Jacques Autreau, a Forgotten Dramatist

PMLA ◽  
1931 ◽  
Vol 46 (2) ◽  
pp. 498-532 ◽  
Author(s):  
H. Stanley Schwarz
Keyword(s):  
Seventeenth Century ◽  
Louis Xiv ◽  
The Law ◽  
Comedie Italienne

When, in 1697, the actors of the Comédie Italienne announced their intention of producing Fatouville's La finta matrigna ou la belle-mère supposée, readily associated with La fausse prude, a novel published in Holland againt Mme de Maintenon, the machinery of the law-moved swiftly. On May 14th of that year M. d'Argenson, head of the police, closed the theater, thereby terminating the activities of the Italian troupe in the seventeenth century. For so long a time did Mme de Maintenon deprive the court of amusements that, as soon as the period of mourning for Louis XIV was ended, the regent Philippe d'Orléans hastened to re-establish in France the theater which had previously supplied an abundant source of entertainment. In 1716 he succeeded in bringing to Paris, under the leadership of Luigi Riccoboni, a troupe which began performances on May 18 at the Palais-Royal but removed on June 1 to the repaired and redecorated Hôtel de Bourgogne.

Machine Plays

2019 ◽  
pp. 385-408
Author(s):  
Hélène Visentin
Keyword(s):  
Seventeenth Century ◽  
Central Europe ◽  
Special Effects ◽  
Royal Power ◽  
Theater Companies ◽  
The Law ◽  
Mechanical Devices ◽  
Public Theater

This article focuses on the practice of machine theater that originated from courtly spectacles in Italy during the Renaissance and developed throughout Western and Central Europe during the seventeenth century. Defined by rapid scene changes and special effects, machine plays reflect the Baroque fascination with both mechanical devices and the law of optics—or scenery perspective—to produce wonder while displaying royal power and prestige. The aim of this article is threefold: to provide an overview of the origins and development of machine theater, to examine the transmission and dissemination of stagecraft knowledge, and to look at the changing nature of machine plays performed by public theater companies, which took advantage of stage machinery innovations to broaden their repertoire, attract a larger audience, and remain competitive.

The Baroque as Anti-Classicism: The French Case

2019 ◽  
pp. 622-641
Author(s):  
Larry F. Norman
Keyword(s):  
Comparative Literature ◽  
World War Ii ◽  
Seventeenth Century ◽  
Cultural History ◽  
Cultural Evolution ◽  
World War ◽  
Louis Xiv ◽  
Critical Tradition ◽  
Counter Reformation ◽  
French Case

This chapter examines the rising mid-twentieth-century attention to the Baroque as a challenge to “French Classicism.” The concept of the literary Baroque faced strong opposition in France, where it undermined a critical tradition that isolated the “Age of Louis XIV” from European-wide currents. After World War II, the transnational Baroque provided a model for a more cosmopolitan view of the seventeenth century. Its integration into French literary and cultural history, however, reverses established paradigms of cultural evolution and periodization according to which Renaissance Classicism is followed by Counter-Reformation Baroque. This development also raises questions concerning the intellectual and ideological underpinning of the Baroque, including its relation to monarchy and Cartesian modernity. Authors examined include foundational figures of comparative literature (Erich Auerbach, E. R. Curtius, Leo Spitzer, René Wellek), art critics and historians (Eugenio d’Ors, Arnold Hauser, Victor-L. Tapié), and pioneers of the French Baroque (Jean Rousset, Marcel Raymond).

Religion, Politics, and Oaths in the Glorious Revolution

1948 ◽  
Vol 10 (4) ◽  
pp. 462-474 ◽  
Author(s):  
Charles F. Mullet
Keyword(s):  
Seventeenth Century ◽  
Glorious Revolution ◽  
Law Of Nature ◽  
Religious Convictions ◽  
The Law ◽  
To Come ◽  
The Glorious Revolution

Although at the end of the seventeenth century men were shifting their political terminology from the spiritual to the secular, from God to nature, they still invoked the absolutes of history, law, and scripture. They did not lightly overturn their monarch, but when the necessity for such action arose they sought absolution in concepts which the most rigorous and learned mediaeval theologian would have understood. They appealed to the law of nature but they meant the law of God; and the shift involved no betrayal of absolute standards, no withdrawal from the same ethical doctrines that had nourished their forebears. The time was soon to come when secular phrases expressed a secular outlook, but in 1689 they continued to cover the religious convictions of centuries. As soon as the bars were down and men grappled in hectic controversy, the secular side of their politics diminished and the ethical and spiritual aspects became pronounced.

Milton and Legal Reform

2016 ◽  
Vol 69 (2) ◽  
pp. 529-565 ◽  
Author(s):  
Alison A. Chapman
Keyword(s):  
Seventeenth Century ◽  
John Milton ◽  
Legal Education ◽  
Legal Reform ◽  
Judicial System ◽  
The Law ◽  
Local Courts ◽  
Political Pamphlets ◽  
Contemporary Context

AbstractThe second half of the seventeenth century was the first great period of legal reform in England’s history. This article situates John Milton in relationship to this contemporary context, arguing that he comments frequently on the need to change England’s laws and displays a finely tuned awareness of some of the major legal debates of his time. This article surveys Milton’s writings about the law and legal education, and it concludes by examining his 1659–60 political pamphlets where he calls for reform of the judicial system and the establishment of local courts.

The Album De Colbert: The Image of Shipbuilding

2021 ◽  
Vol 163 (A3) ◽  
Author(s):  
M Corradi
Keyword(s):  
Seventeenth Century ◽  
Methodological Approach ◽  
17Th Century ◽  
Royal Navy ◽  
Louis Xiv ◽  
Shipbuilding Industry ◽  
The World ◽  
The Creation

The Album de Colbert compiled by an anonymous author in the second half of the seventeenth century is among the most important illustrated testimonies of the art of shipbuilding. Probably commissioned by Jean-Baptiste Colbert, Minister of Finance and Minister of the Navy of the kingdom of France, the Album was composed to make Louis XIV understand the complexity of shipbuilding. It was also made to support the creation of a navy with the ambition of being competitive with the Royal Navy and with the intent of modernising and expanding the French shipbuilding industry. The fifty plates that make up this illustrated treatise unravel the story of the construction of a first-rank 80-gun line vessel, from the laying of the keel to the launch. It is a unique document that has no contemporaries or precursors because it is not a didactic collection of boats, like the previous treaties that had a completely different methodological approach, more technical-descriptive than illustrative, but it wants to go beyond the scientific treatise. Its purpose was instead to measure itself with representation, showing through the strength of drawing and images the peculiar aspects of the reality of shipbuilding, using iconography as a means of transmitting knowledge related to the world of shipyards and shipbuilding in the 17th century.

From Liberties to Liberty

2020 ◽  
pp. 105-130
Author(s):  
Charlotte Epstein
Keyword(s):  
Seventeenth Century ◽  
Common Law ◽  
The State ◽  
Natural Rights ◽  
The Political ◽  
Habeas Corpus ◽  
House Church ◽  
The Law ◽  
The Individual ◽  
Individual Body

This chapter studies how liberty in the law evolved from being attached to a collective, metaphorical body—the medieval corporation—to being rooted instead in the individual body across a range of practices in seventeenth century Europe. It analyses the early modern forms of toleration that developed from the ground-up in Protestant Europe (Holland and Germany in particular), including the practices of ‘walking out’ (auslauf) to worship one’s God, and the house church (schuilkerk). These practices were key to delinking liberty from place, and thus to paving the way to attaching it instead to territory and the state. The chapter also considers the first common law of naturalisation, known as Calvin’s Case (1608), which wrote into the law the process of becoming an English subject—of subjection. This law decisively rooted the state-subject relation in the bodies of monarch and subject coextensively. Both of these bodies were deeply implicated in the process of territorialisation that begat the modern state in seventeenth-century England, and in shifting the political bond from local authorities to the sovereign. The chapter then examines the corporeal processes underwriting the centralisation of authority, and shows how the subject’s body also became—via an increasingly important habeas corpus—the centre point of the legal revolution that yielded the natural rights of the modern political subject. Edward Coke plays a central role in the chapter.

The Rise of Confessional Tension in Brandenburg's Relations with Sweden in the Late-seventeenth Century

2004 ◽  
Vol 37 (4) ◽  
pp. 568-592
Author(s):  
Daniel Riches
Keyword(s):  
Seventeenth Century ◽  
Common Sense ◽  
Great Majority ◽  
Northern Europe ◽  
Louis Xiv ◽  
The North ◽  
Political Cooperation ◽  
The Reformation ◽  
Edict Of Nantes ◽  
South Of Europe

Thediplomatic and religious climate in Protestant Northern Europe during the era of Louis XIV was filled with competing and at times contradictory impulses, and the repercussions of Louis's expansionist and anti-Protestant policies on the relations between the Protestant states were varied and complex. Taken in conjunction with the ascension of Catholic James II in Britain in February 1685 and the succession of the Catholic House of Neuburg in the Palatinate following the death of the last Calvinist elector in May of that year, Louis's reintroduction of the mass ins the “reunited” territories and his increasing persecution of the Huguenots in France added to an acute sense among European Protestants that the survival of their religion was threatened. It is a well-established theme in the standard literature on seventeenth-century Europe that the culmination of Louis's attack on the Huguenots in his revocation of the Edict of Nantes in October 1685 galvanized the continents Protestant powers in a common sense of outrage and united them in a spirit of political cooperation against France. Indeed, such an astute contemporary observer as Leibniz was to write in the early 1690s that it appeared now “as if all of the north is opposed to the south of Europe; the great majority of the Germanic peoples are opposed to the Latins.” Even Bossuet had to declare that “your so-called Reformation … was never more powerful nor more united. All of the Protestants have joined forces. From the outside, the Reformation is very cohesive, more haughty and more menacing than ever.”

The Puritan Cosmopolis

2018 ◽  
Author(s):  
Nan Goodman
Keyword(s):  
Seventeenth Century ◽  
International Law ◽  
Ottoman Empire ◽  
Thought Experiments ◽  
Law And Literature ◽  
Significant Relation ◽  
Trade Routes ◽  
Law Of Nations ◽  
The World ◽  
The Law

This book traces the emergence of a sense of kinship with and belonging to a larger, more inclusive world within the law and literature of late seventeenth-century Puritanism. Connected to this cosmopolitanism in part through travel, trade, and politics, late seventeenth-century Puritans, it is argued, were also thinking in terms that went beyond these parameters about what it meant to feel affiliated with people in remote places—of which the Ottoman Empire is the best, but not the only example—and to experience what Bruce Robbins calls “attachment at a distance.” In this way Puritan writers and readers were not simply learning about others but also cultivating an awareness of themselves as “stand[ing] in an ethically significant relation” to people all around the world. The underlying source of these cosmopolitan predilections was the law, specifically the law of nations, often considered the precursor to international law. Through the terms for sovereignty, obligation, and society made available by a turn toward the cosmopolitan within the law, the Puritans experimented with concepts of extended obligation and ideas about a society consisting of all humans, not just those living on certain trade routes or within certain foreign communities. In mapping out these thought experiments, The Puritan Cosmopolis uncovers Puritans who were reconceptualizing war, contemplating new ways of cultivating peace, and rewriting the rules for being Puritan by internalizing legal theories about living in a larger, more inclusive world.

Transition Toward Slavery: Changing Legal Practice Regarding Indians in Seventeenth-Century São Paulo

1992 ◽  
Vol 49 (2) ◽  
pp. 131-155 ◽  
Author(s):  
Muriel Nazzari
Keyword(s):  
Seventeenth Century ◽  
Sao Paulo ◽  
São Paulo ◽  
Legal Practice ◽  
Monetary Value ◽  
The Law ◽  
Subsequent Sale

A seventeenth-century inhabitant of São Paulo once remarked that Indians were “the most profitable property in this land.” Legally, however, Indians were not property at all, for the crown explicitly prohibited their enslavement. During most of the seventeenth century, the settlers of São Paulo complied with the letter of the law and did not officially give their Indian servants any monetary value, and though they often sold them, the sales were known to be illegal and were not usually recorded in public documents, such as the documents used for this study, inventários, settlements of estates. By the end of the century, however, local judges were openly allowing the monetary appraisal of Indians and their subsequent sale was duly recorded in inventários and other court processes.

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