A Self-Instructional Program for Musical Concept Development in Preschool Children

1974 ◽  
Vol 22 (2) ◽  
pp. 129-135 ◽  
Author(s):  
Mary L. Romanek

The purpose of this study was to devise and evaluate a self-instructional program for the development of three musical concepts—pitch, duration, and loudness—in preschool children. Programed materials that included cassette tapes and illustrated books were developed. The response modes required of the children included drawing circles and lines, playing various musical instruments, and turning a page when a castanet was heard. Sixty-two preschool children participated in the study. The results indicated that: (1) the subjects in the experimental groups were able to learn the concepts of pitch, duration, and loudness as measured by a preschool musical concepts test; (2) preschool children easily acquired the concept of loudness, but pitch and duration seemed more difficult for them to perceive; and (3) the subjects' reactions to the program, especially their desire to return each day, indicated that self-instructional materials can be developed that will hold the attention of preschool children.

Author(s):  
V. J Manzo

In this chapter, we will look at some innovative ways to control music making as we develop musical instruments. We will look at using your computer keyboard and mouse as performance instruments as well as discuss the use of videogame controllers in your patches. Designing your own custom musical instruments is a great way to tailor the controls to the specific physical abilities of users while allowing them to focus on certain specific musical concepts like pitches, scales, and harmony/chords. 1. Click on Extras>EAMIR from the top menu to view the main menu of the EAMIR SDK 2. In the umenu labeled Examples, click the third item 3.EAMIR _ASCII_Keyboard_Control.maxpat Unlock the patch that opens and look at its basic structure. As you can see, the patch is really just 4 bpatcher objects, 3 of which refer to patches we’ve already looked at. The newest bpatcher, at the top of the patch, is basically just a patch with a key object, a select object, and some fancy graphics—all things you learned to use in Chapter 3. Lock the patch and 3. Type your full name using your computer keyboard. Note that uppercase letters and lowercase letters trigger different buttons 4. Press the number keys 1–8 as these are mapped to message boxes containing numbers used as diatonic chord functions Without the top bpatcher, your patch generates chords in any key simply by clicking the message boxes. The top bpatcher is just a control interface that maps something (keys) to something else (message boxes). 5. Ctrl+click (Mac) or right click (Windows) the top bpatcher and select Object>Open Original “EAMIR_keyboard.maxpat” from the contextual menu This patch is set to open in Presentation mode. Unlock the patch and put it in Patching view. The contents of the patch are as I described: a key object, as well as a keyup object, are connected to two gigantic sel (select) objects containing the ASCII numbers for all the available characters on the computer keyboard nothing you couldn’t already do. In fact, the most impressive part of this patch, in my opinion, is the graphical part of it.


1978 ◽  
Vol 26 (2) ◽  
pp. 65-75 ◽  
Author(s):  
Harold F. Abeles ◽  
Susan Yank Porter

This series of studies was undertaken to examine musical instrument gender associations. Study 1, which investigated adult musical instrument preferences for children, indicated significant differences (<.05) in instrument selections due to the sex of the child. Study 2 employed a paired-comparison strategy to place eight instruments under investigation on a masculine-feminine continuum. Study 3 investigated children's (K-5) instrumental preferences. Results showed a significant sex by grade interaction. Study 4 examined three procedures for presenting the instruments to preschool children. The results showed a significant sex by method of presentation interaction.


1981 ◽  
Vol 18 (1) ◽  
pp. 83-92 ◽  
Author(s):  
Eva L. Baker ◽  
Joan L. Herman ◽  
Jennie P. Yeh

Indicators of instructional program effectiveness have been expanded to include both the range of instructional options and cognitive and affective performance measures. Within the context of a statewide evaluation of educational reform, this research studied the relationship of diverse instructional materials with student performance indicators. The study sampled 72 schools from a geographically, socioeconomically, and linguistically representative frame, and two classrooms each in second and third grades of each school provided data. Observation and teacher survey data were collected, and students were tested in reading, mathematics, and attitudinal areas. Our study reports significant performance decrements associated with the use of diverse instructional resources. Explanations are provided within a framework that includes time-on-task and motivational variables.


1981 ◽  
Vol 52 (1) ◽  
pp. 223-233 ◽  
Author(s):  
Michael S. Kincaid ◽  
Paul Weisberg ◽  
Edward V. Sims

In two separate studies, specialized tokens were employed as instructional materials to teach 12 colors to preschool children and 14 letter-sounds to kindergarten children. These children were given initially 24 to 30 tokens and given an opportunity to “purchase” various items by recognizing the designated information on each token. Independent probe sessions showed attainment of high levels of recognition for both colors and sounds. Labeling of the instructional stimuli, although not explicitly trained, developed spontaneously, probably as a result of the children's hearing the labels during recognition training and using them in extra-classroom settings.


1976 ◽  
Vol 24 (4) ◽  
pp. 159-168 ◽  
Author(s):  
Jan Perney

In order to provide information concerning the development of musical concepts in young children, musical tasks related to Piaget's concept of conservation of metric time were presented to second- and third-grade children. The results indicated that children who played musical instruments did not perform significantly better than their peerswho did not play musical instruments. Second, females were found to be superior to males in performing the tasks. Third, there was a significant positive correlation between performance on the musical tasks and verbal ability for both males and females. Finally, it was found that little support could be given to the idea that conservation of metric time develops in an invariant sequence.


2002 ◽  
Vol 17 (3) ◽  
pp. 5-25 ◽  
Author(s):  
Carl J. Liaupsin

Computer assisted instruction has been used to teach a variety of skills to persons who work with school-age children. However, with few exceptions, the computer-based instructional materials that have been developed to provide training for school professionals have not been subjected to comprehensive empirical validation. More comprehensive evaluations can provide information regarding the validity of content, the quality of design, the perceptions of users, and the barriers that might be encountered when implementing professional development software. The purpose of this study was to conduct a comprehensive evaluation of a computer-based self-instructional program on functional behavioral assessment. This article describes a study that evaluated a self-instructional tutorial on functional behavioral assessment using a comprehensive model of evaluation. The model included the evaluation of (a) content, design, and organizational acceptance, (b) effectiveness of the training, (c) the perceptions of users, and (d) difficulties encountered during implementation. The article discusses the results of the evaluation, presents implications for researchers and software developers, and concludes with suggestions for future research.


1986 ◽  
Vol 53 (2) ◽  
pp. 163-168 ◽  
Author(s):  
Joanna P. Williams

Finding the main idea, a basic reading comprehension skill, often causes great difficulties for children. There is little consensus as to the definition of main idea, even in the research literature, and this has led to ineffective instructional design. This article describes the findings of a series of studies based on the Kintsch and van Dijk text-processing model. It defines main idea in terms of van Dijk's general topic and specific topic of discourse. The studies focus on the effects of text factors that can serve as cues to what is important in the text. These studies were the basis for the development of an instructional program on finding the main idea that was targeted for learning disabled students. The program is described. A small-scale evaluation of the program was conducted, in which eleven-year-old learning disabled children who worked through the program showed significant improvement in their ability to write sentences containing the main idea of short paragraphs. The program could serve as a beginning step in the development of instructional materials in reading comprehension for learning disabled and other mildly handicapped children.


2020 ◽  
Vol 11 (1) ◽  
pp. 57-65
Author(s):  
Willams De Lima Costa ◽  
Daniel Filgueira ◽  
Luca Ananias ◽  
Ricardo Barioni ◽  
Lucas Silva Figueiredo ◽  
...  

We can define Digital Musical Instruments (DMIs) as hardware-software solutions that are interactive and crafted to output sound according to users' input. DMIs are well known to unleash users' creativity but also to allow different and innovative experiences for the creation process, for example, smoothing the learning curve towards musical concepts such as rhythm and composition. On the other hand, Virtual Reality (VR) allows users to explore spatial interfaces in a natural and limitless way, which shows potential synergy towards the rise of new DMIs. In this paper, we introduce Songverse, an immersive DMI placed in a Virtual Reality scenario that allows users to create music by interacting with an environment designed to resemble the outer space. By adding systems, planets, and satellites to the virtual environment, the user can shape the produced sound through interactions that were extensively tested during the development phase. We then evaluated the instrument with musicians and non-musicians by interviewing and applying the System Usability Scale (SUS) to assess the easiness for people to create music using Songverse. As a result, users reported the use of the DMI as intuitive and easy to use, also highlighting the produced song as enjoyable.


Education ◽  
2020 ◽  
Author(s):  
Charlotte Sharpe ◽  
Paul Cobb

The notion of a coherent instructional system builds on the Newmann, Smith, Allensworth, and Bryk’s concept of instructional program coherence, which the authors define as “a set of interrelated programs for students and staff that are guided by a common framework for curriculum, instruction, assessment, and learning climate” (Instructional program coherence: What it is and why it should guide school improvement policy. Educational Evaluation and Policy Analysis 23.4: 257, cited under Foundational Works). A coherent instructional system includes an aligned set of policy instruments as proposed by Newmann and colleagues. However, it also encompasses a set of supports for teachers to improve their instructional practices. The motivation for this elaboration stems from the implementation of more rigorous college and career readiness standards (CCRS) in all US states. Research on teaching indicates both that most US teachers will need to develop new forms of instructional practice if their students are to attain these more rigorous learning goals and that the development of these instructional practices requires sustained support. Thus, the core elements of a coherent instructional system include instructional materials that aim at rigorous student learning goals, student assessments that are aligned with the instructional materials, and supports for teachers’ learning, the most common of which are school or district professional development, teacher collaborative meetings (sometimes called professional learning community meetings), and content-focused coaching. Some accounts of coherent instructional systems include additional elements, such as added supports for currently struggling students, routines for hiring teachers, and so forth. Looking beyond the specific elements, the key characteristic of a coherent instructional system is that the elements are tightly aligned and mutually reinforce each other. In this regard, it is important to distinguish the notion of a coherent instructional system from the closely related concept of curriculum coherence. Schmidt, Wang, and McNight clarifies that the content that teachers are expected to teach in a particular subject matter area is coherent if that content is organized as “a sequence of topics and performances consistent with the logical and, if appropriate, hierarchical nature of the disciplinary content from which the subject-matter derives” (Curriculum coherence: an examination of US mathematics and science content standards from an international perspective. Journal of Curriculum Studies 37:528, cited under Foundational Works). Thus, curriculum coherence is a highly desirable characteristic of one of the core elements of a coherent instructional system, the instructional materials that teachers use as the basis for their instruction. The notion of a coherent instructional system foregrounds the relations between these materials and other influential aspects of the immediate school and district contexts in which teachers develop and refine their instructional practices. To this point, a number of investigations of curriculum coherence have been undertaken. In contrast, surprisingly few studies have investigated what coherent instructional systems look like in practice and how school and districts can develop and sustain such systems. This article focuses first on the small number of papers and reports that outline the benefits and challenges of developing a coherent instructional system. Then the empirical research that clarifies key aspects of coherent instructional systems is examined before consideration is given to the role of school and district leaders in supporting the development of such systems, and of state policies in facilitating their development. Finally, given the challenges inherent in initiating and guiding the development a coherent instructional system at the school and district levels, studies are included that clarify how external partners and external service providers can support school and district leaders in improving instructional coherence.


Sign in / Sign up

Export Citation Format

Share Document