Dumbledore’s army: civil disobedience in “Harry Potter and The Order of the Phoenix”

2020 ◽  
Vol 6 (1) ◽  
pp. 177-198
Author(s):  
Arthur Emanuel Leal Abreu ◽  
Alexandre de Castro Coura

This paper explores the connection between law and literature, considering the concept of civil disobedience as developed in the plot of the novel “Harry Potter and the Order of the Phoenix”. To do so, this research uses the approach of law in literature, by linking the actions of Dumbledore’s Army to the theory of civil disobedience by Dworkin. Also, the narrative is compared to the conception of civil disobedience as a fundamental right, based on the conflict between facticity and validity, as described by Habermas. Thus, the analysis identifies, in the novel, two categories of civil disobedience proposed by Dworkin, and discusses, in real life, the overlapping of disobedience based on justice and on politics, in order to identify the conditions that justify actions of civil disobedience. Besides that, this paper analyzes the tension between legality and legitimacy, considering the decisions of the Ministry of Magic and its educational decrees, which sets the school community apart from the official political power. In conclusion, the research examines the use of persuasive and non-persuasive strategies and the reach of civil disobedience’s purposes based on the actions of Harry Potter and of Dumbledore’s Army.

2019 ◽  
pp. 59-68
Author(s):  
Sabah Atallah Khalifa Ali ◽  
Zaid Ibrahim Ismael

Like J. J. Tolkien’s Lord of the Rings and many other fantasies, Rowling’s Harry Potter is rich with allegorical implications that reflect the political anxiety of the era in which it was written. The critics and readers found connections between the events of the early parts of the novel and the historical havoc in world politics, like Hitler and World War II, a thing which Rowling attested in many of her interviews. Still, the texts are still open for other readings. It is possible to draw political parallels with contemporary issues. For instance, the American and British readers have been unable to resist identification with the events which mirror the international campaign on terrorism. This study is a political reading of Rowling’s Harry Potter and the Order of the Phoenix. It sheds light on the role of the Ministry of Magic in the novel and its relation to the governments’ policies to misguide the public about the terrorist threats to world powers, prior to the 2003 invasion of Iraq.


LingTera ◽  
2014 ◽  
Vol 1 (2) ◽  
pp. 185
Author(s):  
Haris Fadhillah ◽  
J Bismoko

This study describes the functions of idioms with magical terminology in Harry Potter and the Order of the Phoenix in building the story. This study analyzed the novel from the linguistics perspective. The idioms with magical terminology found in the novel were compared to real English idioms. Comparison was done word by word and also to the context of the story. The analysis was also done by comparing words’ meaning and the semantic features. Finally the data were analyzed with related theories of linguistics and discourse analysis. The results of this study can be used as a consideration in teaching cultural relevancy in language teaching from the linguistic point of view in a novel. Keywords: functions of idioms, Harry Potter and the Order of the Phoenix, cultural relevancy in language teaching


2018 ◽  
pp. 113-122
Author(s):  
A. Anichkin

The article undertakes to find out what it is that Leo Tolstoy shares with the War and Peace [Voyna i Mir] character Fedor Dolokhov. Opening with a discussion of the 2016 BBC dramatization of the novel, which pushes secondary characters like Dolokhov straight into the limelight and promotes him specifically to a major actor in the drama, the article proceeds to examine his real-life prototypes, and especially the writer’s relative, Fedor ‘the American’ Tolstoy, arguably the biggest inspiration behind Dolokhov. He may have endowed the latter with the traits of a callous duelist and adventurer. Every time Dolokhov makes an appearance in the novel, it becomes clear that he, rather than Prince Andrey or Pierre, is Tolstoy’s kindred spirit. J. K. Rowling’s Harry Potter books feature a character named Antonin Dolohov, a borrowing from Tolstoy. In their pursuit of immortality, Rowling’s dark wizards would split up their soul and keep the fragments in several magical objects called horcruxes. In a way, Dolokhov is such a vessel for Tolstoy’s alter ego, something already noted by his younger English fellow writer Somerset Maugham.


2020 ◽  
pp. 85-98
Author(s):  
Olga Vladimirovna Telegina

The scientific work includes wide theoretical and practical material about the study of necessity to use and teach students-future interpreters how to emphasize and neutralize connotations during fiction translation. Use of fiction as translation teaching aids is substantiated from the point of view of possible worlds theory and mental space of a language. Frequently used lexical, stylistics and combinatory transformations are recognized in translation of connotations from English into Russian on the example of the novel “Harry Potter and the Order of the Phoenix” by J.K. Rowling. The scientific work deals with the study of using different transformations due to which there is an effect of emphasizing and neutralizing. Difficulties of connotation translation are observed and ways to overcome the difficulties are given.


2019 ◽  
Vol 7 (2) ◽  
pp. 57
Author(s):  
Shalih Dzakiyyah Farda

This article discusses the issue of politics and hegemony in Harry Potter, a fantasy series by British author J. K. Rowling. The work is apparently coded with class systems and hierarchy in its society, and how it can be seen as a reflection of real-life society. It explores how the ruling group tries to keep the power only on the hands of the few by inserting their views and ideologies to their people, and thus resulting into a certain status quo that the ruling group finds desirable. The seven novels of Harry Potter are analysed through Marxist perspective using Antonio Gramsci’s theory of Cultural Hegemony, in which the people in power impose and spread their ideas to those below them as a way to control them. It is concluded that the series also involves criticisms on class domination, corruption on power, and rebellion.


2020 ◽  
Vol 7 (1) ◽  
pp. 29-48 ◽  
Author(s):  
Leonhard Menges

AbstractA standard account of privacy says that it is essentially a kind of control over personal information. Many privacy scholars have argued against this claim by relying on so-called threatened loss cases. In these cases, personal information about an agent is easily available to another person, but not accessed. Critics contend that control accounts have the implausible implication that the privacy of the relevant agent is diminished in threatened loss cases. Recently, threatened loss cases have become important because Edward Snowden’s revelation of how the NSA and GCHQ collected Internet and mobile phone data presents us with a gigantic, real-life threatened loss case. In this paper, I will defend the control account of privacy against the argument that is based on threatened loss cases. I will do so by developing a new version of the control account that implies that the agents’ privacy is not diminished in threatened loss cases.


Author(s):  
Yoann Della Croce ◽  
Ophelia Nicole-Berva

AbstractThis paper seeks to investigate and assess a particular form of relationship between the State and its citizens in the context of the COVID-19 pandemic, namely that of obedience to the law and its related right of protest through civil disobedience. We do so by conducting an analysis and normative evaluation of two cases of disobedience to the law: (1) healthcare professionals refusing to attend work as a protest against unsafe working conditions, and (2) citizens who use public demonstration and deliberately ignore measures of social distancing as a way of protesting against lockdown. While different in many aspects, both are substantially similar with respect to one element: their respective protesters both rely on unlawful actions in order to bring change to a policy they consider unjust. We question the extent to which healthcare professionals may participate in civil disobedience with respect to the duty of care intrinsic to the medical profession, and the extent to which opponents of lockdown and confinement measures may reasonably engage in protests without endangering the lives and basic rights of non-dissenting citizens. Drawing on a contractualist normative framework, our analysis leads us to conclude that while both cases qualify as civil disobedience in the descriptive sense, only the case of healthcare professionals qualifies as morally justified civil disobedience.


JURNAL SPHOTA ◽  
2019 ◽  
Vol 11 (2) ◽  
pp. 22-31
Author(s):  
I Wayan Sidha Karya ◽  
Ida Bagus Adhika Mahardika

Long and short sentences affect the reader’s pace of reading story since they have to farce the complexity of the sentences and words used in it. In this study the impact of the use of long and short sentences on the pace of the story as implemented by Anthony Horowitz, a novelist, in his novel Raven’s Gate, is being explored. Especially the researchers looked at what types of long and short sentences were being used in the novel and how they were building up the story line and their effect on the pace of the story. A sentence with the length of up-to fourteen (14) words is considered to be short and the one over 14 words is considered to be long in spite its grammatical form, whether it is simple or complex. The criteria are based on empirical study as mentioned by Casi Newell in the AJE (American Journal Experts) retrieved from https://www.aje.com/en/arc/editing-tip-sentence-length/, that “the average sentence length in scientific manuscripts is 12-17 words,” with JK Rowling—the writer of Harry Potter—who can be considered to be representative of a modern English writer with a general audience, having the average of 12 words. For convenience we take the liberty of taking 14 words for the longest sort sentences and those which have 15 or more words are considered to be long sentences


2018 ◽  
Vol 47 (1) ◽  
pp. 203-215
Author(s):  
William A. Cohen

Vanity Fair (1848) famously opens with a departure. As Becky Sharpe flounces off from Miss Pinkerton's academy, she takes leave of her patron by telling her “in a very unconcerned manner … and with a perfect accent, ‘Mademoiselle, je viens vous faire mes adieux.’” Miss Pinkerton, we learn, “did not understand French, she only directed those who did: but biting her lips and throwing up her venerable and Roman-nosed head … said, ‘Miss Sharp, I wish you a good morning’” (7). This performance of befuddlement on the part of a respectable schoolmistress bespeaks a whole collection of Victorian cultural norms about language competence in general and about the French language in particular. Even though the action is set in a period when Becky's speaking “French with purity and a Parisian accent … [was] rather a rare accomplishment” (11), the novel was written for a mid-nineteenth-century audience that could mainly count on middle-class young ladies to have acquired this degree of refinement—or at least to aspire to do so.


Author(s):  
Siti Hafsah

Azab dan Sengsara is an Indonesian novel written by Merari Siregar (1921), one of the famous roman novelists in Indonesia in Balai Pustaka era. The novel is a material object of the present study. The study aims at revealing oppression, violence, exploitation of woman and all varieties of injustice to woman, revealing social symptoms ideological forms containing in the novel as a manifestation of a company condition in old era. This research uses a qualitative method and approaches of literary feminist and literary sociology as its support. This research succeeds in answering the problems of woman life, as manifestation of real life which reflects kinds of woman’s life in society of Indonesian, for example: marriage, custom, violence, etc. for the hero “Mariamin” (a woman). She is the manifestation of the authority life, besides talking on oppression of woman images of its community lives. The author succeeded offering solutions with various contradictions, conflicts, handling down the novel as manifestation in real life.


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