scholarly journals On the donors' composition and the new dating of the fresco painting of the Church of the Holy Virgin in Mateic

Zograf ◽  
2002 ◽  
pp. 181-190 ◽  
Author(s):  
Elizabeta Dimitrova

The painted decoration of the Church of the Holy Virgin in Mateic, the second largest fresco ensemble from the 14th century in the Balkans' region comprises one of the most interesting donors' compositions of the Late-Byzantine period. The figures comprised by the donors' composition are united by the conception of the Deesis scene, composed by the image of Christ in the lunette of the southern wall, the representation of the Virgin Hodegetria above the entrance to the diaconicon and the figure of John the Baptist, depicted in the southern part of the eastern wall of the naos. The broader context of the donor's composition, in addition to the images of the donors - tzarina Jelena and young king Uros, who in the presence of tzar Dusan, present the model of their endowment to the patron saint, contains also the image of the patriarch Joanikije, depicted as the head of Serbian Orthodox Church. Within the donor's composition, one can see the images of Makarije, the abbot of the monastery and St. Stephan the great martyr dressed in deacon attire, represented with his traditional role as a defender of the rulers and donors from the Nemanjic dynasty...

2011 ◽  
Vol 91 (4) ◽  
pp. 141-158
Author(s):  
Milutin Tadic ◽  
Aleksandar Petrovic

The subject of the paper is an exact analysis of the orientation of the Serbian monastery churches: the Church of the Virgin Mary (13th century), St. Nicholas' Church (13th century), and an early Christian church (6th century). The paper determines the azimuth of parallel axes in churches, and then the aberrations of those axes from the equinoctial east are interpreted. Under assumption that the axes were directed towards the rising sun, it was surmised that the early Christian church's patron saint could be St. John the Baptist, that the Church of the Virgin Mary was founded on Annunciation day to which it is dedicated, and that St. Nicholas' Church is oriented in accordance with the rule (?toward the sunrise?) even though its axis deviates from the equinoctial east by 41? degrees.


1952 ◽  
Vol 14 (3) ◽  
pp. 639-668 ◽  
Author(s):  
Paul Wittek

The steppe which stretches between the Lower Danube and the Black Sea, from the Delta southward as far as the foothills of the Emine Dagh, and which since the middle of the 14th century has been called, after the Bulgarian prince Dobrotitsa, the Dobruja, is the homeland of a small Turkish-speaking people, the Gagauz. It is because of their religion that they appear as a distinct group among the Turks: they are Christians belonging to the Greek Orthodox Church. In the past the Gagauz may have constituted, among the various ethnic elements of the region, a group of considerable importance, especially in the southern and middle Dobruja, from Varna and Kaliakra towards Silistria on the Danube. Besides, small isolated groups of them are to be found also in the Balkans (where they are more commonly known by the name of Sorguch): in Eastern Thrace, round Hafsa, to the south-east of Adrianople, and in Macedonia, to the east and west of Salonica, round Zikhna (near Serres) and round Karaferia (Verria). In modern times the Gagauz of the Dobruja have shrunk to a feeble minority chiefly as a result of a prolonged and massive emigration into Bessarabia. To-day even this remnant is rapidly dwindling.


Slovene ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 461-474
Author(s):  
Dmitry I. Polyvyannyy

[Rev. of: Mutafova Krasimira, Kalitsin Maria, Andreev Stefan, The Orthodox Structures in the Balkans during the 17th–18th Century according to Documents from the Ottoman Archives in Istanbul, Veliko Tarnovo: Abagar, 2019. 672 p.] More than two hundred documents from the “Bishops’ files” (Piskopos Kalemi) Collection at Istanbul Ottoman Archives at the Chancellery of the Prime Minister of the Turkish Republic (Başbakanlık Osmanlı Arşivleri), recently published for the first time by Bulgarian scholars of Ottoman Studies Krassimira Mutafova, Maria Kalitsin and Stefan Andreev, reveal multifaceted practices of Orthodox Balkan church institutions’ interactions with the Ottoman authorities from 1684 to 1788. The review deals with the typology of the published documents and the information they contain regarding the fiscal activities of the patriarchy of Constantinople and the patriarchies of Ohrid and Peć (which were incorporated into the Constantinople patriarchy in 1757–1758) towards their Orthodox flock in the Balkan provinces of the Ottoman Empire. The accent is made towards conflicts between the church institutions and the Christian population, as well as contradictions within the higher Orthodox clergy. The importance of personal information on some hierarchs and of data concerning territories and centers of the dioceses is underlined. The author concludes that the reviewed publication provides abundant material for research on the status and functions of the Orthodox hierarchy in the administrative system of the Ottoman Empire in the 17th and 18th centuries.


Zograf ◽  
2002 ◽  
pp. 143-160 ◽  
Author(s):  
Dragan Vojvodic

In the Church of Saint Stephen in Duljevo, not far from Budva (Pastrovici) an interesting composition of the founders (ktetores) has been preserved. In accordance with an early Serbian tradition, it was painted on the southern wall in the western bay of the naos (drawing 1), and it is possible that it extended over the southern part of the western wall that was demolished very long ago. The Duljevo composition of the founders now depicts the images of the patron saint of the church, Saint Stephen, the First Martyr, painted on the southern side of the south-west pilaster, and the presentations of the two rulers to the west of him (drawing 2). The patron saint of the church who was the protector of the Serbian medieval state and its rulers, is represented in a deacon's sticharion, with a censer in his hands, blessing the founders. The ruler in his prime approaches the First Martyr, presenting him with a model of the church (drawing 2, figs. 1, 2)...


Author(s):  
Михаил Андреевич Вишняк

Вниманию русскоязычного читателя предлагается первая часть перевода с новогреческого на русский язык книги Ὁ Θεολογικός Διάλογος Ὀρθοδόξων καί Ἀντιχαλκηδονίων (παρελθόν - παρόν - μέλλον): Μία ἁγιορειτική συμβολή. Ἅγιον Ὄρος: Ἱερά Μονή Ὁσίου Γρηγορίου, 2018 (841 σ.). Это издание посвящено богословскому диалогу между Православной Церковью и антихалкидонитами и включает в себя все тексты соответствующей тематики, составленные на Святой Горе Афон в период 1991-2015 гг. Настоящая публикация включает перевод предисловия архим. Христофора, игумена монастыря Григориат, и части введения (гл. 1, пп. 1-3). Перевод снабжён также предисловием переводчика, в котором кратко изложена история богословского диалога, цель издания и его перевода на русский язык, которая заключается в содействии плодотворному и согласному со Священным Преданием воссоединению антихалкидонитов с Церковью. The Russian-speaking reader is presented with the first part of the translation into Russian from the modern Greek of the book Ὁ Θεολογικός Διάλογος Ὀρθοδόξων καί Ἀντιχαλκηδονίων (παρελθόν - παρόν - μέλλον): Μία ἁγιορειτική συμβολή. Ἅγιον Ὄρος: Ἱερά Μονή Ὁσίου Γρηγορίου, 2018 (841 p.). This edition is devoted to the Theological Dialogue between the Orthodox Church and the non-Chalcedonians and includes all texts of the relevant topics, published on the Holy Mount Athos in the period 1991-2015. This publication includes a translation of the Prologue of archim. Christophoros, the abbot of the monastery of St. Gregory, and of a part of the Introduction (Chapter 1, paragraphs 1-3). The translation is also provided with a preface of the translator, which summarizes the history of the Theological Dialogue, the purpose of the publication and its translation into Russian, which is to contribute to the fruitful and consistent with the Holy Tradition reunification of the non-Chalcedonians with the Church.


2020 ◽  
pp. 160-198
Author(s):  
Макарий Веретенников

Статья посвящена содержанию, общим принципам построения и характерным особенностям календаря, или месяцеслова, Русской Православной Церкви. Автор использует методы анализа и синтеза. В итоге делаются нижеследующие обобщения. Месяцеслов был принесён на Русь из Византии в достаточно завершённом виде, однако в процессе исторического развития он дополнился особенными русскими праздниками. Календарь-месяцеслов - это грандиозный собор святых, подвизавшихся в разных местах на протяжении веков, единение Церкви Небесной и земной, история святости и история нашей Церкви. Месяцесловным памятям посвящены составленные гимнографами богослужебные тексты, которые поются и читаются в храмах. Традиционно почитается день кончины угодников Божиих, память открытия мощей святых, перенесения их святых мощей или же день канонизации угодников Божиих, реже - день их рождения. Фенологические наблюдения русского народа связаны с повседневной деятельностью и увязаны с месяцесловом, что свидетельствует о его проникновении в повседневную жизнь русского человека. The article is devoted to the content, General principles of construction and characteristic features of the calendar, or mesyatseslov, of the Russian Orthodox Church. The author uses methods of analysis and synthesis. As a result, the following generalizations are made. The mesyatseslov was brought to Russia from Byzantium in a fairly complete form, but in the course of historical development it was supplemented with special Russian holidays. The calendar-mesyatseslov is a grandiose council of saints who have labored in different places over the centuries, the unity of the Church of Heaven and earth, the history of holiness and the history of our Church. Liturgical texts composed by hymnographers, which are sung and read in churches, are dedicated to the mesyatseslovs memory. Traditionally, the day of the death of saints, the memory of the discovery of the relics of saints, the transfer of their Holy relics, or the day of the canonization of saints, less often - the day of their birth are honored. Russian people’s phenological observations are related to their daily activities and are linked to mesyatseslov, which indicates its penetration into the daily life of the Russian people.


2017 ◽  
pp. 635-649
Author(s):  
Aleksandra Pavicevic

Ideas of Enlightement, national romanticism and transformation of geopolitical situation on the Balkans, were cultural and historical context in which bases of modern Serbian state was established. That was the time of intensive social change directed towards building institutional infrastructure as well as towards transforming traditional, ?obsolete? folk customs and habits. Poor condition of Serbian Orthodox Church and domination of religious world views among people were considered to be the most serious obstacles in creating modern state. Thus, great number of intelectuals were anticlerical and promoted liberal and secularized social organization. On the other hand, the whole epoch was characterized by strong antiscientistic orientation which was expresed through developing of different mistical, alternative, neopagan cults. Specific for our region was so called ?religion of the nation? which appeared as substitution for loss of eshatological perspective in life of Christian civilization. Poets of Serbian romanticism were heralds and witnesses of this civilization ?turn?. Their poetry can be observed as reflex and announcement of secularization in Serbian society. In this paper, we analyzed their writings about death, love, hope, nature and nation.


2020 ◽  
Vol 6 (1) ◽  
pp. 403-416
Author(s):  
Valentina Cantone ◽  
Rita Deiana ◽  
Alberta Silvestri ◽  
Ivana Angelini

AbstractPliny the Elder testifies that roman workshops used volcanic glass (obsidian), but also produced and used a dark glass (obsidian-like glass) quite similar to the natural one. In the context of the study on medieval mosaics, the use of the obsidian and obsidian-like tesserae is a challenging research topic. In this paper, we present the results of a multidisciplinary study carried out on the Dedication wall mosaic, realized by a byzantine workshop in the 12th century in the Church of St. Mary of the Admiral in Palermo, and where numerous black-appearing tesserae, supposed to be composed of obsidian by naked-eyes observation, are present. Historical documents, multispectral imaging of the wall mosaic, and some analytical methods (SEM-EDS and XRPD) applied to a sample of black tesserae, concur in identifying here the presence of obsidian and different obsidian-like glass tesserae. This evidence, although related to the apparent tampering and restoration, could open a new scenario in the use of obsidian and obsidian-like glass tesserae during the Byzantine period in Sicily and in the reconstruction of multiple restoration phases carried out between 12th and 20th century AD on the mosaics of St. Mary of the Admiral.


Humanities ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 30
Author(s):  
Phillip Goodwin

The 14th century mystic Julian of Norwich’s theology, dissolving gender binaries and incorporating medieval constructs of the female into the Trinity, captivates scholars across rhetorical, literary, and religious studies. A “pioneering feminist”, as Cheryll Glenn dubs her, scholarship attempts to account for the ways in which Julian’s theology circumvented the religious authority of male clerics. Some speculate that Julian’s authority arises from a sophisticated construction of audience (Wright). Others situate Julian in established traditions and structures of the Church, suggesting that she revised a mode of Augustinian mysticism (Chandler), or positing that her intelligence and Biblical knowledge indicate that she received religious training (Colledge and Walsh). Drawing from theories on space and gender performativity, this essay argues that Julian’s gendered body is the generative site of her authority. Bodies are articulated by spatial logics of power (Shome). Material environments discipline bodies and, in a kind of feedback loop, gendered performance (re)produces power in time and space. Spaces, though, are always becoming and never fixed (Chavez). An examination of how Julian reorients hierarchies and relations among power, space, and her body provides a hermeneutic for recognizing how gender is structured by our own material cultures and provides possibilities for developing practices that revise relations and create new agencies.


2018 ◽  
Vol 136 (4) ◽  
pp. 223-238 ◽  
Author(s):  
Francis Young

St Edmund, king and martyr (an Anglo-Saxon king martyred by the Vikings in 869) was one of the most venerated English saints in Ireland from the 12th century. In Dublin, St Edmund had his own chapel in Christ Church Cathedral and a guild, while Athassel Priory in County Tipperary claimed to possess a miraculous image of the saint. In the late 14th century the coat of arms ascribed to St Edmund became the emblem of the king of England’s lordship of Ireland, and the name Edmund (or its Irish equivalent Éamon) was widespread in the country by the end of the Middle Ages. This article argues that the cult of St Edmund, the traditional patron saint of the English people, served to reassure the English of Ireland of their Englishness, and challenges the idea that St Edmund was introduced to Ireland as a heavenly patron of the Anglo-Norman conquest.


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