Effects of Types of Featural Information on Interpretation by Young Children of Novel Words at the Superordinate Level

2000 ◽  
Vol 90 (1) ◽  
pp. 73-80 ◽  
Author(s):  
Takahiro Tamura
Keyword(s):  
Young Children ◽  
Target Item ◽  
The Other ◽  
The Novel ◽  
Number Of Children ◽  
Other Hand ◽  
Novel Words

In this experiment with a Novel Label Task, 48 children ages 5 to 6 years were given a novel word for a target item, e.g., a dog. They were also given one of two types of featural information for the target item, a feature naturally common to animals, i.e., “This has a heart inside,” or an accidental feature uncommon to animals, i.e., “This gets a splinter.” As a result, the number of children who interpreted the novel word at the superordinate level (animal) increased significantly when they were given the feature naturally common to animals. On the other hand, there was no significant increase for an accidental feature. Further, the children were given the instruction that all animal items in this task had the same featutes as the target item. As a result, although the number of children who interpreted the novel word at the superordinate level (animal) increased significantly when they were given both the feature naturally common to animals and also the accidental feature, there were more when the instruction was with the feature naturally common to animals than with the accidental feature. The findings were discussed in relation to the factors corresponding to young children's interpretation of a novel word at the superordinate level.

scholarly journals TEORI DIALOGISME BAKHTIN DAN KONSEP-KONSEP METODOLOGISNYA

2017 ◽  
Vol 1 (2) ◽  
pp. 235
Author(s):  
Fadlil Munawwar Manshur
Keyword(s):  
Human Life ◽  
Human Existence ◽  
The Other ◽  
Literary Genre ◽  
The Novel ◽  
Other Hand ◽  
The Universe

This paper discusses the theory advanced by Bakhtin about dialogism and methodological concepts. This theory to formulate the concept of human existence on the other, which is based on the idea that humans judge him from the viewpoint of others. Humans understand the moments of consciousness and take it into account through the eyes of others. According to this theory, the essence of human life is a dialogue. The Method of heteroglossia talks about signs in the universe of individuals because of the word "heteros" means "other" or different, while "glossia" means the tongue or language. In this method mentioned that people are saying needs to be heard, and the author also has the same rights that words need to be heard. A word is born from dialogue to address the problems of life. On the other hand, Bakhtin sees carnival method has spawned a new literary genre, the polyphonic novel. The polyphonic novel is a novel that is characterized by a plurality of voice or consciousness, and the voices or the overall awareness dialogical. Polyphonic essentially a "new theory of authorial viewpoint". Polyphonic appear in fiction when the position of the author freely allowed to interact with the characters. The characters in the novel are freely polyphonic appear to argue with each other and even with the author.

scholarly journals Over de referentiële waarde van Juffrouw Lina (1888) van M. Emants, van Chateaubriand (1908) van E. Masoin en van de gevalsstudies van J.M. Charcot

1970 ◽  
Vol 62 ◽  
pp. 273-288
Author(s):  
Elke Van Nieuwenhuyze
Keyword(s):  
Case Studies ◽  
The Other ◽  
The Novel ◽  
Other Hand ◽  
French Writer ◽  
Starting Point ◽  
The One ◽  
Jean Martin Charcot

The aim of this article is to trace the referential value of juffrouw Lina (1888)as part of its narrative organisation by means of the narrativist historical theoryof Frank Ankersmit. This starting point demands a confrontation of thisnaturalist novel by Marcellus Emants with the contemporary medical biographyof the French writer and politician Chateaubriand by the Belgian physicianErnest Masoin on the one hand and with some case studies of hystericsby the famous French docter Jean-Martin Charcot on the other hand. lt willbe argued that the narrativity of the novel plays a key-role in the constructionof its referential value on various levels.

FROM “CALM CHAOS” TO “COLIBRI”. THE WORKS OF SANDRO VERONESI

2021 ◽  
pp. 122-131
Author(s):  
Tatiana A. Bystrova ◽  
Keyword(s):  
Italian Literature ◽  
The Other ◽  
The Novel ◽  
High Demand ◽  
Surrounding World ◽  
Other Hand ◽  
The One ◽  
First Time

The paper examines two key novels by Sandro Veronesi, the modern Italian writer, Calm Chaos (2006) and Colibri (2020). Both novels were awarded Italy’s main literary prize, the Premio Strega, which is a unique precedent. The relevance of the article comes from the high demand for research on contemporary Italian literature on the one hand and from the novelty of the proposed interpretation for the novel Calm Chaos on the other hand. For the first time, the protagonist of Calm Chaos, Pietro Palladini, is presented not as a preacher of eternal values, returning the reader to the theme of knowing oneself and the surrounding world, but as a mad visionary with clear signs of psychopathy and schizophrenia. The analysis of Veronesi’s latest novel Colibri reveals the character’s evolution and the writer’s narrative manner. The theme of psychiatry in the life of a modern person appears to be one of the key ones in Veronesi’s work.

conflict between tradition and modernity in Amitav Ghosh’s ‘The Shadow lines’

2021 ◽  
Vol 1 (4) ◽  
pp. 31-37
Author(s):  
Mona Beniwal ◽  
◽  
Dr. Anshu Raj Purohit
Keyword(s):  
The Other ◽  
The Novel ◽  
Traditional Values ◽  
Other Hand

The novel presents a variety of characters, each has his own journey. Since the novel puts forth the time of partition (Indo- Bangladesh) and time after it, characters can be seen with traits which are both traditional and modern. It is due to their upbringing and values that their mind has certain inclinations. Because of her traditional values Thamma shows repulsion towards Ila and Tridib. The later ones on the other hand has their own personal set of beliefs to live their lives. Such disparity in thoughts gives a hint of clashes between them in many parts of the novel. However, even the traditional characters carry a spirit of freedom and modernity within them. Also modern characters have an urge to cling to their roots too.

Anxieties of Representation: The Serial Illustrations to Hardy's The Return of the Native

1996 ◽  
Vol 51 (1) ◽  
pp. 84-110
Author(s):  
Pamela Dalziel
Keyword(s):  
The Other ◽  
The Novel ◽  
Fallen Woman ◽  
Other Hand

The selectivity and obliquity of Arthur Hopkins's illustrations for the 1878 Belgravia serialization of The Return of the Native result in a distorted reading of Hardy's text, especially through their avoidance of the passionate and subversive and their tendency to represent the novel as substantially more conventional than it actually is. Hopkins's Thomasin and Venn are represented as unambiguously and conventionally "good"; there is no visual acknowledgment of the more radical Thomasin or the more threatening Venn. Wildeve is essentially avoided as a pictorial subject, as is the problematic Clym of the novel's final books. Eustacia, on the other hand, figures prominently in the illustrations, initially-in keeping with her departure from hegemonic notions of viruous femininity-as a somewhat "masculine" figure. Follwoing Hardy's insistence that she be rendered more conventionally attractive. Hopkins rather incongruously transforms her into an object of desire, only to revert in the final illustration to his less than sympathetic reading: refusing to participate in the erotics of death of Hardy's text, Hopkins punishes the "fallen woman" by reducing her to a misshapen corpse. Hardy's essential toleration-and in some instances actual encouragement-of what now seem "unrepresentative" representations of his work appears to have been related to his own anxiety about the novel's success and based on the recognition that the very conventionality of the illustrations could be a valuable ally in his struggle to render publishable a text that pushed persistently against the limits of the then acceptable.

Children's use of contextual cues to resolve referential ambiguity

1998 ◽  
Vol 6 (1-2) ◽  
pp. 265-299 ◽  
Author(s):  
Anne Bezuidenhout ◽  
Mary Sue Sroda
Keyword(s):  
Young Children ◽  
Relevance Theory ◽  
Verbal Communication ◽  
The Other ◽  
Late Development ◽  
Contextual Cues ◽  
Other Hand ◽  
Referential Ambiguity

Researchers interested in children's understanding of mind have claimed that the ability to ascribe beliefs and intentions is a late development, occurring well after children have learned to speak and comprehend the speech of others. On the other hand, there are convincing arguments to show that verbal communication requires the ability to attribute beliefs and intentions. Hence if one accepts the findings from research into children's understanding of mind, one should predict that young children will have severe difficulties in verbal communication. Conversely, if this prediction fails, this casts doubt on the claim that young children lack meta-representational skills. Using insights from Relevance Theory, an experiment was designed to test children's ability to recover a speaker's intended referent in situations in which the speaker's words underdetermine the referent. Results suggest that children's skills are comparable to those of untutored adults in similar situations. Thus this study indirectly casts doubt on the claim that young children lack meta-representational skills.

Syllable Durations of Preword and Early Word Vocalizations

1990 ◽  
Vol 33 (3) ◽  
pp. 583-593 ◽  
Author(s):  
Michael P. Robb ◽  
John H. Saxman
Keyword(s):  
Young Children ◽  
The Other ◽  
Chronological Age ◽  
Environmental Input ◽  
Continuity Theory ◽  
Other Hand ◽  
Syllable Duration ◽  
Final Syllable

The continuity in development of syllable duration patterns was examined in 7 young children as they progressed from preword to multiword periods of vocalization development. Using a combination of lexical and chronological age points, monthly vocalization samples were analyzed for bisyllable duration and final syllable lengthening. Results revealed no systematic increase or decrease in the duration of bisyllables produced by the children as a group. Lengthening of final syllables was observed across nearly all recording sessions for all children. It is likely that the feature of bisyllable duration is not discernibly sensitive to changes associated with a developing speech mechanism and environmental input. On the other hand, the regularity in final syllable lengthening is consistent with a continuity theory of development.

“La marquise sortit à cinq heures”

PMLA ◽  
1969 ◽  
Vol 84 (6) ◽  
pp. 1644-1648
Author(s):  
Albert Chesneau
Keyword(s):  
Structural Analysis ◽  
The Other ◽  
Past Tense ◽  
First Person ◽  
The Novel ◽  
Other Hand ◽  
Third Person ◽  
Present Tense ◽  
Nouveau Roman ◽  
The Ideal

Simple structural analysis applied to passages cited from the works of André Breton elucidates the reasons for his condemnation of the statement La marquise sortit à cinq heures (see his Manifeste du surréalisme, 1924) as non-poetic. This study demonstrates the opposition existing between the above-mentioned realist sentence, essentially non-subjective (third-person subject), non-actual (past tense predicate), contextual (context can be supposed), and prosaic (lack of imagery), and on the other hand a theoretic surrealist sentence, essentially subjective (first-person subject), actual (present tense predicate), and non-contextual, producing a shock-image. In reality, Breton's surrealistic phrase does not always contain all of these qualities at once. However, in contrast to the condemned phrase which contains none at all, it does always manifest at least one of these characteristics, the most important having reference to the evocative power of the shock-image. A final comparison with a sentence quoted from Robbe-Grillet, the theoretician of the “nouveau roman”, proves that even though it may appear objective, the surrealist phrase is really not so. In conclusion, the four characteristics of the ideal surrealist sentence—subjectivity, actuality, non-contextuality, and ability to produce shock-images—create a poetics of discontinuity opposed to the classical art of narration as found traditionally in the novel. (In French)

Synthesis of Novel Benzosuberone Derivatives using Organophosphorus Reagents and their Antitumor Activities

2012 ◽  
Vol 67 (3) ◽  
pp. 243-252 ◽  
Author(s):  
Leila S. Boulos ◽  
Hoda A. Abdel-Malek ◽  
Naglaa F. El-Sayed
Keyword(s):  
Antitumor Activity ◽  
Sodium Hydride ◽  
The Other ◽  
The Novel ◽  
Antitumor Activities ◽  
Lawesson’S Reagent ◽  
Other Hand ◽  
Trialkyl Phosphites ◽  
Lawesson's Reagent ◽  
Sodium Alkoxide

2-Arylidenebenzosuberones react with a Wittig-Horner reagent in the presence of sodium hydride as a base to give the novel dimethyl (4-(4-methoxyphenyl)-2-oxa-2,3,4,5,6,7-hexahydrobenzo- [6,7]cyclohepta[1,2-b]pyran-3-yl)phosphonate. On the other hand, 6,7-dihydrobenzo[6,7]cyclohepta- [1,2-b]pyran-2(5H)-ones were isolated from the reaction of 2-arylidenebenzosuberones withWittig- Horner reagents using alcoholic sodium alkoxide. The reaction of 2-arylidenebenzosuberones with trialkyl phosphites affords the alkyl phosphonate derivatives. Tris(dialkylamino)phosphines react with 2-arylidenebenzosuberones to give the oxaphospholanoxide products. 2-Arylidenebenzosuberones react with Lawesson’s reagent to yield the corresponding dimers. Some of the prepared products were screened for antitumor activity

Strolling in Tel Aviv: Setting Up and Breaking Down Boundaries in S. Yizhar'sPreliminaries(Mikdamot)

AJS Review ◽  
2017 ◽  
Vol 41 (1) ◽  
pp. 67-88
Author(s):  
Dvir Tzur
Keyword(s):  
The Other ◽  
The Novel ◽  
Urban Experience ◽  
Tel Aviv ◽  
Other Hand ◽  
The World ◽  
The One ◽  
The Individual

The article discusses the image of Tel Aviv, the first Hebrew city, as it is described in the novelPreliminariesby S. Yizhar (Yizhar Smilansky), one of Israel's best-known authors. In this novel, which engages with the question of home and borders, borders function as a double-edged sword: on the one hand, they define home and create a circumscribed place for the protagonist and his family. On the other hand, the novel dwells on the urge to cross borders and shatter the distinction between home and the world. In this regard, Tel Aviv is sometimes described as a pleasant, “normal” city, yet at other times it is written as a perilous place—since it divides between Jews and Arabs. Tel Aviv is also the place where one can imagine a great future or see a concealed history. It is a total urban experience, encapsulating the individual.

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