scholarly journals Feminism in the Novels of Shobha De

NOTIONS ◽  
2018 ◽  
Vol 9 (2) ◽  
pp. 13-17
Author(s):  
Astha Mangal

Feminism, Self-realization, Indian Women, New Women, Indian literature in English has journeyed a long way to achieve its present glory and grandeur present a good number of women writers offering through their writings the penetrative insight into the complex issues of life. The novels of these women writers analyze the world of women, their sufferings as victims of male hegemony, they also express social, economic and political upheavals in Indian society.

2021 ◽  
Vol 58 (1) ◽  
pp. 5418-5421
Author(s):  
Dr. Latha Velavan, Maya P.R

The paper deals with the ancient Indian women and their contribution to literature during the British period. The role of ordinary women and aristocrat ladies were the same in that period. Both were utilized to fulfill their household duties and to act as a consummate hostess to their men at the table. They were portrayed as a secondary character to men in most of the writings. Women were in general unaware of their fundamental rights due to illiteracy.  Cruel rites like Sati and Infanticide were imposed on women by the society and more or less they were just treated as a supporting character to uphold the story. It’s only at the end of the Second World War, the Indian women got a new sight and light about the world. It’s quite interesting to learn how the ancient women lived and experienced the world around them. Women and Literature are interconnected to one another and their writings added new prospects to English Literature.  Earlier, only the work of men were greatly appreciated and won recognition from the readers. But then, the effort of women writers came in to light which created a remarkable aspect in their style and matters they conveyed. They always focused on the language patterns of Indian Literature. It is to be noted that because of their varied style in writing women writers have become very popular among the Indian readers


Author(s):  
Dr. K. Vijaya

Indian society started to respond to the characteristic challenges of West, which gradually commenced from the dawn of 19th century. In this context, social reform became the first popular issue among Indian intellectuals who, inspired by the liberal views of social change and in the hope of preventing social abuses and launched movements more particularly for women. It is essential to understand in detail the new women movements, which are manifestations of pluralistic paradigm of development and democracy. Moreover, an insight into the struggle for women‟s rights will certainly become more intense in the coming decades. There is a qualitative difference and strategic variations between the present women‟s struggle and earlier liberation movements against oppression. This article focuses on women‟s movement and its role in India with special focus on Tamil Nadu. It also reviews the nature and working of women‟s organizations, as a lens to the Indian women‟s movement.


2017 ◽  
pp. 192-198
Author(s):  
Jagdish Joshi ◽  
Surekha Patil

Female has been dominated by patriarchal society since ages. Her voice does not have any significance or importance in Indian society. Women have all potentialities and abilities like men; still they are not recognized or appreciated as equal to men. This is the predicament of women who confine women in restricted social codes and norms. Her individual self has no reorganization in the patriarchal society. Women’s duties were confined to the specific areas especially household works. Her dreams never convert into reality due to the rigid mindset of patriarchal. Bharti Mukherjee is one of the eminent female writers who write about women and the problems faced by them and so that we can say women are at the center of her texts. Bharati Mukherjee deals with the themes of Indian Women particularly the problem of cross-cultural predicament and crisis. Her work has helped to break the silence on some women's issues which were not discussed in the past due to the fear of prevailing attitude of patriarchy. To raise people's awareness, she writes particular about what she sees around her. She writes how the female protagonist tries to tackle the problem of loss of endeavors to assume a new identity in the U.S. She leaves her country to fulfill her dreams and wishes but reality was totally different. Mukherjee introduces us to the various changes that her novel’s main protagonist Jasmine goes through, as she journeys from the world of rural Indian Punjab to that of America’s Mid-West, discovering her American dream in the process. At last she realizes that self-independence is not to be an Indian or American but to be at peace with herself.


2021 ◽  
Vol 58 (2) ◽  
pp. 5493-5498
Author(s):  
Ms. Bharti, Dr. Shriya Goyal

From pre-Independence period to the contemporary times, women’s voice is gradually being heard and gaining momentum. It is hoped as well as expected that women would soon become a prominent voice making a mark in the society. Their point of view along with their decision making authority will have a definite and constructive impact on the society. This can be inferred from the literature by various Indian women writers such as Pandita Ramabai, Ismat Chughtai, Kamala Das and Shashi Deshpande. As we move from one decade to another entering the 21st century, we observe how women have been able to break the cocoon of domesticity, marking their presence in various socio-political spheres which have been usually dominated by men. Women have sought their space for expression and voicing opinion through literature. Depicting the oppression and discrimination faced in the patriarchal setup of Indian society, the women writers have pointed at the need for equality in practice as well as representation. The article will provide a discussion regarding Feminism in India, analysing each period or phase along with a women writer.


2021 ◽  
Vol 9 (5) ◽  
pp. 112-122
Author(s):  
Prajesh Jena

Shashi Deshpande is a well-known name in the field of Indian literature and is a contemporary writer from Karnataka. She portrays in her novel "A Matter of Time" the truth of Indian society in Indian families. The importance of culture for Indian women is also discussed. Her novels are distinguished for their genuine depictions of the Indians and their history. She used Indian names and the role of Indian Middle Class Women in her novel A Matter of Time through the character Sumi. She talks about Indian Women, Indian Culture, Indian Religion, Indian Family, Religions and Beliefs, Family Traditions, and Emotions, among other topics. A Matter of Time is a multi-generational novel that moves around the plight and predicament of Indian women whose lives are deeply rooted in Indian beliefs, superstitions, conventions and traditions. Women have been living and breathing silently for thousands of years under the umbrella of patriarchy and with their "gazing." With the foundation of patriarchy, the disparity between man and woman, in its unwritten form, has developed through language, customs, rituals, myths and practises. Myths, rituals, and customs contribute to the evolution and establishment of human society. They are naturally developed, but are indeed societal buildings and help in developing patriarchal ideologies. They are believed to be natural. They are, therefore, essential to women's subjugation in our society.


2021 ◽  
Vol 6 (3) ◽  
pp. 92-98
Author(s):  
Dr. Mudasir Ahmad Gori

The paper aims to highlight the complexities that are dominant in Indian society. The variety of issues that makes Indian feminism different from western feminism is also explored. The present paper presents a brief overview of western feminism, however, a large portion discuss the Indian feministic concerns and issue. The paper is not limited to any particular writer or writing of an author but it is an eclectic approach to present the subtle difficulties of Indian feminism in the best possible way. The focus is largely on the third and fourth wave of feminism. Giving the increasing insecurities of women even in this digital era, the paper therefore is a humble effort in that direction to bring some of the merging issues and concerns of women in general and Indian women in particular to the forefront. An eclectic approach has been used for the evaluation of the issues and concerns therefore the paper highlights various feministic issues like cultural social, economic individual, Islamic etc. associated with different branches of feminism.


2020 ◽  
Vol 8 (2) ◽  
pp. 14
Author(s):  
Dr. Rajni Sharma ◽  
Mrs. Poonam Gaur

The autobiographical impulse and act is central to woman's writing in India. The range of Indian women's writing generates an unending discourse on personalities, woman's emotions and ways of life. In a way, it presents the socio-cultural state in India from a woman's stance. It affords a peep into Indian feminism too. Besides giving a historical perspective, it throws ample light on woman's psychic landscape. It takes us to the deepest emotions of a woman's inner being. The varied aspects of woman's personality find expression in the female autobiographical literature. We find that a deeper study of women’s autobiographies unravel the hidden recesses of feminine psyche of Indian society. Whatsoever the position of women maybe, behind every social stigma, there is woman, either in the role of mother-in-law, sister‑in‑law or wife. The women writers with sharp linguistic, cultural and geographical environment represented the problems and painful stories of Indian women from 19th century until date. However, they have not shared the contemporary time of the history, the problems of patriarchal society, treatment women, broken marriages and the identity crises for the women remained similar. Women writers have also been presenting woman as the centre of concern in their novels. Women oppression, exploitation, sob for liberation are the common themes in their fiction. Dalip Kaur Tiwana is one of the most distinguished Punjabi novelists, who writes about rural and innocent women’s physical, psychological and emotional sufferings in a patriarchal society. As a woman, she feels women’s sufferings, problems, barricades in the path of progress as well as the unrecognized capabilities in her. Dalip Kaur Tiwana has observed Indian male dominated society very closely and has much understanding of social and ugly marginalization of women. She can be considered a social reformer as she is concerned with human conditions and devises for the betterment of women's condition in Indian Punjabi families. This paper focuses on the theme of feminist landscape. It presents the miserable plight of women characters. She has come across since her childhood. Women, who felt marginalized, alienated, isolated and detached in their lives, but were helpless as no law was there in her time to punish the outlaws. Dalip Kaur Tiwana beautifully portrays the landscape of her mind. The paper shows how Dalip Kaur Tiwana presents the unfortunate image of her mother, grandmother aunts and some other obscure women who were unable to mete out justice during their life time.


2021 ◽  
Vol 7 (1) ◽  
pp. 1-3
Author(s):  
Krishnaveni KP

The Indian women writers are the one who mainly talks about the male ego and female desire for freedom. Through their writings women writer tries to oppose the male dominance over them. Indian women writers depict the injustices, the anguish and the despair they received in a male dominated society. Many of the writings can be considered as a mutiny against the restraints which the society thrust upon women. In this man-centered world they are trying to bring out the feminine identity through their works. Indian women writers never attempted to adopt any masculine roles to achieve themselves as equal as men, but through their writings they came across all the barrier of class, gender and space boundaries. They try to project masculinity and femininity as equal categories. Though through their works the Indian women writers tries to project women’s responses to gender questions. However, they tried to depict the fact that writings of women need not be differentiated by language or location.


Author(s):  
W. L. Steffens ◽  
Nancy B. Roberts ◽  
J. M. Bowen

The canine heartworm is a common and serious nematode parasite of domestic dogs in many parts of the world. Although nematode neuroanatomy is fairly well documented, the emphasis has been on sensory anatomy and primarily in free-living soil species and ascarids. Lee and Miller reported on the muscular anatomy in the heartworm, but provided little insight into the peripheral nervous system or myoneural relationships. The classical fine-structural description of nematode muscle innervation is Rosenbluth's earlier work in Ascaris. Since the pharmacological effects of some nematacides currently being developed are neuromuscular in nature, a better understanding of heartworm myoneural anatomy, particularly in reference to the synaptic region is warranted.


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