scholarly journals The Tale of Two 1001-Night Cities An Actor-Network View on the Role of Social Structures and the Motives and Intentions of Agents in Spatial Development of the Medieval Bagdad and Isfahan

2021 ◽  
Vol 4 (2) ◽  
pp. p13
Author(s):  
Arash Salek
Keyword(s):  
Middle Eastern ◽  
Actor Network Theory ◽  
Spatial Development ◽  
Local Identity ◽  
Urban Identity ◽  
Actor Network ◽  
Institutional Settings ◽  
Actor Networks ◽  
Path Dependent

This contribution analyses the urban identity and historical patterns of spatial development in ancient Baghdad and Isfahan, according to Actor Network Theory (ANT) and Actor-Relational Approach (ARA). In the case of two different historical urban hubs (Baghdad and Isfahan).This article demonstrates how in the course of history, those interactions between various path-dependent networks have produced various, but specific types of urbanity in this region. It aims to show how ANT could clarify the embeddedness of dynamic actor-networks within the Middle Eastern urban spaces. This contribution argues that the institutional settings, customs, and use might even be more crucial for the issue of local identity, precisely because in effect they influence and shape urban living, institutions, form and infrastructures through time.

Sustainability-oriented innovation (SOI) in the cultural village: an actor-network perspective in the case of Laweyan Batik Village

2020 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Budi Harsanto ◽  
Chrisna T. Permana
Keyword(s):  
Network Theory ◽  
Actor Network Theory ◽  
Analytical Framework ◽  
Actor Network ◽  
Content Type ◽  
Non Profit ◽  
Institutional Settings ◽  
15Th Century ◽  
Business Sectors

PurposeThis study aims to explore the development of sustainability-oriented innovation (SOI) in the cultural village. SOI has recently generated widespread interest, both academically and practically, by factoring in environmental and social impacts in addition to economic aspects. However, previous works have mostly been performed at profit organisations, with few discussed at the non-profit, and likewise, in the cultural village.Design/methodology/approachThis study uses a qualitative approach by focusing on a unique case, Laweyan Batik Village in Surakarta, Indonesia. Founded in the 15th century, Laweyan Batik Village remains the oldest batik village in Indonesia. Batik is the traditional fabric of Indonesia, influenced by Arabian, Chinese and European patterns, that was recognised in 2009 by UNESCO as part of the World's Intangible Cultural Heritage. The actor-network theory (ANT) is used as an analytical framework to understand the process of SOI development through the role of actors in developing innovations.FindingsThe findings suggest that, it is not only in mainstream business sectors and formal settings, as already evidenced by existing literature, that SOI can be promoted, but also in community sectors and within informal settings. This paper has found that the development of sustainability innovation in these settings is challenged by the dynamics of the actors and the institutional settings. The overall development process of sustainability innovation has been undertaken through so-called “collaborative practices”, emphasising the involvement of government actors and non-government actors, highlighting community leaders, academics and NGOs as the “in-between” actors who provide knowledge sharing and maintain communications to ensure the promotion of the SOI concepts and programmes.Originality/valueThis research contributes in two main ways: first, an understanding of the process of sustainability innovation in a cultural village that has not been deeply explored by current literature; and second, the use of the actor network theory as an analytical framework from which to map the process of SOI collaborative development through networking dimensions.

Controversies as method for ANTi-history: An inquiry into public administration practices

Organization ◽  
2021 ◽  
pp. 135050842110153
Author(s):  
César Tureta ◽  
Bruno Luiz Américo ◽  
Stewart Clegg
Keyword(s):  
Research Question ◽  
Actor Network Theory ◽  
Public University ◽  
University Hospital ◽  
Focal Points ◽  
Translation Process ◽  
Actor Network ◽  
Multiple Realities ◽  
The Past ◽  
Actor Networks

Drawing on Actor-Network Theory and the cartography of controversies, we present a method for ANTi-History research to investigate the implementation of a contract between a labour services company and a public university hospital in Brazil. The research question focuses on how the past is enacted in the present. The method is a general guideline based on five focal points used to organize the fieldwork: identifying controversies; mapping the actor-network; drawing out the translation process; politics of actor-networks and multiple reality/power relations. The proposed method makes two contributions to ANTi-History literature. First, although these focal points have been discussed by ANTi-History scholars, they are scattered throughout the literature. We unite them to offer a guide to doing historically embedded research. Second, we show how controversy analysis can be helpful for mapping the politics of actor-networks and describing multiple realities in the construction of history.

scholarly journals Art&science. Autoetnografia artystki realizującej projekty w laboratoriach biologicznych

2017 ◽  
Vol 61 (3) ◽  
pp. 103-126
Author(s):  
Karolina Żyniewicz
Keyword(s):  
Network Theory ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Ethnographic Research ◽  
Art And Science ◽  
Science Field ◽  
Actor Network

The aim of the text is to present the use of the analytical autoethnographic method in studying the “art&science” phenomenon. It is attempt to show that the role of the artist can combine with the role of the ethnographer. The objects of study are the multilevel relations emerging during the realization of artistic projects in biological laboratories. These relations concern both humans (the artist, the scientists) and non-humans (laboratory organisms, equipment). On the basis of actor-network theory, the author presents how the liminal status of ethnographic research is modified when it connects with art. The form of conducting the research is both an example of activity in the art and science field and a new methodological proposal for the study of science and technology.

The Use of Structuration Theory and Actor Network Theory for Analysis

2012 ◽  
pp. 1-19
Author(s):  
Tiko Iyamu ◽  
Dewald Roode
Keyword(s):  
Network Theory ◽  
Structuration Theory ◽  
Actor Network Theory ◽  
Human Action ◽  
Prima Facie ◽  
It Strategy ◽  
Actor Network ◽  
Global Competitiveness ◽  
Fresh Perspective ◽  
Actor Networks

In the current climate of global competitiveness, many organisations are increasingly dependent on their IT strategy – either to increase their competitiveness, or often just to survive. Yet little is known about the non-technical influencing factors (such as people) and their impact on the development and implementation of IT strategy. There would therefore seem to be prima facie evidence that there is a need for a new approach to examining the relationships between social factors, technology and the organisation with respect to the development and implementation of IT strategy. This article seeks to make a contribution in this regard. Structuration Theory and Actor-Network Theory were employed to analyse how non-technical factors influence IT strategy. Structuration Theory holds that human actions are enabled and constrained by structures. Structures are rules and resources that do not exist independently of human action, nor are they material entities. Giddens describes them as ‘traces in the mind’ and argues that they exist only through the action of human beings. Actor Network Theory (ANT) provides a fresh perspective on the importance of relationships between actors that are both human and non-human. By their very presence, actors work to establish, maintain and revise the construction of organisational networks of aligned interests and gradually form stable actor-networks. ANT emphasises the heterogeneous nature of actor-networks which consist of and link together both technical and non-technical elements.

Consumer Creativity as a Prerequisite for the Adoption of New Technological Products

2014 ◽  
Vol 6 (2) ◽  
pp. 45-69
Author(s):  
Marianne Harbo Frederiksen ◽  
Stoyan Tanev
Keyword(s):  
Network Theory ◽  
Actor Network Theory ◽  
New Product Adoption ◽  
Actor Network ◽  
Value Perception ◽  
Potential Consumer ◽  
Adoption Research ◽  
Consumer Creativity ◽  
Technological Products

Creativity is often conceptualized as actions and outcomes related to the creation of novel and useful ideas within the context of the development of new products. It is usually positioned in the activities of designers who play the role of “the creator”. In this paper the authors suggest “changing the subject” to consumers by claiming that creativity plays a key role in the adoption phase when they attempt to address their needs and preferences by appropriating the use value of everyday technological products. They emphasize that the product value perception which makes a potential consumer buy is the result of this consumer's own activities and efforts. Thus, the intensity of consumers' creative activities becomes a critical adoption factor. The authors suggest that activity-based approaches such as actor-network theory and activity theory could be quite appropriate in studying the dynamics and the design of new product adoption, and offer a comparative analysis indicating that actor-network theory has a greater potential to contribute to the interplay between consumer creativity and technology adoption research.

A Socio-Technical Interpretation of IT Convergence Services

2009 ◽  
pp. 308-328
Author(s):  
Myeong Ho Lee
Keyword(s):  
Complex Adaptive Systems ◽  
Value Chain ◽  
Adaptive Systems ◽  
Actor Network Theory ◽  
Mobile Banking ◽  
Actor Network ◽  
Case Study Analysis ◽  
Complex Adaptive ◽  
Actor Networks

The trend toward convergence, initiated by advances in ICT, entails the creation of new value chain networks, made up by partnerships between actors in unrelated industries. Such a process of convergence, however, can create a new dimension of network complexity, precipitating dynamic behavior among actors. In this paper we seek to understand how different actors in value chain networks have co-evolved in practice with the development of convergence services. Interpretative case studies on two different converged services in Korea (mobile banking, and One phone services) are undertaken to examine how different actor network adapted in different ways to shape the overall complexity of the converged service. The case study analysis is innovative in being conducted within a combined framework of Complex Adaptive Systems and Actor Network Theory. This synthesis offers a way to characterize the drivers of co-evolutionary behavior, capturing the translation processes undergone by actor networks.

Beyond ANT

2016 ◽  
Vol 20 (2) ◽  
pp. 199-215 ◽  
Author(s):  
Till Jansen
Keyword(s):  
Social Relations ◽  
Network Theory ◽  
Fundamental Problem ◽  
Human Agency ◽  
Actor Network Theory ◽  
Actor Network ◽  
Theoretical Design ◽  
The Social ◽  
Actor Networks

Actor-Network-Theory (ANT) offers an ‘infra-language’ of the social that allows one to trace social relations very dynamically, while at the same time dissolving human agency, thus providing a flat and de-centred way into sociology. However, ANT struggles with its theoretical design that may lead us to reduce agency to causation and to conceptualize actor-networks as homogeneous ontologies of force. This article proposes to regard ANT’s inability to conceptualize reflexivity and the interrelatedness of different ontologies as the fundamental problem of the theory. Drawing on Günther, it offers an ‘infra-language’ of reflexive relations while maintaining ANT’s de-centred approach. This would enable us to conceptualize actor-networks as non-homogeneous, dynamic and connecting different societal rationales while maintaining the main strengths of ANT.

The Role of Gossip in the Creation and Miscreation of Company Identity from the Perspective of Actor-Network Theory

2015 ◽  
Vol 7 (4) ◽  
pp. 40-55 ◽  
Author(s):  
Magdalena Bielenia-Grajewska
Keyword(s):  
Network Theory ◽  
Actor Network Theory ◽  
Organizational Environment ◽  
Human Beings ◽  
Informal Communication ◽  
Research Attention ◽  
Actor Network ◽  
Different Types ◽  
The Creation

In this paper an attempt will be made to show how the grapevine shapes the relations between companies and stakeholders. To narrow the scope of the research, attention will be focused solely on one type of colloquial corporate socializing, namely gossiping. The company, its organizational environment and its relation with gossip are studied by implying the notion of company identity. The interrelation between gossiping and company identity has not been discussed by many researchers, although informal communication as such spans a number of disciplines. Consequently, in this work the author will try to show both the negative and positive sides of gossip in forming corporate communities and their character. Taking into account the growing role of networks in creating and sustaining different types of communication, gossiping is studied through the perspective of Actor-Network Theory that facilitates an understanding of how human beings and non-living entities shape the way company identity is constructed and maintained.

scholarly journals How can the loggerhead sea-turtle survive? Exploring the journeys of the Caretta caretta using ANT and critical realism

Organization ◽  
2016 ◽  
Vol 24 (6) ◽  
pp. 781-799 ◽  
Author(s):  
Joe O’Mahoney ◽  
Hannah O’Mahoney ◽  
Ismael Al-Amoudi
Keyword(s):  
Network Theory ◽  
Critical Realism ◽  
Actor Network Theory ◽  
Caretta Caretta ◽  
Sea Turtle ◽  
Ecological Interactions ◽  
Loggerhead Sea Turtle ◽  
Actor Network ◽  
Critical Realist ◽  
Actor Networks

The endangered loggerhead sea-turtle ( Caretta caretta) nests on the shores of the Mediterranean, but faces threats to its existence from a variety of sources. Answering the question of how this species can survive is complex as it involves examining the relationships between the turtle, its natural environment, local tourists, property developers, conservation organisations, governments and law-makers. We argue that actor-network theory provides a powerful methodology for tracing these relations and identifying crucial actors which enable the survival of this animal. Using a rich ethnography and drawing on insights from 116 interviews, we trace three actor-networks that highlight factors important to the survival of the species. Yet, we also highlight the conceptual difficulties that result from using an actor-network theory ontology for understanding socio-ecological interactions and argue that these may be ameliorated by embedding the actor-network theory methodology within a critical realist ontology. We argue that this engagement between critical realism and actor-network theory offers researchers a powerful method for understanding relations between socio-ecological actors while overcoming some of the theoretical difficulties of actor-network theory.

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