scholarly journals From Dusk till “DAU”: the Rise of Heterotopic Cinema in the Times of Pandemic

2020 ◽  
Vol 8 (1) ◽  
pp. 68-81
Author(s):  
Alexandre Zaezjev

AbstractThe release of Ilya Khrzhanovsky’s megalomaniacal cinematic project DAU coincided with the global Covid-19 pandemic. With festivals postponed and public screenings no longer possible, Khrzhanovsky moved his project online, integrating the unprecedented experience of the global lockdown and quarantine into the cinematic universe of DAU. Using the concept of heterotopia devised by French philosopher Michel Foucault, this paper examines the ways in which self-isolation altered the conditions of spatio-temporal engagement with DAU. Ultimately, the paper presents an original theoretical model of heterotopic cinema to demonstrate that confinement is precisely what allows Khrzhanovskiy’s artistic method to fully function.

2020 ◽  
Vol 5 (2) ◽  
pp. 262-279 ◽  
Author(s):  
Antoine Vialle ◽  
Mario Giampieri

Current trends of spatial planning policies give a strategic role to soils, the multifunctionality of which must be considered as a crucial driver facing cities’ forthcoming social-ecological transition. However, soils within urban areas are insufficiently studied as a long-term record of environmental history and heavy anthropization. This article investigates the extreme qualitative variability of urban soils by presenting a conceptual model and cartographic workflow highlighting soil evolution processes as a value which co-variates with urbanization. Based on a case study in West Lausanne (Switzerland), the layers and map series of an atlas underscore the applicability of different types of information and spatial analysis for documenting the influence of anthrosediments and land cover changes. Combined with empirical profile descriptions, such a consolidated concept map defines a template, in the form of a complex spatio-temporal figure, on which to apply the state factor approach. Instead of using a simple spatial transect or gradient, the increasing anthropic dominance over original landscape conditions is explained using a section through time. An urban anthroposequence consequently retraces contrasting soil development pathways as a coherent bundle of historical trajectories. Such a narrative integrates various facets of land use, including one-off construction techniques and recurring maintenance practices, planning tools, and morphologies, into a specific ‘project for the ground’ which brought forth the mixed mesh of the Swiss Plateau ‘cityterritory.’ Ultimately, the dynamic vision conveyed by these intertwined soil–urbanization coevolution trajectories outlines opportunities for the regeneration of the resource deposit made up of both West Lausanne’s urban fabric and its soils as a palimpsest.


1992 ◽  
Vol 55 (3-4) ◽  
pp. 287-308 ◽  
Author(s):  
F. Daviaud ◽  
J. Lega ◽  
P. Bergé ◽  
P. Coullet ◽  
M. Dubois

1993 ◽  
Vol 15 (3-4) ◽  
pp. 165-175 ◽  
Author(s):  
H. Castro ◽  
E. Holguín ◽  
J. F. Loude ◽  
L. Rinderer

We present typical results of experiments carried out in (YBaCuO)1-xAgxtubular samples, for different values of the silver concentration x, having in mind the possible use of this material as a magnetic shield. We measured the times governing the dynamics of magnetic flux penetration, on a microsecond time-scale, and tried to correlate them with d.c. measurements of the resistivity and the critical transport current density, using a simple theoretical model based on the flux-flow régime.


Author(s):  
Clémentine Boulanger

Michel Foucault, in Surveiller et punir. Naissance de la prison notes the change of paradigm in criminal law through the history of the prison. The book was published in 1975 at a time when a revolution of the prisoners took place in France, denunciating the inhuman living conditions in prisons and claiming for more rights. However, Michel Foucault considers that the prisoners are rejecting something more subtle. Indeed, they are rejecting the prison itself, as a means of surveillance and control, a means of power and subjugation. Such observation enables the author to perceive prison’s role in an unusual way. He also observed the establishment of the continuity of the prison within the society, conducted by various institutions and actors. The theoretical model of criminal law highlighted by Michel Foucault allows us to understand how the society is invested by the power at the beginning of the twenty-first century. The purpose of this article is to find out what is left of the author’s reasoning at a time when contemporary democracies are plunged into a climate of insecurity. Indeed, the terrorism is the sword of Damocles hanging above each State. At European level as at national level, criminal law absorbs security concerns. It is no longer intended to prevent crimes or to punish those who committed them. A criminal law of surveillance and social control is emerging in order to resolve insecurity.


1992 ◽  
Vol 22 (2) ◽  
pp. 44-51
Author(s):  
H. Elsabé Smuts

Traditionally creativity is viewed in an intrapsychic framework: creative persons are seen in isolation and creativity is considered to consist primarily of subjective processes occurring within such people. Creativity is usually explained in linear terms of cause and effect, ignoring the social space which implies other people, relationships and interactions. This traditional approach has resulted in a largely fragmented, diversified, contentious and idiosyncratic field of research. The author, by contrast, works in an interpsychic framework, in terms of which people are continually engaged in relationships and interaction, and creativity as a form of behaviour is motivated interpersonally. Creativity is explained in terms of the circular processes occurring among people through interaction and mutual influencing of behaviour. An interactional definition and a theoretical model of creativity are postulated, offering a more holistic perspective on the phenomenon as a continuous quality involving person, process, product and environment. Such an interactional conception of creativity transcends scientific and professional boundaries as well as the diversity of human activities, actions, responses and products; it also allows for the spirit of the times and cultural and other social variations. Thus there is a shift from an intrapsychic explanatory model to a more pragmatic interpsychic observational model of creativity.


1998 ◽  
Vol 353 (1373) ◽  
pp. 1333-1340 ◽  
Author(s):  
John O'Keefe ◽  
Neil Burgess ◽  
James G. Donnett ◽  
Kathryn J. Jeffery ◽  
Eleanor A. Maguire

The hippocampal formation in both rats and humans is involved in spatial navigation. In the rat, cells coding for places, directions, and speed of movement have been recorded from the hippocampus proper and/or the neighbouring subicular complex. Place fields of a group of the hippocampal pyramidal cells cover the surface of an environment but do not appear to do so in any systematic fashion. That is, there is no topographical relation between the anatomical location of the cells within the hippocampus and the place fields of these cells in an environment. Recent work shows that place cells are responding to the summation of two or more Gaussian curves, each of which is fixed at a given distance to two or more walls in the environment. The walls themselves are probably identified by their allocentric direction relative to the rat and this information may be provided by the head direction cells. The right human hippocampus retains its role in spatial mapping as demonstrated by its activation during accurate navigation in imagined and virtual reality environments. In addition, it may have taken on wider memory functions, perhaps by the incorporation of a linear time tag which allows for the storage of the times of visits to particular locations. This extended system would serve as the basis for a spatio–temporal event or episodic memory system.


2019 ◽  
Author(s):  
Didier G. Leibovici ◽  
Shaun Quegan ◽  
Edward Comyn-Platt ◽  
Gary Hayman ◽  
Maria Val Martin ◽  
...  

Abstract. A range of applications analysing the impact of environmental changes due to climate change, e.g. geographical spread of climate sensitive infections (CSIs), agriculture crop modelling, etc., make use of Land Surface Modelling (LSM) to predict future land surface conditions. There are multiple LSMs to choose from that account for land processes in different ways and, depending on the application, the choice of LSM and its sensitivity will have different impacts. For useful predictions for a specific application, one must therefore understand the inherent uncertainties in the LSMs and the variations between them, as well as uncertainties arising from variation in the climate data driving the LSMs. This requires methods to analyse multivariate spatio-temporal variations and differences. A methodology is proposed based on multi-way data analysis, which extends Singular Value Decomposition (SVD) to multi-dimensional tables, and provides spatio-temporal descriptions of agreements and disagreements between LSMs for both historical simulations and future predictions. The application underlying this paper is prediction of how climate change will affect the spread of CSIs in the Fenno-Scandinavian and north-west Russian regions, and the approach is explored by comparing Net Primary Production (NPP) estimates over the period 1998–2013 from versions of leading LSMs (JULES, CLM5 and two versions of ORCHIDEE) that are adapted to high latitude processes, as well as variations in JULES up to 2100 when driven by 34 global circulation models (GCMs). A single optimal spatio-temporal pattern, with slightly different weights for the four LSMs (up to 14 % maximum difference), provides a good approximation to all their estimates of NPP, capturing between 87 % and 93 % of the variability in the individual models, as well as around 90 % of the variability in the combined LSM dataset. The next best adjustment to this pattern, capturing an extra 4 % of the overall variability, is essentially a spatial correction applied to ORCHIDEE-HLveg that significantly improves the fit to this LSM, with only small improvements for the other LSMs. Subsequent correction terms gradually improve the overall and individual LSM fits, but capture at most 1.7 % of the overall variability. Analysis of differences between LSMs provides information on the times and places where the LSMs differ and by how much, but in this case no single spatio-temporal pattern strongly dominates the variability. Hence interpretation of the analysis requires the summation of several such patterns. Nonetheless, the three best principal tensors capture around 76 % of the variability in the LSM differences, and to a first approximation successively indicate the times and places where ORCHIDEE-HLveg, CLM5 and ORCHIDEE-MICT respectively differ from the other LSMs. Differences between the climate forcing GCMs had a marginal effect up to 6 % on NPP predictions out to 2100 without specific spatio-temporal GCM interaction.


Wielogłos ◽  
2020 ◽  
pp. 23-47
Author(s):  
Jacek Bielawa

“An Honest Word About Himself.” The Work of Waldemar Bawołek in the Light of the Cynic Tradition The article is an attempt to read the works of Waldemar Bawołek in the light of the cynic matrix of an other life, as interpreted in the texts of Michel Foucault and Peter Sloterdijk. The work of Bawołek is treated as an existential project in line with the cynic tradition of spiritual exercises, in which the key role is played by the ideal of honesty and the principles of shamelessness, poverty, vigilance and sovereignty that serve its implementation. In Foucault’s thought, this tradition was presented as a kind of wandering idea whose separate forms are, among others, Christian ascetic patterns, the Nietzschean concept of the superman, or the modernist paradigm of authenticity. The category of the subject’s sincerity in Bawołek’s work is presented with reference to the theoretical model of the sylleptic self, which in the final part of the article is confronted with the main features of the New Sincerity literary trend.


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