Andres Neumann’s Theatrical Archive. Sources for the History of Contemporary Performing Arts

2021 ◽  
Vol 66 (2) ◽  
pp. 95-110
Author(s):  
Andrea Giovanni Strangio
Keyword(s):  
Twentieth Century ◽  
Performing Arts ◽  
First Year ◽  
Research Project ◽  
Contemporary Theatre ◽  
Peter Brook ◽  
History Of ◽  
University Of Florence ◽  
The University ◽  
Pina Bausch

"The paper, at the conclusion of the work conducted during the first year of the PhD course in Storia delle Arti e dello Spettacolo (History of Cinema, Music, Fine and Performing Arts) at the University of Florence, briefly describes the structure and content of the theatrical archive of Andres Neumann, preserved at the il Funaro Centro Culturale of Pistoia. The fund is a precious instrument of historiography, because it contains documents relating to the main plays of the international theatre of the last thirty years of the twentieth century. After having presented and discussed some examples of documentary types contained in the archive, in particular regarding Tadeusz Kantor and Anatoly Vasiliev, the paper illustrates the prospects for development of this research project. Keywords: Andres Neumann, contemporary theatre, Tadeusz Kantor, Peter Brook, Pina Bausch, Anatoly Vasiliev, il Funaro Centro Culturale, Rondò di Bacco. "

scholarly journals L’Archive Dionysos: une approche méthodologique à l’iconographie théâtrale

2021 ◽  
Vol 66 (2) ◽  
pp. 29-46
Author(s):  
Renzo Guardenti
Keyword(s):  
20Th Century ◽  
Performing Arts ◽  
Research Team ◽  
Methodological Approach ◽  
Digital Archive ◽  
Visual Dimension ◽  
History Of ◽  
University Of Florence ◽  
The University

"The Dionysos Archive: a Methodological Approach to Theatre Iconography. The article illustrates the Dionysos Digital Archive of Theatrical Iconography, created by the research team of the University of Florence directed by Renzo Guardenti. The Dionysos Archive collects more than 22,000 images accompanied by cataloguing files, relating to the history of Performing Arts from Greek theatre to the first decades of the 20th century. The cataloguing of the images contained in the archive is based on criteria aimed at highlighting their theatrical specificity and responds to a historiographic perspective that privileges the visual dimension of the Performing Arts, of which iconographic documentation constitutes a source of primary importance. Keywords: theatre iconography; history of theatre; performing arts; digital archive; cataloguing "

‘So Many Things Can Go Together’: the Theatricality of John Cage

1995 ◽  
Vol 11 (41) ◽  
pp. 72-78 ◽  
Author(s):  
Natalie Crohn Schmitt
Keyword(s):  
Twentieth Century ◽  
Performing Arts ◽  
Japanese Journal ◽  
Performance Theory ◽  
John Cage ◽  
University Of Illinois ◽  
Contemporary Theatre ◽  
The Arts ◽  
Theatrical Performance ◽  
The University

John Cage (1912–1993) is widely regarded as one of the most pervasively influential figures in the arts in the latter half of the twentieth-century. Although best known as a composer, Cage expanded perceptions of what could constitute theatrical performance, and in this essay Natalie Crohn Schmitt assesses the nature and significance of Cage's intermedia performances and their immediate influence on other such work. Natalie Crohn Schmitt's Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature (Northwestern UP, 1990) is an analysis of contemporary theatre based on Cage's aesthetics, and essays of hers on Cage have appeared in other journals and in anthologies devoted to the artist. She has previously written in NTQ on Stanislavski (NTQ 8) and on performance theory in its historic moment (NTQ 23). Schmitt is Professor of Performing Arts and Professor of English the University of Illinois at Chicago. This essay was originally published in a slightly different form in Japanese in a Cage commemorative issue of the Japanese journal Music Today.

Structure and Methodologies of Research in the Arnoldo Foà Archive

2021 ◽  
Vol 66 (2) ◽  
pp. 83-94
Author(s):  
Rosa Carbone
Keyword(s):  
Twentieth Century ◽  
Performing Arts ◽  
Historical Memory ◽  
High Potential ◽  
Main Study ◽  
Contemporary Theatre ◽  
Documentary Sources ◽  
Fundamental Information ◽  
Depth Study ◽  
History Of

"The focus of this paper is the presentation and description of the Arnoldo Foà archive and its importance as the main documentary source for studying the contemporary actor: through the analysis of the sources contained therein, in fact, it was possible to conduct an in-depth study of theatrical career of Arnoldo Foà. The work is part of the Phd in Storia delle Arti e dello Spettacolo (History of Cinema, Music, Fine and Performing Arts) in Florence, a context in which I carry out a research dedicated to the artistic profile of Arnoldo Foà, protagonist of the theater from the second half of the twentieth century. Starting from the description of the archive in which the research was conducted, some significant examples are examined that can demonstrate how archival sources have managed to reveal unpublished and fundamental information for the study. Furthermore, the value and the high potential that the archive assumes as the main study tool for the performing arts are highlighted. Keywords: contemporary theatre; performing arts; archiving systems; acting; artistic biography; documentary sources; recitative style; historical memory. "

scholarly journals Voci dal mondo per Primo Levi

2007 ◽  
Keyword(s):  
Physical Chemistry ◽  
Twentieth Century ◽  
Primo Levi ◽  
The World ◽  
History Of ◽  
Twentieth Anniversary ◽  
University Of Florence ◽  
Great Writer ◽  
The University ◽  
Chemical Formulas

Twenty years ago a unique figure in the history of our country returned dramatically to the world of the "drowned", one of the spectral "saved" who had found the strength to testify the dramas of the twentieth century: Primo Levi. On the twentieth anniversary of his death, Firenze University Press has decided to revive his lesson with a tribute that is not intended as a celebration, but rather as a pause for refection in which we can listen again to the words of this great writer, dissected and scrutinised the world over, generating germs of memory hopefully as universal as the mathematical and geometrical signs and the chemical formulas he so loved. Voci dal mondo per Primo Levi. In memoria, per la memoria edited by Luigi Dei, a lecturer in physical chemistry at the University of Florence, consists of fifteen short essays contributed by a polyhedric group of writers from various parts of the world and of different educational and professional backgrounds. Review: La Rassegna Mensile di Israel Interview with Ustation.it

Italian Minor Theatre, 2000–14: the Development of ‘Short Forms’ and the Politics of the Stage

2019 ◽  
Vol 35 (03) ◽  
pp. 195-208
Author(s):  
Silvia Mei
Keyword(s):  
Twentieth Century ◽  
Visual Arts ◽  
Modern Dance ◽  
Minor Literature ◽  
Philosophical Concept ◽  
Short Forms ◽  
Research Fellow ◽  
History Of ◽  
Expressive Dimension ◽  
The University

Brevity in experimental Italian theatre is not merely an expressive dimension of scenic creation, but a forma mentis, a conceptual vocation of young companies. The 2000s produced a minor theatre in Italy – first because of the reduced stage size, and second because of the brevity of works such as installation pieces. Moving from the linguistic disintegration of the historical avant-gardes of the twentieth century, this theatre is especially inspired by the visual arts, even though its historical roots remain fragmented and art is still seen in the synthetic language of modern dance and Futurist variety. Short forms actually become a tool for crossing artistic genres and languages. Starting from Deleuze’s and Guattari’s philosophical concept of minor literature, in this article Silvia Mei explores and analyzes work by such Italian contemporary companies as gruppo nanou, Città di Ebla, Anagoor, Opera, ErosAntEros, and Teatro Sotterraneo – all representative of what can be called installation theatre, a new theatrical wave that crosses the boundaries and specificities of artistic language, leading to the deterritorialization of theatre itself, a rethinking of the artistic work as well as its relationship with the audience. Silvia Mei is Adjunct Professor of the History of Theatre Directing and Theatre Iconography at the University of Bologna, having been a Research Fellow at the University of Turin. Her recent publications include ‘La terza avanguardia: ortografie dell’ultima scena italiana’, in Culture Teatrali, No. 14 (2015), and Displace Altofest (Valletta: Malta 2018 Foundation).

scholarly journals La institucionalización de la danza en la Facultad de Bellas Artes en Valdivia: Una historia desde la experiencia de sus bailarines, 1954-1976

2018 ◽  
pp. 125
Author(s):  
Carla Mella Barrientos
Keyword(s):  
Twentieth Century ◽  
Civil Society ◽  
Performing Arts ◽  
Fine Arts ◽  
University Funding ◽  
History Of ◽  
Personal Archives ◽  
Sociedad Civil ◽  
Siglo Xx ◽  
General Secretary

En el artículo se analiza el proceso de institucionalización universitaria de la danza disciplinaria en Valdivia a mediados del siglo XX. El objetivo es demostrar que su desarrollo surgió debido a la preocupación por la apertura de la cultura a la sociedad civil, entendida aquella como aquellos elementos educativos y artísticos de interés para el Estado chileno, los agentes privados y las municipalidades.El proceso de institucionalización de la danza corresponde a un periodo de transformaciones en torno a la comprensión de la necesidad de integrar en la academia valdiviana el arte escénico, lo que no estuvo alejado de problemas relativos al financiamiento universitario, desastres naturales e interés por parte de las autoridades de mantener el área. Las fuentes utilizadas corresponden a relatos orales de tres destacadas bailarinas vinculadas al campo de la danza en Valdivia, testimonios de carácter principal que encarnan las influencias de escuelas, corrientes y estéticas; documentos vinculados con la historia de la Facultad de Bellas Artes, extraídos del Archivo de la Secretaría General de la Universidad Austral de Chile, archivos personales y notas periodísticas del diario El Correo de Valdivia.Institutionalization of Dance in the Fine Arts faculty in Valdivia: A history from its dancers’ experience 1954-1976AbstractThis article analyzes the process of university institutionalization of disciplinary dance in Valdivia in the middle of Twentieth Century. The objective is to show that its development emerged due to the concern about the cultural opening to the civil society known as those educational and artistic elements of interest for the Chilean State, private agents, and municipalities. Such process of institutionalization takes place when people were transforming their understanding about the necessity to integrate Performing Arts in the Academy of Valdivia, which was not far away from problems as university funding, natural disasters, and the interest from authorities to maintain the area. Used sources correspond to verbal stories by three distinguished dancers connected to the dance field in Valdivia, important testimonies personifying influences of schools, trends, and aesthetics; documents related to the history of the Fine Arts Faculty and extracted from the General Secretary Archive of the Universidad Austral de Chile, personal archives, and journalist notes from El Correo de Valdivia newspaper.Keywords: Disciplinary dance, institutionalization, Faculty of Fine Artes, Universidad Austral de Chile.A institucionalização da dança na Faculdade de Belas-Artes em Valdivia: Uma história desde a experiência de seus bailarinos, 1954-1976ResumoNo artigo analisa-se o processo de institucionalização universitária da dança disciplinar em Valdivia em meados do século XX. O objetivo é demonstrar que seu desenvolvimento surgiu devido à preocupação pela abertura da cultura à sociedade civil, entendida como aqueles elementos educativos e artísticos de interesse para o Estado chileno, os agentes privados e as prefeituras. O processo de institucionalização da dança corresponde a um período de transformações ao redor da compreensão da necessidade de integrar na academia valdiviana a arte cénica, o que não esteve alheio aos problemas relacionados com financiamento universitário, desastres naturais e interesse por parte das autoridades de manter a área. As fontes utilizadas correspondem a relatos orais de três destacadas bailarinas ligadas ao campo da dança em Valdivia, testemunhos de caráter principal que encarnam as influências de escolas, correntes e estéticas; documentos ligados à historia da Faculdade de Belas-Artes, extraídos do Arquivo da Secretaria Geral da Universidade Austral do Chile, arquivos pessoais e recortes da imprensa pertencentes ao jornal O Correio de Valdivia.Palavras-chave: dança disciplinar, institucionalização, Faculdade de Belas-Artes, Universidade Austral do Chile

scholarly journals THE CITY WALLS OF FLORENCE, A METHOD TO MANAGE INFORMATIONS OF A COMPLEX SYSTEM

2020 ◽  
Vol XLIV-M-1-2020 ◽  
pp. 457-464
Author(s):  
J. G. Vitale
Keyword(s):  
Complex System ◽  
Open Data ◽  
Scientific Innovation ◽  
Important Landmark ◽  
History Of ◽  
City Walls ◽  
University Of Florence ◽  
The University ◽  
Historic City ◽  
The City

Abstract. The city walls of Florence constitute a complex system: six circles and at least nine distinct phases of use and transformation, from the foundation of Florentia to Florence Capital, to contemporary adjustments. The DIDA, Department of Architecture of the University of Florence with the Municipality of Florence, has been carrying out since 2012 the FIMU project with the study of the various walls circuits and diachronic surveys of the surviving wall sections. The aim is to combine and harmonize the historical data with technical-scientific innovation, expressing its own vision of the relationship between the history of the city of Florence and the correct valorization of one of its important Landmark. Every citizen must be able to recognize in the traces of the past his belonging to a community, the results expected from this research are the realization of an informative-didactic and informative apparatus that will emphasize this important historical testimony of Florence and its transformations occurred over the centuries. Data acquisition, processing and visualization methods define this research as ‘experimental’ for the knowledge and evolution of a historic city that would contribute to elevating services for the technical scientific community and the citizen, to which data would become available currently ‘raw’ with the preparation of an apparatus based on a database through the ‘Open Data’ platform of the Municipality of Florence.

scholarly journals Introduction: Nicolaus Steno and earth science in early modern Italy

Substantia ◽  
2021 ◽  
pp. 5-17
Author(s):  
Stefano Dominici ◽  
Gary D. Rosenberg
Keyword(s):  
Early Modern ◽  
Earth Science ◽  
Early Modern Period ◽  
Living Things ◽  
History Of ◽  
History Of The University ◽  
Scientific Context ◽  
Accademia Del Cimento ◽  
University Of Florence ◽  
The University

A group of scientists interested in history of science and fascinated by the figure of Nicolaus Steno (1638-1686) gathered in Florence for the 350th anniversary of the publication of his De solido intra solidum naturaliter contento prodromus dissertationis. A public conference held at Palazzo Fenzi on 16 October 2019 and a geological fieldtrip on the following day were occasions to discuss different points of view on the last published work of the Danish natural philosopher, dedicated to "solids naturally enclosed in other solids" (De solido intra solidum naturaliter contento, or De solido in short). The title of the gathering, "Galilean foundation for a solid earth", emphasized the philosophical context that Steno found in Florence, where in 1666-1668 he established tight human and philosophical bonds with renowned Italian disciples of Galileo Galilei and members of the Accademia del Cimento. For participants to the 2019 gathering, the Museum of Natural History of the University of Florence, hosting some of Steno's geological specimens, and the region of Tuscany itself, formed the perfect location to discuss the phenomena that Steno had observed from 1666-1668, the motivations for his research, the methodology of his discovery and, generally stated, the European scientific context which informed his inquiry. Some of the talks given in that meeting are included within this volume, kindly hosted by Substantia, International Journal of the History of Chemistry published by the Florence University Press. In addition some of the invited speakers who were unable to attend, also contributed a paper to this publication. The collection is about earth science in the early modern period, when the study of minerals, rocks, and the fossilized remains of living things did not yet form a distinct path to knowledge about earth history, but was an integral part of the wider "philosophy of nature".

Progress in the formalisation of the Anthropocene GSSP

2021 ◽  
Author(s):  
Simon Turner ◽  
Keyword(s):  
Twentieth Century ◽  
Human Activity ◽  
Cultural Work ◽  
Living History ◽  
Max Planck ◽  
Research Project ◽  
Depositional Settings ◽  
Quaternary Stratigraphy ◽  
History Of ◽  
Collaborative Exploration

<p>The Anthropocene Working Group (AWG) has assembled scientific teams to analyse stratigraphic successions, as potential stratotypes, in order to facilitate a formal submission to the Subcommission on Quaternary Stratigraphy. The aim is to seek ratification of the Anthropocene as a geological epoch starting in the mid-twentieth century. Stratigraphic records, including a range of novel materials, geochemical and biological signals spanning the mid-twentieth century interval of unprecedented human activity and industrialisation, are being gathered by international teams of scientists, working on eleven contrasting depositional settings from around the planet. Interwoven with this scientific process to define a Global Boundary Stratotype Section and Point (GSSP), from which a specific year for the onset of the Anthropocene will be established, is a decades long collaborative exploration of the Anthropocene between the AWG, Haus der Kulturen Welt (HKW) and Max Planck Institute for the History of Science (MPIWG).  </p><p>While the compilation of stratigraphic data to define a new epoch is as old as the science of geology, the demarcation of one within living history that signifies human activity as a global geological agent is unparalleled. Similarly, there is no precedent of a stratigraphic formalisation process being pivotal to the framing of so much contemporary social, ecological, artistic, historical and political thought. In May 2022 along with the publication of the results and data, an exhibition including a discursive and performative programme will occur at HKW in Berlin as a public forum for the scientific, cultural and socio-political impact of the geochronological research carried out by the international research project on the Anthropocene.</p><p>This presentation provides an introduction to the interdisciplinary and collaborative research project between the AWG, HKW and MPIWG. The talk will introduce the prospective sites and stratigraphy of the proposed successions and an update on progress towards the official ratification of the GSSP, as well as collaborative artistic and cultural work embedded in the process.</p>

Commercial gigahertz-class NMR magnets

2022 ◽  
Author(s):  
Patrick Wikus ◽  
Wolfgang Frantz ◽  
Rainer Kümmerle ◽  
Patrik Vonlanthen
Keyword(s):  
High Temperature ◽  
High Temperature Superconductors ◽  
Proton Resonance Frequency ◽  
Proton Resonance ◽  
Analytical Technique ◽  
Structure Of Molecules ◽  
Control Food ◽  
History Of ◽  
University Of Florence ◽  
The University

Abstract Nuclear Magnetic Resonance (NMR) spectroscopy is a wide-spread analytical technique which is used in a large range of different fields, such as quality control, food analysis, material science and structural biology. In the widest sense, NMR is an analytical technique to determine the structure of molecules. At the time of writing this manuscript, commercial NMR spectrometers with a proton resonance frequency ≥ 900 MHz are only available from Bruker. In 2019, Bruker installed the first 1.1 GHz (25.8 T) NMR spectrometer at the St. Jude Children Research Hospital in Memphis, Tennessee, followed by the installation of the first 1.2 GHz (28.2 T) NMR spectrometer at the University of Florence in Italy in 2020. These were the first commercial NMR spectrometers operating at magnetic fields in excess of what can be achieved with conventional low temperature superconductors, and which depend on high temperature superconductors to generate the required magnetic field. In this paper, the requirements on commercial NMR magnets are discussed and the history of high-field NMR magnets is reviewed. Bruker’s R&D program for 1.1 and 1.2 GHz NMR magnets and spectrometers will be described, and some of the key properties of these first commercial NMR magnets with high-temperature superconductors are reported.

Sign in / Sign up

Export Citation Format

Share Document