scholarly journals Redefining: Cultural Impression in Princely States During Colonial Period

2018 ◽  
Vol 1 (2) ◽  
pp. 88
Author(s):  
Ashwini Sasi
Keyword(s):  
Architectural Design ◽  
Spatial Organization ◽  
18Th Century ◽  
Traditional Architecture ◽  
Cultural Changes ◽  
Hereditary System ◽  
Core Study ◽  
Long Time ◽  
Architectural Planning ◽  
Art And Architecture

India is well diverse with a variety of cultural and traditional practices. Impact of age-old practices redefined the idea of culture and tradition, not only as a hereditary system, but also as part of art and architecture. Factors such as the cultural changes between North and South India, impact of the British, changes in spatial organization and patriarchy and matrilineal system drew an impact on cultural impression of India through time. Palaces (04th —18th century) and the lifestyle of the heirs, being a soul example to exhibit the Indian uniqueness, gradually inclined towards British culture and morals. This influence brought a change in the architectural design of palaces, which is the core study area in the thesis. Comparing the architectural planning of palaces from the 13th to the 18th century showed a clear change on how British influenced Indian palace design. This became one of the finest reasons to identify cities with palaces based on their culture and tradition, and on art and architecture. In addition to finding how it has brought the influential change and what is the present scenario of the same palaces. The architectures that were adopted in India was a form of true traditional architecture which is been followed through a very long time and hence it was collaborated with Italian, French, Indo Sarcenic or European style.

scholarly journals Sexuality and Affection in the Time of Technological Innovation: Artificial Partners in the Japanese Context

Religions ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 296
Author(s):  
Beatriz Yumi Aoki ◽  
Takeshi Kimura
Keyword(s):  
18Th Century ◽  
Human Life ◽  
Human Sexuality ◽  
Sexual Intimacy ◽  
Ancient History ◽  
Human Relationships ◽  
Living Things ◽  
Long Time ◽  
History Of ◽  
The Impact

Recent years have witnessed an increase in the number of academic studies on the impact of technological advancements on human life, including possible transformations and changes in human sexuality following the development of sex-related devices, such as sex robots. In this context, terms such as posthuman sexuality, digisexuality, and techno-sexuality have emerged, signaling possible new understandings of sexual, intimacy, and emotional practices. It is important to note that ancient history shows that humankind has for a long time been fascinated with their relationship to non-living things, mostly human-like figures, such as dolls. The Ningyo (人形, the Japanese term for doll) has a long history of usage, and has deep religious and animistic significance in the Japanese context—there are records of sexual use as early as the 18th century. With this context in mind, this paper focuses on three Japanese examples, aiming to shine a light on beyond-human relationships, which include a Japanese man’s marriage to a digital character, sex dolls, and communicative robots, from both a sexual and emotional perspective. In a new horizon of sexual and romantic possibilities, how will humans respond, and what can emerge from these interactions?

VISUAL SEMIOLOGY IN ARCHITECTURAL DESIGN

2021 ◽  
Author(s):  
Fatma Nazlı Köksal ◽  
Hasan Doğan
Keyword(s):  
Visual Culture ◽  
Architectural Design ◽  
Communicative Action ◽  
The Other ◽  
Value Systems ◽  
Traditional Architecture ◽  
Traditional Structures ◽  
Social Components ◽  
Cultural Structure ◽  
Physical Components

Beyond being a shelter, houses are such structures which obtain meanings shaped by the influence of culture, particularly reflecting the society’s socio-cultural structure. As a time-khronos and space-topos pattern, the houses reflect the characteristics of the culture or ethnic group which they are part of, while on the other hand, they reflect the images of the individual’s essence as a communicative action. The effect of climate and typology, which are physical components of culture, as well as social components of culture, such as value systems, belief, lifestyle and habits, are cardinal factors in the formation of traditional houses. In this respect, traditional structures are visual representation spaces that narrates their own story, like verbal culture, and they convey their unique codes through visuality. This study, which discusses traditional architecture as a cultural text, aims to reveal traditional Urfa houses through analytical readings, within the context of visual semiology.. The samples selected within the scope of the study will be evaluated according to the context of stylistic features they are part of, such as plan and spatial perspective, the location of the houses, and detections regarding the visual culture will be discussed through the cultural and architectural design approach of Umberto Eco.

Religious Art and Architecture in 18th-Century Europe

2021 ◽  
Author(s):  
Sean DeLouche
Keyword(s):  
French Revolution ◽  
18Th Century ◽  
Cultural Tradition ◽  
Religious Art ◽  
Spiritual Power ◽  
Grand Tour ◽  
Gothic Revival ◽  
Works Of Art ◽  
The Arts ◽  
Art And Architecture

The 18th century was an era of transition for the arts and religion. Monarchs continued to commission religious art and architecture for a variety of reasons, including fulfillment of vows, expressions of faith and piety, and celebrations of dynastic power. The period saw simultaneous trends toward sumptuous decoration and sober display, as well as the rise of new artistic styles, including the Rococo, Neoclassicism, and the Gothic Revival. The Grand Tour brought many northern European Protestants to the seat of Catholicism. Protestant attitudes toward “popish” art softened in the 18th century, due in part to the increasing contact between Catholic and Protestant culture in Rome and to the perception that Catholicism was no longer a plausible threat. As the temporal and spiritual power of Rome declined in the 18th century, the papacy sought to reestablish itself as a cultural authority. The papacy embellished Rome with a number of archaeological and architectural initiatives, linking the popes with classical civilization and casting themselves as the custodians of the shared Western cultural tradition. With a growing art market and the consumer revolution, the populace had expanding access to religious imagery, from fine religious canvases collected by Catholic and Protestant elites, to reproducible prints that were available to nearly every member of society. However, the Enlightenment brought a profound questioning of religion. Religious works of art faced a loss of context in private displays and in the official Salon exhibitions, where they were intermixed with secular and erotic subjects and judged not on the efficacy of their Christian message or function but rather on aesthetic terms in relation to other works. The century ended with the French Revolution and brought violent waves of de-Christianization and iconoclasm. In order to save France’s Christian heritage, religious works of art had to be stripped of their associations with church and crown.

scholarly journals Computer Modeling of Barrel-Vaulted Sanctuary Exhibiting Flutter Echo with Comparison to Measurements

Acoustics ◽  
2020 ◽  
Vol 2 (1) ◽  
pp. 87-109
Author(s):  
Heather Lai ◽  
Brian Hamilton
Keyword(s):  
Computer Modeling ◽  
Architectural Design ◽  
Impulse Responses ◽  
Time Frequency ◽  
Geometrical Acoustics ◽  
Decay Times ◽  
Before And After ◽  
Show Evidence ◽  
Architectural Planning ◽  
The Cost

Computer modeling in acoustics allows for the prediction of acoustical defects and the evaluation of potential remediations. In this article, computer modeling is applied to the case of a barrel-vaulted sanctuary whose architectural design and construction led to severe flutter echoes along the main aisle, which was later mitigated through acoustical remediations. State-of-the-art geometrical acoustics and wave-based simulations are carried out to analyze the acoustics of this space, with a particular focus on the flutter echoes along the main aisle, before and after remediations. Multi-resolution wavelet and spectrogram analyses are carried out to isolate and characterize flutter echoes within measurements and computer-simulated room impulse responses. Comparisons of simulated responses to measurements are also made in terms of decay times and curves. Simulated room impulse responses from both geometrical acoustics and wave-based methods show evidence of flutter echoes matching measurements, to varying degrees. Time-frequency analyses isolating flutter echoes demonstrate better matches to measurements from wave-based simulated responses, at the cost of longer simulation times than geometrical acoustics simulations. This case study highlights the importance of computer modeling of acoustics in early design phases of architectural planning of worship spaces.

scholarly journals Modernity and contemporaneity in dialogue with the heritage

2020 ◽  
Vol 7 ◽  
pp. 158-169
Author(s):  
João Luís Marques
Keyword(s):  
18Th Century ◽  
Cultural Value ◽  
Second Vatican Council ◽  
Young Professionals ◽  
Parish Church ◽  
Vatican Council ◽  
Worship Space ◽  
The 1960S ◽  
Art And Architecture ◽  
The Church

Since the 1960s, the artistic and architectural interventions carried out in the church of Santa Isabel and Rato Chapel, in Lisbon, brought to the debate the overlap of different narratives in these two different spaces of worship: the first, is a parish church preserved by the earthquake of Lisbon (1755), which had its liturgical space redesigned before the Second Vatican Council; the second, is a private chapel annexed to a 18th century palace that became a symbolic worship space for students and engaged young professionals since the 1970s. Enriched with the work of either well-known artists or, sometimes, anonymous architects, the two case studies show us the life of monuments, where Modern and Contemporary Art and Architecture participate in preserving and enhancing their cultural value. At the same time, the liturgical and pastoral activities are shown to be the engine behind successive interventions.

scholarly journals Reduction of Embodied Energy and Construction Cost of Affordable Houses through Efficient Architectural Design: A Case Study in Indian Scenario

2021 ◽  
Vol 2021 ◽  
pp. 1-11
Author(s):  
Deepak Bansal ◽  
V. K. Minocha ◽  
Arvinder Kaur ◽  
Vaidehi A. Dakwale ◽  
R. V. Ralegaonkar
Keyword(s):  
Affordable Housing ◽  
Architectural Design ◽  
Construction Materials ◽  
Construction Cost ◽  
Area Ratio ◽  
Embodied Energy ◽  
Important Indicator ◽  
Individual Unit ◽  
Architectural Planning ◽  
Cost Of Construction

Embodied energy and cost of construction of any building depends upon the consumption of resources, more specifically construction materials. In housing clusters, the spaces provided for horizontal and vertical circulation of occupants such as corridors and contribute in the built-up area of individual unit without any increase in the usable/carpet area. Thus, an efficient architectural planning of common circulation spaces plays a major role in lowering the built-up-to-carpet area ratio of individual housing unit in clusters. This may, thus, result in lesser embodied energy and maximum area availability for occupant usage. In the present study, 30 clusters of Indian affordable housing units (IAHUs) of similar typology and different architectural designs are analyzed. The built-up and carpet area of each IAHU are estimated, and the ratio of the built-up to carpet area is calculated. Detailed estimates of construction materials for each IAHU is prepared, and cost of construction and embodied energy is calculated. The calculations of embodied energy and construction cost are done for major construction materials, viz., cement, steel, bricks, sand, and coarse aggregate and compared with different built-up-to-carpet area ratio. The study of IAHUs concludes that a variation of 1.30 to 1.62 in the built-up area-to-carpet area ratio results in variation in construction cost (INR 13,425.00 to 20,138.00 per m2 carpet area) and embodied energy (4–6.5 GJ per m2 carpet area). Analysis suggests that the IAHU with a lower built-up-to-carpet area ratio exhibits reduction in the cost of construction and embodied energy simultaneously. Thus, an efficient architectural design plays a major role in improving the sustainability of IAHUs and built-up-to-carpet area ratio is an important indicator of sustainability.

scholarly journals 'Krojenje' in Serbian chant: Application of cognitive structural models of improvisation

New Sound ◽  
2015 ◽  
pp. 29-44
Author(s):  
Marina Marković ◽  
Blanka Bogunović
Keyword(s):  
Oral Tradition ◽  
18Th Century ◽  
Structural Models ◽  
Psychological Research ◽  
Musical Work ◽  
Oral Transmission ◽  
Inherent Feature ◽  
Late 18Th Century ◽  
Long Time

Serbian chant, which was formed on the territory of the Metropolitanate of Karlovci in the late 18th century, has been transmitted primarily by oral tradition for a long time, despite numerous attempts to make church melodies available for liturgical use by producing miscellaneous collections. In the process of the oral transmission of the melodies belonging to the so-called short chant (i. e. less melismatic chant), hymns of the Osmoglasnik (Octoechos) serve as a basis for krojenje (literally: tailoring), which means the adaptation of the melody to a text. Since the procedure of krojenje involves simultaneously detaching Osmoglasnik melodies from their original texts and attaching them to the texts from other liturgical books without notation and realized orally, improvisation is an inherent feature of the krojenje process. Improvisation is an integral part of the creative procedure during the act of performing, even in cases when the musical work is not altogether created by improvisation, as is the case with hymns of contemporary Serbian chant. The relation between krojenje and certain levels of creation, initiated our interdisciplinary - musicological and psychological - research, with the aim of determining the structure of the improvisational process in shaping the melodies in Serbian chant, based on the analysis and application of musical-cognitive structural models.

The Influence of Architectural Culture on Architectural Design

2013 ◽  
Vol 357-360 ◽  
pp. 278-281 ◽  
Author(s):  
Jia Sheng Liu
Keyword(s):  
Architectural Design ◽  
Modern Architecture ◽  
Traditional Architecture ◽  
The Relationship

The paper focuses on the relationship between the architectural culture and architectural design, puts forward the concept of architectural culture, expounds architectural cultures influence on Chinese traditional architecture and the western traditional architectures, and summarizes the importance and influence of architectural culture in the modern architectural design. This paper provides reference and experience for architects to design the modern architecture that can embody the design and spirit more vividly.

Visual Semiology in Architectural Design

2021 ◽  
Author(s):  
Fatma Nazlı Köksal ◽  
Hasan Doğan
Keyword(s):  
Visual Culture ◽  
Architectural Design ◽  
Communicative Action ◽  
The Other ◽  
Value Systems ◽  
Traditional Architecture ◽  
Traditional Structures ◽  
Social Components ◽  
Cultural Structure ◽  
Physical Components

Beyond being a shelter, houses are such structures which obtain meanings shaped by the influence of culture, particularly reflecting the society’s socio-cultural structure. As a time-khronos and space-topos pattern, the houses reflect the characteristics of the culture or ethnic group which they are part of, while on the other hand, they reflect the images of the individual's essence as a communicative action. The effect of climate and typology, which are physical components of culture, as well as social components of culture, such as value systems, belief, lifestyle and habits, are cardinal factors in the formation of traditional houses. In this respect, traditional structures are visual representation spaces that narrates their own story, like verbal culture, and they convey their unique codes through visuality. This study, which discusses traditional architecture as a cultural text, aims to reveal traditional Urfa houses through analytical readings, within the context of visual semiology. The samples selected within the scope of the study will be evaluated according to the context of stylistic features they are part of, such as plan and spatial perspective, the location of the houses, and detections regarding the visual culture will be discussed through the cultural and architectural design approach of Umberto Eco.

Secularization Accelerates in High-Income Countries

2020 ◽  
pp. 74-102
Author(s):  
Ronald F. Inglehart
Keyword(s):  
Social Desirability ◽  
Cultural Change ◽  
High Income ◽  
Religious Change ◽  
Time Lags ◽  
Individual Choice ◽  
Cultural Changes ◽  
Population Replacement ◽  
Long Time ◽  
Dramatic Shift

Although intergenerational population replacement involves long time lags, cultural change can reach a tipping point at which new norms become dominant. Social desirability effects then reverse polarity: instead of retarding cultural changes, they accelerate them. In the shift from pro-fertility norms to individual-choice norms, this point has been reached in a growing number of settings, starting with the younger and more secure strata of high-income societies, accelerating secularization. Analysis of religious change in countries from which time-series survey evidence was available from 1981 to 2007 found that the publics of 33 of the 49 countries had become more religious during this period. From 2007 to 2020, the dominant trend reversed itself, with 42 of the 49 countries showing declining religiosity. The most dramatic shift was found among the American public, which in 2007 had shown virtually no change since 1981, but from 2007 to 2020 showed the largest shift away from religion of any country for which we have data.

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