The Academic Theaters and the Fate of Soviet Artistic Pluralism, 1919-1928

Slavic Review ◽  
1992 ◽  
Vol 51 (3) ◽  
pp. 389-410 ◽  
Author(s):  
Richard G. Thorpe
Keyword(s):  
Cultural Heritage ◽  
Old Regime ◽  
Avant Garde ◽  
Central Topic ◽  
The Arts ◽  
Soviet Theater ◽  
The Revolution

While many studies of the early Soviet theater have focused upon its proletarian or revolutionary stages, in the polemics of that era a central topic of dispute was the so-called academic stage. The academic theaters of Moscow and Petrograd, which included the former imperial theaters as well as select representatives of the pre-revolutionary private stage, most notably the Arts and Kamernyi theaters, had no lack of critics or enemies in the years after October. The former court theaters were attacked as politically dangerous relics of the old regime, their artists were envied for their material privileges and status, their large budgets were coveted by less generously funded workers' and avant-garde stages, their art was condemned as conservative and out of harmony with the revolution and socialism. For Commissar of Education Anatolii Lunacharskii, however, these theaters were academies which would both preserve the best of the pre-revolutionary cultural heritage and provide standards of technical excellence against which more innovative theaters could be measured.

Multisensory Modalities and Modernist Translation

CounterText ◽  
2016 ◽  
Vol 2 (3) ◽  
pp. 283-306
Author(s):  
Tamara Brzostowska-Tereszkiewicz
Keyword(s):  
Twentieth Century ◽  
Reader Response ◽  
Sensory Integration ◽  
Cultural Anthropology ◽  
Sensory Perception ◽  
Cross Cultural ◽  
Avant Garde ◽  
Artistic Production ◽  
High Modernism ◽  
The Arts

Multisensory and cross-modal perception have been recognised as crucial for shaping modernist epistemology, aesthetics, and art. Illustrative examples of how it might be possible to test equivalences (or mutual translatability) between different sensual modalities can be found in theoretical pronouncements on the arts and in artistic production of both the avant-garde and high modernism. While encouraging multisensory, cross-modal, and multimodal artistic experiments, twentieth-century artists set forth a new language of sensory integration. This article addresses the problem of the literary representation of multisensory and cross-modal experience as a particular challenge for translation, which is not only a linguistic and cross-cultural operation but also cross-sensual, involving the gap between different culture-specific perceptual realities. The problem of sensory perception remains a vast underexplored terrain of modernist translation history and theory, and yet it is one with potentially far-reaching ramifications for both a cultural anthropology of translation and modernism's sensory anthropology. The framework of this study is informed by Douglas Robinson's somatics of translation and Clive Scott's perceptive phenomenology of translation, which help to put forth the notion of sensory equivalence as a pragmatic correspondence between the source and target texts, appealing to a range of somato-sensory (audial, visual, haptic, gestural, articulatory kinaesthetic, proprioceptive) modalities of reader response.

The Glory and the Sorrow

2021 ◽  
Author(s):  
Timothy Tackett
Keyword(s):  
French Revolution ◽  
Small Time ◽  
Old Regime ◽  
Ordinary Citizen ◽  
Best Friend ◽  
The World ◽  
Cultural Intermediary ◽  
Insight Into ◽  
The French Revolution ◽  
The Revolution

The book describes the life and the world of a small-time lawyer, Adrien-Joseph Colson, who lived in central Paris from the end of the Old Regime through the first eight years of the French Revolution. It is based on over a thousand letters written by Colson about twice a week to his best friend living in the French province of Berry. By means of this correspondence, and of a variety of other sources, the book examines what it was like for an “ordinary citizen” to live through extraordinary times, and how Colson, in his position as a “social and cultural intermediary,” can provide insight into the life of a whole neighborhood on the central Right Bank, both before and during the Revolution. It explores the day-to-day experience of the Revolution: not only the thrill, the joy, and the enthusiasm, but also the uncertainty, the confusion, the anxiety, the disappointments—often all mixed together. It also throws light on some of the questions long debated by historians concerning the origins, the radicalization, the growth of violence, and the end of that Revolution.

Contribution à l'étude des idées politiques de Napoléon Ier

Res Publica ◽  
1975 ◽  
Vol 17 (1) ◽  
pp. 121-144
Author(s):  
André Cabanis
Keyword(s):  
Eighteenth Century ◽  
Old Regime ◽  
To Come ◽  
Napoleon I ◽  
The Revolution

The writings of Napoleon I and his contemporaries' testimonies reveal the image of a statesman more taken up with action than theories and whom circonstances have made go through different stages in his political  convictions. During his youth, he takes up all the ideas of the eighteenth century, even to their contradictions, though the temper of the leader to come, sometimes shows through already. During the Consulate - a time of dissimulation - he tries to conciliate around him the most antagonistic ideas in order to strengthen his popular dictatorship. When at the height of his glory - about 1808-1811 - he longs to enter the «European Concert» white building a universal Empire, and he thinks of reviving the old regime society, white not admitting any intermediary between the Nation and himself. Defeated, then deported, he clearly analyses the causes of his failure and makes the most of future by reappealing to the ideas of the Revolution.

scholarly journals [Implementation of Arts Policy in The State of Kelantan from 1990 to 2015: Analysis According to Siasah Syar‘Iyyah] Pelaksanaan Dasar Kesenian di Negeri Kelantan dari Tahun 1990 Hingga 2015: Analisis Menurut Siasah Syar ‘Iyyah

2018 ◽  
Vol 17 (1) ◽  
pp. 87-102
Author(s):  
Mohd Asri Che Ibrahim ◽  
Shukeri Mohamad
Keyword(s):  
Cultural Heritage ◽  
State Government ◽  
Islamic Law ◽  
The State ◽  
Cultural Performance ◽  
Arts Policy ◽  
Actual Position ◽  
The Arts ◽  
Political Perspective ◽  
And Control

This study was conducted to determine the actual position of political syar'iyyah from the perspective of Islam and its practices in the context of the state of Kelantan, especially in the field of art and entertainment. The study also followed up with the state government and police of the arts, as well as reforms carried out from 1990 to 2015. The focus of this research focuses on the application of the basic arts and entertainment through the enforcement of the Control of Entertainment and Places of Entertainment 1998, Cultural Performance Guidelines (entertainment) Act 1998 and Control of Entertainment Enactment 2003, which became the main purpose of the exercise of political syar'iyyah. Analysis carried out on the action and reform the state government to the arts by syar'iyyah political perspective. The study employs a library and analysis of official documents such as circulars, news, enactment and guidelines issued by the state government. The study found that ijtihad and reforms undertaken during the period managed to bring about change and give the benefit to the community in Kelantan. It is hoped that this study can contribute to the enrichment of the cultural heritage of the Malay Muslims in accordance with the tenets and formation syar'iyyah political capital of the arts and entertainment that coincide with Islamic law. We hope this study will help art researchers in the future. Keywords: Siasah syar'iyyah, Arts, Policy, Kelantan, Entertainment     Artikel ini bertujuan membincangkan konsep siasah syar‘iyyah, sejarah perkembangan kesenian, polisi kerajaan Kelantan terhadap siasah syar‘iyyah dan pelaksanaannya di negeri Kelantan. Secara khusus, fokus kajian ini dilakukan bermula semasa pemerintahan TGNA pada tahun 1990 sehingga sekarang. Kajian berbentuk analisis dokumen ini bersandar kepada pemerhatian terhadap dokumen rasmi kerajaan seperti surat pekeliling, warta, enakmen dan garis panduan yang dikeluarkan oleh kerajaan Kelantan. Selain itu, data-data kajian juga turut disokong oleh pelbagai literatur lain seperti buku-buku ilmiah serta    wacana-wacana ilmiah yang berkaitan.  Hasil kajian mendapati tindakan dan pembaharuan yang dilakukan oleh kerajaan Kelantan dalam bidang siasah syar’iyyah adalah berdasarkan al-Quran dan al-Sunnah serta ijtihad. Terdapat beberapa pembaharuan yang dianggap sebagai pra syarat untuk mengadakan sesuatu persembahan kesenian serta beberapa contoh perubahan dalam kesenian yang dipersembahkan di Kelantan selepas tahun 1990 hingga sekarang telah menunjukkan perubahan yang sangat ketara. Pelaksanaan dasar kesenian dan hiburan ini berjaya memberi kemaslahatan kepada rakyat, dan dalam masa yang sama ia juga berjaya mempertahankan beberapa nilai kesenian lama yang tidak bertentangan dengan Islam. Selain itu terdapat juga beberapa persembahan kesenian yang diberi roh Islam dari sudut pelaksanaannya untuk menjadi santapan hiburan terhadap masyarakat. Kajian ini menyumbang kepada pengkaryaan khazanah seni dan hiburan Islam, menjadi model terhadap pelaksanaan hiburan dan selain itu ia dapat membantu para pengkaji seni untuk menambahkan ilmu dalam bidang kesenian Islam.   Kata kunci: kesenian, hiburan, enakmen, ijtihad dan maslahah

Russian Factor in the Military and Political Conflicts of Europe in 1917–1920

2022 ◽  
Author(s):  
А.Э. Титков
Keyword(s):  
Old Regime ◽  
German Empire ◽  
Political Processes ◽  
Political Conflicts ◽  
The First World War ◽  
Foreign Policies ◽  
Revolutionary Movements ◽  
The Russian Empire ◽  
The Military ◽  
The Revolution

Статья посвящена т. н. «русскому фактору» в период после окончания Первой мировой войны и до 1920г. Революционные события в России радикально изменили внешнеполитическую ситуацию на европейском театре и одновременно стали оказывать серьезное влияние на внутреннюю повестку стран участниц конфликта, благодаря активной политике Советской России по продвижению революционных идей и поддержке революционных движений в Европе. Подобная практика была вызвана не столько искренним желанием раздуть революционный пожар и безусловной верой в его возможность, сколько необходимостью физического выживания молодого «пролетарского государства» во враждебном капиталистическом окружении. В статье подробно рассматривается идеологическая подоплека внешней политики Советской России в это период и деятельность на этом поприще ее вождя В.И. Ленина, его попытки повлиять на общественно-политические процессы в Германии, Венгрии и Польше, а также анализируются изменения в идеологической повестке большевиков после провала советской политики по созданию плацдармов для продвижения революции в центральную Европу. Также в статье обращается внимание на то, что за внешней ширмой буржуазной революции в России явно проступают признаки целенаправленной политики по удалению с карты Европы и Азии империй — Османской, Германской, Австро-Венгерской и Российской, чему предшествовала активная компания по девальвации самих монархических институтов. Большевистская же политика по полному демонтажу прежней системы, несмотря на внешнюю враждебность идеологических установок, оказалась вполне приемлемой для тех, кто стремился не допустить пересборки Центральных держав. The article deals with the influence of the so-called Russian factor in the events following the end of the First World War up until 1920. The revolution in Russia radically changed the situation in Europe, having a major impact on the domestic and foreign policies of the belligerent nations, caused by active Soviet support for revolutionary movements in Europe. This practice stemmed not from a sincere desire to fan the revolutionary flames but rather from the survival instinct of the newly-established proletarian state, surrounded by hostile capitalistic countries. The article examines the ideological motivations behind Soviet Russia's foreign policy during this period and the activities of its leader, Vladimir Lenin, as well as his attempts to influence social and political processes in Germany, Hungary, and Poland. The study also analyzes the changes in the ideological agenda of the Bolsheviks after the failure of Soviet policy to create springboards for the advancement of the revolution into Central Europe. Moreover, the paper points out that the smokescreen of the revolution in Russia reveals clear signs of a concerted effort to wipe the Ottoman Empire, the German Empire, the Austro-Hungarian Empire, and the Russian Empire from the map of Europe and Asia, preceded by an active campaign aimed at undermining the monarchic institutions themselves. Meanwhile, the Bolshevik policy that sought to completely dismantle the old regime, despite the hostility of its ideology, eventually proved perfectly acceptable for those who aimed to prevent the Central Powers from rising up again.

Between Modernism and the Underground During the Thaw

2021 ◽  
Author(s):  
Massimo Maurizio
Keyword(s):  
Cultural Heritage ◽  
Avant Garde ◽  
Russian Modernism ◽  
Anna Akhmatova

This chapter discusses some of the figures responsible for redeveloping the cultural heritage of Russian modernism and the avant-garde and shaping its reception in the post-Stalinist period. Because Stalinism had sought to consign the modernist experience to oblivion, deeming it too complex and problematic, and to substitute its own cultural dogmas, their work proved crucial for defining the modes of poetic development in underground culture from the mid-1950s onwards. The main figures discussed are Anna Akhmatova, Vasilisk Gnedov, Evgeny Kropivnitsky, Igor Bakhterev, Pavel Zal’tsman, and Ian Satunovsky.

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