scholarly journals Thinking Outside the Color Profiling Capture Box

2021 ◽  
Vol 2021 (1) ◽  
pp. 84-86
Author(s):  
Don Williams ◽  
Peter D. Burns

Color-capture systems use color-correction processing operations to deliver expected results in the saved image files. For cultural heritage imaging projects, establishing and monitoring such operations are important when meeting imaging requirements and guidelines. To reduce unwanted variations, it is common to evaluate imaging performance, and adjust hardware and software settings. In most cases these include the use of ICC Color profiling software and supporting measurements. While advice on the subject by experts can be deftly persuasive, discussions of color goodness for capture are clouded by many imaging variables. This makes claims of a single, color-profiling approach or engine moot in the context of a greater workflow environment. We suggest looking outward and considering alternative profiling practices and evaluation methods that could improve color image capture accuracy and consistency.

2013 ◽  
Author(s):  
Markus Tauschek

In these days cultural heritage is a much discussed topic. It is the subject of international cultural policy, it is used as an advertising argument for tourism and it serves as a political instrument for different actors. But how do things, spaces and traditions become cultural heritage?


2006 ◽  
Vol 31 (4) ◽  
pp. 90-94
Author(s):  
Adli Qudsi

The Old City of Aleppo, a UNESCO World Cultural Heritage site, a living town of 110,000 inhabitants residing in thousands of historical courtyard houses and an important commercial centre is now the subject of an internationally recognized rehabilitation scheme. This paper describes the history of this project and identifies a series of lessons to be learnt about the complex process of rehabilitation in a living historic environment.


1970 ◽  
pp. 4
Author(s):  
Beate Knuth Federspiel

The international organisations active in the field of cultural conservation represent the normative framework for the protection of culture and heritage. Within this administrative and legal system, ideas about the overall meaning of the cultural heritage preservation concept are created and disseminated, and these have implications for museums’ obligations (collection, recording, conservation, research and communication), which collectively can be seen as society’s overall effort to preserve cultural heritage. The subject of this article is to examine how cultural conservation efforts shift focus in step with changes in society’s overall understanding of the concept of cultural heritage – which by nature is the object of these conservation efforts. The most recent UNESCO conventions on culture (The Convention for the Safeguarding of Intangible Cultural Heritage and The Convention for the Protection and Promotion of the Diversity of Cultural Expressions) testify to a growing appreciation of the value of this overall concept, focusing on people, right down to individual level – whereas focus was previously on national unity and a shared ”story” as the identification markers. The situation may seem especially justified by the distinction between tangible and intangible heritage, in which the intangible is increasingly taken into account. This article highlights key concepts and the continuing debate about their importance in the normative system. The emphasis is on the increasing value attributed to the concept of heritage, and the distinction between tangible and intangible heritage. Against this background, possible consequences for the basic conservation effort are discussed, because this is the foundation of the fundamental idea of what a museum is, as well as justifying the normative system in the field of culture. 


Author(s):  
Elena Nikolaevna Chernyavskaya

The object of this research is the methods used in design practices of post-Soviet time to give historical appearance to landscapes of former estates of Moscow region, which faded away, i.e. the methods of historicization. The landscapes under review are being protected by the government as the objects of Moscow cultural heritage, and designated as museums (reserve museums) and public parks. The subject of this research is disclosure of the essence of these methods and their assessment from the perspective of alignment with historical primary sources, implementation, proliferation, and attractiveness. The author conducts systematization of methods in accordance to the degree of conformance to the historical realities, and divides them into the following groups: 1) that provide accurate reproduction of historical forms, 2) that create similarities, 3) that create new forms. Each group is divided into subgroups. By frequency of application, the leading place belongs to the methods of first group, which are aimed at reproduction of the shapes of buildings and structures. The rest two methods focus on reviving the memory of the past. The application is attributed to new construction, which can be assessed as landscape evolution and a modern artistic phenomenon. The methods of second group lead to landscape development in spirit of historicism, while the methods of third group – to the development of territory based on modern vision of the past. The conducted analysis is valued for the general outlook upon the process of preservation of one of the most complex types of cultural heritage of Moscow.


2018 ◽  
Vol 14 (18) ◽  
pp. 110 ◽  
Author(s):  
Meriam Lahsaini ◽  
Hassan Tabyaoui

The city of Sefrou, because of its geographical position, its cultural heritage and urban planning, than economically, is classified as one of the sites with a vulnerability particular to floods. Oued Aggay, the subject of this study, constitutes a danger potential because of the violence of its floods. In this perspective that comes this study that part of the creation and management of a spatial database on flood risk in the Sebou basin. It aims to spatialize the extent of the floods of Oued Aggay and propose solutions to protection the city of Sefrou against floods. The chosen approach goes through a hydrological study, the choice of profiles and the construction of onedimensional model from HEC RAS hydrology software. This study allowed us to simulate floods by statistical methods, identify flood zones and determine the different water levels in the flooded area for the Oued Aggay watershed.


Heritage ◽  
2018 ◽  
Vol 1 (1) ◽  
pp. 88-99 ◽  
Author(s):  
Dimitris Psychogyios ◽  
Nick Poulakis

The recording, documentation and promotion of local cultural heritage has been the subject of significant research from scientists from various fields such as architecture, anthropology, history, folklore, ethnomusicology, and museology. This paper argues that digital technologies could have a catalytic role concerning the operational part of a holistic–interdisciplinary approach to the maintenance of cultural heritage. Simultaneous and bidirectional recording, documentation and promotion of human histories, material elements of space, personal and collective memories, music, dance, singing and other performances, customs, traditions etc. has the effect of improving the understanding of each place and, therefore, contributing to the establishment of sustainable living conditions and environmental balance. At the same time, it facilitates the process of presenting the place’s local identity as well as its tangible and intangible cultural heritage. The paper proposes the design, the creation and the pilot operation of a glocal hybrid (physical and digital) participatory system for monitoring cultural heritage, which consists of (a) spatial recording and projection constructions (open micro-labs); (b) research and documentation centers; and (c) digital databases and mobile applications for interconnection and diffusion of digital content. The system’s implementation domain is considered to be “historic urban landscapes”, i.e., geographical areas with particular cultural features such as traditional settlements, monuments and historical centers, regarded as exceptional universal heritage. In particular, the project’s prime exemplary pilot setup is considered to be operated in specific Greek areas of cultural importance.


Author(s):  
Martin Richardson ◽  
Paul Scattergood

When writing this chapter it became apparent that we were not only exponents of digital holography, but also the critics. This is a problem when it comes to new media. How can one begin to make objective critical theory on a subject when there are no historical or ideological structures that produce and constrain it? While other digital technologies prove well developed, semantic and expressive, digital holography has some way to go before any quantized analysis of the subject is possible. This paper explores the function of digital holography, seeking comparison from other media and explores holography’s influence as a radical form of electronic digital three-dimensional image capture. Within this context we draw comparison with other forms of image making, from cave paintings in Lascaux (France), to Fox Talbot’s early experiments to capture light, Corbusiers architectural designs of space, to early television transmission. They all have one unifying factor: the unfamiliar and the strange, emblematic to visual possibilities in our perception of space.


Geosciences ◽  
2020 ◽  
Vol 10 (8) ◽  
pp. 307
Author(s):  
Marilena Cozzolino ◽  
Andrea Di Meo ◽  
Vincenzo Gentile ◽  
Paolo Mauriello ◽  
Enza Zullo

Protection and conservation are not feasible without a deeper knowledge of the cultural heritage of the subject of intervention. A careful analysis of documentation, a detailed visual inspection of surfaces, and a systematic diagnosis of the inner properties are the basis for planning preventive strategies of restoration. Digital noninvasive techniques represent an advantageous tool with useful outputs to estimate the state of health of cultural heritage in order to minimize the progress of degradation. This paper deals with a 3D metric survey through photogrammetry and ground-penetrating radar (GPR) tests applied to the study of the trapezophoros with two griffins attacking a doe of Ascoli Satriano, a masterpiece of ancient art that needs to be protected. This work provided information on both visible and hidden defects, such as numerous cracks that affect the sculpture.


2019 ◽  
Vol 11 (21) ◽  
pp. 6034
Author(s):  
Álvarez-García ◽  
Maldonado-Erazo ◽  
de la Cruz del Río-Rama ◽  
Castellano-Álvarez

The aim of this research is to carry out a bibliometric and bibliographic study of the scientific production indexed in the international databases Scopus and Web of Science (WoS) on the use of cultural heritage by tourism as an alternative for regional development. This research allows us to observe the current situation of this area of study and to develop a research roadmap on this subject. The methodology used focuses on applying productivity, dispersion, collaboration, and citation indicators to a set of 103 articles identified through an advanced search of terms, in addition to applying an iterative analysis for the bibliographic study. The main findings of this study show that the documents are mostly analytical, mainly signed by a single author, and the productivity rate per author is 1.04. The co-author index in the subject is 2.34, and the subject is in an exponential growth phase that began in 2004, with a ratio of 6.53 articles/year, with the majority of the production being by a single author per article. The country with the highest production is China, with 28 articles, 26 authors, 28 authorships, and 15 centers, followed by the Russian Federation, with 21 articles. Universiti Sains Malaysia (Malaysia) is the most productive institution, with 15 authorships, and there is a group of aspiring authors (between 2 and 4 articles) whose geographical affiliation is Malaysia, a group that represents 3% of the total of authors and concentrates 17 articles.


2019 ◽  
Vol 14 (3) ◽  
pp. 321-332 ◽  
Author(s):  
Lucy Blue ◽  
Colin Breen

Abstract The Honor Frost Foundation sponsored a session, ‘Maritime Archaeology, Capacity Building and Training in the Developing World’ at the Sixth International Congress on Underwater Archaeology (IKUWA VI) held in Freemantle, Australia, in November 2016, dedicated to capacity development in the context of maritime archaeology. The papers presented in this special issue of this journal represent an attempt to understand different approaches to capacity building and development within the sphere of maritime cultural heritage. This paper, by way of an introduction to the subject, and this special issue, aims to explore the nature of capacity building and development in relation to maritime cultural heritage.


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