scholarly journals SOCIAL CLASS IN BRITISH SOCIETY IN JANE AUSTEN’S PRIDE AND PREJUDICE

LINGUISTICA ◽  
2017 ◽  
Vol 6 (1) ◽  
Author(s):  
Mira Andrea Putri ◽  
Syamsul Bahri ◽  
Rita Suswati

This study deals with social class in British society in Jane Austen’s Pride and Prejudice.  The objectives of this study were to find out the impacts of social class toward british society based on the novel Pride and Prejudice written by Jane Austen and to describe  social class reflected toward british society in that novel. The study was conducted by using descriptive qualitative method. The data of this research were dialogues and narration in Pride and Prejudice novel. The analysis of this study was based on Marxist’s concept (1995:25). The findings of this study were (1) two impacts of social class toward british society found in Pride and Prejudice novel, they were pride and prejudice (2) three types of social classes which were reflected, such as power, wealth, and status. 

2020 ◽  
Vol 8 (1) ◽  
pp. 30-43
Author(s):  
Enggin Valufi ◽  
Retno Budi Astuti

Hedonism is a view of life in philosophy that seeks to avoid pain and make pleasure as the main goal in life. People who embrace hedonism tend to over-pursue pleasure. The hedonism lifestyle is mostly carried out by 18th century people especially the nobles who live in high culture. They are as close to hedonism as they are in the Persuasion novel by Jane Austen. Sir Walter Elliot the main character is a nobleman who did a lot of hedonism. Hedonism which is seen as too glorifying personal pleasure to ignore others. The purpose of this study was to find out the types of hedonism done by Sir Walter Elliot in Persuasion. This research uses descriptive qualitative method because all data are in the form of sentences. The researcher uses a philosophical approach and analyzes data using Weijers' theory as the main theory. The results of this study found that Sir Walter Elliot performed two types of hedonism, namely aesthetic hedonism and selfish hedonism.


2016 ◽  
Vol 2 (2) ◽  
pp. 125
Author(s):  
Yohanes Eko Rubiyanto ◽  
Restu Arini

The writer conducts the research related to class conflict which is presented in Khaled Hosseini’s “The Kite Runner” novel. This qualitative research is written to analyze the conflicts that happen in Afghan society which is mainly caused by difference of social class. The research is conducted by using library research. The method used in this research is descriptive qualitative method as the data are described in the form of sentences. The steps of collecting the data in this research are reading both the novel and the supporting theories related, analyzing, organizing and displaying the data to allow conclusions to be drawn. The results show that the society in the twentieth is fundamentally separated by two large groups namely Pashtun and Hazara. They are inhabit Afghanistan as told in The Kite Runner. The Pashtuns act as the dominant upper class and the Hazaras fill the society of the lower class which fits the theory of Marxism.


Author(s):  
Hosmawati Hosmawati ◽  
Endang Suciati

Hosmawati1, Endang Suciati21Universitas Pesantren Tinggi Darul [email protected] 2Universitas Pesantren Tinggi Darul [email protected] AbstractDivergent novel tells the story about human factions community. Since this novel discussed about the domination of factions in the novel as delineation in social class or social life and struggle of the factions in society, this novel was analyzed using Marxism theory. The method used was descriptive qualitative to explain the kinds of factions and the struggles of the factions considered as social classes to get the power in society. Thus, this novel was analyzed using the theory Marxism which focused on the kinds of factions the struggles the factions done. The data were in the form of utterances in Divergent novel written by veronica Roth. The result of the research showed that factions in the novel depicted the social class in society as there are powerless and powerful faction group.They are categorized as bourgeois or capitalism and proletarian. Therefore, the researcher classified the events in the novel related to factions which were similar to social classes. The faction of Abnegation and Erudite are the same as the bourgeois or capitalism because they often oppress the weak and always want to control all factions with the wealth and power they have. On the other hand, Dauntless, Amity and Candor are the same as the proletarian because they are oppressed factions which have no power in society. The factions did some efforts or struggles to maintain or to get the power in society. It can be concluded that this novel uncovered the life of social class which was represented by faction and the struggles done in terms of getting the power and surviving the life.Keywords: marxism, social class, faction, Divergent  AbstrakNovel Divergent bercerita tentang faksi dalam masyarakat. Karena novel banyak membahas tentang faksi sebagai gambaran dalam suatu kelas sosial atau kehidupan sosial dan perjuangan masing-masing faksi dalam masyarakat, maka novel ini dianalisis menggunakan teori Marxisme. Metode yang digunakan adalah deskriptif kualitatif untuk menjelaskan jenis-jenis faksi dan perjuangan faksi-faksi yang dianggap sebagai kelas sosial untuk mendapatkan kekuasaan dalam masyarakat. Dengan demikian, novel ini dianalisis menggunakan teori Marxisme yang fokus pada jenis-jenis faksi dan perjuangan yang dilakukan. Data penelitian berupa pernyataan/ujaran dalam novel Divergent yang ditulis oleh veronica Roth. Hasil penelitian menunjukkan bahwa faksi-faksi dalam novel tersebut menggambarkan kelas sosial dalam masyarakat karena ada kelompok faksi yang lemah dan kuat. Mereka dikategorikan sebagai borjuis atau kapitalisme dan proletar. Oleh karena itu, peneliti mengklasifikasikan peristiwa-peristiwa dalam novel yang berkaitan dengan faksi-faksi yang mirip dengan kelas-kelas sosial. Faksi Abnegation dan Erudite memiliki kesamaan dengan borjuis atau kapitalisme karena mereka sering menindas yang lemah dan selalu ingin mengendalikan semua faksi dengan kekayaan dan kekusaanyang dimiliki. Di sisi lain, Dauntless, Amity and Candor sama dengan proletar karena mereka adalah faksi tertindas yang tidak memiliki kekuasaan dan kekuatan dalam masyarakat. Faksi-faksi melakukan beberapa upaya atau perjuangan untuk mempertahankan atau mendapatkan kekuasaan di masyarakat. Dapat disimpulkan bahwa novel ini mengungkap kehidupan kelas sosial yang diwakili oleh faksi dan perjuangan yang dilakukan dalam hal mendapatkan kekuasaan dan bertahan hidup.Kata kunci: marxisme, kelas social, faksi, Divergent      


TOTOBUANG ◽  
2019 ◽  
Vol 6 (2) ◽  
pp. 257
Author(s):  
Eduardus Mungan

This study discussed about the critical thinking of the main characters, Elizabeth Bennet and Fitzwilliam Darcy, in the Jane Austen’s novel Pride and Prejudice. This study aimed to identify the characters’ arguments based on the categories of critical thinking of the characters, the kinds of arguments in critical thinking, and to describe the usage of meaning as discourse strategy and the usage of discourse markers in the characters’ argument in Pride and Prejudice. This study used critical thinking theory and discourse analysis in collecting the data acquired by transcribing the texts in Pride and Prejudice. In this study, the researcher used descriptive qualitative method to interpret the analysis data. The results of this study shows that the categories of critical thinking of the main characters in Pride and Prejudice are definitely high, the kinds of arguments in critical thinking used by the main characters are mostly inductive arguments rather than deductive arguments, the usage of meaning is definitely various based on the argument’s topic, and the usage of the discourse markers in the main characters’ argument is definitely different in usage records based on the intention of the main characters’ utterances.Penelitian ini membahas tentang pemikiran kritis dari tokoh utama, Elizabeth Bennet dan Fitzwilliam Darcy, dalam novel Pride and Prejudice karya Jane Austen. Penelitian ini bertujuan untuk mengidentifikasi argumen para karakter tersebut, jenis argument dalam berpikir kritis, dan mendeskripsikan penggunaan makna dan penggunaan penanda wacana dalam Pride and Prejudice. Penelitian ini menggunakan teori berpikir kritis dan analisis wacana dalam mengumpulkan data. Sumber data diperoleh dengan mencatat teks-teks dalam Pride and Prejudice. Karena itu, peneliti menggunakan metode deskriptif kualitatif dalam menafsirkan data analisis. Hasil penelitian ini menunjukkan bahwa kategori berpikir kritis dari tokoh utama dalam Pride and Prejudice sangat tinggi, jenis argumen dalam pemikiran kritis yang digunakan oleh tokoh utama mayoritas merupakan argumen induktif daripada argumen deduktif, penggunaan makna  sangat bervariasi berdasarkan topik argumen, dan penggunaan penanda wacana dalam argumen tokoh utama sangat berbeda dalam jumlah penggunaan berdasarkan maksud dari ujaran tokoh utama. 


Jane Austen is acknowledged for the application of realism and satire in her novels. This paper focuses on the analysis of realism and satire in Jane Austen’s Pride and Prejudice; however, her entire oeuvre spotlights the features (of satire and realism) alongside robust feminism: typical of her literary taste and temperament, not necessarily of the Romantic Age which she lived in. Rigorous analysis and realistic observation reveals that the employment of realism and satire in Pride and Prejudice, are quite obvious, in all sorts of aspects including narrative, settings, themes and characters. Analysis of the novel under study leads to the observation that satire and realism go hand in hand in the said novel—intermittently—and thoughtfully. Conclusively, it is observed that Jane Austen’s literary life had a tremendous influence on how to subsume realism (primarily through matrimonies) of age and satire on a romantic society (whereby ideals collapse headlong), in Pride and Prejudice.


Author(s):  
Anggia Putria ◽  
Muizzu Nurhadi

The research aims to reveal how the application of dramatic elements of Dashner’s Maze Runner is transformed into its film adaptation. To achieve the purpose, the researcher analyzes seven dramatic elements by Gustav Freytag’s Pyramid which consist of exposition, inciting moment, rising action, climax, falling action, resolution, and denouement. This research uses the descriptive qualitative method. The results of this research are the differences of the dramatic elements in the novel and film adaptation are not significant because only the scenes of exposition and rising action are not similar.


2019 ◽  
Vol 7 (2) ◽  
pp. 80-89
Author(s):  
Arini Egi Tiarawati ◽  
Tri Wahyu Retno Ningsih

The aim of this study is to analyze the types of figurative language which found in Ugly Love novel by Colleen Hoover. This study used figurative language theory by Leech to analyze the data which the researcher found in the novel. The method of this study is descriptive qualitative method. The total of the data are 87 data to be analyzed in the types of figurative language. The data will be identify and classify into 8 types of figurative language by Leech. The result of this study found 6 types of figurative language in this Ugly Love novel. That are 33 data of personifications (33 data) , 19 data of similes, 11 data of irony, 10 data of hyperbole, 9 data of metaphors, and 5 data of metonymy. The most of dominant type of figurative language in the Ugly Love novel by Colleen Hoover is personification.


2001 ◽  
Vol 89 (3) ◽  
pp. 705-706 ◽  
Author(s):  
Herbert Barry

Jane Austen projected some of her personality characteristics onto her fictional namesakes Jane Bennet in the novel Pride and Prejudice and Jane Fairfax in the novel Emma. Wishful fantasy seems satisfied by two attributes of both Janes. They are very beautiful, and they marry rich men they love. A feeling of inferiority was expressed by two attributes of both Janes, depicted as deficient in social communication and subordinate to the heroine of the novel.


Author(s):  
NUR INAYAH ◽  
Bambang Purwanto

This study discusses how the portrayal of adults’ superiority towards children in the novel A Little Princess by Frances Hodgson Burnett is deconstructed by the work itself. The adults’ superiority is portrayed in the novel, in which the adults are depicted as more superior figure than children. However, the perfect descriptions of the children as portrayed by Sara in the novel show that the hierarchy in child-adult relationship is able to be reversed. This study uses descriptive qualitative method supported by Structuralism’s binary opposition and Derrida’s Deconstruction reading strategy. The aim of this study is to destabilize the novel, A Little Princess, by applying Deconstruction reading strategy. This study shows that the novel deconstructs its portrayal of adults’ superiority towards children. So, by destabilizing the binary opposition in the novel, that is an adult opposes a child, the child-adult hierarchy is reversed. Keywords: adults, children, deconstruction, superiority


Author(s):  
Rif’atul Maula

Novel is a literary work which is also known as fiction. Therefore, the notion of fiction also applies to the novel, which is a result of dialogue, contemplation, and the author's reaction to the environment and life. Each writer has a message that is implied in each of his works, one of which is as a distributor of da'wah messages. In this study, the researcher chose the novel Hati Suhita by Khilma Anis compared to the novel Dua Barista by Najhati Sharma. Because these two novels are the work of writers who were born in Islamic boarding schools. This research uses descriptive qualitative method. The results of this study indicate that there are similarities and differences in the message of da'wah in the novel Hati Suhita by Khilma Anis and the novel Dua Barista by Najhati Sharma.


Sign in / Sign up

Export Citation Format

Share Document