenggara Timur. Penelitian ini mendeskripsikan interpretasi terhadap teks Kai Mura Le yang digunakan dalam pementasan revitalisasi sastra di Desa Horinara, Adonara. Penelitian ini menggunakan metode kualitatif dengan teknik pengambilan data melalui pengamatan di lapangan, wawancara, dan studi pustaka. Penelitian ini diharapkan menjadi (1) dokumentasi sastra lisan dengan performanya dan (2) memberikan gairah baru atas konsistensi seni tradisi lisan dalam basis komunitas dengan memaksimalkan kekuatan teks sebagai garda depan dalam mengangkat isu-isu keseharian yang berpotensi sebagai sarana kontrol sosial yang berprinsip pada humanitas, holistik, tanggung jawab, dan konstektualitas. Kata kunci: Kai Mura Le, Dolo, Epistemologi, Adonara   Dolo’s oral tradition is an authentic Lamaholot mass dance that is rich in literacy, as sole, oha, lili, and dolo itself. This research is focused on dolo at Adobara Island, East Flores, East Nusa Tenggara. The research is describing the interpretation on Kai Mura Le, the literature used on literature revitalization stage at Horinara village, Adonara. Qualitative methodology is applied by collecting data from field observation, interview, and literature study. Thus research is expected to be (1) a documentary of oral literature performance, and (2) a rejuvenated passion on oral artistic tradition in community basis by maximizing the literature’s power as the frontline in bringing everyday issues that has potential as a social control system which has humanity, holistic responsibility; and contextually in principle. Key words: Kai Mura Le, Dolo, Epistemology, Adonara


Author(s):  
Angga Fajar Ramadhan ◽  
Warih Handayaningrum

Ancient buildings are closely related to the long history of the past. The architectural style of the building and its decorative motifs have a distinctive shape in accordance with the spirit of the era of its creation. The idea of creating styles and forms of decoration took the forms of the surrounding nature and the philosophy of the patrons and local rulers. Some of the many decorative motifs that exist, there are motifs that come from religious values. In addition, the various forms of motifs that exist also have similar forms. The similarities in the shape of these motifs are found in the shape of the motifs of technological objects in the gate of Sunan Drajat's tomb which has Islamic breath with one of the relief panels in Tegawangi Temple which has Hindu-Buddhist breaths. The purpose of this research is to describe the idea of the creation of the two forms of motifs, the factors that cause the similarity of the motive forms and reveal the meaning of the two forms of motifs. This research method uses descriptive qualitative methodology. The approach used in this study uses a historical approach, to reveal the meaning used semiotic theory. The data collection technique is done by conducting literature study, observation, interviews and documentation. The data obtained is then reduced, displayed and analyzed. The results showed that the basic idea of creating the motifs of technological objects in the wooden gate of the tomb of Sunan Drajat and Candi Tegawangi took inspiration from the sacred buildings that had been built previously, namely the form of mosques and temples. The factors causing the similarity of form, namely: (a) cultural interaction; (b) adaptation of the form of the motive; (c) acculturation; and (d) marriage or the establishment of family relationships. The meaning of the two motives is the relationship between humans and the transcendent. Bangunan purbakala lekat kaitannya dengan sejarah panjang dari masa lalu. Gaya arsitektur bangunan dan motif ragam hiasnya memiliki bentuk yang khas sesuai dengan semangat zaman penciptaannya. Ide penciptaan gaya dan bentuk ragam hias mengambil bentuk-bentuk alam sekitar dan falsafah dari patron maupun penguasa setempat. Sekian dari banyak motif ragam hias yang ada, terdapat motif yang bersumber dari nilai religi. Selain itu, dari berbagai bentuk motif yang ada juga memiliki kemiripan bentuk. Adapun kemiripan bentuk motif tersebut dijumpai pada bentuk motif benda teknologis di gapura makam Sunan Drajat yang bernafaskan Islam dengan salah satu panel relief di Candi Tegawangi yang bernafaskan Hindu-Buddha. Tujuan penelitian ini adalah untuk mendeskripsikan ide penciptaan kedua bentuk motif, faktor-faktor penyebab terjadinya kemiripan bentuk motif dan mengungkap makna dari kedua bentuk motif. Metode penelitian ini menggunakan metodologi kualitatif deskriptif. Pendekatan yang digunakan dalam penelitian ini menggunakan pendekatan sejarah, untuk mengungkap makna digunakan teori semiotika. Adapun teknik pengumpulan data dilakukan dengan melakukan studi pustaka, observasi, wawancara dan dokumentasi. Data yang diperoleh kemudian direduksi, display dan dianalisis. Hasil penelitian menunjukkan ide dasar penciptaan motif benda teknologis pada gapura kayu makam Sunan Drajat dan Candi Tegawangi mengambil inspirasi bentuk dari bangunan suci yang telah dibangun sebelumnya, yaitu bentuk bangunan masjid dan candi. Faktor yang menjadi penyebab terjadinya keserupaan bentuk, yaitu: (a) interaksi budaya; (b) adaptasi bentuk motif; (c) akulturasi budaya; dan (d) perkawinan atau terjalinnya hubungan kekeluargaan. Adapun makna dari kedua motif tersebut yaitu hubungan antara manusia dengan yang transenden.


2021 ◽  
Vol 5 (2) ◽  
pp. 54-72
Author(s):  
I Wayan Wastawa ◽  
I Wayan Suwadnyana

The analysis of the kapamangkuan gender bias in Mengesta village is a socio-cultural study of the imbalance of rights and obligations between pamangku lanang and pamangku istri. This study uses a qualitative methodology, data collection were done through observations, literature study, and in-depth interviews with 7 traditional and religious leaders as informants. The present study concludes that the procedures for pamangku candidates' coronation were as follows: selection, lineage, nyanjan ceremony, and distribution of lekesan. Gender inequality exists due to several factors, namely: the purusa and pradana system in Balinese culture; 2) male dominance in kapamangkuan; 3) kapamangkuan education prioritizes pamangku lanang; 4) The labeling of pamangku istri with their domestic duties as ceremonial amenities maker, and 5) menstrual cycle myths factors. Furthermore, the gender identification in kapamangkuan in Mengesta village are as follows: 1) The labeling of pamangku istri as the socialization of women into gender polarity; 2) the kapamangkuan education system based on biological differentiation, 3) a second marriage system that is considered unholy, 4) through unclear patterns of pamangku istri's clothing, and 5) Gender identification through adat (local social system). In general, there is still injustice to pamangku istri regarding her rights and obligations despite her equal position as a pamangku.


2020 ◽  
Vol 4 (3) ◽  
pp. 197
Author(s):  
Bhayu Rhama ◽  
Ferry Setiawan

Several studies have shown significant development in Indonesia tourism; however, works of literature that focus on the extent of successful stakeholders’ participation in Indonesia tourism are hard to be found. This study aims to determine the success of public-private partnership (PPP) in the development of tourism in Indonesia and uses a descriptive qualitative methodology by conducting a literature study on previous studies related to tourism development in Indonesia, which adopted the concept of PPP in 2012. The research result shows that the PPP concept can be effectively carried out in tourist destination development programs and tourist infrastructure improvement programs. In addition, several targets must be set to achieve the success of public private partnership in the development of tourism in Indonesia, namely: 1) creating competitive tourism globally or nationally, 2) creating cooperative tourism focusing on the service and tourist destination infrastructure, 3) creating tourism that has unique characteristics based on its natural conditions so it has its own identity.


2021 ◽  
Vol 1 (1) ◽  
pp. 14-24
Author(s):  
Achmad Ali Fajriansyah ◽  
Yofi Irvan Vivian ◽  
Zamrud Whidas Pratama

Daak maraa’ was presented in the context of the traditional activities of the Dayak Bahau tribe community that carried the ritual. Problems related to social aspects when daak maraa’ 'is not implemented, so it raises the assumption of how important daak maraa’ is for the Dayak Bahau people. This study aims to: explain the musical structure of the Hudo’ Kawit ceremonies held by the Dayak Bahau people in Samarinda; describe the function of daak maraa’ presented at the Hudo’ Kawit ceremony for the Dayak Bahau community in Samarinda. This research uses a qualitative methodology by applying observation techniques, data collection, and data analysis. Observation techniques include the object of research that is the focus of research. Data collection techniques are based on literature study, informants, interviews, and documentation. Analysis techniques by reducing data and concluding. Research results in accordance with the background of the problem and objectives. The musical structure and function have a connection, that the application of rhythmic sound daak maraa’ is presented as a accompaniment to rituals and prayers. The application of daak maraa’ is actualized with a static rhythm, namely: (a) sukat 4/4; (b) tempo (andantino) 78-83; (c) motive (literal); (d) dynamics (forte); (e) timbre (teng, pliers, tung, and dung). The research findings contain a value that the function of daak maraa’ is present and applied as an anticipation goal on the basis of the potential for bad sound (yog) which can come to disrupt and cancel the traditional ceremonial activities. Yog is believed to exist by the Dayak Bahau tribe based on legend over folk prose stories that are thought to have taken place in the real world and are bad (magi).


Crisis ◽  
2017 ◽  
Vol 38 (6) ◽  
pp. 376-383 ◽  
Author(s):  
Brooke A. Levandowski ◽  
Constance M. Cass ◽  
Stephanie N. Miller ◽  
Janet E. Kemp ◽  
Kenneth R. Conner

Abstract. Background: The Veterans Health Administration (VHA) health-care system utilizes a multilevel suicide prevention intervention that features the use of standardized safety plans with veterans considered to be at high risk for suicide. Aims: Little is known about clinician perceptions on the value of safety planning with veterans at high risk for suicide. Method: Audio-recorded interviews with 29 VHA behavioral health treatment providers in a southeastern city were transcribed and analyzed using qualitative methodology. Results: Clinical providers consider safety planning feasible, acceptable, and valuable to veterans at high risk for suicide owing to the collaborative and interactive nature of the intervention. Providers identified the types of veterans who easily engaged in safety planning and those who may experience more difficulty with the process. Conclusion: Additional research with VHA providers in other locations and with veteran consumers is needed.


2000 ◽  
Vol 45 (3) ◽  
pp. 260-262
Author(s):  
Martyn Hammersley

At-Tafkir ◽  
2020 ◽  
Vol 13 (2) ◽  
pp. 173-186
Author(s):  
Muslim Hasballah

Meunasah is one of the basic levels of traditional Islamic educational institutions in Aceh. Which to date continues to be vehement with recitation and other civic activities. aims to find out the origins and the development of meunasah as a basic traditional Islamic educational institution in Aceh. This research applied a literature study by collecting various references. The results showed that meunasah had existed since the formation of the Islamic community in Aceh. The development of meunasah as a traditional Aceh Islamic education institution was only discovered during the period of Sultan Iskandar Muda (1607-1636).


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