scholarly journals Greek Graffiti from Der el Bahari and El Kab

1899 ◽  
Vol 19 ◽  
pp. 13-18
Author(s):  
C. R. Peers

The following inscriptions were copied during the winter of 1897–8: those from the temple of Der el Bahari in November and December; those from the neighbourhood of El Kab in February, 1898.Der el Bahari.—The funerary temple of Queen Hatshepsut of the XVIIIth Dynasty, dedicated in honour of Amen Ra, and now known as Der el Bahari, stands on the western side of the Nile valley, under the eastern cliffs of the limestone ridge which separates the valley of the tombs of the kings from the great Theban cemetery which stretches from Goornah to Medinet Habou. The temple is laid out at three levels, having an entrance court on the lowest level, from which there is access by a central incline to a second or middle court, and this leads to a third or upper court, whose western and northern sides are built against the cliffs in which the sanctuary is excavated. All the graffiti given here (Fig. 1) come from the Eastern and Southern walls of this upper court. They are noted in the order they occur, on the Eastern wall from N. to S., on the Southern wall from E. to W.

2021 ◽  
Author(s):  
◽  
Nikki Carter

<p>Situated on Mount Kotilion in the Peloponnese, the Temple of Apollo at Bassae sits high in the middle of a mountain range. Upon rediscovery, it became evident that most of the offerings had long since disappeared, and this was in turn paired with a lack of primary literature. Though the temple is mentioned in Pausanias’ work, discussion about the cultic aspects of the temple is severely lacking. This leads to a large gap in the knowledge of the temple’s religious function. It is for this reason that the architecture of Bassae is explored to help understand the cultic aspects of this temple. This thesis shows that multiple cults were celebrated at the temple of Bassae, and that there is a high probability that multiple cult worship occurred in the adyton of the building.  The cult at Bassae has been celebrated since geometric times, and worship to Apollo was fairly consistent until the sanctuary’s demise in the third century BCE. Three epikleseis are often associated with this temple: Apollo Epikourios, Apollo Bassitas and Hyperborean Apollo. The epithet of Epikourios comes from Pausanias’ passage, and nowhere else. The original reason for this epithet may be either medicinal or martial, and both are explored within this thesis. Bassitas is another epithet provided. However, this is in the form of a singular archaeological find, a small bronze tablet found in the wider Kotilion sanctuary. The third epithet, Hyperborean, is a tenuous but commonly made connection. This epithet relies heavily on the localised subject matter of the sculptural programme at Bassae.  The architecture of the building is also in need of discussion. The temple at Bassae is famed for its odd, and in some cases, unparalleled architectural design. The temple is on a north-south axis, and features not only a northern entranceway, but also an opening in the eastern wall, leading into the adyton. This eastern doorway allows light to enter twice a year, which hits the southern wall. The decorative features of the temple are unparalleled, with the first known Corinthian column and extended engaged Ionic columns. These unusual design features create a focus within the adyton.  Within the adyton, four positions can be considered possible sites for housing offerings or cult statues. These include the southwest corner, the centre of the southern wall, the centre of the northern limits of the adyton directly south of the Corinthian column, and finally, the Corinthian column itself. The evidence for these positions being a focus for cult comes from architectural features, such as the paving of the adyton floor, the light phenomenon and a small plinth.  These four positions are by no means definite, and this thesis discusses the probability of each of these positions in terms of the likelihood of them being the focus of a cult. While the southwest corner is the most likely position for a cult statue, the Corinthian column seems the least likely.  The architecture at the Temple of Apollo at Bassae strongly suggests worship occurring inn the adyton of the temple, and it seems likely it was at least one of these three epithets that was celebrated in one of the four positions in the adyton.</p>


2021 ◽  
Author(s):  
◽  
Nikki Carter

<p>Situated on Mount Kotilion in the Peloponnese, the Temple of Apollo at Bassae sits high in the middle of a mountain range. Upon rediscovery, it became evident that most of the offerings had long since disappeared, and this was in turn paired with a lack of primary literature. Though the temple is mentioned in Pausanias’ work, discussion about the cultic aspects of the temple is severely lacking. This leads to a large gap in the knowledge of the temple’s religious function. It is for this reason that the architecture of Bassae is explored to help understand the cultic aspects of this temple. This thesis shows that multiple cults were celebrated at the temple of Bassae, and that there is a high probability that multiple cult worship occurred in the adyton of the building.  The cult at Bassae has been celebrated since geometric times, and worship to Apollo was fairly consistent until the sanctuary’s demise in the third century BCE. Three epikleseis are often associated with this temple: Apollo Epikourios, Apollo Bassitas and Hyperborean Apollo. The epithet of Epikourios comes from Pausanias’ passage, and nowhere else. The original reason for this epithet may be either medicinal or martial, and both are explored within this thesis. Bassitas is another epithet provided. However, this is in the form of a singular archaeological find, a small bronze tablet found in the wider Kotilion sanctuary. The third epithet, Hyperborean, is a tenuous but commonly made connection. This epithet relies heavily on the localised subject matter of the sculptural programme at Bassae.  The architecture of the building is also in need of discussion. The temple at Bassae is famed for its odd, and in some cases, unparalleled architectural design. The temple is on a north-south axis, and features not only a northern entranceway, but also an opening in the eastern wall, leading into the adyton. This eastern doorway allows light to enter twice a year, which hits the southern wall. The decorative features of the temple are unparalleled, with the first known Corinthian column and extended engaged Ionic columns. These unusual design features create a focus within the adyton.  Within the adyton, four positions can be considered possible sites for housing offerings or cult statues. These include the southwest corner, the centre of the southern wall, the centre of the northern limits of the adyton directly south of the Corinthian column, and finally, the Corinthian column itself. The evidence for these positions being a focus for cult comes from architectural features, such as the paving of the adyton floor, the light phenomenon and a small plinth.  These four positions are by no means definite, and this thesis discusses the probability of each of these positions in terms of the likelihood of them being the focus of a cult. While the southwest corner is the most likely position for a cult statue, the Corinthian column seems the least likely.  The architecture at the Temple of Apollo at Bassae strongly suggests worship occurring inn the adyton of the temple, and it seems likely it was at least one of these three epithets that was celebrated in one of the four positions in the adyton.</p>


1927 ◽  
Vol 59 (4) ◽  
pp. 765-768
Author(s):  
S. Langdon

Three years ago the native Arabs of Tello discovered a group of remarkably fine statuettes in low ground on the western side of Tablet Hill, mound V on the plan of de Sarzec, where Captain Cros found a small headless statuette of Gudea in 1903. The head, however, had been previously found by de Sarzec, and was joined to the torso by Leon Heuzey. A photograph of this statuette is published on plate I of the Revue d'Assyriologie, vol. vi. The monuments recovered by the Arabs from the temple of the god Ningishzida in the Tablet Hill are curiously enough all statuettes. All, with the exception of one, which is published in this communication, were illegally transported out of Iraq, and fortunately one was secured by the Louvre, where it rightfully joined the magnificent group of Gudea statues in the national museum of France. This is a fine alabaster statuette of Ur-Ningirsu, son of Gudea, 46 centimetres high, in standing position, and headless. It is reproduced in Monuments et Memoires publié par L' Academie des Inscriptions et Belles-Lettres, tome xxvii, Statuettes de Tello, par F. Thureau-Dangin, plate ix; the circular base is sculptured in relief with two files of four figures each, which meet just below the feet of the patesi of Lagash.


2012 ◽  
Vol 22 (1) ◽  
pp. 107-113
Author(s):  
O. P. MISHRA

On the edge of the old city of Vidiśā are the ruins of a large temple known as the Bijamaṇḍal. Only the plinth of the temple survives (Fig. 1). On top of the plinth, on the western side, is a small mosque which was constructed in the fifteenth century to judge from the design of the miḥrāb. The pillars used in the prayer-hall are of various sizes and dates and have not been studied comprehensively. One pillar is notable as it carries an inscription of Naravarman, the Paramāra king who ruled from circace 1094 to 1134. A study of the inscription and the pillar on which it is carved provides a point of departure for considering several important questions about the dedication and history of the Bijamaṇḍal. The inscription also draws our attention to the tutelary goddesses of the Paramāra kings, a subject unstudied hitherto.


Author(s):  
Albert Isidro ◽  

"The excavation work at the site of the Temple of Millions of Years of Thutmosis III (West Thebes) has revealed a large amount of human remains (skeletons and mummies) uncovered from two main locations: tombs placed within or next to the enclosure walls of the temple dated from the beginning of the Middle Kingdom to the Late Period and graves from a necropolis of the First Intermediate Period – 11th Dynasty close to the north-eastern enclosure wall. The aim of this anthropological and paleopathological study is to compare a population over time: the individuals of the Late Period to those of the Middle Kingdom. A total of 191 individuals have been studied (2016-2017):..154 from the tombs placed inside the wall of the temple and 37 from the tombs close to north-eastern wall. Preliminary conclusions showed a higher percentage of skeletal stress markers in the individuals from the First Intermediate Period – 11th Dynasty, compared with those from the Late Period"


Zograf ◽  
2002 ◽  
pp. 181-190 ◽  
Author(s):  
Elizabeta Dimitrova

The painted decoration of the Church of the Holy Virgin in Mateic, the second largest fresco ensemble from the 14th century in the Balkans' region comprises one of the most interesting donors' compositions of the Late-Byzantine period. The figures comprised by the donors' composition are united by the conception of the Deesis scene, composed by the image of Christ in the lunette of the southern wall, the representation of the Virgin Hodegetria above the entrance to the diaconicon and the figure of John the Baptist, depicted in the southern part of the eastern wall of the naos. The broader context of the donor's composition, in addition to the images of the donors - tzarina Jelena and young king Uros, who in the presence of tzar Dusan, present the model of their endowment to the patron saint, contains also the image of the patriarch Joanikije, depicted as the head of Serbian Orthodox Church. Within the donor's composition, one can see the images of Makarije, the abbot of the monastery and St. Stephan the great martyr dressed in deacon attire, represented with his traditional role as a defender of the rulers and donors from the Nemanjic dynasty...


1956 ◽  
Vol 51 ◽  
pp. 68-73 ◽  
Author(s):  
R. W. Hutchinson

During the course of agricultural operations on the vineyard of one Kosti Psilakis, south of the Temple Tomb and on the opposite side of the Herakleion-Arkhanes road, three vases in stone and two in pottery were uncovered by the cultivator and were appropriated by the Herakleion Museum.On 24 April 1940 Miss Vronwy Fisher (now Mrs. Hankey) and I excavated the site on behalf of the British School at Athens and uncovered a very small chamber tomb, of which most of the chamber walls and all of the dromos walls had been cut away. One or possibly two L.M. III burials had suffered severely, but the earliest burial on the inmost or western side of the chamber seems to have remained undisturbed until 1940, when Psilakis began to lay out a vineyard here.


STUDIUM ◽  
2019 ◽  
pp. 127-146
Author(s):  
Vicente Meavilla Seguí ◽  
Antonio M. Oller Marcén

El artista menorquín Pascual Calbó Caldés (1752 – 1817), autor de una enciclopedia científica que ha llegado hasta nosotros con el nombre de Obras didácticas, pintó en el salón de la Casa Vidal (Mahón, calle de Isabel II, nº 21) una cenefa en la que aparecen representaciones alegóricas de la escultura, pintura, arquitectura, astronomía, música, literatura, matemáticas y agricultura. En este artículo mostramos algunos detalles relativos a las alegorías de las matemáticas (lado este) y la astronomía (lado sur) que pueden escapar al ojo del observador común. Palabras clave: Pascual Calbó, Matemáticas, Pintura, Menorca, Siglo XVIII.  ABSTRACT The artist from Menorca Pascual Calbó Caldés (1752 – 1817), author of a scientific encyclopedia which has been preserved under the title of Obras didácticas, painted in the living room of the Casa Vidal (Mahón, 21st of Isabel II Street) a frieze in which we can find allegorical representations of sculpture, painting, architecture, music, literature, mathematics and agriculture. In this paper, we present some details regarding the allegories of mathematics (eastern wall) and astronomy (southern wall) that may scape the eye of the common observer. Keywords: Pascual Calbó, Mathematics, Painting, Minorca, 18th century.


1936 ◽  
Vol 56 (2) ◽  
pp. 216-233 ◽  
Author(s):  
Umberto Zanotti-Bianco

Reviewing the recent archaeological discoveries in the areas where the ancient Greek colonies of Italy flourished, I shall divide them, so as to facilitate the finding of the places on the modern map, according to the present Italian regions. These correspond more or less to the old Roman divisions, excepting Lucania, the western part of which (Paestum, Velia) now belongs to Campania.SicilySicily suffered a great loss last year in the death of Paolo Orsi, to whom we owe the revelation of Siculan civilisation and an incalculable number of discoveries in the Greek centres of the island and of Magna Graecia. After his death lack of funds interrupted the work he had so happily initiated of liberating the temple of Apollo in Ortygia. Of this old Sicilian temple (seventh century B.C.) there was brought to light during 1933–34, by the demolition of the sixteenth-century Spanish barracks, the southern wall of the cella, still 6 and 7 m. high, and built with orthostates.


2019 ◽  
Author(s):  
Sri Wahyuni Lestari

The Ulun Danu Beratan Temple is both a famous picturesque landmark and a significant temple complex located on the western side of the Beratan Lake in Bedugul, central Bali. Ulun Danu Beratan is the island’s most iconic sanctuary sharing the scenic qualities with the seaside temples.The smooth reflective surface of the lake surrounding most of the temple’s base creates a unique floating impression, while the mountain range of the Bedugul region encircling the lake provides the temple with a scenic backdrop.


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