scholarly journals The reality of lies

2013 ◽  
Vol 24 (2) ◽  
pp. 105-131 ◽  
Author(s):  
Venanzio Raspa

A lie is neither a false proposition, nor a mistake, nor a mere fiction; it is a type of fiction, an act, and precisely an intentional act. An act calls for a subject, and therefore a lie is inseparable from its subject. Together, they make up a real object: it has to be real, since a lie produces effects, and the cause-effect relationship only holds between real beings. Like every real object, a lie unfolds in a (phenomenological) context. But there is more: it identifies a (dialectical) context.

2021 ◽  
Vol 69 (1) ◽  
pp. 148-178
Author(s):  
Radoje Jevtić

Introduction/purpose: Safety in high residential buildings presents a very important and always actual task. In case of some unforeseen and dangerous occurrences, their residents must be evacuated. Fire, earthquakes, and terrorism are only some of such situations. The speed of evacuation from high residential buildings depends on many different factors. A particularly difficult and complex evacuation task concerns buildings without fire escape stairs. Methods: The modeling method was used in this paper. Based on a real object - a residential building, an appropriate simulation model was realized in appropriate simulation software. Results: The results of this paper have shown that, out of four scenarios, the fastest evacuation was for the evacuation speed of 1.75 m/s. The first two scenarios did not report any jams, unlike the third and fourth scenario; in the third scenario, the occupants' speeds were 0.75 m/s and 1.25 m/s while in the fourth scenario, the simulated occupants' speeds were from 0.75 m/s to 1.75 m/s. Conclusion:The usage of appropriate simulation software enables fast, precise, safe and cheap calculation of evacuation times and it can significantly improve evacuation procedures and evacuation strategies.


Perception ◽  
10.1068/p3341 ◽  
2003 ◽  
Vol 32 (3) ◽  
pp. 263-268 ◽  
Author(s):  
Alexander D Logvinenko ◽  
John Kane

A display with a luminance gradient was shown to induce a strong lightness illusion (Logvinenko, 1999 Perception28 803–816). However, a 3-D cardboard model of this display was found to produce a much weaker illusion (less than half that in the pictorial version) despite the fact that its retinal image is practically the same. This is in line with the hypothesis that simultaneous lightness contrast is solely a phenomenon of pictorial perception (Logvinenko et al, 2002 Perception31 73–82). The residual lightness illusion in the 3-D model can be accounted for by the fact that this model is a hybrid display. Specifically, while it is a real object, a pictorial representation (of the illumination gradient) is superimposed on it. Thus, lightness in the 3-D display is a compromise between two opposite tendencies: the background-independent lightness constancy and the lightness illusory shift induced by the luminance gradient.


Author(s):  
Giandomenico Caruso ◽  
Samuele Polistina ◽  
Monica Bordegoni

The paper describes a technique that allows measuring and annotating real objects in an Augmented Reality (AR) environment. The technique is based on the marker tracking, and aims at enabling the user to define the three-dimensional position of points, within the AR scene, by selecting them directly on the video stream. The technique consists in projecting the points, which are directly selected on the monitor, on a virtual plane defined according to the bi-dimensional marker, which is used for the tracking. This plane can be seen as a virtual depth cue that helps the user to place these points in the desired position. The user can also move this virtual plane to place points within the whole 3D scene. By using this technique, the user can place virtual points around a real object with the aim of taking some measurements of the object, by calculating the minimum distance between the points, or in order to put some annotations on the object. Up to date, these kinds of activities can be carried out by using more complex systems or it is needed to know the shape of the real object a priori. The paper describes the functioning principles of the proposed technique and discusses the results of a testing session carried out with users to evaluate the overall precision and accuracy.


Author(s):  
Elrnar Zeitler

Considering any finite three-dimensional object, a “projection” is here defined as a two-dimensional representation of the object's mass per unit area on a plane normal to a given projection axis, here taken as they-axis. Since the object can be seen as being built from parallel, thin slices, the relation between object structure and its projection can be reduced by one dimension. It is assumed that an electron microscope equipped with a tilting stage records the projectionWhere the object has a spatial density distribution p(r,ϕ) within a limiting radius taken to be unity, and the stage is tilted by an angle 9 with respect to the x-axis of the recording plane.


2019 ◽  
Vol 1 (1) ◽  
pp. 84-107
Author(s):  
Robert C. Koons

In De Anima Book III, Aristotle subscribed to a theory of formal identity between the human mind and the extra-mental objects of our understanding. This has been one of the most controversial features of Aristotelian metaphysics of the mind. I offer here a defense of the Formal Identity Thesis, based on specifically epistemological arguments about our knowledge of necessary or essential truths.


Somatechnics ◽  
2019 ◽  
Vol 9 (2-3) ◽  
pp. 188-205
Author(s):  
Sofia Varino

This article follows the trajectories of gluten in the context of Coeliac disease as a gastrointestinal condition managed by lifelong adherence to a gluten-free diet. Oriented by the concept of gluten as an actant (Latour), I engage in an analysis of gluten as a participant in volatile relations of consumption, contact, and contamination across coeliac eating. I ask questions about biomedical knowledge production in the context of everyday dietary practices alongside two current scientific research projects developing gluten-degrading enzymes and gluten-free wheat crops. Following the new materialisms of theorists like Elizabeth A. Wilson, Jane Bennett, Donna Haraway and Bruno Latour, I approach gluten as an alloy, an impure object, a hybrid assemblage with self-organizing and disorganizing capacity, not entirely peptide chain nor food additive, not only allergen but also the chewy, sticky substance that gives pizza dough its elastic, malleable consistency. Tracing the trajectories of gluten, this article is a case study of the tricky, slippery capacity of matter to participate in processes of scientific knowledge production.


2013 ◽  
Vol 3 (2) ◽  
pp. 152-161 ◽  
Author(s):  
Devika Chawla
Keyword(s):  
Object A ◽  

This essay is an experiment that attends to the habit of tea as both subject and object. A coalescence of habit as threshold as home. In an assemblage of encounters, I hear, I sense, I smell, I taste, and I show how my habit (of tea) is a trestle—both a transport and a transaction in which I arrive and depart multiple times, every day. Consider these words a kind of searching (and finding), a cartographic tracing, a constellation—of habit, of home, of threshold—a plotting to find and arrive home.


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