Erwin Panofsky and the Renascence of the Renaissance

1994 ◽  
Vol 47 (2) ◽  
pp. 255-281 ◽  
Author(s):  
Carl Landauer

It has long been understood that historians, literary critics, and art historians who write about past cultures use those cultures for present purposes, whether by turning Periclean Athens into an ideal for present-day America or the fall of the Roman empire into an ominous signal for modern empires. German humanists who sought refuge from Nazi Germany had, however, special reasons to use their cultural studies as a strategy of escape. Erich Auerbach in exile in Istanbul and Ernst Robert Curtius in “inner exile” in Bonn provided narratives of European literary history that minimized the contribution of their native culture, and in so reworking the narrative of Western literature, they were able to reshape their own identities. Their reconstructions of past cultures can thus be read as attempts at self-reconstruction. Ultimately, however, the attempt by such scholars to distance themselves from German culture often faltered on the very Germanness of their cultural reconstructions.

Author(s):  
G. O. Hutchinson

Greek literature is divided, like many literatures, into poetry and prose; but in the earlier Roman Empire, 31 BC to AD 300, much Greek (and Latin) prose was written in one organized rhythmic system. Whether most, or hardly any, Greek prose adopted this patterning has been entirely unclear; this book for the first time adequately establishes an answer. It then seeks to get deeper into the nature of prose-rhythm through one of the greatest Imperial works, Plutarch’s Lives. All its phrases, almost 100,000, have been scanned rhythmically. Prose-rhythm is revealed as a means of expression, which draws attention to words and word-groups. (Online readings are offered too.) Some passages in the Lives pack rhythms together more closely than others; the book looks especially at rhythmically dense passages. These do not occur randomly; they attract attention to themselves, and are marked out as climactic in the narrative, or as in other ways of highlighted significance. Comparison emerges as crucial to the Lives on many levels. Much of the book closely discusses particular dense moments, in commentary form, to show how much rhythm contributes to understanding, and is to be integrated with other sorts of criticism. These remarkable passages make apparent the greatness of Plutarch as a prose-writer: a side not greatly considered amid the huge resurgence of work on him. The book also analyses closely rhythmic and unrhythmic passages from three Greek novelists. Rhythm illuminates both a supreme Greek writer, Plutarch, and three prolific centuries of Greek literary history.


Author(s):  
Jason Groves

Already in the nineteenth century, German-language writers were contending with the challenge of imagining and accounting for a planet whose volatility bore little resemblance to the images of the Earth then in circulation. In The Geological Unconcious, Jason Groves traces the withdrawal of the lithosphere as a reliable setting, unobtrusive backdrop, and stable point of reference for literature written well before the current climate breakdown, let alone the technologies that could forecast those changes. Through a series of careful readings of romantic, realist, and modernist works by Tieck, Goethe, Stifter, Benjamin, and Brecht, the author traces out a geological unconscious—in other words, unthought and sometimes actively repressed geological knowledge—where it manifests in European literature and environmental thought. This inhuman horizon of reading and interpretation offers a new literary history of the Anthropocene in a period where this novel geological epoch, though arguably already underway, remains unnamed and otherwise unmarked. These close readings also unearth an entanglement of the human and the lithic in periods well before the geological turn of cotemporary cultural studies. In those depictions of human-mineral encounters on which The Geological Unconcious lingers, the minerality of the human and the minerality of the imagination becomes apparent. While The Geological Unconcious does not explicitly set out to imagine alternatives to fossil capitalism, in elaborating a range of such encounters and in registering libidinal investments in the lithosphere that extend beyond Carboniferous deposits and beyond any carbon imaginary, it points toward alternative relations with, and less destructive mobilizations of, the geologic.


2021 ◽  
pp. 290-295
Author(s):  
D. M. Feldman

The collection prepared by IMLI RAN contains letters of the eminent specialist in local history N. Antsiferov and focuses on the biography of this St. Petersburg Imperial University alumnus, who, despite many arrests by the Soviet regime on trumped-up charges, incarceration in prisons and guarded camps and exile, preserved his inner freedom and, therefore, his scholarly potential. The book details the political context that brought about the outrageous persecution of this highly skilled and staunchly apolitical scholar aswell as the abrupt clearance of charges. Also included is a summary of his scholarly output in literary history, local history and cultural studies. The book lists the scholar’s acquaintances and correspondents, e. g., M. Bakhtin, V. Vernadsky, M. Lozinsky, A. Meyer, K. Chukovsky, B. Eichenbaum, and many other members of the intellectual elite. The book is celebrated as a landmark scholarly publication; highly praised are the text preparation efforts and explanatory notes.


2012 ◽  
Vol 18 (3) ◽  
Author(s):  
Marcus Breen

The Crossroads Conference in Paris, July 2012 offered an international perspective on cultural studies. After the event, seeing mention of cultural studies in the context of Nazi Germany opened up questions about the history of cultural studies, its ambitions and position in the contemporary, neo-liberal academy. Drawing on various conjunctures in personal and social life, the article reflects on the challenges for cultural studies when set against knowledge of European history.


2019 ◽  
Vol 25 ◽  
pp. 327-340
Author(s):  
Katarzyna Sijka

The SacramentoriumTynecensis was written in circa 1060-1070, probably in Cologne. It was located in the Benedictine Abbey in Tyniec from 11th century to 19th century. In 1814 the illuminated manuscript was bought by Stanisław Kostka Zamoyski, then in 1818 he located the codex in the Zamoyski Ordynacja Library in Warsaw. It stayed there to the end of World War II. Two formations of Nazi Germany were as follows:  a military unit led by Professor of Archaeology, Peter Paulsen and a group led by art historian Kajetan Mühlman. Both were responsible for the plundering of Poland's cultural heritage. They wanted to get the Sacramentorium Tynecensis because it was connected with German culture. The employees of the Zamoyski Ordynacja Library have tried to rescue the codex, sometimes at the risk of their own lives. In 1944 during the action of rescuing library collections from the ruins of the capital city of Poland (action called ‘Pruszkowska’), the manuscript codex was exported and hidden by Stanisław Lorentz in the Cathedral in Łowicz. Thankfully that the ST returned to Warsaw in 1947 and was deposited in the National Library of Poland.


2008 ◽  
Vol 3 (1.) ◽  
Author(s):  
Katarina Ivon

This paper is a preview of contemporary trends in comparative literature. The starting point of this research is the fact that change of research paradigms is a key feature of contemporary comparative literature. Change of research paradigms refers to imagery research, a new focus point of comparative literature that deals with images of certain country and its culture in another cultural surrounding, and to the notion of intercultural history of literature, which also includes the concept of interliterary community. The author also presents two new tendencies in contemporary comparative literature: cultural studies and European studies. The paper analyzes the responses of these new trends in Croatian literary history, but it also focuses on their impact on further researches in Croatian literature.


Author(s):  
Marco Dräger ◽  

This paper examines the changing face of deserters in Germany and the gradual entry of monuments dedicated to them into German memorial culture. The multiple changes in the perception of the Wehrmacht (united armed forces of Nazi Germany from 1935-1945) deserters during the last 70 years from cowards and traitors to (anti-)heroes to victims is the result of generational shifts and changed political contexts. Deserters from the Wehrmacht were a taboo subject for a long time. Over the course of the past thirty years, their story has been reappraised. It now has a visual presence in the form of counter monuments which challenge notions of traditional heroic military virtues and the place of resistance in modern political German culture. Counter-monuments, which had their origins in Germany in the 1980s, were always intended to be provocative, for they sought to disrupt a discourse that had become anachronistic, even unbearable in the eyes of many. Whether they will continue to have a presence, whether further deserter monuments will be built, or whether a future retrospective evaluation will show these monuments to have been an ephemeral and singular phenomenon, is still uncertain.


2019 ◽  
Vol 7 (2) ◽  
pp. 111-112
Author(s):  
Marlene Schäfers

Now running in its seventh year, Kurdish Studies has established itself as the leading venue for the publication of innovative, cutting-edge research on Kurdish history, politics, culture and society. According to Scopus scores, our journal is now positioned among the top publications within the History category of the Arts and Humanities, ranking 170 out of 1138 (84th percentile). In Cultural Studies, we stand at rank 193 out of 890 (78th percentile). This year’s second issue of Kurdish Studies brings to you yet another collection of thought-provoking pieces of original scholarship. Gerald Maclean provides us with a literary history of British literary accounts of Kurds and Kurdistan in the sixteenth and seventeenth centuries. Allan Hassaniyan investigates a similar geography, though within the context of contemporary fragmentation by national borders. Our third article shifts the focus from Iran to Iraq. Samme Dick examines the recent turn to Zoroastrianism amongst a growing number of Kurds living in the Kurdistan Region of Iraq. 


Author(s):  
Paul Taylor

The words “iconology” and “iconography” are often confused, and they have never been given definitions accepted by all iconographers and iconologists. Panofsky 1955 (cited under General Overviews) defines “iconography” as the study of subject matter in the visual arts and “iconology” as an attempt to analyze the significance of that subject matter within the culture that produced it. This definition was prescriptive rather than descriptive, and many art historians before Erwin Panofsky who would have called themselves “iconographers” were engaged in investigations that Panofsky would have termed “iconological.” Another source of semantic disagreement has arisen from the perceived overinterpretations of Panofsky and his school, which have led some art historians to reject the word “iconology.” It seems useful, nevertheless, to keep a distinction between iconography and iconology, since it draws attention to a fundamental distinction between the study of words and the study of images. While iconology corresponds to the historical criticism of texts in literary studies, iconography has no obvious counterpart outside histories of the visual. At the same time, in art historical practice iconography and iconology feed into each other, as the literature surveyed in this article shows.


2019 ◽  
pp. 1-18
Author(s):  
Tobias Boes

This introductory chapter discusses Thomas Mann's peculiar role as an authority on German culture to oppose the Nazi regime. It explains that two factors characterize Mann's unique position in literary history—the battle of cultural autonomy against totalitarian dependence and the struggle between international and national sources of literary esteem—both of which continue to have a clear relevance for literary production into the present day. To that end, this chapter briefly explores the complex relationship connecting his battle for cultural autonomy to his struggle for international recognition. It also considers what it means for Mann when he defines his theory of exile as a “cosmopolitan Germanness.” Finally, this chapter looks at how Mann developed and employed strategies to wage a cultural war against Nazism and how he found success in this endeavor in the United States.


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