scholarly journals EDWARDA MUSZALSKIEGO KONCEPCJA NARODOWEGO PRAWA CYWILNEGO

2016 ◽  
Vol 11 (4) ◽  
pp. 237
Author(s):  
Ewa Kozerska ◽  
Tomasz Scheffler
Keyword(s):  
Soviet Union ◽  
19Th Century ◽  
Trade Unions ◽  
Full Range ◽  
Private Law ◽  
The Soviet Union ◽  
Labor Legislation ◽  
The Creation ◽  
The Law ◽  
The 19Th Century

Edward Muszalski’s Idea of National Private LawSummary The paper presents the views of Polish lawyer Edward Muszalski on the state of private law in Europe and Poland of the interwar period and his proposals for changes. Muszalski assumed that the law was shaped by two schools of thought : liberal and socialist. In the 18th and 19th century the liberal school dominated, the result of which was the creation of the Napoleonic Code and the BGB. In the 19th century, socialism also influenced the law, which resulted in the creation of labor legislation and trade unions. In the 20th century, the bad qualities of both schools came together in the law of the Soviet Union. However it was possible to combine the good qualities of liberal and socialist law by assuming that the fundamental category of private law is the nation. According to Muszalski, national private law assumes, among others, the dominance of common law over statues, limitation of property rights, strengthening of family stability, limiting rights of will making and abandoning the principle of the will of the parties as the basis for interpreting contracts. Attempts to create national private law were made in Germany under the rule of Hitler and in Italy under the rule of Mussolini. However in both cases full-range law reforms failed, and in both countries private law remains liberal.

Afghanistan: Martial Society Without Military Rule

2021 ◽  
Author(s):  
Amin Tarzi
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
19Th Century ◽  
Democratic Party ◽  
Central Government ◽  
The United States ◽  
The Soviet Union ◽  
Military Campaigns ◽  
The 19Th Century ◽  
The Military

Since its inception as a separate political entity in 1747, Afghanistan has been embroiled in almost perpetual warfare, but it has never been ruled directly by the military. From initial expansionist military campaigns to involvement in defensive, civil, and internal consolidation campaigns, the Afghan military until the mid-19th century remained mainly a combination of tribal forces and smaller organized units. The central government, however, could only gain tenuous monopoly over the use of violence throughout the country by the end of the 19th century. The military as well as Afghan society remained largely illiterate and generally isolated from the prevailing global political and ideological trends until the middle of the 20th century. Politicization of Afghanistan’s military began in very small numbers after World War II with Soviet-inspired communism gaining the largest foothold. Officers associated with the People’s Democratic Party of Afghanistan were instrumental in two successful coup d’états in the country. In 1979, the Soviet Union invaded Afghanistan, ending the country’s sovereignty and ushering a period of conflict that continues to the second decade of the 21st century in varying degrees. In 2001, the United States led an international invasion of the country, catalyzing efforts at reorganization of the smaller professional Afghan national defense forces that have remained largely apolitical and also the country’s most effective and trusted governmental institution.

scholarly journals Juda Hirsch Quastel, 2 October 1899 - 15 October 1987

1990 ◽  
Vol 36 ◽  
pp. 379-418 ◽  
Keyword(s):  
Soviet Union ◽  
19Th Century ◽  
Family Members ◽  
The West ◽  
The Soviet Union ◽  
Garment Factories ◽  
The Subject ◽  
East End ◽  
The 19Th Century ◽  
The City

Juda Hirsch Quastel, who contributed for more than 60 years to the growth of biochemistry, was born in Sheffield, in a room over his father’s rented sweet shop on the Ecclesall Road. The date was 2 October 1899, and his parents, Jonas and Flora (Itcovitz) Quastel, had lived in England for only a few years. They had emigrated separately from the city of Tamopol in eastern Galicia, which was then within the Austro-Hungarian Empire; it has since, after a period under Polish rule, become part of the Ukrainian Republic of the Soviet Union. Tamopol at the end of the 19th century was a city of some 30 000 and the centre of an agricultural district. Its inhabitants were ethnically mixed, but about half of them were Jews, many of whom under the relatively benevolent Austrian regime were fairly prosperous. Quastel used to recall how his father and grandfather had held the Emperor Franz Joseph in great respect. His grandfather, also Juda Hirsch (married to Yetta Rappoport), had at one time worked as a chemist in a brewery laboratory in Tamopol. The parents of the subject of this biography had been in commerce there, and were not poor; but today’s family members know little about the life of Jonas and Flora in Tamopol, or about the reasons that persuaded them, like many of their neighbours, to emigrate to the West. An uncle had already gone to England, and perhaps had encouraged them to follow because of the greater opportunities. In England they lived at first in London’s east end, where they worked in garment factories; but their move to Sheffield, and to Jonas’s modest entrepreneurship, had been completed in the late 1890s. It was there that Juda Hirsch and his four younger siblings (Charles, Doris, Hetty and Anne) were born.

Khorezm and the Khanate of Khiva

2019 ◽  
Author(s):  
William Wood
Keyword(s):  
Soviet Union ◽  
Central Asia ◽  
19Th Century ◽  
18Th Century ◽  
Russian Empire ◽  
16Th Century ◽  
Bolshevik Revolution ◽  
The North ◽  
The Soviet Union ◽  
The 19Th Century

The Khanate of Khiva, one of the Uzbek khanates of Central Asia, refers to a political entity in the region of Khorezm from the early 16th century until 1920. The term itself, which was not used by locals who instead used the name vilayet Khwārazm (“country of Khwārazm”), dates from 18th-century Russian usage. Khorezm is an ancient center of sedentary civilization with a distinct culture and history that came under Uzbek rule as the latter migrated southward from their pasturelands on the steppe beginning in the early 16th century. In contrast to the related dynasties in Transoxiana, the Khanate of Khiva retained a greater degree of pastoralism, though the state was still fundamentally built on sedentary agriculture. Though no doubt affected by historical variations in the volume and routes of the overland caravan trade, Khiva remained a key center for transregional trade throughout its history, especially with the growing Russia Empire to the north. Political structures in Khiva remained weak and decentralized until the 19th century, when the Qongrat dynasty succeeded in transforming the khanate into the most centralized state in the region. Among the legacies of the khanate is its promotion of a distinctive Turkic literary culture, which interacted fruitfully with the dominant Persian culture of neighboring regions. As with other states in Central Asia, by the second half of the 19th century Khiva became a target of the expanding Russian Empire, which conquered Khorezm in 1873. While the tsarist state initially preserved a portion of the khanate under Qongrat rule as a protectorate, after the Bolshevik Revolution this state was soon dissolved and absorbed into the Soviet Union.

scholarly journals For Beauty, Nation and God

Venezia Arti ◽  
2018 ◽  
Author(s):  
Alžběta Filipová
Keyword(s):  
Soviet Union ◽  
Cultural Heritage ◽  
19Th Century ◽  
The Caucasus ◽  
Art Collectors ◽  
The Soviet Union ◽  
Systematic Exploration ◽  
New Generation ◽  
The 19Th Century ◽  
Ancient Remains

The following paper traces the origins and increased interest in the cultural heritage of Georgia on behalf of the local intelligentsia in the 19th century. After describing the circumstances that may have led the new generation of Georgian scholars to a systematic exploration of ancient remains in the Caucasus and medieval ecclesiastical monuments and treasuries, the paper will focus on the main archaeologists of Christian antiquity in Georgia, Dimitri Bakradze and Ekvtime Taqaishvili. Finally, the study outlines the creation of what has been called the Georgian National Treasure. The treasure items, collected from monasteries and settlements all over Georgia and protected from robberies and impetuous art collectors, were sent into exile in 1921, shortly before the short-lived Georgian Democratic Republic’s annexation to the Soviet Union. The thirty-nine boxes, containing manuscripts, icons, precious liturgical vessels and other priceless items, were sent from Batumi to Marseille, via Istanbul, and stored in France until 1945, when Ekvtime Taqaishvili, who had taken care of and protected them over those 24 years, accompanied them back to Tbilisi.

scholarly journals Competing Powers

2021 ◽  
pp. 183-210
Author(s):  
Daniela Russ ◽  
Thomas Turnbull
Keyword(s):  
Great Britain ◽  
Soviet Union ◽  
19Th Century ◽  
Turn Of The Century ◽  
Political Conflicts ◽  
Nation States ◽  
The Soviet Union ◽  
The Us ◽  
National Power ◽  
The 19Th Century

The interwar years saw the rise of debates and comparisons around the growth and efficiency of national power economies. The article interprets this 'energetic productivism' in terms of indirect geopolitical competition. While this form of competition clearly did not rule out national conflicts over resources and territories, it created a new medium--the national power economy--via which supremacy could be asserted. The article outlines the roots of energetic productivism in the 19th century and shows how it related to imperial competition around the turn of the century. It presents two forms of energetic productivism that emerged out of two distinct nation states, Great Britain and the Soviet Union. On the basis of these examples, the article argues that 'power competition' was wedded to two wider political conflicts. The first was between Great Britain and 'rising' rival powers whose ascendence was beginning to end its industrial and political hegemony. The second power competition occurred between the Soviet Union and the capitalist countries whom this experimental new polity sought to supersede. The article concludes by contrasting these two iterations of energetic productivism with a more well-known formulation of energetic statehood proposed in the US in the 1930s.

scholarly journals Gender Image of Japan in Russia and the USSR: From the Country of Women to the Country of Samurai (from the End of the 19th Century to the Second World War)

2018 ◽  
pp. 67-89
Author(s):  
A. N. Meshcheryakov
Keyword(s):  
Soviet Union ◽  
19Th Century ◽  
Second World War ◽  
Russian Language ◽  
World War ◽  
The Soviet Union ◽  
The Feminine ◽  
The 19Th Century ◽  
Second World ◽  
Initial Process

The word “samurai” firmly rooted in the modern Russian language, along with Fujiyama, geisha and sakura. Though obviously this was not always the case. This article traces the initial process of perceiving the concept of samurai in pre-revolutionary Russia and the Soviet Union: from the 1890s, from the first military victories of rapidly modernizing Japan, to the RussoJapanese War and further to the beginning of the Second World War. Initially endowed with features of “childishness” or “femininity,” gentleness and grace, the image of Japan is gradually becoming “masculine” and is increasingly associated with the concept of “samurai.” At first, this concept is related to such qualities as belligerence and cruelty but also loyalty to lord and “knightly” honor. Often, following Nitobe Inazo, the best qualities of the Japanese are generally traced back to the samurai tradition. Later, the Japanese appear in an increasingly caricature form, as greedy but powerless aggressors. At first, this image is not associated with the concept of “samurai” but by the 1930s fused with it. At the same time, Soviet authors criticize the “feminine” perception of Japan – they describe both the ruling exploiter and the exploited worker with “masculine” traits. The article examines the early Japanese borrowings in Russian dictionaries of foreign words, the images of the Japanese in the writings of Russian and Soviet writers, the characteristics of the country and its inhabitants in popular editions devoted to Japan as well as in propaganda texts and pictures.

scholarly journals Suloisen etelän suojatit pohjoisen kuolemanmaisemassa

2016 ◽  
pp. 23-39
Author(s):  
Thekla Musäus
Keyword(s):  
Soviet Union ◽  
19Th Century ◽  
Russian Literature ◽  
Social Situation ◽  
The Soviet Union ◽  
Starting Point ◽  
The Social ◽  
Soviet Literature ◽  
The 19Th Century ◽  
North And South

The Children of the Sweet South in the Northern Land of Death. On the Opposition of North and South in Russian Literature from Romanticism up to Socialist Realism The starting point of the article is the semiotic theory of culturally coherent “semio-spheres”. The analysis focusses on the changing pictures of the northern parts of the Russian cultural area – Siberia, Karelia, and, in the 19th century, also Finland – in the works of Russian writers from Romanticism into the middle of the 20th century. The traditional juxtaposition of ‘north’ and ‘south’ as cultural, climatic and emotional opposites in Romanticism was inspired in part by admiration for Scandinavian sagas and landscapes. The European idealisation of the South was still valid in the poems of the Russian Romanticism. Embedded into the pictures of a wild and untouched northern nature was the ideal of a simple, rural society and the romantic imagery of the lonesome hero. In the Russian literature of the second half of the 19th century ‘north’ became an emotional centre in opposition to a spoiled, western cultural centre. Nevertheless, the Russian and Ukrainian South continued to be a place of longing for the imprisoned or exiled heroes in the hostile North. In Soviet literature, the communist project to improve the social situation of the toiling masses around the world led to a missionary’s attitude toward the outskirts of the Soviet Union. Russian heroes did not only bring civilisation to the uneducated Northern aborigines but by cultivating the harsh land they also added more civilized Southern nature to the Northern landscape.

scholarly journals De 19e-eeuwse geschiedenis van de Nederlandse wetenschap van het burgerlijke recht? Helemaal niet!

2019 ◽  
Vol 87 (1-2) ◽  
pp. 163-207
Author(s):  
Jeroen M.J. Chorus
Keyword(s):  
The Netherlands ◽  
19Th Century ◽  
Private Law ◽  
Commercial Law ◽  
The Family ◽  
History Of ◽  
The Law ◽  
The 19Th Century

SummaryThis article reviews C.J.H. Jansen’s attempt to write the history of Private Law (except for Commercial Law) doctrine in The Netherlands during the 19th Century. Regrettably, Jansen’s book does next to nothing discuss academic and other scholarly writings on the Law of Property and of Obligations, and does not at all discuss such writings on the Law of Persons and the Family, of Juristic Persons and of Succession. It only deals with aspects of methodology, of sources of law and of extra-legal factors which inspired some authors, apart from pouring out over the reader lots of facts unconnected with Private Law doctrine. The book’s title is misleading.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

New Materials for Studying Preparation and Staging of the 6th World Festival of Youth and Students in 1957

2018 ◽  
pp. 550-563
Author(s):  
Daniel Sawert ◽  
Keyword(s):  
Soviet Union ◽  
Central Asia ◽  
Trade Unions ◽  
Soviet Society ◽  
Unique Event ◽  
The Soviet Union ◽  
Archival Documents ◽  
Cultural Standards ◽  
The Cold War ◽  
Local Traditions

The article assesses archival materials on the festival movement in the Soviet Union in 1950s, including its peak, the 6th World Festival of Youth and Students held in 1957 in Moscow. Even now the Moscow festival is seen in the context of international cultural politics of the Cold War and as a unique event for the Soviet Union. The article is to put the 6th World Festival of Youth and Students in the context of other youth festivals held in the Soviet Union. The festivals of 1950s provided a field for political, social, and cultural experiments. They also have been the crucible of a new way of communication and a new language of design. Furthermore, festivals reflected the new (althogh relative) liberalism in the Soviet Union. This liberalism, first of all, was expressed in the fact that festivals were organized by the Komsomol and other Soviet public and cultural organisations. Taking the role of these organisations into consideration, the research draws on the documents of the Ministry of culture, the All-Russian Stage Society, as well as personal documents of the artists. Furthermore, the author has gained access to new archive materials, which have until now been part of no research, such as documents of the N. Krupskaya Central Culture and Art Center and of the central committees of various artistic trade unions. These documents confirm the hypothesis that the festivals provided the Komsomol and the Communist party with a means to solve various social, educational, and cultural problems. For instance, in Central Asia with its partiarchal society, the festivals focuced on female emancipation. In rural Central Asia, as well as in other non-russian parts of the Soviet Union, there co-existed different ways of celebrating. Local traditions intermingled with cultural standards prescribed by Moscow. At the first glance, the modernisation of the Soviet society was succesful. The youth acquired political and cultural level that allowed the Soviet state to compete with the West during the 6th World Festival of Youth and Students. During the festival, however, it became apparent, that the Soviet cultural scheme no longer met the dictates of times. Archival documents show that after the Festival cultural and party officials agreed to ease off dogmatism and to tolerate some of the foreign cultural phenomena.

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