scholarly journals MODEL-ELICITING ACTIVITIES DALAM MENGANALISIS KREATIVITAS PEMECAHAN MASALAH MATEMATIKA PADA MAHASISWA PENDIDIKAN MATEMATIKA DI PTKIN ACEH

Author(s):  
Budi Azhari ◽  
Ade Irfan

This study aimed to know the components of the student creativity in problem solving that can be achieved through Model Eliciting Activities in preservice’s teacher of mathematics education of PTKIN in Aceh. This Research used qualitatif approach, since in this study want to describe the reality on the field namely data about the studets’ creativity in solving maths problem. The result showed that the componentsof flexibility obtained by contruction principle, the reality principle, and the self-just my assesment principle. Even so, there are student who got no flexibility with the third principle of the MEA, but only with the principles, the only reality MEA principle and the effective prototype principle. Mean while, the component of fluency is gained student by analysis of the construct documentation principle. The last component of creativity that is obtained through the construct shareability and reusability and the effective prototype principle. However there are students who do not obtain theses components due to the absence of new student-generated in carrying out problem-solving.

1984 ◽  
Vol 15 (1) ◽  
pp. 73-75
Author(s):  
John G. Harvey

Unlike most books reviewed in the journal for Research in Mathematics Education, Problem Solving in the Mathematics Curriculum (PSMC) does not report research. Instead, it seems designed to (a) recommend that problem solving be consistently included in collegiate mathematics instruction, (b) describe some considerations in and ways of teaching problem solving, (c) present an extensive bibliography chosen to help those initiating or teaching problem-solving courses or problem-solving sequences within courses, and (d) give the results of a survey conducted by the Committee on the Teaching of Mathematics of the Mathematical Association of America; the survey provided the impetus for PSMC. Accordingly, the book is divided into four parts. The short first part describes the evolution of PSMC and the recommendations of the Committee on the Teaching of Mathematics. The second part, a more-or-less personal essay by Alan Schoenfeld, gives suggestions for teaching problem solving. The third and most extensive part is an annotated bibliography of journals, books, and articles that might be used to develop in struction in problem solving or to find appropriate problems for such instruction. The last part presents both the survey instrument and the results of the survey.


2020 ◽  
Vol 8 (2) ◽  
pp. 125-141
Author(s):  
Amanda Sarah Chin

Suits’ evocation of masculinity within the neo-liberal office as a site of gender configuration is plural. Although its male protagonists all possess structural power as white, heterosexual, intelligent men (two are wealthy, and eventually the third comes to be), they each reflect varied and occasionally contrasting forms of masculinity. The article explores how, over the seasons, Suits progresses from breadth to depth, with its male characters threading their way through different types of masculine behaviours in order to succeed. In the face of recurrent challenges, their masculinities must be reconfigured. The article examines the manner in which the self becomes a locus of accountability to situate one’s problem-solving ability and subsequent empowerment through performing multiple masculinities.


2021 ◽  
pp. 171-218
Author(s):  
Steven Brown

The narrative arts deal with the presentation of stories via a variety of narrative processes and presentation media. Fictionality is a unique feature of the arts, one that distinguishes the narrative arts from the storytelling of everyday conversation. The plots of stories are grounded in the experientiality of the story’s protagonist in a storyworld, most especially his/her problem-solving dynamics. Literature describes these behaviours in the third person using narration, whereas theatre re-creates these actions in an embodied manner by having actors portray the characters in performance. While role playing is a central part of the presentation of the self in everyday social interactions, actors portray characters who they themselves are not, a re-creative process of impersonation and pretence that comprises the most art-specific feature of the narrative arts.


2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Dorothea Novia Ludo Lubur

This study aims to determine the problem solving skills of IX grade students of SMPK St. Paulus on the material functions with the Realistic Mathematics Education approach. The method used in this research is descriptive qualitative. The subjects in this study consisted of 10 students of class IX. Students' answers are analyzed and classified according to the type of answer. The following student answers consist of 5 different types of answers. Seven students with the first, second and fourth types of answers fulfill four indicators. One student with the third type of answer only reaches two indicators namely the first and second indicators, and one student with the fifth answer type fulfills three indicators namely the first, third and fourth indicators. Based on the results of the analysis it can be concluded that there are 80% of students fulfilling the four indicators of NCTM, 10% of students do not meet the third and fourth indicators and 10% of students do not meet the second indicator


2013 ◽  
pp. 116-123
Author(s):  
Claire Bompaire-Evesque

This article is a inquiry about how Barrès (1862-1923) handles the religious rite of pilgrimage. Barrès stages in his writings three successive forms of pilgrimage, revealing what is sacred to him at different times. The pilgrimage to a museum or to the birthplace of an artist is typical for the egotism and the humanism of the young Barrès, expressed in the Cult of the Self (1888-1891). After his conversion to nationalism, Barrès tries to unite the sons of France and to instill in them a solemn reverence for “the earth and the dead” ; for that purpose he encourages in French Amities (1903) pilgrimages to historical places of national importance (battlefields; birthplace of Joan of Arc), building what Nora later called the Realms of Memory. The third stage of Barrès’ intellectual evolution is exemplified by The Sacred Hill (1913). In this book the writer celebrates the places where “the Spirit blows”, and proves open to a large scale of spiritual forces, reaching back to paganism and forward to integrative syncretism, which aims at unifying “the entire realm of the sacred”.


2019 ◽  
Vol 29 (5) ◽  
pp. 135-150

The springboard for this essay is the author’s encounter with the feeling of horror and her attempts to understand what place horror has in philosophy. The inquiry relies upon Leonid Lipavsky’s “Investigation of Horror” and on various textual plunges into the fanged and clawed (and possibly noumenal) abyss of Nick Land’s work. Various experiences of horror are examined in order to build something of a typology, while also distilling the elements characteristic of the experience of horror in general. The essay’s overall hypothesis is that horror arises from a disruption of the usual ways of determining the boundaries between external things and the self, and this leads to a distinction between three subtypes of horror. In the first subtype, horror begins with the indeterminacy at the boundaries of things, a confrontation with something that defeats attempts to define it and thereby calls into question the definition of the self. In the second subtype, horror springs from the inability to determine one’s own boundaries, a process opposed by the crushing determinacy of the world. In the third subtype, horror unfolds by means of a substitution of one determinacy by another which is unexpected and ungrounded. In all three subtypes of horror, the disturbance of determinacy deprives the subject, the thinking entity, of its customary foundation for thought, and even of an explanation of how that foundation was lost; at times this can lead to impairment of the perception of time and space. Understood this way, horror comes within a hair’s breadth of madness - and may well cross over into it.


Author(s):  
Inmaculada Méndez ◽  
Juan Pedro Martínez-Ramón ◽  
Cecilia Ruiz-Esteban ◽  
José Manuel García-Fernández

Burnout is a reality in the teaching profession. Specifically, teaching staff usually have higher burnout rates. The present study aims to analyze the different burnout profiles and to verify if there were differences between burnout profiles in depressive symptomatology and in the self-esteem of the teachers at school. The total number of participants was 210 teachers from 30 to 65 years. The first scale was the Maslach burnout inventory, the second scale was the Self-Rating depression scale and the third scale was the Rosenberg Self-Esteem Scale. The latent class analysis identified three burnout profiles: the first group with a high level of emotional exhaustion, low personal accomplishment and depersonalization (high burnout); the second group with low emotional exhaustion, low depersonalization and high personal accomplishment (low burnout) and the third group with low depersonalization, low emotional exhaustion and low personal accomplishment (moderate burnout). The results revealed that there were differences in depressive symptomatology (group 1 obtained higher scores than group 2 and group 3) and self-esteem (group 2 obtained higher scores than group 1). The psychological balance and health of teachers depend on preventing the factors that have been associated with this syndrome.


2012 ◽  
Vol 29 (1) ◽  
pp. 69-85 ◽  
Author(s):  
Scott A. Chamberlin ◽  
Robert A. Powers

The focus of the article is the validation of an instrument to assess gifted students’ affect after mathematical problem solving tasks. Participants were 225 students identified by their district as gifted in grades four to six. The Chamberlin Affective Instrument for Mathematical Problem Solving was used to assess feelings, emotions, and dispositions after students solved model-eliciting activities in groups of three. Through the use of principal component analysis, it was determined that three factors should be retained. The instrument holds promise because it may be used to assess affect, which has implications for identification and curricular adjustments to optimize affect.


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