scholarly journals The Appropriation of a Digitally-Augmented Agora: Field Study of the Structuration and Spatialization of an Issue Public in Urban Space

2015 ◽  
Vol 40 (4) ◽  
Author(s):  
Claude Fortin ◽  
Kate Hennessy
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Field Evaluation ◽  
Self Report ◽  
Police Misconduct ◽  
Art Installation ◽  
Communication Framework ◽  
Espace Public ◽  
Space Art ◽  
Issue Public

In 2013, we conducted a ten-week qualitative field evaluation of an interactive public space art installation. During these three months, we observed a vast array of examples of how the general public appropriated this technological artifact and the public space in which it was deployed. This article draws on Mosco’s political economy of communication framework to examine how one specific issue public—composed of several different groups actively engaged against police misconduct and brutality—creatively made use of Mégaphone in conjunction with online media to self-report, self-represent, and self-publish alternative and oppositional views around incidents of police abuses of power. In doing so, we explore how structuration, spatialization, and commodification might offer critical perspectives on interactive urban technologies.Nous avons effectué en 2013 une étude de terrain pendant dix semaines dans le but d’évaluer une installation numérique interactive déployée en espace public. Lors de cette étude qualitative, nous avons pu observer comment les passants s’appropriaient à la fois la technologie et l’espace. En s’inspirant du cadre théorique de Mosco sur l’économie politique de la communication, cet article analyse comment certains membres d’un public constitué autour du problème de la brutalité policière ont utilisé Mégaphone en relai avec l’Internet pour mettre en exergue, présenter et auto-publier leurs témoignages livrés en opposition et en marge des idées reçues. Ce faisant, cette étude vise à soutenir une réflexion sur l’application empirique de la structuration, la spatialisation et la marchandisation en rapport avec les technologies urbaines interactives.

Sacred Space Becomes Public Space

2018 ◽  
Author(s):  
Deonnie Moodie
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Sacred Space ◽  
First Century ◽  
Tourist Attraction ◽  
Public Interest Litigation ◽  
Middle Classes ◽  
Governmental Organizations ◽  
Non Governmental Organizations ◽  
The Temple

At the turn of the twenty-first century, middle-class men and women formed non-governmental organizations (NGOs) and filed public interest litigation suits (PILs) in order to expand temple space, knock down buildings that block views of Kālīghāṭ’s façade, and remove undesirable materials and populations from its environs. Employing the language of cleanliness and order, they worked (and continue to work) to make Kālīghāṭ a “must-see” tourist attraction. Scholarship has shown that India’s new middle classes—those produced through India’s economic liberalization policies in the 1990s—desire highly visible forms demonstrating their modernity as well as their uniqueness on the international stage of urban space. The example of Kālīghāṭ indicates how India’s new middle classes build on the work of the old middle classes to deploy the temple as emblematic of both their modernity and their Indian-ness. In so doing, they read the idioms of public space onto sacred space.

scholarly journals “The street is ours”. A comparative analysis of street trading, Covid-19 and new street geographies in Harare, Zimbabwe and Kisumu, Kenya

Food Security ◽  
2021 ◽  
Author(s):  
Richard Kiaka ◽  
Shiela Chikulo ◽  
Sacha Slootheer ◽  
Paul Hebinck
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Street Vendors ◽  
Urban Food Security ◽  
Street Trading ◽  
Food Economy ◽  
City State ◽  
Abstract Spaces ◽  
The Impact ◽  
The City

AbstractThis collaborative and comparative paper deals with the impact of Covid-19 on the use and governance of public space and street trade in particular in two major African cities. The importance of street trading for urban food security and urban-based livelihoods is beyond dispute. Trading on the streets does, however, not occur in neutral or abstract spaces, but rather in lived-in and contested spaces, governed by what is referred to as ‘street geographies’, evoking outbreaks of violence and repression. Vendors are subjected to the politics of municipalities and the state to modernize the socio-spatial ordering of the city and the urban food economy through restructuring, regulating, and restricting street vending. Street vendors are harassed, streets are swept clean, and hygiene standards imposed. We argue here that the everyday struggle for the street has intensified since and during the Covid-19 pandemic. Mobility and the use of urban space either being restricted by the city-state or being defended and opened up by street traders, is common to the situation in Harare and Kisumu. Covid-19, we pose, redefines, and creates ‘new’ street geographies. These geographies pivot on agency and creativity employed by street trade actors while navigating the lockdown measures imposed by state actors. Traders navigate the space or room for manoeuvre they create for themselves, but this space unfolds only temporarily, opens for a few only and closes for most of the street traders who become more uncertain and vulnerable than ever before, irrespective of whether they are licensed, paying rents for vending stalls to the city, or ‘illegally’ vending on the street.

scholarly journals Zero-Tolerance in Catalonia: Policing the Other in Public Space

2020 ◽  
Author(s):  
Martin Lundsteen ◽  
Miquel Fernández González
Keyword(s):  
Public Space ◽  
Case Studies ◽  
Urban Space ◽  
Zero Tolerance ◽  
The Other ◽  
Social Effects ◽  
Main Argument ◽  
Sociocultural Practices

AbstractRecent studies have argued for more nuanced understandings of zero tolerance (ZT) policing, rendering it essential to analyze the significance and actual workings of the policies in practice, including the context in which they are introduced. This article aims to accomplish this through a comparison of two case studies in Catalonia: one in the neighborhood of Raval in Barcelona and one in Salt—a municipality in the comarca (or county) of Girona. We identify a transformation in the use of ZT policies in Catalonia and a contradiction between their social effects and proclaimed objectives. This article attempts to address how specific sociocultural groups gain power and privilege from these policies. The main argument is that a set of commonsensical ideas have become hegemonic, which allows and naturalizes certain sociocultural practices in urban space, while persecuting others, fundamentally pitting two categories against each other: the desired civil citizen and the undesirable and uncivil stranger.

Mocking Parades and the Place of Pagan Statuary in Late Antique Alexandria

2020 ◽  
Vol 24 (2) ◽  
pp. 270-288
Author(s):  
Jonathan Stutz
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Religious Communities ◽  
Late Antique ◽  
Mob Violence ◽  
Visual Contact ◽  
The Public ◽  
Sacred Objects ◽  
The One ◽  
The City

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.

The Private Eye of Public Life: Surveillance, Security, and Urban Governance in the City of Toronto

2018 ◽  
Author(s):  
Michael Carter
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Urban Governance ◽  
Private Property ◽  
Private Security ◽  
Rapid Expansion ◽  
Legal Rights ◽  
Market Forces ◽  
Governance Model ◽  
Private Policing

Market forces increasingly drive the development of urban space in globalized cities. Following deindustrialization, some municipalities have become dependent upon tax revenues derived from office towers. City managers and officer tower developers work under the pressure of competition to ensure their spaces are attractive to this highly mobile work force; safety and security are key selling points. In Toronto, large sections of urban space have been privatized and are policed by private security. Much of the privately owned space is designed to be publicly accessible, creating new dynamics between private security and public police. Changes to federal and provincial legislation, combined with a rapid expansion in the deployment of private security guards, signal an emerging urban governance model that supports private-public partnerships in policing. Under the supervision of David Murakami Wood, I conducted interviews with high-ranking politicians, security professionals, and social services executives in Toronto. These interviews revealed concerns about the erosion of public space, the treatment of marginalized populations, and inadequate private security regulations. Some argue the legal rights of private property owners permit security and surveillance practices that violate democratic values. Clearly, there is tension between the market forces that inform private policing, and the civic accountability of public police forces that remains unresolved. My research suggests new legislation is required to ensure this emerging urban governance model, which features private policing, preserves the democratic rights and freedoms of all citizens.

scholarly journals Exploring Successful Small Urban Spaces’ Criteria with Emphasis on Cultural Context

2021 ◽  
Vol 15 (4) ◽  
pp. 475-482
Author(s):  
Parvin Partovi ◽  
Kebria Sedaghat Rostami ◽  
Amir Shakibamanesh
Keyword(s):  
Conceptual Model ◽  
Public Space ◽  
Urban Space ◽  
Cultural Context ◽  
Public Spaces ◽  
Urban Spaces ◽  
Cultural Issues ◽  
Human Needs ◽  
Short Time ◽  
The City

In the crowded cities of the present age, public spaces can provide a quiet area away from the hustle and bustle of the city that citizens can interact with by incorporating utility features and meeting human needs and Relax there. Small urban spaces are among the most important and effective urban spaces to achieve this goal. Because these spaces due to their small size and lower costs (compared to larger spaces) for construction can be created in large numbers and distributed throughout the city. In this way, citizens will be able to reach a public urban space on foot in a short time. If these spaces are well designed, they can encourage people to stay in and interact with each other. It is not difficult to identify and experience high-quality successful places, but identifying the reasons for their success is difficult and even more difficult, understanding if similar spaces in other places can be considered successful. This question is important because public space with deep social content is considered a cultural product. Public space is the product of the historical and socio-cultural forces of society. Therefore, one of the most important issues that should be considered in the study of public spaces and the reasons for their success is the cultural context. In Iranian cities that have been influenced by the values and principles of Islam,recognizing Islamic principles and their role in shaping public spaces can lead us to desirable results. The purpose of this article is to develop a conceptual model of successful small urban spaces with an emphasis on cultural issues, especially in Iranian-Islamic cities. In this regard, the effective criteria for the success of urban spaces in general and small urban spaces in particular in the two categories of Western countries and Iranian Islamic cities were examined and then, taking into account the criteria derived from cultural theorists, the conceptual model of research with 38 subcriteria is provided.

scholarly journals KULTUREL DYNAMIK I OPLEVELSESBYRUMMET – EN ANALYSE AF BRANDTS KLÆDEFABRIK

2010 ◽  
Vol 38 (109) ◽  
pp. 55-69
Author(s):  
Hjørdis Havsteen Brandrup
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Homeless People ◽  
Public Domain ◽  
Wide Field ◽  
Textile Mill ◽  
Urban Experience ◽  
Wide Range ◽  
The City ◽  
Cultural Dynamic

CULTURAL DYNAMIC IN THE URBAN EXPERIENCE SCAPE – AN ANALYSIS OF BRANDTS KLÆDEFABRIKBrandts Klædefabrik (Brandt’s Textile Mill) is a cultural cluster in the city of Odense, Denmark. The cultural experiences available at Brandts Klædefabrik cover a wide field and are relevant for people of all levels of education and all ages, embracing as they do not only fine culture but also triviality and excitement. Brandts Klædefabrik is therefore a culturally inclusive place, although its symbolic power is dominated by a cultural and economic elitetrying to maintain an exclusively controlled social and physical order in the urban space. However, Brandts Klædefabrik is part of a city which contains a wide range of cultural groups: a Danish cultural elite, immigrants, homeless people and drug addicts. In this cultural multiplicity Brandts Klædefabrik is a cultural cluster and an urban entertainment district which does not include marginalised groups. Paradoxically, the attempt to maintainan exclusive order to satisfy an audience with buying power runs against the creative profile of the area, in which cultural and social multiplicity are important values. The area around Brandts Klædefabrik is a public space; but if it is going to be a public domain and the scene of cultural exchanges between different groups in the city, it needs to become more culturally inclusive. Brandts Klædefabrik may turn into a public domain if a cultural dynamic and multiplicity are given the chance to unfold there.

scholarly journals The Virtual Public Thing: de-re-territorialisations of public space through shopping in Auckland’s urban space

2015 ◽  
Author(s):  
Manfredo Manfredini ◽  
Ross Jenner
Keyword(s):  
Public Space ◽  
Urban Design ◽  
Urban Space ◽  
Social Relationship ◽  
Urban Public Space ◽  
De Re ◽  
Digital Era ◽  
Shopping Centres ◽  
Important Challenge ◽  
Urban Places

New recombinant factors emerging in urban public space counteract the increasing disjunction of urban places subject to commodification and privatisation. In low-density cities within neoliberal political frameworks, these factors have developed peculiar places of social relationship: the integrated urban enclosures devoted to lifestyle consumption that are the latest evolution of shopping centres. These enclosures are heterotopic places mobilised by spectacle that quickly subsume the fundamental changes occurring in the relations between architecture and associative life in our contemporary post-consumerist, digital era. The paper discusses a comparative analysis of the new mall typology recently introduced into Auckland, exploring the important challenge they pose to architecture and urban design in defining the future of public space.

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