The Rise of the Middle Class in Iran before the Second World War

2019 ◽  
pp. 43-63
Author(s):  
H. E. Chehabi
Costume ◽  
2021 ◽  
Vol 55 (1) ◽  
pp. 74-96
Author(s):  
Marta Kargól

In 1932, Nellie van Rijsoort (1910–1996), the Dutch embroidery maker and designer, opened her atelier in Rotterdam. Among her clients were prestigious fashion stores in the Netherlands as well as wealthy middle-class customers. After the Second World War, van Rijsoort left Rotterdam and continued her career in Melbourne in the rapidly developing fashion network of Australia. Today, samples of embroidered fabrics and fashion drawings by Nellie van Rijsoort are part of the collections of the Museum Rotterdam and the National Trust of Australia in Melbourne. These collections provide insight into half a century of history of embroidered fabrics. This article illustrates the largely forgotten career of the embroidery designer. The first part of the article outlines the position and meaning of van Rijsoort's atelier in the fashion networks of the Netherlands and Australia, while the second part provides an analysis of embroidery samples and drawings, which reveal the place and function of embroideries as dress decorations.


Author(s):  
H. E. Chehabi

This chapter traces the formation of a modern middle class that emerged as a result of Reza Shah's rigorous modernization policies in the 1920s and 1930s. The state expanded the educational system and bureaucracy, reaching down from the court to the village level. At the same time, it fostered lifestyles and consumption patterns modeled on those of Europe, which this new and increasingly secular middle class embraced, setting it apart from the rest of society. Given its reliance on state employment, this was not a bourgeoisie stricto sensu. This new middle class existed next to the traditional mercantile elite, which was centered on the bazaar and closely allied to the clergy. In the 1920s, however, many Iranian businessmen adopted a middle-class lifestyle, and, as a consequence, a modern business bourgeoisie gradually emerged that was to some extent a link between the traditional mercantile elite centered on the bazaar and the modern middle class.


Author(s):  
Martin Conway

This chapter focuses on the consumption of democracy. What happened in the roughly twenty-five-year period from the end of the Second World War to the late 1960s is perhaps best regarded as a process of gradual acculturation. At different speeds and by different paths, a large majority of Western Europeans came to feel at home in democracy, and began to practise democracy for themselves. However, the new democracies were more equal in their formal structures than in their social reality. The reassertion of boundaries of race, gender, sexuality, and age, after the more fluid and often chaotic experiences of the war years, was reinforced by the evolving but persistent inequalities of social class. Western Europe emphatically remained a class society after 1945. The rapid economic growth that occurred during the post-war years generated new forms of affluence, but these were distributed in ways that reinforced pre-existing class divisions. In particular, the post-war years witnessed a resurgence in the fortunes of the middle class. Whether assessed in terms of its material prosperity, its influence within and over government, or its wider social and cultural ascendancy, the middle class was the dominant social class of the post-war era.


Author(s):  
Vjollca Dibra Ibrahimi ◽  
Sejdi Sejdiu

Albanian literature written from the 1940s to the present day can be called contempo-rary Albanian literature, or in other words, World Literature after the Second World War. The allowed literature was the only method of socialist realism, which was ideol-ogized and politicized, i.e. subject to communist ideology and politics. It was not free literature, but entirely engaged in the service of socialism and communism. The meth-od of socialist realism had some very narrow and binding criteria for all those who thought of publishing their works. Such were the communist members, the positive hero and the struggle against foreign middle-class influences. In such a situation, we can say that it was purely subject to ideology and communist politics. Due to its very narrow scheme, most of the literary work written during this period had its own value and function during the period of the communist system. This type of literature form some writers was accepted with conviction, while others were used to compromise to publish their works. Although under very strict censure, many important works were published which could have been contrary to socialist realism. Such works were with an indirect expression or with a subtext, often in symbolic and allegorical forms. These works consist of some of the greatest values of contemporary Albanian literature, the first and the foremost authors of this kind of literature, their best works, publishers, and their echoes in the language of translation.


2008 ◽  
Vol 42 (4) ◽  
pp. 705-731 ◽  
Author(s):  
ELISE K. TIPTON

AbstractThis article focuses on Japanese government restrictions and regulation of urban entertainments during the 1920s and 1930s as examples of attempts to rectify what was perceived as the declining morals of a modernizing, industrializing Japanese society. In this respect it adds another dimension to depictions of the Second World War as opposition to the cultural as well as political hegemony of the major Western powers. However, although war no doubt gave added impetus to the state's desire to unify popular support and sense of loyalty to the nation, morality campaigns had been initiated even before war had become an imminent possibility. Restrictions were imposed on cafés, dance halls and other modern entertainments, representing opposition to Westernizing, modernizing trends in social values and behaviour that had become prominent in the cities during the 1920s—individualism, materialism, sexuality, and more particularly, female sexuality. Middle class Protestants played a significant role in promoting and shaping these policies. Although such reformers disagreed with the government on other matters, they actively enlisted governmental support to carry out a moral cleansing of the ‘spiritual pests’ infesting the nation.


2017 ◽  
Vol 7 (3) ◽  
pp. 879-903 ◽  
Author(s):  
Christian Edward Cyril Lynch ◽  
Pía Paganelli

Abstract This work aims to deepen the knowledge of the culturalist, Iberian and Catholic aspects of Brazilian conservatism, turning to the work by Gilberto Freyre, Sobrados e mucambos. We seek to understand how his work, positively received in the modernist, nationalist and anti-liberal context of the 1930s due to its revealing of the roots and ‘essence’ or ‘originality’ of Brazilian society, fell into disfavour after the Second World War when the process of massification and democratization of society led more radical sectors of the expanding middle class to lean toward socialism. In concluding, we point out how an imaginary of national belonging, in the form of common positive referents, was due in large measure to authors such as José de Alencar and Freyre.


Author(s):  
Anna Cottrell

Exploring London's literary identity during the 1930s Anna Cottrell shows how vital writing was to the capital’s booming leisure scene on the eve of the Second World War. The book explores London and Londoners, with a focus on the way in which London's lower-middle-class citizens became inseparable from central London’s leisure scene in the period’s imagination. In contrast with Modernism’s flâneurs and flâneuses, the key figures of 1930s London literature were shop girls, clerks, dance hostesses, and financially insecure journalists whose leisure hours were spent in London’s cinemas, bars, and glittering teashops. Writing about this type of Londoner and her milieus was at the heart of the decade’s experiments in revitalising the British novel, which to many of the period’s writers and intellectuals appeared to lack energy and authenticity. Meticulous description was central to this project of re-energising British writing, and it is in passages describing London milieus such as the teashop and the Soho nightclub that this book locates the decade’s most original and astute meditations on modernity, mass culture, and the value of ordinary lives.


2017 ◽  
Vol 18 (2-3) ◽  
pp. 198-216 ◽  
Author(s):  
Tobias Kelly

Is civility an end in itself, or a means to other ends? The relationship between means and ends marks theoretical debates about the meanings and implications of civility. This article addresses how these tensions played out in the context of the particular forms of civility promoted by pacifists in Second World War Britain. More specifically, it focuses on the experiences of those pacifists who set up community farms as a way to try and merge both means and ends through a form of sociality marked by love, mutual labour and conscience. The paper makes two arguments. First, the attempt to merge means and ends meant that the compromises of the present could be hard to overcome. The distinctly pacifist civility of Second World War Britain tended to reproduce particular middle class and masculine ways of being in the world. Second, it was the very tension between means and ends, however, that gave claims of pacifist civility fraught potency. For many British pacifists, pacifist forms of civility were an attempt to propose an alternative, not despite, but because of the space between their aspiration for cooperation and love, and the disappointments of experience. Pacifist civility was therefore understood as a form of potential. It is also important to note though that potentiality is marked by two possibilities: the potential to do; and the potential not to do. It is on this delicate balance between the inequities of the here and now and the aspired for future that pacifist civility stood.


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