scholarly journals The Indian Women Writers and their Contributions to Indian Literature

2021 ◽  
Vol 7 (1) ◽  
pp. 1-3
Author(s):  
Krishnaveni KP
Keyword(s):  
Women Writers ◽  
Male Dominance ◽  
Indian Literature ◽  
Indian Women ◽  
Female Desire ◽  
Feminine Identity ◽  
Masculinity And Femininity ◽  
The Feminine ◽  
The One ◽  
Women Writer

The Indian women writers are the one who mainly talks about the male ego and female desire for freedom. Through their writings women writer tries to oppose the male dominance over them. Indian women writers depict the injustices, the anguish and the despair they received in a male dominated society. Many of the writings can be considered as a mutiny against the restraints which the society thrust upon women. In this man-centered world they are trying to bring out the feminine identity through their works. Indian women writers never attempted to adopt any masculine roles to achieve themselves as equal as men, but through their writings they came across all the barrier of class, gender and space boundaries. They try to project masculinity and femininity as equal categories. Though through their works the Indian women writers tries to project women’s responses to gender questions. However, they tried to depict the fact that writings of women need not be differentiated by language or location.

scholarly journals Women Writers in India: Tracing Feminism

2021 ◽  
Vol 58 (2) ◽  
pp. 5493-5498
Author(s):  
Ms. Bharti, Dr. Shriya Goyal
Keyword(s):  
Decision Making ◽  
Women Writers ◽  
21St Century ◽  
Point Of View ◽  
Indian Society ◽  
Indian Women ◽  
Women's Voice ◽  
Shashi Deshpande ◽  
Pandita Ramabai ◽  
Women Writer

From pre-Independence period to the contemporary times, women’s voice is gradually being heard and gaining momentum. It is hoped as well as expected that women would soon become a prominent voice making a mark in the society. Their point of view along with their decision making authority will have a definite and constructive impact on the society. This can be inferred from the literature by various Indian women writers such as Pandita Ramabai, Ismat Chughtai, Kamala Das and Shashi Deshpande. As we move from one decade to another entering the 21st century, we observe how women have been able to break the cocoon of domesticity, marking their presence in various socio-political spheres which have been usually dominated by men. Women have sought their space for expression and voicing opinion through literature. Depicting the oppression and discrimination faced in the patriarchal setup of Indian society, the women writers have pointed at the need for equality in practice as well as representation. The article will provide a discussion regarding Feminism in India, analysing each period or phase along with a women writer.

scholarly journals THE IMAGE OF INDIAN WOMEN AND THEIR CONTRIBUTION TO LITERATURE

2021 ◽  
Vol 58 (1) ◽  
pp. 5418-5421
Author(s):  
Dr. Latha Velavan, Maya P.R
Keyword(s):  
Women Writers ◽  
English Literature ◽  
Second World War ◽  
Fundamental Rights ◽  
Indian Literature ◽  
Indian Women ◽  
The World ◽  
Ancient Women ◽  
Second World

The paper deals with the ancient Indian women and their contribution to literature during the British period. The role of ordinary women and aristocrat ladies were the same in that period. Both were utilized to fulfill their household duties and to act as a consummate hostess to their men at the table. They were portrayed as a secondary character to men in most of the writings. Women were in general unaware of their fundamental rights due to illiteracy.  Cruel rites like Sati and Infanticide were imposed on women by the society and more or less they were just treated as a supporting character to uphold the story. It’s only at the end of the Second World War, the Indian women got a new sight and light about the world. It’s quite interesting to learn how the ancient women lived and experienced the world around them. Women and Literature are interconnected to one another and their writings added new prospects to English Literature.  Earlier, only the work of men were greatly appreciated and won recognition from the readers. But then, the effort of women writers came in to light which created a remarkable aspect in their style and matters they conveyed. They always focused on the language patterns of Indian Literature. It is to be noted that because of their varied style in writing women writers have become very popular among the Indian readers

scholarly journals Feminine Angst in the Poetry of Sylvia Plath

2015 ◽  
Vol 4 (2) ◽  
pp. 386-389
Author(s):  
Syed Aamir Syeed ◽  
Master Showkat Ali
Keyword(s):  
Women Writers ◽  
Sylvia Plath ◽  
The Other ◽  
Male Dominance ◽  
Biological Factors ◽  
Social Psychological ◽  
Biological Behaviour ◽  
Household Chores ◽  
Authentic Voice ◽  
The One

Women have been struggling to liberate themselves from subjugation by their male counterparts from times immemorial. The various factors responsible for their suppression were misogyny, romantic glorification and patriarchy. Illogically romanticized, they are not permitted to play a significant role as independent, self-assured individuals and this was compounded by other unfair social, political and biological factors. As a result, they did not enjoy a contented position in society. History inclined to link man to wisdom and biological dominance and women were associated with confined concerns of household chores and childcare. This provoked some prominent women in America and England to launch a movement called feminism demanding equivalent rights and equal status for themselves. They also resisted the menacing power of the literature that portrayed a woman as a subordinate to patriarchy. To end this suppression and exploitation they set out to create a literature of their own. As such, most of the feminists got entangled in a twofold approach. On the one hand, they wanted an authentic voice to assert its sovereignty, and, on the other, to make their mark felt along gender defined lines, so as to mend laws governing their social, psychological and biological behaviour. Still, some of the women writers felt the brunt of male dominance and oppression so enormously that they developed the feelings of resentment and vengeance against them. In this, Sylvia Plath, a vigorous and highly competitive and self-centered woman of the fifties was no exception. The aim of the paper is to highlight that Sylvia Plath who at first relished the domination of her male counterparts, at the later stage of her life became a sworn enemy of male dominance and aggressively challenged the patriarchy. Her feminine angst transformed her from a lamb to a lioness hunting for men’s head.

scholarly journals Feminism in the Novels of Shobha De

NOTIONS ◽  
2018 ◽  
Vol 9 (2) ◽  
pp. 13-17
Author(s):  
Astha Mangal
Keyword(s):  
Women Writers ◽  
Social Economic ◽  
Indian Society ◽  
Indian Literature ◽  
Indian Women ◽  
New Women ◽  
The World ◽  
Good Number ◽  
Insight Into

Feminism, Self-realization, Indian Women, New Women, Indian literature in English has journeyed a long way to achieve its present glory and grandeur present a good number of women writers offering through their writings the penetrative insight into the complex issues of life. The novels of these women writers analyze the world of women, their sufferings as victims of male hegemony, they also express social, economic and political upheavals in Indian society.

The role of prosody in morphological change: The case of Hebrew bound numerals

2008 ◽  
Vol 20 (1) ◽  
pp. 41-65 ◽  
Author(s):  
Irit Meir
Keyword(s):  
Native Speakers ◽  
Age Groups ◽  
Noun Phrases ◽  
Grammaticality Judgments ◽  
Rapid Changes ◽  
The Feminine ◽  
Modern Hebrew ◽  
State Of Affairs ◽  
The One

AbstractThe morphological system of cardinal numerals in Modern Hebrew is currently undergoing rapid changes, enabling linguists to unravel the forces shaping the change as it takes place. In the free forms, gender marking on numerals is neutralized by collapsing both masculine and feminine forms into one paradigm, the feminine paradigm. In the bound (definite) forms, an opposite direction is attested, in that at least for some numerals, the masculine forms become more prevalent. The study reported here aims to determine whether the factor determining the change is prosodic or functional in nature, by eliciting production and grammaticality judgments of noun phrases containing bound numerals from five different age groups of native speakers. The results suggest that prosody plays a role in shaping the change, as forms with penultimate stress are favored over those with ultimate stress. In addition, processes of production and processes of grammaticality judgments seem to be subject to different kinds of constraints. This state of affairs indicates that the tension between the tendencies toward simplification on the one hand and maximal distinctness on the other occurs at the morphological level as well.

scholarly journals Dialectics of Time and Space in American Indian Women’s Writings

2020 ◽  
Author(s):  
Qasim Shafiq ◽  
Dr. Ghulam Murtaza2 ◽  
Asma Haseeb Qazi
Keyword(s):  
Women Writers ◽  
American Indian ◽  
American Indians ◽  
Social Order ◽  
Oral Tradition ◽  
Time And Space ◽  
American Indian Women ◽  
Indian Women

<p>This study new-historically explores the dialectics of time and space in American Indian women’s writings to explain American Indians’ awareness of and attachment to their surrounding nature and its expression in the contemporary American Indian tribal life. With delimited focus on Louise Erdrich’s <i>Tracks</i> (1988) and Leslie Marmon Silko’s <i>Ceremony </i>(1977), this article analyzes American Indian approach to time and space reflecting Natives’ awareness of their surrounding place. Mythical stories of oral tradition inscribed in <i>Tracks</i> and <i>Ceremony </i>recreate American Indian timeless and macrocosmic realities. American Indian women writers have been selected owing to the matriarchal nature of American Indian social order wherein women have been the conscious carriers of their timeless oral tradition. The two selected novels of different settings express the cultural range of American Indian tribal belt from Canadian border (<i>Tracks’ </i>setting) to Mexican border (<i>Ceremony’s </i>setting). This range is evidence of the synchronic and diachronic integrations and distinctions of American Indian past, present and future.</p>

scholarly journals A Quest for Identity - A Feminist Approach in Manju Kapur’s Home

2019 ◽  
Vol 7 (8) ◽  
pp. 10
Author(s):  
S. Shobana
Keyword(s):  
Social Organization ◽  
Family Life ◽  
Indian Society ◽  
The Novel ◽  
Self Identity ◽  
Feminine Identity ◽  
Indian Family ◽  
Female Hero ◽  
Search For Self ◽  
The Feminine

The paper aims to research the search for self-identity and feminism in Manju Kapur's Home. Home is a masterful novel of the acts of kindness, compromise, and secrecy that lies at the center of each family. The novel, narrate of Indian family life spans three generations whose destiny and dreams are pasted to the Banwarilal cloth shop.  Nisha the protagonist has got to struggle for establishing her identity and to survive during this male-dominated world.  In Indian society, women have never been acknowledged as a person outside their              pre-destined roles of a woman, daughter, and mother.  The female hero of Home tries to free herself of ‘dependence syndrome' thrust upon her by the agents of social organization. The paper focuses on the journey of the feminine protagonist, Nisha towards individuality and self-identity and don't wish to be seen as a self-sacrificing rubber-doll. She had to struggle for her existence as, like different heroines of Manju Kapur, she is within the transformation to innovate the search of autonomy and feminine identity.  

scholarly journals Masculinity in Indonesian Popular Culture in the Early Era of the New Order Regime

2017 ◽  
Vol 11 (1) ◽  
pp. 47
Author(s):  
Ferry Fauzi Hermawan
Keyword(s):  
Popular Culture ◽  
Mass Culture ◽  
Male Dominance ◽  
New Historicism ◽  
New Order ◽  
The Social ◽  
The One ◽  
Sexual Object ◽  
In The Beginning ◽  
The Ideal

This study aimed to identify the forms of masculinity in the Indonesian popular culture in the beginning of New Order regime. This study was based on the two novels: Cross Mama and Kekasih-Kekasih Gelap, written by Motinggo Busye. The analysis used new historicism theory proposed by Stephen Greenblatt. The analysis also considered various cultural contexts emerged in 1970s. The results show three shared trends in the novels. The first trend shows that the masculinity tends to be represented by both men worshiping patriarchal values such as the myth of woman’s virginity and men perceiving woman as a sexual object. The second trend shows that masculinity is stereotyped based on masculinity, power, and male dominance. The third trend shows that masculinity relates to various products of mass culture at the time. This last trend shows that in that era,the ideal male figure is represented as the one who: (1) is sexually active with many women, (2) has a muscular body, (3) has a handsome look, and (4) has a financial capability. Besides the shared three trends, the result also shows that the texts in the novels do not only reflect the cultural situations in the 60’s and 70’s but also contribute in shaping the social values of the cultural situations.

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