THE WAX EFFIGY AS RECORDING TECHNOLOGY

2021 ◽  
pp. 37-68
Keyword(s):  
Recording Technology

Enhancing Clinical Supervision Using High-Definition Real-Time Digital Recording, Annotation, and Bluetooth Technology

2019 ◽  
Vol 4 (2) ◽  
pp. 356-362
Author(s):  
Jennifer W. Means ◽  
Casey McCaffrey
Keyword(s):  
Graduate Students ◽  
Data Collection ◽  
Real Time ◽  
Clinical Supervision ◽  
Video Recording ◽  
Advanced Technology ◽  
High Definition ◽  
Recording Technology ◽  
Self Confidence ◽  
Additional Data Collection

Purpose The use of real-time recording technology for clinical instruction allows student clinicians to more easily collect data, self-reflect, and move toward independence as supervisors continue to provide continuation of supportive methods. This article discusses how the use of high-definition real-time recording, Bluetooth technology, and embedded annotation may enhance the supervisory process. It also reports results of graduate students' perception of the benefits and satisfaction with the types of technology used. Method Survey data were collected from graduate students about their use and perceived benefits of advanced technology to support supervision during their 1st clinical experience. Results Survey results indicate that students found the use of their video recordings useful for self-evaluation, data collection, and therapy preparation. The students also perceived an increase in self-confidence through the use of the Bluetooth headsets as their supervisors could provide guidance and encouragement without interrupting the flow of their therapy sessions by entering the room to redirect them. Conclusions The use of video recording technology can provide opportunities for students to review: videos of prospective clients they will be treating, their treatment videos for self-assessment purposes, and for additional data collection. Bluetooth technology provides immediate communication between the clinical educator and the student. Students reported that the result of that communication can improve their self-confidence, perceived performance, and subsequent shift toward independence.

Risk Control Study Based on the Digital Recording Technology Industry Investment Projects in "Internet +"

2020 ◽  
Vol 14 ◽  
Author(s):  
Yan Zhou
Keyword(s):  
Venture Capital ◽  
Digital Technology ◽  
Risk Control ◽  
Investment Risk ◽  
Digital Recording ◽  
Project Investment ◽  
Recording Technology ◽  
Technology Project ◽  
Investment Evaluation ◽  
Risk Investment

Background: The reform and innovation of recording technology has resulted in recording becoming an exciting, developing project. Against the background of Internet +, traditional analogue technology has developed into digital recording technology, playing an important role in various fields. Venture capital in digital recording technology projects has also attracted attention from all circles. Objective: This paper aims to, by sorting out literature on venture capital, analyze the measurement method of project investment risk, and then, after analyzing the risk factors existing in the investment of digital recording technology under the “Internet +”, propose measures to control these risk factors. At the same time, taking CY company as an example, the investment risk prevention strategy of digital recording technology project is applied to the risk investment evaluation practice of CY company. Methods: This paper reviews and comments the literature on venture capital, and sorts out the evaluation methods of project investment risk. After studying the project investment risk of digital recording technology, this paper finds out the preventive strategies to deal with these risks, and applies them to risk investment evaluation of CY. This paper proposes investment suggestions basing on various factors, and makes an overall evaluation of the value of digital recording technology project, which hopefully will act as a reference for venture capital institutions when investing in digital recording technology in the future. Results: The countermeasures against investment risks in digital recording technology projects are: 1. Identification of countermeasures against investment risks in digital recording technology projects. 2. Encouragement and promotion of joint-stock cooperation and reduction of operational risks 3. Establishment and improvement of financial risk control. Conclusion: Digital technology, which is continuously improving, has penetrated recording technology. With mindful awareness of investment risks and careful investment in recording technology projects, digital technology can improve living standards while making the flexibility and form of recording work more artistic and enabling recording technology to reach new heights.

scholarly journals Direct measurement of vagal tone in rats does not show correlation to HRV

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Joseph T. Marmerstein ◽  
Grant A. McCallum ◽  
Dominique M. Durand
Keyword(s):  
Heart Failure ◽  
Heart Rate ◽  
Heart Rate Variability ◽  
Neural Activity ◽  
Vagal Tone ◽  
Neural Recording ◽  
The Body ◽  
Autonomic Nerve ◽  
Vagal Activity ◽  
Recording Technology

AbstractThe vagus nerve is the largest autonomic nerve, innervating nearly every organ in the body. “Vagal tone” is a clinical measure believed to indicate overall levels of vagal activity, but is measured indirectly through the heart rate variability (HRV). Abnormal HRV has been associated with many severe conditions such as diabetes, heart failure, and hypertension. However, vagal tone has never been directly measured, leading to disagreements in its interpretation and influencing the effectiveness of vagal therapies. Using custom carbon nanotube yarn electrodes, we were able to chronically record neural activity from the left cervical vagus in both anesthetized and non-anesthetized rats. Here we show that tonic vagal activity does not correlate with common HRV metrics with or without anesthesia. Although we found that average vagal activity is increased during inspiration compared to expiration, this respiratory-linked signal was not correlated with HRV either. These results represent a clear advance in neural recording technology but also point to the need for a re-interpretation of the link between HRV and “vagal tone”.

Grids from bands, or bands from grids? An examination of the effects of single unit contamination on grid cell firing fields

2016 ◽  
Vol 115 (2) ◽  
pp. 992-1002 ◽  
Author(s):  
Z. Navratilova ◽  
K. B. Godfrey ◽  
B. L. McNaughton
Keyword(s):  
Single Cell ◽  
Grid Cell ◽  
Cell Isolation ◽  
Recording Technology ◽  
Firing Patterns ◽  
Limiting Step ◽  
Isolation Methods ◽  
Single Cell Isolation ◽  
Cell Firing ◽  
Cell Data

Neural recording technology is improving rapidly, allowing for the detection of spikes from hundreds of cells simultaneously. The limiting step in multielectrode electrophysiology continues to be single cell isolation. However, this step is crucial to the interpretation of data from putative single neurons. We present here, in simulation, an illustration of possibly erroneous conclusions that may be reached when poorly isolated single cell data are analyzed. Grid cells are neurons recorded in rodents, and bats, that spike in equally spaced locations in a hexagonal pattern. One theory states that grid firing patterns arise from a combination of band firing patterns. However, we show here that summing the grid firing patterns of two poorly resolved neurons can result in spurious band-like patterns. Thus, evidence of neurons spiking in band patterns must undergo extreme scrutiny before it is accepted. Toward this aim, we discuss single cell isolation methods and metrics.

Numerical and Experimental Evaluation of Discrete Track Recording Technology

2006 ◽  
Vol 42 (10) ◽  
pp. 2462-2464 ◽  
Author(s):  
J.-P. Peng ◽  
G. Wang ◽  
S. Thrivani ◽  
J. Chue ◽  
M. Nojaba ◽  
...  
Keyword(s):  
Experimental Evaluation ◽  
Recording Technology ◽  
Discrete Track

scholarly journals London Street Noises: A Ground-Breaking Field Recording Campaign from 1928

Acoustics ◽  
2021 ◽  
Vol 3 (1) ◽  
pp. 118-136
Author(s):  
John L. Drever ◽  
Aysegul Yildirim ◽  
Mattia Cobianchi
Keyword(s):  
Environmental Sound ◽  
Daily Mail ◽  
Recording Technology ◽  
The Public ◽  
Field Recordings ◽  
Field Recording ◽  
Subsequent Discussion ◽  
History Of ◽  
Regulatory Bodies ◽  
The Uk

In a leading article by Sir Percival Philips in the UK popular newspaper, the Daily Mail, July 16, 1928, came the following headlines: “Millions Lost by Noise – Cities’ Worst Plague – Menace to Nerves and Health – What is Being Done to Stop it”. The article was supported by research from Prof Henry J. Spooner, who had been researching and campaigning on the ill-effects of noise and its economic impact. The article sparked subsequent discussion and follow-up articles in the Daily Mail and its international partners. In an era of rapid technological change, that was on the cusp of implementing sound pressure measurements, the Daily Mail, in collaboration with the Columbia Graphophone Company Ltd, experimented with sound recording technology and commentary in the field to help communicate perceived loudness and identify the sources of “unnecessary noise”. This resulted in the making of series of environmental sound recordings from five locations across central London during September 1928, the findings of which were documented and discussed in the Daily Mail at the time, and two recordings commercially released by Columbia on shellac gramophone disc. This was probably the first concerted anti-noise campaign of this type and scale, requiring huge technological efforts. The regulatory bodies and politicians of the time reviewed and improved the policies around urban noise shortly after the presentation of the recordings, which were also broadcast from the BBC both nationally and internationally, and many members of the public congratulated and thanked the Daily Mail for such an initiative. Despite its unpreceded scale and impact, and the recent scholarly attention on the history of anti-noise campaigning, this paper charts and contextualises the Daily Mail’s London Street Noise campaign for the first time. As well as historical research, this data has also been used to start a longitudinal comparative study still underway, returning to make field recordings on the site on the 80th and 90th anniversaries and during the COVID-19 lockdown, and shared on the website londonstreetnoises.co.uk.

Regular Array of Magnetic Nano-Dots Prepared by Nanochannel Glass Replica Masks

2002 ◽  
Vol 721 ◽  
Author(s):  
Bo Cheng ◽  
Kun Yang ◽  
B. L. Justus ◽  
W. J. Yeh
Keyword(s):  
Data Storage ◽  
Magnetic Recording ◽  
Thin Film Deposition ◽  
Film Deposition ◽  
Perpendicular Recording ◽  
Recording Technology ◽  
Sputtering Deposition ◽  
Longitudinal Recording ◽  
Dot Density ◽  
Magnetic Dots

AbstractIn magnetic recording technology, barriers based on fundamental physical limits on the data density are being approached for the current longitudinal recording modes. However, demands for higher data storage density have escalated in recent years. Discrete perpendicular recording is a viable method to achieve 100 Gb per square inch and beyond. We report on the development of a novel technique to fabricate uniform arrays of nano-sized magnetic dots. Uniform arrays of nanometer-sized magnetic dots are obtained by magnetron sputtering deposition through a nanochannel glass replica mask. The platinum replica masks are fabricated using thin film deposition on etched nanochannel glass and contain uniform hexagonally patterned voids with diameters as small as 50 nanometers. The magnetic dot density can be as high as 1011 per square inch. Our method provides a simple yet effective way to create regularly arranged discrete magnetic media that can be used for perpendicular magnetic recording. The magnetic properties of the dots are studied with a vibrating sample magnetometer.

Effects of Thermal and Cross-Track Variations for Longitudinal Heat-Assisted Magnetic Recording Systems

2013 ◽  
Vol 770 ◽  
pp. 331-334
Author(s):  
Piya Kovintavewat ◽  
Adisorn Kaewpukdee ◽  
Nitthita Chirdchoo
Keyword(s):  
Magnetic Recording ◽  
Storage Capacity ◽  
Current Data ◽  
Data Recording ◽  
Magnetic Medium ◽  
Recording Technology ◽  
Heat Assisted Magnetic Recording ◽  
Capacity Limit ◽  
Superparamagnetic Limit ◽  
Cross Track

The current data recording technology is approaching its capacity limit approximately 1 Tbit/in2(terabits per square inch) known as superparamagnetic limit. Heat-assisted magnetic recording (HAMR) is one of the promising technologies that is being planned to be used as a new data recording technology to achieve the storage capacity beyond 1 Tbit/in2. In HAMR, the laser is applied to heat a magnetic medium during the writing process, which results in the unique transition characteristics if compared to a conventional system. This paper investigates the effects of thermal and cross-track variations to the transition characteristics (both transition center and transition parameter) of longitudinal HAMR systems. Experimental results indicate that the longitudinal HAMR system can withstand some amount of thermal and cross-track variations and still provides satisfactory system performance.

Music Technology in Ethnomusicology

2017 ◽  
pp. 56-64
Author(s):  
Gabriel Solis
Keyword(s):  
Twentieth Century ◽  
Digital Humanities ◽  
Data Analytics ◽  
Music Technology ◽  
Vantage Point ◽  
Contextual Knowledge ◽  
Recording Technology ◽  
Critical Engagement ◽  
Ambivalent Relationship ◽  
Critical Turn

Ethnomusicology has often had an ambivalent relationship with technology: we owe our discipline to mid-twentieth-century developments in recording technology. Nevertheless there is a strong counter-modern streak that characterizes ethnomusicologists as a group. This essay investigates the reasons for ethnomusciologists’ mistrust of certain kinds of music technology and interprets ambivalence as a mode of critical engagement. It surveys turning points in the field from comparative musicology to the critical turn and from the critical turn to the new digital humanities. I conclude that digital humanities needs ethnomusicological ambivalence in the form of critical engagement. Good data analytics needs a skeptical view from the vantage point of music scholars and contextual knowledge-bearers in the cultures of study.

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