scholarly journals Performance, Programa e Cidade: Urbanismos do Chão

Revista Prumo ◽  
2021 ◽  
Vol 6 (9) ◽  
Author(s):  
BARBARA SILVA DA VEIGA CABRAL

Articulando práticas artísticas e urbanísticas ao trabalho de autoras dos campos da dança, filosofia, performance e urbanismo, o artigo tem como ponto de partida revisar a colocação de Hannah Arendt (2007) e André Lepecki (2012) de que a arquitetura (o fazer cidade) é fundamentalmente anterior à política (agir cidade). A revisão parte de uma experiência que vivi em TECIDO-NÃO-TECIDO (2018), performance realizada na Barra da Tijuca. O contraponto que a performance traz é matéria para expandir as noções de política e arquitetura — reforçando que agir cidade é, de fato, fazê-la. Ao pensar arquitetura e urbanismo enquanto “políticas do chão” (CARTER, 1996), o texto termina com um breve ensaio sobre a palavra programa, comum aos campos da arquitetura e da performance, e propõe uma espécie de urbanismo imanente e do chão, cujo operador é o “programa performativo” (FABIÃO, 2013), enunciado conciso de performances, de modo a subverter a frequente determinação de usos em arquitetura e urbanismo via programas funcionais. Palavras-chave: Performance; Cidade; Arquitetura e Urbanismo; Programa performativo; Chão. ABSTRACT By articulating artistic and urbanistic practices with the work of authors from the fields of dance, philosophy, performance, and urbanism, the article’s starting point is to review Hannah Arendt’s (2007) and André Lepecki’s (2012) statement that architecture (to make the city) is fundamentally prior to politics (to act the city). This review is based on an experience I have lived in TECIDO-NÃO-TECIDO (2018), a performance art piece held in Barra da Tijuca, Rio de Janeiro. The counterpoint that this performance brings is used as a material to expand the notions of politics and architecture — reinforcing that acting the city is, in fact, making it. Thinking about architecture and urbanism as “ground politics” (CARTER, 1996), the text ends with a brief essay on the word program, common to the fields of architecture and performance art, and proposes a kind of immanent and ground urbanism, whose operator is the “performative program” (FABIÃO, 2013) — subverting the frequent determination of uses in architecture and urbanism via functional programs. Keywords: Performance; City; Architecture and Urbanism; Performative program; Ground.

Ouvirouver ◽  
2017 ◽  
Vol 13 (1) ◽  
pp. 284
Author(s):  
Mirela Ferreira Ferraz

Ao considerar a escrita teatral como ponto nevrálgico do teatro contemporâneo, esse artigo propõe trabalhar com a ideia de uma ligação contínua presente entre a escrita confessional e a encenação na obra “Yo no soy bonita” de Angélica Liddell. Acredita-se que o espetáculo e a língua da autora, encenadora e atriz/performer tornam-se diluídas no próprio acontecimento teatral, em que a ideia de um “devir-cênico” estabelece-se como um dispositivo cênico das novas teatralidades. Analisa-se como a noção de “eu” da artista se mescla ao desfalecimento da ideia de um personagem, criando uma zona de fronteiriça entre o teatro e a performance art, a qual se evidencia pela busca de uma possível experiência-limite da artista. ABSTRACT When considering the theatrical writing as nerve center of contemporary theater, this article proposes working with the idea of a continuous link between the present confessional writing and staging the Angélica Liddell work "Yo no soy bonita". It is believed that the show and the language of the author, stage director and actress / performer become diluted in their own theatrical event, in which the idea of "becoming-scenic" is established as a scenic device of new theatrics. It is analyzed how the notion of "I" of the artist melds the faintness of the idea of a character, creating a border zone between theater and performance art, which is evidenced by the search for a possible artist of limit-experience. KEYWORDS Becoming- scenic; confessional writing; limit-experience; contemporary theater.


2017 ◽  
Vol 9 (15) ◽  
pp. 2284-2289 ◽  
Author(s):  
F. A. Soares ◽  
S. C. Chiapetta ◽  
W. F. Pacheco

In this paper an analytical method was developed for the determination of some tobacco specific N-nitrosamines (TSNAs) in cigarettes, and applied to cigarettes purchased in the city of Rio de Janeiro/RJ (Brazil).


Jurnal Elemen ◽  
2020 ◽  
Vol 6 (2) ◽  
pp. 277-301
Author(s):  
Rully Charitas Indra Prahmana ◽  

Yogyakarta has a nickname as the City of Culture. Yogyakarta has several cultures that are closely related to the context of learning mathematics. However, not many educators in Yogyakarta see this culture as a context that can be a starting point in learning mathematics. Thus, this study aims to explore the culture of Yogyakarta's people that can be used as a context in learning mathematics. This study uses ethnographic studies sourced from literature studies, field observations, and interviews with informants who understand the ancient Javanese language well to clarify and / or provide more understanding of the results of the literature review collected. The results showed some mathematical languages used by the Yogyakarta people in Javanese that could be used as starting points in learning mathematics. This mathematical language includes the mention of numbers, area, angle, volume, indefinite units, and determination of time units.


ILUMINURAS ◽  
2021 ◽  
Vol 22 (57) ◽  
Author(s):  
Renata Da Silva Melo

Este artigo tem como objetivo contribuir para o debate sobre experiências de participação e ação social a partir de pesquisas antropológicas em interseção com a pesquisa- ação. Para tal, será apresentado um relato etnográfico sobre A notícia por quem vive, um jornal comunitário da Cidade de Deus, favela da Zona Oeste do Rio de Janeiro.  Por mais de 6 anos moradores dessa favela e pesquisadores da UFRJ estiveram envolvidos em torno deste jornal a partir de um projeto de extensão. A análise terá como foco as relações entre os dois grupos cuja história teve um fim emblemático quando o primeiro deles decide romper com a UFRJ. Tomando este rompimento como ponto de partida, a finalidade é refletir sobre limites e potencialidades nas interações entre universidade e outros setores da sociedade, apontando para a importância de um olhar relacional sobre o tema e para a necessidade de repensar formas de pactuação e aproximação com aqueles com os quais pretendemos estudar.Palavras-chave: Antropologia. Etnografia. Pesquisa-ação. Favela. Extensão.   From the Devil's Throat to the City of God: paths of an ethnography between anthropology and action research Abstract: This article aims to contribute to the debate on experiences of participation and social action from anthropological research at the intersection of research-action. To this end, an ethnographic report will be brought about A notícia por quem vive, a community newspaper from Cidade de Deus, a favela in the West Zone of Rio de Janeiro.  For over 6 years a group of residents of this favela and researchers from UFRJ have been involved around this newspaper from an extension project. The analysis will focus on the relations between the two groups whose history had an emblematic end when the first of them decided to break with the university. Taking this break-up as a starting point, the article aims to reflect on limits and potentialities in the interactions between the university and broader sectors of society, pointing in its conclusions to the importance of a relational look on the subject.Keywords: Anthropology. Ethnography. Action research. Slum, Extension.


2021 ◽  
Vol 14 (2) ◽  
pp. 577-592
Author(s):  
Marija Griniuk

This article presents arts-based action research on enhancing children’s creativity through affect within participatory performance art and performance pedagogy. The study hypothesis was that children’s creativity can be enhanced by affect experienced at a performance site. The purpose of the study was to investigate the impact of children’s involvement in artistic performance on their creativity at a performance site. The impact of interactions at the site, the co-participating children,and the involved artists were monitored on a daily basis to collect qualitative data, which were analyzed using a general inductive approach. Objective themes relating to the variables were retrieved from the collected data and assigned codes, concepts, and keywords extracted from photographs,video recordings, and observation notes. The case under investigation was the “Nomadic Radical Academy 2020: The Good, the Bad, and the Art”, which built on a pilot event held in 2019. This research concluded that performance art can have a social and creative impact during an art event through children’s participation and can be used by performance artists and educators.


2018 ◽  
Vol 141 ◽  
pp. 199-202 ◽  
Author(s):  
Ricardo Washington Dutra Garcêz ◽  
José Marques Lopes ◽  
Marco Antônio Frota Lima ◽  
Ademir Xavier da Silva

2014 ◽  
Vol 6 (3) ◽  
pp. 91-98 ◽  
Author(s):  
Sérgio Bernardo Vieira Lessa ◽  
Fabiola de Sampaio R.G. Garrido ◽  
Rodrigo Grazinoli Garrido

The aim of the study was to evaluate the calibration and the need for maintenance ofsphygmomanometers,in order to advise aboutpossible interferences overvalues found during measurements. It was carried out the calibration and external and functional analysis,of 299 sphygmomanometers from domestic use and the hospitalnetworkin the city of Petropolis, Rio de Janeiro. It was also evaluated in which extent maintenance is compensatory. It was observed that 64.4% of hospital equipment and 53.3% of the household remaineduncalibrated. In additionto that, up to 54.1% of hospital equipment and 19.0% of household needed the exchange of components, such as couplings, valves, clamps and pears. However, even the most expensivemaintenanceprocedure, in which occurredthe calibration and exchange of all components, its realization is still economically compensatory in relation to the purchase of the new equipment.It was concluded that,under these conditions,devices can significantly impact the determination of blood pressure and thus,the health of the population.


2021 ◽  
Vol 193 (2) ◽  
Author(s):  
Simone Lorena Quiterio de Souza ◽  
Eduardo Monteiro Martins ◽  
Sergio Machado Corrêa ◽  
Josiane Loyola da Silva ◽  
Roger Rodrigues de Castro ◽  
...  

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