scholarly journals Humanities Research Software Design: The Wilde Trials Web App

2016 ◽  
Vol 7 (2/3) ◽  
Author(s):  
Colette Colligan ◽  
Michael Joyce ◽  
Sarah Bull ◽  
Cécile Loyen

Background:This article discusses the design of Web-based research software to computationally analyze the international news coverage of the playwright Oscar Wilde’s 1895 sex trials. Over two months, Wilde stood three trials, eventually being convicted of “gross indecency” (1885 Criminal Law Amendment Act).Analysis: Over the past year, we have collaboratively designed a program to advance our understanding of the trials’ cultural impact as they were reported in newspapers around the world. Bridging our expertise in nineteenth-century cultural history and software engineering, we discuss the concept and design of the Wilde Trials Web App, as well as early discoveries about the French news coverage and plans for the program’s further development.Conclusion and implications: Our work stands at the forefront of software design and data-driven research on the nineteenth-century press.

2021 ◽  
Vol 14 (1) ◽  
pp. 83-114
Author(s):  
Simon Cohen

Despite receiving scant attention from scholars and performers, Rossini’s Péchés de vieillesse (Sins of Old Age), written between 1857 and 1868 for his private salon, have a unique and expressive stylistic language. In these works, the composer gives musical voice to the uncanny discourses that emerged around the idea of his “creative death.” This paper establishes how Rossini’s return to composition functioned as a musical “exhumation,” with his compositional activities functioning as a site for broader discourses about disease, aging, and death in nineteenth-century France. Close readings of visual depictions of Rossini by Eugène Delacroix and Antoine Etex shed light on changing attitudes toward the composer, which coincided with broader aesthetic shifts taking place at the time. The tensions engendered by Rossini’s precarious status as both living and dead, and his nostalgic relationship to the past, constitute a kind of doubleness that can be heard in his late compositions. Bringing together cultural history and musical analysis, I show that the privacy of Rossini’s salon gave rise to music with unique signifying potential that has not yet been duly acknowledged.


Author(s):  
Melanie V. Dawson

The struggle to realize companionate marriage appears as a central conflict in literary works by Anglo-American, African American, and ethnic American writers, who grapple with the issues raised by new ideologies and cultures of marriage. Drawing from cultural history that includes Lindsey and Evans’s volume, The Companionate Marriage (1927), and responses to it as well as a range of literary marriages that demonstrate the power of the companionate ideal, this piece charts the interaction between changing attitudes toward marriage in life and literature. As the range and complexity of opinions circulating around this issue demonstrate, the ostensibly “modern” question of equality in marriage had been debated as far back as the mid-nineteenth century. By contrast, later, more modern narratives increasingly turn to depictions of non-companionate, patriarchal arrangements, which offer both cautionary tales about the past and counter a trenchant idealism about the companionate model.


2020 ◽  
Vol 8 (1) ◽  
pp. 104-108
Author(s):  
Barrington Walker

Winfried Siemerling’s The Black Atlantic Reconsidered: Black Canadian Writing, Cultural History, and the Presence of the Historical Past, to put it mildly, is an impressive piece of scholarship that will stand as one of the definitive works on the histories of Black writing in Canada for the foreseeable future. In his preface, Siemerling states that he embarked upon this undertaking when he learned, to his surprise (one is reminded here, incidentally, of Katherine McKittrick’s injunction that Black Canadian Studies is always constituted as a “surprise”), that there had been little written about Black contemporary writing aside from a few of the comprehensive and encyclopedic works that George Elliot Clarke published in the early to mid-1990s. It is this pioneering work upon which Siemerling builds. He starts with a discussion of “Modernity and Canadian Time-Spaces of the Black Atlantic” in his first chapter and introduction, where he lays out the analytical and conceptual approach of the work. Part 1, “Early Testimony and the Black Canadian Nineteenth Century,” includes chapters titled “Slavery and Early Black Canadian Writing” and “The Black Canadian Nineteenth Century.” Part 2, “The Presence of the Past,” highlights chapters that expand on the themes of “Slavery, the Black Canadian Nineteenth Century, and Caribbean Contexts in Contemporary Black Canadian Writing” and move into a discussion of what he calls “Other Black Canadas” and “Coda: Other Canadas, Other Americas, the Black Atlantic Reconsidered.”


Author(s):  
James J. Coleman

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry


Author(s):  
Mark Sanders

When this book's author began studying Zulu, he was often questioned why he was learning it. This book places the author's endeavors within a wider context to uncover how, in the past 150 years of South African history, Zulu became a battleground for issues of property, possession, and deprivation. The book combines elements of analysis and memoir to explore a complex cultural history. Perceiving that colonial learners of Zulu saw themselves as repairing harm done to Africans by Europeans, the book reveals deeper motives at work in the development of Zulu-language learning—from the emergence of the pidgin Fanagalo among missionaries and traders in the nineteenth century to widespread efforts, in the twentieth and twenty-first centuries, to teach a correct form of Zulu. The book looks at the white appropriation of Zulu language, music, and dance in South African culture, and at the association of Zulu with a martial masculinity. In exploring how Zulu has come to represent what is most properly and powerfully African, the book examines differences in English- and Zulu-language press coverage of an important trial, as well as the role of linguistic purism in xenophobic violence in South Africa. Through one person's efforts to learn the Zulu language, the book explores how a language's history and politics influence all individuals in a multilingual society.


Author(s):  
Nurit Yaari

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.


Author(s):  
Roger Ekirch

Although a universal necessity, sleep, as the past powerfully indicates, is not a biological constant. Before the Industrial Revolution, sleep in western households differed in a variety of respects from that of today. Arising chiefly from a dearth of artificial illumination, the predominant form of sleep was segmented, consisting of two intervals of roughly 3 hours apiece bridged by up to an hour or so of wakefulness. Notwithstanding steps taken by families to preserve the tranquillity of their slumber, the quality of pre-industrial sleep was poor, owing to illness, anxiety, and environmental vexations. Large portions of the labouring population almost certainly suffered from sleep deprivation. Despite the prevalence of sleep-onset insomnia, awakening in the middle of the night was thought normal. Not until the turn of the nineteenth century and sleep’s consolidation did physicians view segmented sleep as a disorder requiring medication.


Author(s):  
C. Michael Shea

For the past several decades, scholars have stressed that the genius of John Henry Newman remained underappreciated among his Roman Catholic contemporaries, and in order to find the true impact of his work, one must look to the century after his death. This book takes direct aim at that assumption. Examining a host of overlooked evidence from England and the European continent, Newman’s Early Legacy tracks letters, recorded conversations, and obscure and unpublished theological exchanges to show how Newman’s 1845 Essay on the Development of Christian Doctrine influenced a cadre of Catholic teachers, writers, and Church authorities in nineteenth-century Rome. The book explores how these individuals then employed Newman’s theory of development to argue for the definability of the new dogma of the Immaculate Conception of Mary during the years preceding the doctrine’s promulgation in 1854. Through numerous twists and turns, the narrative traces how the theory of development became a factor in determining the very language that the Roman Catholic Church would use in referring to doctrinal change over time. In this way, Newman’s Early Legacy uncovers a key dimension of Newman’s significance in modern religious history.


Author(s):  
Edward Bellamy

‘No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity.’ Julian West, a feckless aristocrat living in fin-de-siècle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people’s everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy’s Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont’s lively edition explores the political and psychological peculiarities of this celebrated utopian fiction.


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