“Less Art and More Machine”: The California Crucible

Damaged ◽  
2020 ◽  
pp. 171-204
Author(s):  
Evan Rapport

Early American punk had its most explicit identity crisis in Los Angeles during the late 1970s, and the sounds created in California during this time, including San Francisco, effectively defined American punk moving forward. Punk in Los Angeles in particular reflected some of the most extreme changes of the post-war era, with substantial migration, new development, and geographic segregation. California became the major site for debates over the meaning of punk styles, with growing tensions between older punks in the downtown or “Hollywood” scene, such as X and the Screamers, and the younger punks in suburban and beach areas, such as Circle Jerks and Black Flag, and ultimately, the style of suburban hardcore punk that was forged in California came to define punk for American listeners. It was in California where punk morphed from an expression of the sixties generation into a voice for Generation X heading into the 1980s. This chapter also takes a close look at punk’s relationship to violence, especially with respect to the confrontations between punks and the LAPD. The musical life of Latinx punks (and Chicano or Mexican American punks specifically) serves as a case study for further investigations of social and musical complexities in Los Angeles.

1994 ◽  
Vol 6 (1) ◽  
pp. 73-95 ◽  
Author(s):  
Peter Skerry

In the countless conversations about U.S. immigration policy that I have had with Mexican Americans of varied backgrounds and political orientations, seldom have my interlocutors failed to remind me that “We were here first,” or that “This was our land and you stole it from us.” Even a moderate Mexican American politician like former San Antonio Mayor Henry Cisneros sounds the same theme in a national news magazine:It is no accident that these regions have the names they do—Los Angeles, San Francisco, Colorado, Montana.…It is a rich history that Americans have been led to believe is an immigrant story when, in fact, the people who built this area in the first place were Hispanics.


Author(s):  
Lies Wesseling

This article probes the extent to which literary history and cultural history may mutuallyilluminate each other, without neglecting the poetic dimension of literary works. Thispoetic dimension is embedded within the genre repertoires that shape the production andreception of literary works. One should therefore take into close account that the literaryrepresentation of social conflict is always deflected by the prism of genre conventions.Focusing on the case study of the Dutch Gothic novel, I argue that Gothic tales provide aspecific take on the post-war modernization of the Netherlands. As such, they make avaluable contribution to historical debates about the periodization of the sixties andseventies, not in spite of, but because of their specific poetic properties. Thus, it is verywell possible to bring literary works to bear upon the discussion of historical issueswithout either infringing upon the relative autonomy of the literary system or neglectingthe specific expertise of literary studies as a discipline in its own rights.


2020 ◽  
Vol 4 (Supplement_1) ◽  
pp. 18-18
Author(s):  
Haley Gallo ◽  
Kelly Marnfeldt ◽  
Adria Navarro ◽  
Kathleen Wilber

Abstract As the older adult population grows and Federal funding remains stagnant, coordination of services at the local level becomes more critical. Building on the Federal Administration for Community Living model, California’s Master Plan for Aging creates opportunities for innovative restructuring of the way aging services are delivered through the Area Agencies on Aging (AAA). We conducted a comparative case study of California AAAs (N=5) representing different levels of integration, from standalone departments of aging (Los Angeles City, Riverside County), to partial integration (Los Angeles County), to full integration with aging and disability programs (San Diego County, San Francisco County). We examined the impact of departmental organization and integration on the AAAs’ service delivery for older adults. Interviews with leaders of the AAAs were coded by two researchers using constant comparative analysis to identify themes within and between the AAAs. Emerging themes revealed the role that “structure,” “politics,” “funding,” and “visibility” play in service delivery for AAAs with varying levels of integration. Findings suggest that integrating the AAA with other departments (i.e., Health and Human Services) and programs (e.g., Adult Protective Services, In-Home Supportive Services) improves coordination and allows for greater visibility of the AAA. Key stakeholders in standalone AAAs, however, fear that integration would hinder their visibility and “agility” in service provision. Findings shed light on best practices for locally coordinated aging service delivery during a window of opportunity for California AAAs, yet they can also inform how aging services are provided for local governments nationwide.


2021 ◽  
Vol 26 (1) ◽  
Author(s):  
Moira Gunn

Bioentrepreneurship education has evolved into at least three different types, all of which co-exist: Education 1.0 - In Service of Biotechnology Startups, Education 2.0 – In Service of Biotechnology Innovation Ecosystems, and Education 3.0 – In Collaboration with Biotechnology Innovation Ecosystems. Examples are given at all levels, along with a Case Study of the Bioentrepreneurship (BioE) program at the University of San Francisco (USF). The USF program draws from twelve expertise disciplines described by the Bioenterprise Innovation Expertise Model (BIEM 2.0), those essential disciplines bioenterprise requires to bridge the science/technology discovery/invention through to viable commercial product life cycle. As a result, the USF program reaches graduate students across the university. The utilization of the BIEM 2.0 model throughout the BioE courses is discussed, as well as the incorporation into the curriculum of BioTech Nation interviews with biotechnology industry executives and scientists. Due to the COVID-19 Pandemic and the requirement to move the BioE courses to a remote modality, future plans include the development of a fully online Bioentrepreneurship (BioE) certificate, primarily targeting the California state biotechnology corridor of San Francisco, Los Angeles, Orange County, and San Diego Biotechnology Innovation Ecosystems. Additional new BioE courseware will address the growing sector of Digital Health.


2018 ◽  
Vol 45 (1) ◽  
pp. 84-91 ◽  
Author(s):  
Lutz Bornmann ◽  
Felix de Moya Angeon

Spatial bibliometrics addresses the spatial aspects of scientific research activities. In this case study, we use the Getis–Ord G∗ i ( d) statistic for bibliometric data on US institutions to identify hot spots of institutions on a map publishing many high-impact papers. The study is based on a dataset with performance data (proportion and number of papers belonging to the 10% most frequently cited papers) and geo-coordinates for all institutions in the United States from the SCImago group (and Scopus). The Getis-Ord Gi* statistic returns, for each institution on a map, a z score. Higher z scores point to intense clustering of institutions, which have published a large proportion or number of highly cited papers (hot spots). The US maps, which we generate as examples in this study, point to four regions. These regions can be labelled as hot spots: around San Francisco, Los Angeles, Boston and Washington, DC. The empirical focus on institutional hot spots in a country using bibliometric data is of specific importance for science policy, because geospatial proximity is shown as an important factor for innovation processes.


Author(s):  
C. Claire Thomson

Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.


1999 ◽  
Vol 22 (1) ◽  
pp. 126-128
Author(s):  
Catherine S. Ramirez

Throughout the twentieth century (and now the twenty-first), the specter of a Latina/o past, present, and future has haunted the myth of Los Angeles as a sunny, bucolic paradise. At the same time it has loomed behind narratives of the city as a dystopic, urban nightmare. In the 1940s Carey McWilliams pointed to the fabrication of a “Spanish fantasy heritage” that made Los Angeles the bygone home of fair señoritas, genteel caballeros and benevolent mission padres. Meanwhile, the dominant Angeleno press invented a “zoot” (read Mexican-American) crime wave. Unlike the aristocratic, European Californias/os of lore, the Mexican/American “gangsters” of the 1940s were described as racial mongrels. What's more, the newspapers explicitly identified them as the sons and daughters of immigrants-thus eliding any link they may have had to the Californias/os of the eighteenth and nineteenth centuries or to the history of Los Angeles in general.


2020 ◽  
Vol 20 (2) ◽  
pp. 45-54
Author(s):  
Samuel H. Yamashita

In the 1970s, Japanese cooks began to appear in the kitchens of nouvelle cuisine chefs in France for further training, with scores more arriving in the next decades. Paul Bocuse, Alain Chapel, Joël Robuchon, and other leading French chefs started visiting Japan to teach, cook, and sample Japanese cuisine, and ten of them eventually opened restaurants there. In the 1980s and 1990s, these chefs' frequent visits to Japan and the steady flow of Japanese stagiaires to French restaurants in Europe and the United States encouraged a series of changes that I am calling the “Japanese turn,” which found chefs at fine-dining establishments in Los Angeles, New York City, and later the San Francisco Bay Area using an ever-widening array of Japanese ingredients, employing Japanese culinary techniques, and adding Japanese dishes to their menus. By the second decade of the twenty-first century, the wide acceptance of not only Japanese ingredients and techniques but also concepts like umami (savory tastiness) and shun (seasonality) suggest that Japanese cuisine is now well known to many American chefs.


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