scholarly journals Grotowski´s Poor Theatre: An Experiment in Theatre

2019 ◽  
Vol 7 (12) ◽  
pp. 14
Author(s):  
Dr. Bipin Chandra Uniyal,

This research paper is about Grotowski´s  poor theatre. Before Grotowski´s there were many theatre, but these theatre were not suitable for Grotowski´s purpose. Before Grotowski´s theatre there were Schechner´s Environmental theatre, Stainslavaski´s  Experimental theatre, Meyerhold´s  Avant-grade theatre, Alexander Tiraov´s  Kamerney theatre, Brecht´s Epic theatre, Judith Malina and Tulian Beck´s Living theatre, Bread and Puppet theatre by Peter Schumana. During the 1960´s a voice of deploration came by a number of persons, who demanded the abandonment of every element of the theatre borrowed from other media and not really required. This leading exponent was Jerzy Grotowski´s Poor theatre.

2019 ◽  
Vol 28 (1) ◽  
pp. 76-89
Author(s):  
Chengzhou He

Throughout his career as a theatre director, Jerzy Grotowski encountered many different theatre cultures, which both collided with and were synthesized in his own practices. Confronted with Cold War mindsets and ideological constraints, Grotowski’s theatrical art reflects a kind of cosmopolitan spirit by embracing a common humanity. Analysing Grotowski’s biography alongside his theatrical innovations and theoretical thinking, this article aims to investigate the following three aspects of his theatrical cosmopolitanism: his encounters with different performance cultures in his theatrical concept of ‘poor theatre’, his advocacy of universal ethics in his representative theatrical production Akropolis, and his belief in world citizenship reflected in his concept of ‘art as vehicle’ from the later years of his career. As a pioneer in the contemporary experimental theatre and performance, Grotowski travelled, lived and worked all over the world, transcending the geographical and ideological divide between the Socialist and the Capitalist blocs during the Cold War. The adverse social conditions of the time did not hinder his creativity, but rather instigated his unmatched artistic talent and his cosmopolitan spirit, both of which are deeply interconnected and integrated.


2021 ◽  
Vol 11 (1) ◽  
pp. 18-35
Author(s):  
Diana Cozma

Abstract The paper aims to analyse the relationship between theatre and crisis from the viewpoint of the role played by the theatre in exploring and presenting extreme situations, namely crisis situations. The impact of crisis on theatre determines the apparition of different theatrical viewpoints which are not meant to offer concrete solutions to the crisis, but which may contribute to the identification of possible ways of solving it due to its capacity to reveal certain aspects of the crisis which manifests itself on different levels of reality. At the same time, this relationship is viewed from the perspective of Antonin Artaud, The Living Theatre, Jerzy Grotowski and Samuel Beckett. Moreover, the paper makes reference to the fact that, in the current pandemic, the theatre performance faces a specific crisis, that is the crisis of audience.


2010 ◽  
Vol 26 (3) ◽  
pp. 261-272
Author(s):  
Anna Porubcansky

In this article Anna Porubcansky discusses the work of Song of the Goat Theatre not only in its artistic practice, but as a life practice. Based in Wrocław in Poland, the group continues a Polish tradition of experimental theatre practice as seen in the work of Juliusz Osterwa, Jerzy Grotowski, and Włodzimierz Staniewski. A fundamental influence on Song of the Goat has been the belief in Buddhism of its co-founders Grzegorz Bral and Anna Zubrzycki, which has shaped a performance practice rooted in the principles of interconnection and compassion. The group focuses its work on ‘coordination’, an approach that seeks to create a profound sense of harmony within and between each actor and every element of his or her work through training, improvising, and research on diverse songs, dances, myths, and rituals. Maintaining connection to the world through this material, Bral and Zubrzycki extend the group's artistic work through social projects such as the Brave Festival, which celebrates lost and dying cultural traditions in an attempt to create a performance practice that is actively integrated with the social world. Few academic publications are available on Song of the Goat, and this article draws on three years of extensive fieldwork with the company, utilizing interviews and personal observations of training, rehearsals, expeditions, and performance development for its most recent production, Macbeth. Anna Porubcansky is currently completing her PhD in the Department of Drama at Goldsmiths, University of London.


2019 ◽  
Vol 35 (02) ◽  
pp. 150-168
Author(s):  
Juliusz Tyszka

The legacy of Jerzy Grotowski twenty years after his death still presents a powerful challenge for theatre-makers, not only in experimental theatre, and theoreticians – which is also how it was during his life. This retrospect by Juliusz Tyszka on the Grotowski seminar organized by Robert Findlay and Robert Taylor for the Program in Educational Theatre, at New York University in February 1993, is a testimony to his achievements, offering insights into the opinions and reflections of American artists, critics, and scholars on the importance of Grotowski, and the impact of his theatrical output both on world theatre, and specifically in the US. Tyszka sets their views within the Polish background he shares with Grotowski. The climax of the seminar in a meeting with Grotowski himself, following a film recording of The Constant Prince, is fully described. In 1992/93 Juliusz Tyszka was a Fulbright visiting scholar in the Department of Performance Studies at NYU. He is an advisory editor of NTQ and a regular contributor to the journal. Since 2008 he has been Head of the Unit of Performance Studies, Institute of Cultural Studies, Adam Mickiewicz University at Poznań, Poland.


Author(s):  
Htay Htay Win ◽  
Aye Thida Myint ◽  
Mi Cho Cho

For years, achievements and discoveries made by researcher are made aware through research papers published in appropriate journals or conferences. Many a time, established s researcher and mainly new user are caught up in the predicament of choosing an appropriate conference to get their work all the time. Every scienti?c conference and journal is inclined towards a particular ?eld of research and there is a extensive group of them for any particular ?eld. Choosing an appropriate venue is needed as it helps in reaching out to the right listener and also to further one’s chance of getting their paper published. In this work, we address the problem of recommending appropriate conferences to the authors to increase their chances of receipt. We present three di?erent approaches for the same involving the use of social network of the authors and the content of the paper in the settings of dimensionality reduction and topic modelling. In all these approaches, we apply Correspondence Analysis (CA) to obtain appropriate relationships between the entities in question, such as conferences and papers. Our models show hopeful results when compared with existing methods such as content-based ?ltering, collaborative ?ltering and hybrid ?ltering.


This research article focuses on the theme of violence and its representation by the characters of the novel “This Savage Song” by Victoria Schwab. How violence is transmitted through genes to next generations and to what extent socio- psycho factors are involved in it, has also been discussed. Similarly, in what manner violent events and deeds by the parents affect the psychology of children and how it inculcates aggressive behaviour in their minds has been studied. What role is played by the parents in grooming the personality of children and ultimately their decisions to choose the right or wrong way has been argued. In the light of the theory of Judith Harris, this research paper highlights all the phenomena involved: How the social hierarchy controls the behaviour. In addition, the aggressive approach of the people in their lives has been analyzed in the light of the study of second theorist Thomas W Blume. As the novel is a unique representation of supernatural characters, the monsters, which are the products of some cruel deeds, this research paper brings out different dimensions of human sufferings with respect to these supernatural beings. Moreover, the researcher also discusses that, in what manner the curse of violence creates an inevitable vicious cycle of cruel monsters that makes the life of the characters turbulent and miserable.


2012 ◽  
Vol 3 (5) ◽  
pp. 66-67
Author(s):  
N. N. JADEJA N. N. JADEJA ◽  
◽  
M.C.Baraiya M.C.Baraiya ◽  
A.B.Jasoliya A.B.Jasoliya ◽  
R.U.Jagad R.U.Jagad ◽  
...  
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