scholarly journals Jerzy Stempowski o Soli ziemi Józefa Wittlina

2013 ◽  
Vol 14 (1) ◽  
pp. 51
Author(s):  
Magdalena Chabiera

Jerzy Stempowski on Józef Wittlin’s Salt of the Earth [Sól Ziemi] In a 1936 text dedicated to Józef Wittlin’s novel Jerzy Stempowski tries to position it within the context of the contemporary political, social and cultural events. He also analyses the artistic values of the novel in relation to the changes of the world-view caused by the traumatic events of the First World War

Following work is dedicated to the novel “Mrs.Dalloway”. The main characters are emotionally endowed Dreamer Clarissa Dalloway and humble servant Septimus Warren-Smith, who was a contusion in the first World War described only one day in June, 1923 year. In fact, the novel “Mrs.Dalloway” is the "flow of consciousness" of the protagonists Clarissa Dalloway and Septimus Warren – Smith, their Big Ben clock is divided into certain peace with a bang. Virginia Woolf believes that "life" is manifested in the form of consciousness, death and time, she focuses her essays on such issues as the role of a woman in family and society, the role of a woman in the upbringing of children, the way a woman feels about the world, the relationship between a modern man and a woman.


Monitor ISH ◽  
2018 ◽  
Vol 20 (1) ◽  
pp. 123-137
Author(s):  
Manca Erzetič

The article deals with the influence of the Russian Revolution as evidenced in Srečko Kosovel’s intellectual and poetic creativity. Multifaceted and complicated, this influence includes socio- critical, cultural-reflexive, aesthetic and poetological aspects. Of key importance is Kosovel’s preoccupation with the crisis of humanity in the historical situation of Europe and of the world in general after the end of the First World War, which affected both individual and community, both worker and nation. While the Russian revolution undoubtedly led Kosovel to believe that the world could become more humane, he cannot be considered a ‘believer of the revolution’ in the sense of adherence to revolutionary ideology. In his view, the role of creating a ‘New Humanity’ definitely belonged to art.


Author(s):  
James Muldoon

The German council movements arose through mass strikes and soldier mutinies towards the end of the First World War. They brought down the German monarchy, founded several short-lived council republics, and dramatically transformed European politics. This book reconstructs how participants in the German council movements struggled for a democratic socialist society. It examines their attempts to democratize politics, the economy, and society through building powerful worker-led organizations and cultivating workers’ political agency. Drawing from the practices of the council movements and the writings of theorists such as Rosa Luxemburg, Anton Pannekoek, and Karl Kautsky, this book returns to their radical vision of a self-determining society and their political programme of democratization and socialization. It presents a powerful argument for renewed attention to the political theories of this historical period and for their ongoing relevance today.


Author(s):  
Gregory A. Barton

After the death of Gabrielle Howard from cancer, Albert married her sister Louise. Louise had been pressured to leave Cambridge as a classics lecturer as a result of her pro-peace writings during the First World War. After working for Virginia Wolf, she then worked for the League of Nations in Geneva. Louise was herself an expert on labor and agriculture, and helped Albert write for a popular audience. Albert Howard toured plantations around the world advocating the Indore Method. After the publication of the Agricultural Testament (1943), Albert Howard focused on popularizing his work among gardeners and increasingly connected his composting methods to issues of human health.


2020 ◽  
pp. 157-167
Author(s):  
Goran J. Petrovic

This paper analyzes “Futility”, one of the best poems by Wilfred Owen, a renowned British poet-soldier of the First World War. It shows that, in philosophical terms, the poem is based on existential nihilism as a view that human existence is intrinsically non-teleological. As the paper argues, Owen does not develop such a pessimistic world-view because of his great knowledge of Darwin’s or Nietzsche’s work as being emblematic of late nineteenth and early twentieth century pessimism, but because of his firsthand experience with the horrors of history’s first mechanized war. Owen’s nihilistic philosophy is viewed in contrast with the ideology of progress and utopianism as being prevalent over pessimism up until the outbreak of WWI and as being equally propounded by the secular philosopher Herbert Spencer and the Protestant liberal theologians. In brief, “Futility”, as a poem which presents the demise of a nameless British soldier, ends in the poet’s rhetorical question which explicitly doubts the purposefulness of human history. The paper also deals with “Futility’s” stylistic traits, and in doing so comes to the conclusion that the poem’s mood is for its most part temperate and elegiac with, in emotional terms, a somewhat more intense ending, just as it reveals that its irregular rhyming and metre reflect the poet’s reaction to the spiritual emptiness and chaos of war.


2020 ◽  
Author(s):  
Susanne Klengel

The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past.


2021 ◽  
Author(s):  
◽  
Rachel Patrick

<p>This thesis explores the topic of families during the First World War through a single New Zealand family and its social networks. The family at the core of the thesis, the Stewarts, were a well-to-do Dunedin family who moved in the most exclusive circles of colonial society. As members of the elite, and as prominent figures in the leadership of wartime patriotic organisations, they conceived of their wartime role as one of public benevolence and modelling patriotic virtue for others. Yet, like countless other families, their personal lives were shattered by the war. Drawing upon the extensive records left behind by the Stewart family, as well as associated archives, the thesis advances a number of larger arguments.  It is the overarching claim of this study that families – in their emotional, material and symbolic manifestations – formed an integral part of the war experience and provide a significant way of understanding this global event and its devastating human consequences. The Stewart family’s extensive surviving archive of personal correspondence provides a window into the innermost emotions, beliefs and values of the family’s individual members. Episodes in their wartime lives shape the wider thesis themes: the impact of family separations, grief and bereavement, religious faith, duty and patriotism, philanthropy, the lingering shadow of war disability – and the inflection of all of these by gender and class. Analysing the letters that the family exchanged with other correspondents demonstrates the embeddedness of family in larger networks of association, as well as identifying the aspects of their world view they shared with others in their predominantly middle- and upper-class circles. The records of patriotic organisations members of the family were associated with provide a means of examining how they translated their private beliefs into public influence.  The continual interplay between mobility and distance forms another of the study’s substantive themes. The distance created by the geographical separation between battlefronts and homefronts was a defining feature of the war for families in far-flung dominions such as New Zealand. But distance could be overcome by mobility: through the flow of things, money and people. Such movements, the thesis argues, blurred the boundaries between home and front. Thus, the correspondence members of the Stewart family exchanged during the war enabled them to sustain intimate ties across distance and helped them to mediate their own particular experience of wartime bereavement. The informal personal and kinship networks sustained by the female members of the family formed an important constituent of wartime benevolence, providing a conduit for the flow of information, goods and financial aid across national boundaries. During the war, the leadership of women’s patriotic organisations promoted an essentialised vision of feminine nature to justify their organisations’ separate existence and to stake a claim for women’s wider participation in the war effort. In doing so, they drew upon enlarged notions of kinship to argue that their female volunteers were uniquely qualified to bridge the distances of war, and to bring the emotional and practical comforts of home to frontline soldiers.  An alternative perspective to the Stewart family’s story of war is provided in this thesis through counterpoints from casefiles of the Otago Soldiers’ and Dependents’ Welfare Committee, with which the Stewarts were involved. Here, the economic interdependence and mutual reliance of working-class families is laid bare in ways that differ markedly from the experience of the Stewarts, but which nevertheless underscores the centrality of the family as an institution for people of all social backgrounds. For some families the geographical separation imposed by the exigencies of war proved insurmountable. The very different kinds of families in this thesis illustrate that whether through their successes, or the sometimes dire consequences of their failures, families are nonetheless indispensable to understanding the First World War.</p>


2011 ◽  
Vol 39 (2) ◽  
pp. 463-482 ◽  
Author(s):  
Gordon Fraser

On November 16, 1918, a little more than two weeks after an armistice officially ended World War I, an editorial in the Idaho Statesman offered advice about the future of the world economy. Lifting the title of its editorial directly from Benjamin Disraeli's Sybil, or The Two Nations, the Statesman argued only the political philosophy espoused by that novel and its author could show the world a way forward. Quoting from the novel's final paragraph, the newspaper declares: “‘To be indifferent and to be young can no longer be synonymous.’ Those words were true when Disraeli penned them just 73 years ago, but they apply with striking force to the problems of today and to the problems which will be certain to develop in the years just ahead” (“Trustees of Posterity” 4). The newspaper wasn't only advocating political involvement by the nation's youth, nor was Disraeli. Sybil proposes a particular kind of economic and political order, a union between a “just” aristocracy, led by the young and ambitious, and the laboring classes. It proposes that great statesmen take up the mantle of responsibility just as Thomas Carlyle, in Disraeli's day, advocated great captains of industry take up that mantle (Houghton 328). The newspaper's argument implies this seventy-year-old British novel will be critical to America's political future. But this vision of responsibility belongs in the nineteenth century – it is rooted in the conflict between republicanism and aristocratic oligarchy – and the timing of the Statesman article at first seems wildly inappropriate. As the First World War ended, the Statesman expected the world would face the kind of threats Americans had perceived before the war. The editorial warns that “mobocracy” still “holds nearly half of the area of Europe and much of northern Asia in its bloody and irresponsible grip.” If there is any doubt about who is behind this “mobocracy,” the newspaper clears that matter up, answering: “Bolshevists, Socialists and all of the disciples of unrest who may be roughly grouped as ‘The Reds’” (“Trustees of Posterity” 4). And when the Statesmen warns about “Reds,” it can easily expect its readers to remember that, only seventeen years earlier, President McKinley had been shot by just such a “Red”: Leon Czolgosz, an alleged anarchist and the child of Polish immigrants.


Author(s):  
Gemma Moss

Women exerted a considerable influence on Maurice, even though admirable female characters are absent from the narrative. Before the First World War, a sexually conservative reform movement called Social Purity was bringing male sexuality under particular scrutiny, making this a difficult time for Forster to be claiming that homosexuality was not morally wrong. Interpreted against this background, Maurice can be read not as a rebellion against attenuated Victorian attitudes or against women but as a challenge to the contemporary social purity movement. In this context – the difficulty of talking about homosexuality, of which the novel explores the effects – the willingness of Forster’s friend and confidante, Florence Barger, to discuss homosexuality also needs to be seen as significant. She contributed to Forster’s ability to represent homosexuality as a valid alternative to bourgeois masculinity that equated heterosexuality with morality, health and economic success.


2020 ◽  
pp. 334-339

It is common wisdom, both in scholarly historiography and in hagiography, that Ze’ev Jabotinsky was the founding father of the Israeli Right. In fact, as Colin Shindler’s excellent book proves, Jabotinsky adopted a right-wing world view only in the 1920s. Prior to the First World War, while undoubtedly a Zionist, he was also a man of cosmopolitan views. It was during a sojourn in Italy that he was caught up in the spirit of nationalism; Garibaldi’s influence was prior to Herzl’s. Moreover, whereas Jabotinsky’s heirs, Menachem Begin most prominently, paid lip service to his heritage, they were not entirely his disciples. Jabotinsky’s thinking largely lost its relevance in the face of the changing historical circumstances in which Begin and others operated. And so, with the passage of years following Jabotinsky’s death in 1940, there was an ever-lessened sense of obligation to the leader and his legacy....


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