scholarly journals Contribution of historical and literary works to the understanding of political phenomena

Author(s):  
Vojislav Stanovcic

The paper presents a series of arguments which indicate that significant historiographic works describing and analyzing bygone political phenomena as well the literary works which picturesquely depict political situations and human destinies - with their specific approaches and methods - contribute to the better insight and understanding of the phenomena in the political life which philosophy and social sciences express by notions. Social and political life have their bright and dark sides. It is less arguable that political sciences - in the study of phenomena included in their topic -find great help in history, if it is - as Leopold von Ranke advised - oriented only to "show what really happened". Historical studies, specially the ones of the socalled great historians, present to us the images of the situation in a certain period or event with all significant details and contribute to the understanding of that phenomenon, helping to clarify its essence. Thus for example, Appian's Roman Civil Wars or Tacitus' descriptions in The Annals of the suffering of the innocent victims in the power struggle during civil wars and during the ferocious persecution of Christians -innocent, but accused of all possible crimes. What astonishes the reader is the grea similarity between the phenomena, processes, actions happening two millennia ago and in the 20th century. Philosopher and political thinkers (like Aristotle), but also some historians (like Thucydides) offer explanations why some patterns repeat and why they would "keep repeating". In Khalil Inalcik's work, we find detailed descriptions of brutal mutual killings among the sons of the majority of the Turkish sultans in the power struggle after their fathers' death. Generalizing on the basis of the material provided by history, we reach an entire string of general notions in political and social sciences. Great thinkers and writers, from the oldest Eastern and the greatest antique philosophers till the ones from the 20th century, used found inspiration and drew ideas and incentives or material from the sources with which they supplemented their theoretical categories, notions and explanations, including the images of political life. These sources are represented in the great literary works. Contradictory opinions about the character and significance of ail and literature are found in Plato's and Aristotle's writings. Aristotle, who analyzed this problem, presented arguments why literary insights - precisely because of the character of insights they offer - deserve to stand in the same pedestal with philosophy. He used the expression he himself introduced to mark one aspect of the effect of art and literature - and that is catharsis. Psychology facilitates our insights into the motives and consequences of the participants' behavior social psychology being particularly important, but also ethics. The means used to convey a certain truth is less important, its essence is more important. Several Greek philosophers (Parmenides, Empedocles, Xenophon) even the Roman ones (for example, Lucretius Cains) wrote their philosophical treatises in verse. Kant's famous words Sapere aude! with which he asks people to have courage to use their own mind and thus become enlightened originate from the Roman poet Horace, and Michel de Montaigne also used them. Plato and Aristotle referred not only to the available sources about preceding philosophical ideas and political systems, including the first Greek historians, but also to the tragedians, primarily Aeschylus, Sophocles and Euripides, to the comedy writers (like Aristophanes), to the lyricists (Solon, Simonides, Archilochus). When Aristotle expounds one of the key categories of his political theory about man as a political animal (zoon politikon), he refers to Homer to confirm what he himself believes. Anica Savic-Rebac quotes Strabo's formulations about poetry as "the first philosophy", as well as about Homer's work as "poetic philosophy" and as a source of every kind of wisdom, even every kind of knowledge. With his ideas and images he presented in his literary works, Dostoyevsky influenced several philosophers (Nietzsche, Camus and others) and scientists (Freud, Adler and others). "The philosophy of existence" and its ethical orientation were presented not only in the philosophical, but also in the literary works (Kierkegaard, Sartre, Camus). The so called philosophy of the absurd and "the literature of the absurd" mutually merge and supplement. Not even the best 20th century theoretical treatise about the nature of power - like those by Charles Merriam, Bertrand Russell, Bertrand de Jouvenel or Harold Lass well can depict what man gets to know through the tragedies of Marlowe Shakespeare, Goethe, in which main participants are driven and urged by the yearning to achieve absolute power. "The Great Inquisitor", "The Iron Heel" "Dark at Noon", but also the personalities like Raskolnikov or Verhovensky from the novel The Possessed help us to understand many things. "Gulag" became a political notion because of the title of the novel Gulag. Literature-antiutopia pointed to the dangers of the closed mind and of the technological society before scientific studies had done that.

GeoJournal ◽  
2021 ◽  
Author(s):  
Nicola Gabellieri

AbstractScholars have been investigating detective stories and crime fiction mostly as literary works reflecting the societies that produced them and the movement from modernism to postmodernism. However, these genres have generally been neglected by literary geographers. In the attempt to fill such an epistemological vacuum, this paper examines and compare the function and importance of geography in both classic and late 20th century detective stories. Arthur Conan Doyle’s and Agatha Christie’s detective stories are compared to Mediterranean noir books by Manuel Montalbán, Andrea Camilleri and Jean Claude Izzo. While space is shown to be at the center of the investigations in the former two authors, the latter rather focus on place, that is space invested by the authors with meaning and feelings of identity and belonging. From this perspective, the article argues that detective investigations have become a narrative medium allowing the readership to explore the writer’s representation/construction of his own territorial context, or place-setting, which functions as a co-protagonist of the novel. In conclusion, the paper suggests that the emerging role of place in some of the later popular crime fiction can be interpreted as the result of writer’s sentiment of belonging and, according to Appadurai’s theory, as a literary and geographical discourse aimed at the production of locality.


2018 ◽  
Vol 51 (1-2) ◽  
pp. 103-116
Author(s):  
Irena Samide

The present paper addresses the novel Hanka written by Slovene writer Zofka Kveder, published in Croatian in 1917 and translated into Slovene in 1938. The paper shows that this little-known war novel differs substantially from other war narratives and that it can be ranked among the eminent pacifistic literary works of the first two decades of the 20th century. At the same time, the paper questions the role of the texts of Slovenian authors written in a foreign language, and stands up for the view that the national literary sciences should consider the more appropriate placement of these texts in the literary canon.


Verbum ◽  
2015 ◽  
Vol 5 ◽  
pp. 156-165
Author(s):  
Svetozar Poštić

This essay argues that the main instrument Montaigne, 16th-century French thinker and writer, used for creating a “new ontology,” as Nicola Panichi calls it (2004, 278), was language and a special style of writing. He, first of all, created – or revived from the Antiquity – a new genre most suitable for a new discourse, and christened it essai. Then he applied a method known in humanist schools of the Renaissance as ultraquem partem to relativise all previous thought. Finally, he employed a thorough, frank examination of his own behaviour, habits and preferences, adorned with Latin sentences, to promote self-analysis as a path to personal contentment. This article applies the theory of Bakhtin, a 20th-century Russian philosopher and sociolinguist, especially his essay “Discourse in the Novel” (“Слово в романе”), in the analysis of the peculiarity of Montaigne’s composition and its purposefulness in expressing at that time dangerous, but already prevalent worldview. Since battling medieval Christian thought was the paramount assignment of his endeavour, the quotes are mostly taken from Montaigne’s only essay – and by far the longest in the three-volume collection – entirely dedicated to religion, “Apologie de Raimond Sebond.”


2018 ◽  
Vol 38 (1) ◽  
Author(s):  
Laura Kanost

This essay juxtaposes original translations of contrasting images from the novel En una silla de ruedas [In a Wheelchair] by Costa Rican writer Carmen Lyra and Poemas de la inmovilidad [Poems of Immobility] by Uruguayan writer Luisa Luisi to reveal how representations of intellectuals who are paralyzed might complicate discourses of the artist, social hygiene, and eugenics in early 20th-century Spanish America. Lyra portrays her protagonist's paralysis as a tragedy, but his disability is also the source of social mobility that allows the novel to depict marginalized members of Costa Rican society. Luisi contests modernista aesthetics of perfect forms, countering with a multifaceted exploration of inner space enabled by physical stillness. Through their depictions of hospitals, asylums, and sanitariums, both writers bear witness to bodies the modernizing project would prefer to hide, and imagine alternative forms of progress.


2021 ◽  
Vol 9 (3) ◽  
pp. 54-56
Author(s):  
Robancy Amal

The role of the readers in reading a novel or a poem is to look through the eye of the author and to enjoy the beauty of the literary works. Kamala Das’s poetry, novels and short stories have always carried self-transformation and women empowerment asserting her rights freedom and desire to liberate her from the clutches of traditions and cultures which suppress women in the Indian society. This paper tries to analyze the outspoken and controversial autobiography and an unheard cry for freedom of many Indian women and depicts how revealing the inner self of a woman free her from the oppression of Caste, class, race and sex. It has become a cult classic in the 20th century. It attempts to see the feministic approach of the novel.


Author(s):  
Yuri Stulov

The collapse of traditional values caused by the dramatic changes of the last decades of the 20th century greatly affected all spheres of life and art including literature. The newest multi-media, various networks, etc. have led to the growing gap between people who are locked down in different forms of self-isolation and mundane practices. Everyday reality as it is presented in the novel «On the Come Up» by the young African American writer Angie Thomas reminds of the continuation of the struggle with racism and discrimination – in spite of the transformations that have taken place in US social and political life. The 16-year- protagonist of the novel challenges the stereotypes, phobias and prejudice and is on the way to success as a rapper whose song «On the Come Up» becomes her creed in life and inspires hope.


Author(s):  
Biancamaria Fontana

This introductory chapter provides an account of Germaine de Staël's approach to politics that brings out the independence and originality of her contribution. Its main focus is the evolution of her views in the years 1789 to 1800, when she had the opportunity to take part (albeit intermittently) in French political life, and to set forth projects and strategies connected with it. The chapter touches only on Staël's best-known—and more widely studied—fictional and literary works, though naturally these do also have some political relevance. It has been suggested that the protracted exile into which she was forced during the empire was at the origin of Staël's major literary achievements, as it provided her with both the opportunity and the incentive to develop her true potential as a writer.


2019 ◽  
Vol 48 (1) ◽  
pp. 57-89
Author(s):  
Mareike Schildmann

Abstract This article traces some of the fundamental poetological changes that the traditional crime novel undergoes in the work of the Swiss author Friedrich Glauser at the beginning of the 20th century. The rational-analytical, conservative approach of the criminal novel in the 19th century implied – according to Luc Boltanski – the separation of an epistemologically structured, institutionalized order of “reality” and a chaotic, unruly, unformatted “world” – a separation that is questioned, but reestablished in the dramaturgy of crime and its resolution. By shifting the attention from the logical structure of ‘whodunnit’ to the sensual material culture and “atmosphere” that surrounds actions and people, Glauser’s novels blur these epistemological and ontological boundaries. The article shows how in Die Fieberkurve, the second novel of Glauser’s famous Wachtmeister Studer-series, material and sensual substances develop a specific, powerful dynamic that dissipates, complicates, crosslinks, and confuses the objects and acts of investigation as well as its narration. The material spoors, dust, fibers, fingerprints, intoxicants and natural resources like oil and gas – which lead the investigation from Switzerland to North Africa – trigger a new sensual mode of perception and reception that replaces the reassuring criminological ideal of solution by the logic of “dissolution”. The novel thereby demonstrates the poetic impact of the slogan of modernity: matter matters.


2020 ◽  
pp. 182-197
Author(s):  
Agnieszka Goral

The aim of the article is to analyse the elements of folk poetics in the novel Pleasant things. Utopia by T. Bołdak-Janowska. The category of folklore is understood in a rather narrow way, and at the same time it is most often used in critical and literary works as meaning a set of cultural features (customs and rituals, beliefs and rituals, symbols, beliefs and stereotypes) whose carrier is the rural folk. The analysis covers such elements of the work as place, plot, heroes, folk system of values, folk rituals, customs, and symbols. The description is conducted based on the analysis of source material as well as selected works in the field of literary text analysis and ethnolinguistics. The analysis shows that folk poetics was creatively associated with the elements of fairy tales and fantasy in the studied work, and its role consists of – on the one hand – presenting the folk world represented and – on the other – presenting a message about the meaning of human existence.


Author(s):  
Svetlana Morozova ◽  
Dmitrij Zhatkin

The article is devoted to the perception of K.I. Chukovsky’s works by a famous English writer G.K. Chesterton. K.I. Chukovsky was one of the first to point out the ambiguity of the literary works by the English writer and called his journalistic activity more convincing. Describing G.K. Chesterton’s essays, K.I. Chukovsky believed that the writer is second to none in this genre. He praised G.K. Chesterton’s journalistic talent in responding to all the phenomena of contemporary social life. K.I. Chukovsky considered it obligatory for the Russian readers to familiarize themselves with the critical works of the English author. In the essay «Gilbert Chesterton. Manalive» (1924) K.I. Chukovsky substantiated why, for all the variety of genre forms that G.K. Chesterton used, Russian readers were familiar with only a few of his works. K.I. Chukovsky’s critical attitude to the novel «Manalive» is explained by his rejection of G.K. Chesterton’s utopian attitude to the social situation in England at the turn of the XIX–XX centuries. In G.K. Chesterton’s works K.I. Chukovsky saw a simulation of revolutionary pathos that did not solve pressing issues of social disorder.


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