scholarly journals STORIES ABOUT SOCIALIST CULTURE AS TOLD BY ‘ESTRADA MUSICIANS’ IN BULGARIA: TWO PERSPECTIVES ON THE PAST FROM 1990-1992 AND 2010-2018

Author(s):  
Zhana Popova

The text presents the results of a study of stories about everyday life during the last years of the socialist past (1983–1989) by representatives of a specific professional group – ‘Estrada musicians’. The main goal is to highlight the differences in the two regimes of history in the memories of the socialist popular culture. The first regime of remembrance (1990-1992) is a time of the emotionally charged anti-communist speech in the media like the Democracy newspaper, and vice versa – a strong defense of socialist values in the Duma newspaper. The second regime of remembrance is after 2010, when “nostalgia for socialism” stands out as one of the dominant emotions.

2020 ◽  
pp. 78-111
Author(s):  
Maya Nadkarni

This chapter argues that the various attempts to distance the past became the condition of Hungary for its return in the form of nostalgia for socialist mass and popular culture. It discusses the remains of socialism from anachronistic monuments and devalued historical narratives to the detritus of an everyday life now on the brink of vanishing, such as candy bars and soda pop. Despite appearances, this nostalgia did not represent a wistful desire to return to the previous era nor simply to the gleeful impulse to laugh at state socialist kitsch found years earlier. The chapter explains the detachment of fond communal memories of certain objects from the political system that produced them. It points out the ironic invocation of the international discourse of cultural heritage that legitimate the trash of the previous era and enabled Hungarians to redefine themselves as both savvy capitalist consumers and cultured democratic citizens.


2015 ◽  
Vol 12 (2) ◽  
pp. 1446
Author(s):  
Levent Ergun

<p>This article focuses on "Golden Microphone Award" song contest which has been organized under the sponsorship of Hürriyet Daily News between the years of 1965-68. Between the different forms of popular culture/music and mass media, there is a characteristically symbiotic relationship in which one almost can not survive in the absence of the other. Golden Microphone song contest, organized under the sponsorship of the mass media institution, Hürriyet Daily News, requires an evaluation in a scope that exceeds this symbiotic relationship. Because the role that Hürriyet plays in the circulation and the support of the dominant ideological definitions and representations is more important here. If we consider Golden Microphone contest as a moment,we can say that: there is a dynamic arena for the media, official ideology, musicians and audience in which both the elements of resistance and consent, the issues of the past and the future; hence overlapping and conflicting elements are available. In this framework, this research tries to analyse the dynamics of this specific moment of Turkish popular music history by using the theoretical status of media, sponsorship, ideology and hegemony concepts.  </p><p> </p><p><strong>Özet</strong></p><p>Bu makale, Hürriyet Gazetesi’nin sponsorluğunda 1965-68 yılları arasında düzenlenen “Altın Mikrofon Armağanı” adlı şarkı yarışması üzerine odaklanır. Popüler kültürün/müziğin farklı formları ile kitle iletişim araçları arasında, diğeri olmadan birisinin hayatını neredeyse sürdüremez olduğu karakteristik bir simbiyotik ilişki vardır. Bir kitle medyası olarak Hürriyet Gazetesinin sponsorluğunda düzenlenen “Altın Mikrofon” şarkı yarışması, bu simbiyotik ilişkiyi aşan bir çerçeve içinde değerlendirmeyi de gerektirmektedir. Çünkü Hürriyet’in egemen ideolojik tanımlar ve temsillerin dolaşımı ve pekiştirilmesinde oynadığı rol, burada çok daha önemlidir. Altın Mikrofon yarışmasını bir uğrak (moment) olarak ele alırsak şunu söyleyebiliriz: bu uğrakta gerek medya, gerek resmi ideoloji, gerekse müzisyenler ve izlerkitle için; hem direniş hem kabullenme ögeleri, hem geçmişin ve geleceğin unsurları, dolayısıyla hem birbiriyle örtüşen hem de çatışan ögelerin olduğu dinamik bir mücadele alanı bulunmaktadır. Bu çerçevede çalışma; medya, sponsorluk, ideoloji ve hegemonya kavramlarının teorik statüsünden yararlanarak, Türk popüler müzik tarihinin bu özgül uğrağını biçimlendiren dinamikleri analiz etme girişimidir.</p>


Author(s):  
Christopher Partridge

Debates around disenchantment and secularization have been central to sociological analyses of religion over the past five decades. While it has been widely argued that modernization leads to secular societies, such arguments have been challenged by empirical evidence to the contrary. The persistence of non-secular beliefs, such as those relating to the paranormal, suggests that theories of progression towards an absolutely secular condition are mistaken. Engaging these ideas, the theory of occulture, which highlights the significance of popular culture and everyday life in the construction of enchanted versions of reality, contributes to an understanding of the development and plausibility of contemporary non-secular lifeworlds.


2019 ◽  
pp. 211-224
Author(s):  
Susan T. Falck

This chapter details the courtroom battle that erupted in 1941 between the Natchez Garden Club and Pilgrimage Garden Club, dubbed by the media as “The Battle of the Hoopskirts.” The dispute began when the rival clubs clashed over overlapping home tour schedules. But much more was at stake than a heated court hearing to determine tour dates. The clubwomen of Natchez were battling for the control and spoils of their town’s cultural image. The issue was not so much a differing definition of the past as much as a conflict over who would control the presentation of that past and the marked differences in lifestyles and ideals that polarized the warring factions. The opposing clubs agreed on the end product—a highly romanticized, whitewashed image of the Old South mirrored by popular culture of the era but differed on the management of that past as a marketable commodity.


1970 ◽  
Vol 16 (1) ◽  
Author(s):  
Margaret Henderson

A
 couple
 of
 times
 a
 year
 (usually
 around
 International
 Women’s
 Day
 or
 the
latest
 gender
 controversy)
 there’ll
 be
 a
 journalist
 on
 the
 phone,
 asking
 me,
 ‘where
 is
 feminism
 now?’ 
Angela 
McRobbie’s
 The 
Aftermath 
of
 Feminism: Gender,
 Culture
 and
 Social
 Change
 provides
 the
 perfect
 answer,
 though
 one
 that
 probably
 won’t
 be
 dutifully
 reported
 in
 the
 pages
 of
 the
 Courier­ Mail.
 McRobbie
 has
 always
 been
 a
 preeminent
 figure
 in
 feminist
 cultural
 studies,
 and
 this
 work
 highlights
 her
 continuing 
importance.
Indeed, The 
Aftermath 
of 
Feminism
 reminds
 us 
of 
the 
power
 of 
feminist 
cultural
 studies 
to 
explain
 what’s 
going 
on,
whether
 this 
is 
in 
the
media,
 popular
 culture,
 everyday
 life,
 governmentality,
 the
 corporate
 world,
 or
 their
 interrelationships.
 And
 McRobbie’s
 diagnosis
 of
 ‘a
 social
 and
 cultural
 landscape
 which
 could
 be
 called
 post‐feminist’
 
is
 uncompromising,
 far‐reaching 
in
 scope,
 and 
deeply 
disturbing.


Author(s):  
Grace Davie

This concluding chapter highlights the overall significance of the WaVE project: first, within the rapidly changing situation currently discovered in Europe; and second, within the development of a new field in European research, that is, the interconnectedness of religion and welfare, and the need to examine—both historically and sociologically—the effect of each on the other. At one level, the events of the past half-decade have undermined the relative optimism on which WaVE was based—that solutions could be found to the difficult questions facing an expanding Europe at the turn of the millennium. But at another, it has rendered the approach adopted by WaVE all the more relevant if one is to probe beneath the stereotypes presented by the media and to discover the all-too-human issues that lie beneath the headlines—issues that must be resolved at the level of everyday life in real communities the length and breadth of Europe.


Sibirica ◽  
2018 ◽  
Vol 17 (2) ◽  
pp. 60-84 ◽  
Author(s):  
Petia Mankova

Narratives of globalization, conceived of as large-scale political, economic, and cultural processes flowing from metropolitan centers, often emphasize the loss of tradition and cultural originality in the remote and wild peripheries. All three television programs filmed in the past 10 years in Krasnoshchel’e, a remote Arctic village in Northwest Russia where I did anthropological fieldwork, are marked by such sentimental pessimism. Here, I juxtapose them with several local stories, which do not resonate with the melancholic and nostalgic notes of the media. The stories show how new inventions are welcomed and incorporated with laughter and astonishment into everyday life. The sentimental dissonance between mediascape and local imagination brings valuable insights about how globalization is accommodated on different scales and in different geographic settings.


2019 ◽  
Vol 12 (1) ◽  
pp. 50-60
Author(s):  
Gerrit Van Dyk

Over the past couple of decades, the media and popular culture have been increasingly interested in members of the LDS Church, its leadership, and its practices. With all of this recent interest, it is possible that a religious studies librarian at an institution of higher education or at a theological seminary could conceivably receive an occasional query regarding Mormonism, either out of popular culture curiosity or for academic investigation. This essay will review major sources in this growing field for any who wish to either assist patrons in comparative religion projects related to Mormonism, develop a working collection in Mormon studies, or both.


2020 ◽  
pp. 63-83
Author(s):  
E. N. Tsimbaeva

The article analyzes physical and physiological problems caused by fashionable clothing in the mid-18th to early 20th cc. that shaped people’s appearances and lifestyles in the past. Affecting the skeletal system and the functioning of internal organs and brain in particular and causing various illnesses, these problems went largely unrecognized by contemporaries, including writers, but would inevitably surface in literary works as part and parcel of everyday life. Without understanding their role, one may struggle to comprehend not only plot twists and characters’ motivations but also the mentality of the bygone era as portrayed in fiction. Chronologically, the research covers the period from the mid-18th c. to World War I. The author only focuses on so-called respectable society (a very tentative term that covers members of the aristocracy and other classes with comparable lifestyles), since it was this group which drew the most attention from fiction writers of the period. The scholar chose to concentrate on the kind of daily realia of ‘noble society’ that permeate works by Russian, English, French and, to some extent, German authors, considered most prominent in Europe at the time.


2020 ◽  
Vol 4 (4(13)) ◽  
pp. 31-50
Author(s):  
Shiyu Zhang ◽  

Over the past decade, bilateral relations between China and Russia have attracted the attention of the whole world. As neighbors and rapidly developing countries, China and Russia are becoming increasingly important in the international arena. The strategic partnership and interaction between China and Russia occupy a significant place in the politics of both countries. Cooperation is developing dynamically in various fields, primarily in politics. After 2012, a change of government took place in China and Russia, which brought new changes to international relations. Studying the involvement of the media in this process can clarify their impact on international relations, in particular, their role in the relationship between China and Russia.


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