scholarly journals The Problem of Attitudes towards History in the Theory of Architecture of Postmodernism

2019 ◽  
pp. 35-42
Author(s):  
Alexey A. Khudin
Keyword(s):  
Twentieth Century ◽  
End Of History ◽  
The Past ◽  
Late Twentieth ◽  
The End Of History ◽  
The Times ◽  
Art And Architecture ◽  
Late Twentieth Century ◽  
Radical Transformation ◽  
The Way

The article contains a study of changes in the attitude to history in the foreign architecture of the twentieth century, in connection with the radical transformation of the perception of categories of time. The peculiarity of the sensation of time in the period of modernity is accompanied by the feeling of being at a particular point of the eternal "now", constant modernity, for which you need to keep up with the actualized state of being "in step with the times". In this state, the memory value is reduced to a minimum. For the "modern man", turning to the past becomes meaningless if there is only a series of obsolete, outdated and irrelevant forms in it It is replaced by the feeling of being in the position of exhaustion, completeness, and impossibility of producing innovations, reaching thelimit in the discovery of the new, which leads to the feeling of the end of history, the exhaustion of art. This leads to the decline of modernism, the emergence of fatigue and satiety in the race for technology and a departure from orientations to newness, which opens the way for a new attitude towards history as a source for inspiration, and its corresponding rediscovery in the late twentieth century, expressed in multiple retrospectives, conservative, traditionalist searches in art and architecture. The study touches upon the problems of postmodernism, as a style that opens a new round of references to history, viewed as a form of neo-traditionalism and eliminating a state of stalemate in a culture that has broken its ties with the past. The article presents various areas of the historical search of postmodern architects differing in their attitudes towards the phenomenon of history, continuity, and inheritance.

Nine Centuries of Man

2017 ◽  
Keyword(s):  
Twentieth Century ◽  
Diverse Range ◽  
Gender Expectations ◽  
Court Records ◽  
The Past ◽  
Wide Range ◽  
Police Reports ◽  
Late Twentieth ◽  
Scottish History ◽  
Late Twentieth Century

What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history

The End of History Museums: What's Plan B??

2008 ◽  
Vol 30 (4) ◽  
pp. 9-27 ◽  
Author(s):  
Cary Carson
Keyword(s):  
Historic Sites ◽  
The Public ◽  
End Of History ◽  
House Museums ◽  
The Past ◽  
History Museums ◽  
Plan B ◽  
The End Of History ◽  
The Way

Abstract Are historic sites and house museums destined to go the way of Oldsmobiles and floppy disks?? Visitation has trended downwards for thirty years. Theories abound, but no one really knows why. To launch a discussion of the problem in the pages of The Public Historian, Cary Carson cautions against the pessimistic view that the past is simply passéé. Instead he offers a ““Plan B”” that takes account of the new way that learners today organize information to make history meaningful.

Introduction

2018 ◽  
Author(s):  
James Tweedie
Keyword(s):  
Twentieth Century ◽  
Cultural Background ◽  
Media Archaeology ◽  
The Past ◽  
The Future ◽  
Late Twentieth ◽  
Heritage Industry ◽  
Late Twentieth Century

This chapter introduces the concept of the “archaeomodern” and its connection to the aging of the quintessential modern medium of film. It sketches the historical and cultural background of the archaeomodern turn in the late twentieth century, including the development of an obsession with the past in the heritage industry and the rise of postmodernism. It then discusses two phenomena from the 1980s and 1990s—a mannerist or baroque revival, and the development of media archaeology—that complicate the habitual association between tradition and the past or modernity and the future. The introduction suggests that archaeomodern cinema was characterized by the return to failed or abandoned modern experiments and other relics from the modern past.

Hasidism: The Third Century

1996 ◽  
pp. 415-426
Author(s):  
Joseph Dan
Keyword(s):  
Twentieth Century ◽  
Orthodox Judaism ◽  
Third Century ◽  
Jewish Mysticism ◽  
Modern Times ◽  
The Third ◽  
The Past ◽  
Mystical Tradition ◽  
Late Twentieth ◽  
Late Twentieth Century

This chapter examines the third century of hasidism, considered the most enduring phenomenon in Orthodox Judaism in modern times. Gershom Scholem described hasidism as the ‘last phase’ in a Jewish mystical tradition that spanned nearly two millennia. Yet at the conclusion of his account of the movement in the last chapter of Major Trends in Jewish Mysticism, he appeared, with some regret, to view his subject as a phenomenon of the past. The contrast between this view of hasidic history and the reality of Jewish life in the late twentieth century could not be greater. The hasidism of today cannot be treated as a lifeless relic from the past. It appears to have made a complete adjustment to twentieth-century technology, the mass media, and the intricate politics of democratic societies without surrendering its traditional identity in the process.

scholarly journals Placement of Actor Network Theory in School Library Environment Research

2021 ◽  
Author(s):  
Natalie Parker
Keyword(s):  
Twentieth Century ◽  
Literature Review ◽  
Network Theory ◽  
School Library ◽  
Actor Network Theory ◽  
Actor Network ◽  
Environment Research ◽  
Late Twentieth ◽  
Late Twentieth Century ◽  
The Way

Actor Network Theory (ANT) takes on the position that non-human objects which alter the behavior of people with which they share an environment are actors exerting force into the environment. While ANT has been used in education since the late twentieth century, it has not yet seen utilization in school library environments research. As a result, there remains a significant gap in the way school library environments are studied. This literature review seeks to make a case for the importance of including ANT in school library environments research. By taking a closer look at the design and inclusion of specific objects within the school library environment, we can better equip school library spaces for the needs and wants of the students to which the library belongs.

scholarly journals Fragments of a Hungarian Past in the Literature of 1.5 and Second-Generation Austro-Hungarian Immigrants in Israel

2015 ◽  
Vol 7 ◽  
pp. 41-53
Author(s):  
Ilana Rosen
Keyword(s):  
Twentieth Century ◽  
Second Generation ◽  
Distinct Group ◽  
The Past ◽  
Previous Generation ◽  
Late Twentieth ◽  
Multicultural Setting ◽  
The One ◽  
Late Twentieth Century

Contemporary Israeli literature is presently preoccupied with the past diasporic lives of the previous generation, the one that came to Israel from practically all four winds in the mid-late twentieth century. Hungarian-Israeli writers—e.g., Yoel Hoffmann, Judith Rotem, Yael Neeman and Esti G. Hayim—constitute a distinct group within this stream of 1.5 and second generation poets and novelists who have written about immigration and State foundation, often using a documentary or fictionalized memoirist mode. This article highlights the components of these writers' complex burden of a whole world destroyed, in most cases, not long before they were born and which they strive to restore or at least re-imagine in their oeuvre as contemporary Israeli writers. These components include: Holocaust trauma and its transference to the second generation, Hungarian speaking families within the Israeli multicultural setting, the ties of these families with their Hungarian foreign relatives, and household objects related to this past.

The Pornographic Paratexts of Pornhub

2014 ◽  
pp. 235-251
Author(s):  
Rebecca Inez Saunders
Keyword(s):  
Twentieth Century ◽  
Virtual Space ◽  
Digital Environment ◽  
Visual Texts ◽  
Sexually Explicit ◽  
Late Twentieth ◽  
Late Twentieth Century ◽  
The Way

“The Pornographic Paratexts of Pornhub” analyses the evolving paratextual elements of the popular porn site Pornhub and considers how its evolving virtual frames interact with the visual texts it displays—online porn films. Engaging with Gérard Genette's Paratexts, some fundamental aspects of this late-twentieth-century paratextual theory are reconceptualised in this contemporary, sexually explicit digital environment. Pornhub is considered in relation to its maturing paratextual elements. Despite the virtual amorphousness and (para)textual porousness of the digital environment—the relevant relationships between text, epitext, peritext and intertext, though clearly delineated with regard to the printed book, become more blurred in a virtual space of infinite, hyperlinked pages—Pornhub has developed numerous tangible frames and stable paratextual features since its emergence in 2007. Given the rigid political, judicial and media conception of what online porn films constitute, it is important to consider the possibility that monolithically negative definitions of filmic pornography may derive not from the hardcore content itself, but from the way in which the films are framed online. How, then, do the paratexts of Pornhub interact with and affect users' reading of the films displayed? In this chapter, individual films from the site are descriptively analysed in relation both to how these visual pornographic texts are influenced by their paratext and how paratextual theory is complicated and renewed through this application.

Conclusion

2017 ◽  
Author(s):  
Lou Martin
Keyword(s):  
Twentieth Century ◽  
Working Class ◽  
Family Income ◽  
Industrial Workers ◽  
Class Culture ◽  
Hancock County ◽  
Late Twentieth ◽  
1960S And 1970S ◽  
Late Twentieth Century ◽  
The Way

This concluding chapter examines how the rural-industrial working-class culture that emerged in Hancock County gradually disappeared in the late twentieth century. The ethic of making do traveled well from the farm to the factory town, but it began its decline in the late 1960s and 1970s as buying power increased and industrial workers focused more on vacations or socializing and less on making do. While many people in Hancock County still tend gardens, work on their houses, hunt, and fish, these activities no longer supplement family income the way they did in the 1950s. Moreover, the localism of their culture may have persisted in some ways to the present, but a localized system of negotiation that local manufacturers helped create disappeared along with many of those companies.

‘The dense, murky water of the past’: Swamps, Nostalgia and Settlement Myth in Meir Shalev’s The Blue Mountain

Hydrofictions ◽  
2020 ◽  
pp. 69-107
Author(s):  
Hannah Boast
Keyword(s):  
Twentieth Century ◽  
The State ◽  
Realist Novel ◽  
The Past ◽  
Blue Mountain ◽  
Early Twentieth Century ◽  
Late Twentieth ◽  
State Of Israel ◽  
Late Twentieth Century ◽  
National Mythology

This chapter examines the changing meanings of swamp drainage in Israel’s national mythology. Swamp drainage was undertaken in the early twentieth century by the Jewish National Fund and again after the establishment of the State of Israel. Once seen as a triumph of Zionist ingenuity, draining swamps was redefined in the late twentieth century as an emblem of Zionism’s environmental hubris. This chapter assesses this history through Meir Shalev’s magical realist novel The Blue Mountain (1988), situating Shalev’s text in its contemporary contexts of environmentalism and post-Zionism.

Common Law Marriage

1987 ◽  
Vol 46 (1) ◽  
pp. 106-121 ◽  
Author(s):  
J. C. Hall
Keyword(s):  
Twentieth Century ◽  
Common Law ◽  
Open Problems ◽  
The Past ◽  
Late Twentieth ◽  
Late Twentieth Century ◽  
Common Law Marriage

To re-open problems of the past and to rake up arguments long since laid to rest may seem a singularly pointless exercise for a family lawyer of the late twentieth century. Yet the controversy which raged in the 1840s over the requirements for common law marriage was never satisfactorily resolved; and even today the question could still arise and an authoritative answer be required.

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