scholarly journals Hawaii, Cannes, and Los Angeles: Projecting South Korean Cinema to the World

2018 ◽  
Vol 23 (1) ◽  
pp. 123-140
Author(s):  
Sangjoon Lee
1980 ◽  
Vol 2 (2-3) ◽  
pp. 197-200
Author(s):  
D. Bruce Marshall

The Conference Group on French Politics and Society organized two panels on the theme: The International Economic Crisis – The French Response which were held in conjunction with the Annual Meeting of the International Studies Association in Los Angeles on March 21-22, 1980. Chaired by Peter Gou rev itch (UC San Diego), the panelists considered some of the various solutions which the French Government and major interest groups have developed to cope with the troubles that persist in the world economy.


2017 ◽  
Vol 14 (3) ◽  
pp. 456-471 ◽  
Author(s):  
Sang-hoon Jang

The exhibition Masterpieces of Korean Art, which toured 8 cities in the US from December 1957 to June 1959, was the first large-scale overseas exhibition of Korean cultural objects that the South Korean government organized. This overseas exhibition in the US was designed to secure a cultural identity for South Korea on the world stage by explaining to US citizens that Korean culture has peculiar characteristics and independence from Chinese or Japanese culture. It was in the same context that the South Korean government was trying to secure a place within the world order controlled by the US. This touring exhibition shows that, through this exhibition, the National Museum of Korea was engaged in a dual mission to both gain cultural citizenship on the world stage and, reflexively, to internalize this for internal consumption so as to consolidate a sense of Korean cultural identity at home.


Author(s):  
Anna BOROWIAK ◽  
Choonsil LIM

A keen interest in the culture and economic development of the Republic of Korea has resulted in establishing business relations between Korea and various countries all around the world. The Korean War (1950-1953) is said to be the catalyst for Korean Studies, since it has generated a considerable interest in Korean history, language and culture. Yet, when the Korean Language Education (henceforward KLE) is being referred to, usually the years when the boom for "everything that is Korean” started, which could be attributed to the successfully organized Summer Olympics in 1988 and co-organized Asian World Cup in 2002, are being mentioned. This was when the world saw a different side of Korea. However, also thanks to the enormous popularity of Hallyu and the support of the South Korean Government given to initiatives, which among others, popularize the Korean language, the interest in various aspects of Korean culture as well as the language itself, has become higher than ever before. Since the turn of the 21st century, South Korea is perceived as one of the world's leading exporters of culture and tourism, and Hangeul became one of the exported goods.The aim of this research is to analyze the situation of KLE in the era of globalization, which along with the spread of lingua franca, among them English, is endangering the language variety of the world. In order to do so, several significant dates and initiatives showing how Korean scholars and the Government have influenced and shaped the language policy and thus have contributed to the popularization of the language all around the world will also be referred to. Government sponsored institutions providing Korean language classes, as well as books and other teaching materials, will be discussed and classified. The article will also try to answer the question concerning the future of the KLE.


2018 ◽  
Author(s):  
Steve Choe

South Korea is home to one of the most vibrant film industries in the world today, producing movies for a strong domestic market that are also drawing the attention of audiences worldwide. This book presents a comprehensive analysis of some of the most well-known and incendiary South Korean films of the millennial decade from nine major directors. Building his analysis on contemporary film theory and philosophy, as well as interviews and other primary sources, Steve Choe makes a case that these often violent films pose urgent ethical dilemmas central to life in the age of neoliberal globalization.


2021 ◽  
pp. 251484862110543
Author(s):  
Sean F Kennedy ◽  
Ryan Stock

California is one of the most climate-challenged regions of North America and is considered the vanguard of climate action in the United States. California's climate policy framework has strongly promoted the expansion of renewable energy infrastructure, and the state generates more solar energy than any other in the nation. Using the case of Lancaster, a city of 170,000 residents in northern Los Angeles County seeking to position itself as the “alternative energy capital of the world,” this article examines private investments in solar energy infrastructure as a response to California's entwined economic and ecological crises. Drawing on recent scholarship on socioecological fix, we argue that private accumulation through renewable energy infrastructures in California has required both the presence of crisis conditions and innovations in financial risk mitigation that manage tensions between mobility and fixity inherent in the formation of fixed capital. However, a narrow focus on short-term financial risk obviates other forms of risk, including future impacts of extreme weather on grid infrastructure and electricity supply. While this does not foreclose opportunities for solar energy infrastructure to support positive social and ecological transformation, we argue that such opportunities may be constrained under a mode of energy transition predicated on private accumulation.


2021 ◽  
Vol 12 (3) ◽  
pp. 345-355 ◽  
Author(s):  
Frank Deese

During my 25 years working as a screenwriter in Los Angeles, I developed a reputation as a writer who could craft vivid and believable scripts about young people. Initially, this was based on my teleplay for the first episode of Steven Spielberg’s Amazing Stories series, and later for the semi-autobiographical Josh and S.A.M. released by Columbia Pictures. I also wrote uncredited revisions of DreamWorks’s Small Soldiers and Castle Rock’s Alaska, both involving prominent child characters. I have to confess that my reputation for writing content for children and adolescents realistically did not stem from any natural ability. It came from mining my personal childhood memories, and from studying movies and literature I felt authentically captured what it is like to be new in the world. This text explores my journey writing from a child’s perspective.


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