scholarly journals Da Referência à Abstração: um ensaio sobre o diagrama como ponto de inflexão no projeto arquitetônico

Revista Prumo ◽  
2020 ◽  
Vol 5 (8) ◽  
pp. 46-59
Author(s):  
Henrique Carvalho Delarue

Starting from the principle that the diagram functions by abstraction and that, in most cases, its use today is limited to an explanation, this essay explores some of its aspects that make possible its use as an instrument for the architectural design project. By doing a brief analysis on how architecture used to take onto itself a symbolic value engendered in Antiquity and how it came to be seen in an abstract manner, a parallel is drawn between modes of thinking architecture and how abstraction moves away from the dependency of a reference to construct meaning. Whilst abstraction is intensified, architectural elements carry less meaning within a referential system and are seen more according to how they relate to each other. It is by considering the relations that can be absorbed by an architecture that the diagram finds its potential to precede form and reshape how we think the design process.

2019 ◽  
pp. 42-45
Author(s):  
Alessandra Como ◽  
Luisa Smeragliuolo Perrotta

The topic of the use of architecture as reference within the creative architectural design process is not a matter given for granted, both in the architectural culture and in the teaching. The Italian architecture studio courses are based on theoretical lectures and laboratory activities. The student's design experience is built through the combined action of theory and practice. The theoretical lectures offer the opportunity to address design issues also through discussion of examples of architecture. What are the examples of architecture that we can consider useful for the design project? And how do students use them within the design project? This paper aims to answer the questions through a theoretical investigation and through the presentation of an architectural design studio at the University of Salerno (Italy). Through the combination of theoretical issues that underlie the topic and the teaching experience, we want to give a contribution on the relationship between the architecture case studies and their use within the design process.


Buildings ◽  
2021 ◽  
Vol 11 (2) ◽  
pp. 59
Author(s):  
Abraham Yezioro ◽  
Isaac Guedi Capeluto

Improving the energy efficiency of existing and new buildings is an important step towards achieving more sustainable environments. There are various methods for grading buildings that are required according to regulations in different places for green building certification. However, in new buildings, these rating systems are usually implemented at late design stages due to their complexity and lack of integration in the architectural design process, thus limiting the available options for improving their performance. In this paper, the model ENERGYui used for design and rating buildings in Israel is presented. One of its main advantages is that it can be used at any design stage, including the early ones. It requires information that is available at each stage only, as the additional necessary information is supplemented by the model. In this way, architects can design buildings in a way where they are aware of each design decision and its impact on their energy performance, while testing different design directions. ENERGYui rates the energy performance of each basic unit, as well as the entire building. The use of the model is demonstrated in two different scenarios: an office building in which basic architectural features such as form and orientation are tested from the very beginning, and a residential building in which the intervention focuses on its envelope, highlighting the possibilities of improving their design during the whole design process.


2018 ◽  
Vol 16 (1) ◽  
pp. 25-43 ◽  
Author(s):  
Ayman Ahmed Ezzat Othman ◽  
Nermeen Mohamed Amin Abdelwahab

Purpose The purpose of this paper is to develop a framework integrating risk management (RM) into the architectural design process (ADP) as an approach for delivering sustainable construction projects. Design/methodology/approach A research methodology, which consisted of literature review and field study, is designed to accomplish four objectives. First, to provide a comprehensive literature review of the concepts of sustainability, ADP and RM. Second, to present and synthesis the results of two relevant studies focused on identifying, quantifying and classifying the risks associated with ADP; and investigating the perception and application of Egyptian architectural design firms (ADFs) towards integrating RM into ADP as an approach for delivering sustainable construction projects. Third, to develop a framework that integrates RM into ADP towards delivering sustainable construction projects. Finally, to draw conclusions and recommendations to improve the practice of delivering sustainable construction projects among ADFs, construction professionals and governmental authorities. Findings ADP is a fundamental phase of the construction process because the decisions adopted during this phase affect the project performance throughout its life cycle. While RM is widely applied in different sectors of the construction industry, its application in ADP received scant attention in construction literature. The research identified 18 key risks that affect the sustainable delivery of construction projects during ADP. The architect, the client and the project manager are the highest ranked responsible parties for the occurrence of these key risks. The field study highlighted the need to develop a framework to facilitate integrating RM into ADP. Research limitations/implications This paper focused only on the integration of RM into ADP. Originality/value The conducted literature review and field study provided an in-depth understanding of the key risks that affect the sustainable delivery of construction projects during ADP. Through its five stages, the proposed framework is expected to serve as a foundation for integrating RM into ADP as an approach for delivering sustainable projects. This ideology has received scant attention in construction literature. The developed framework represents a synthesis that is novel and creative in thought and adds value to the knowledge in a manner that has not previously occurred.


2017 ◽  
Vol 41 (5) ◽  
pp. 397-417 ◽  
Author(s):  
A Romanska-Zapala ◽  
M Bomberg ◽  
M Fedorczak-Cisak ◽  
M Furtak ◽  
D Yarbrough ◽  
...  

The quest for a sustainable built environment brought dramatic changes to architectural design because of the integrated design process. The integrated design process is the modern way to realize “performance architecture,” that is, design with a view to field performance. Integrated design process permits merging of concepts from passive-house designs, solar engineering, and an integration of the building enclosure with mechanical services. In part 1 of this series, the emergence of many new multi-functional materials was discussed. Yet, current innovation is guided by lessons from history. Thermal mass in heavy masonry buildings allowed periodic heating. The authors postulate integration of a hydronic heating system with the walls and the use of smart temperature control of the heating system to modify and optimize the thermal mass contribution. To use the mass of a building, one must accept transient temperature conditions where the indoor temperature varies but is confined by comfort requirements for both summer and winter conditions. On the other side, resiliency requirements dictate that in the absence of electricity the air temperature does not fall below about 12°C over a period of several hours. This requirement implies that summer cooling will likely be separated from the heating systems and that operation of a low-energy building is heavily dependent on the design of smart control systems. Analysis of control systems provided in this article for earth-to-air heat exchangers and cooling of houses with lightweight walls lead us to the requirements of separation between heating and ventilation and needs for different sources of fresh air. Finally, a new concept emerges.


2021 ◽  
Author(s):  
Farhan Ali ◽  

Thinking creatively, is a necessary condition of the Design process to transform ideas into novel solutions and break barriers to creativity. Although, there are many techniques and ways to stimulate creative thinking for designers, however, this research paper adopts SCAMPER; which is acronym of: Substitute- Combine-Adapt- Modify or Magnify-Put to another use-Eliminate-Reverse or Rearrange- to integrate the sustainability concepts within architectural design process. Many creative artifacts have been designed consciously or unconsciously adopting SCAMPER strategies such as rehabilitation and reuse projects to improve the functional performance or the aesthetic sense of an existing building for the better. SCAMPER is recognized as a divergent thinking tool are used during the initial ideation stage, aims to leave the usual way of thinking to generate a wide range of new ideas that will lead to new insights, original ideas, and creative solutions to problems. The research focuses on applying this method in the architectural design, which is rarely researched, through reviewing seven examples that have been designed consciously or unconsciously adopting SCAMPER mnemonic techniques. The paper aims to establish a starting point for further research to deepen it and study its potentials in solving architectural design problems.


2021 ◽  
Vol 3 (4) ◽  
pp. 295-311
Author(s):  
AbuRawi Mustafa ALMARKIYAH ◽  
Fouziya Alzarqani Ipraheem FADHLULLAH

Tripoli is a city of a Mediterranean Sea climate; this has contributed with some social and religious factors to affect the architectural and urban design, which all originally has come from the Islamic content. This study argues the climatic features of Tripoli in order to show the ways followed by the Libyan Muslim architect. In other words, these ways were used to adapt with the climate and create the demanding architectural treatments, which have served the building units. This is considered as a study case that can discuss the possibility of the climatic reflection on the walls. That is to say, the walls’ thickness, the type of the used substance in building, the substance’s properties, the type of roof used in covering the building units and the architectural design of the building as treatments achieved professionally by the architect in decreasing the heat in summer and increasing the heat in winter through the mass block. Additionally, the researchers have stated that Tripoli’s building design respected the privacy of the inhabitants and their isolation from the world outside their buildings. That is because they wanted to have their own cold spaces inside which were rich of light, air and shadow. As a result of the aforementioned considerations, the architectural buildings contained the uncovered space and the broken entrance to keep the privacy from the passengers and to protect the inhabitants from wind and sand. These were regarded as final solutions for the architectural and climatic problem. Further, this study illustrates the active role of using the planning including the architectural formations and the treatments of motion path. That is according to their width, their length, their form, their guidance and their direction change in order to make shadow and isolate the front of buildings. This also contributed to give the streets the northern wind which in turn helped to keep the air moving as long as possible to tone down the climatic influences. Moreover, the planning aimed to show its turn through analytical, architectural and documentary survey for realistic examples in the archeological registrar of the potential city treatments. These architectural elements were important in making the sustainable architecture in respect to the environment and human relaxation requirements. Finally, the researchers measured the following factors temperatures, wind, rain, and ratio humidity for variety of spaces in the city. That was followed by qualitative and quantitative statistical analysis supported by graphs


2012 ◽  
Vol 64 ◽  
pp. 18-25 ◽  
Author(s):  
Mohd Arif Ismail ◽  
Rosnaini Mahmud ◽  
Isham Shah Hassan

2021 ◽  
Vol 53 (1) ◽  
Author(s):  
Shani Avni

Ismar David was a prolific calligrapher, type designer, graphic designer, and illustrator who also engaged in architectural design and taught calligraphy. He studied applied arts in Berlin, emigrating to Jerusalem in 1932 and to New York in 1952. From the 1930s to the 1990s, he created a wealth of unique designs, most importantly the David Hebrew typeface family. It was the first comprehensive Hebrew typeface family, comprising nine styles that include a true Hebrew italic style and a monolinear style, equivalent to a Latin sans serif. David Hebrew provides an example of how a research-based design process can help negotiate the tension between old and new, leading to an innovative, well-informed design solution. David not only excelled in his groundbreaking approach to Hebrew type design for existing glyphs, but he went a step further, expanding the character set. After David completed the design of his typeface family in 1954, it was partially cast for machine composition by the Intertype Corporation. During that period, David relocated to New York to pursue his creative career.


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