scholarly journals Dziewiętnastowieczne wydania polskich przekładów pism Świętej Teresy z Ávili

2021 ◽  
Vol 21 ◽  
pp. 352-371
Author(s):  
Marta M. Kacprzak
Keyword(s):  
19Th Century ◽  
Religious Life ◽  
The Other ◽  
Christian Mysticism ◽  
Teresa Of Avila ◽  
Saint Teresa Of Avila ◽  
The 19Th Century ◽  
Ideological Assumptions

From the 1840’s to the end of the 19th century more than twenty editions of Polish translations of texts by Saint Teresa of Ávila, as well as the ones attributed to her, were released. It was attempted to popularise her works, information about her life and thought, as well as the cult of her, knowledge about Christian mysticism and the revival of religious life. Two important bibliographies presenting the reception of Teresa in Poland: one by Stefania Ciesielska-Borkowska (1939) and the other one by Benignus Wanat (1972) require complementing and corrections, which should find reflection in contemporary editions and catalogues. The paper presents all the editions of works by Teresa (fragments, all works, collections of works, as well as paraphrases), released in Polish in the 19th-century books and periodicals. It corrects the mistakes in bibliographical descriptions, which result from mistakes in the publications themselves, as well as errors in attribution. It refers to the authorship of anonymous translations and their undetermined bases, it characterises briefly the environments in which Saint Teresa’s works were translated and published. It presents the religious, literary, social and scientific purposes accompanying the texts by Teresa, as well as translation, editorial and ideological assumptions. It shows the editions of Saint Teresa’s texts in translations or paraphrases by: Sebastian Nucerin, Ignacy Hołowiński, Nina Łuszczewska, Eleonora Ziemięcka, Michał Bohusz Szyszko, Eleonora z Paprockich Szemiothowa, Zygmunt Krasiński, Lucjan Siemieński, Ignacy Domeyko, Karmela Wiktima od Jezusa (Amalia Zenopolska), Tadeusz Miciński, Henryk Piotr Kossowski, as well as anonymous translators.

On the nature of chemistry

2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri
Keyword(s):  
19Th Century ◽  
The Other ◽  
Recent History ◽  
History Of Chemistry ◽  
History Of ◽  
The One ◽  
Fundamental Unity ◽  
The 19Th Century

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>

La Nueva gramática de la lengua castellana de martínez de noboa

1997 ◽  
Vol 24 (1-2) ◽  
pp. 115-138
Author(s):  
Marina Maquieira
Keyword(s):  
19Th Century ◽  
The Other ◽  
The 19Th Century ◽  
Grammatical Tradition ◽  
Philosophical Grammar

Summary This paper examines a treatise on Spanish grammar, i.e., a particular grammar which follows the tradition of French philosophical grammar. Bachiller D. Antonio Martínez de Noboa’s work, published in 1839, appears in a century when the Spanish grammatical tradition is at its best. Texts like Vicente Salvá’s (1786–1849) and of course Andrés Bello’s (1781–1865) have in recent years attracted the attention of researchers. However, Martínez de Noboa’s work is much less known, although Gómez Asencio (1981, 1985) did highlight its importance in his two indispensable studies of the period between 1771 and 1847. The Nueva Gramática de la lengua Castellana is indebted to the framework set by José Gómez de Hermosilla (1835) and Jacobo Saqueniza (1828), although it does include some original observations. This paper examines the structure of the work in question and aims to show how it is in global terms a unified text combining different aspects, of which the most striking is without doubt the syntactic one. With this aim in mind certain specific examples of the analogy pertaining to syntax have been studied. First those he himself highlighted, e.g., the article/pronoun and verb and then those comments on syntax which are logically pertinent, e.g., conjunctions. Noboa himself was cited as was Saqueniza as having been responsible for the introduction of distinction between coordinate and subordinate conjunctions in Spanish grammar, along with the distinction between simple and complex clauses. On the purely syntactic level, it was also Noboa who refined the whole notion of verbal government. Finally, there is a brief summary of the section dedicated to pronunciation and spelling which are also considered by the author to be in some way related to the other parts of the grammar. In sum, what makes this work particularly interesting is undoubtedly the emphasis on syntax as more studies had been carried out on morphology than in any other area up until the 19th century and continued after Noboa to monopolise questions concerning grammar throughout this century.

Ein föderales Imperium?

2021 ◽  
Author(s):  
Patrick Rummel
Keyword(s):  
South Africa ◽  
New Zealand ◽  
Great Britain ◽  
British Empire ◽  
19Th Century ◽  
Military Personnel ◽  
The Other ◽  
The 19Th Century

The previously ignored model of Greek colonisation attracted numerous actors from the 19th century British empire: historians, politicians, administrators, military personnel, journalists or anonymous commentators used the ancient paradigm to advocate a global federation exclusively encompassing Great Britain and the settler colonies in Canada, Australia, New Zealand and South Africa. Unlike other historical templates, Greek colonisation could be viewed as innovative and unspent: innovative because of the possibility of combining empire and liberty and unspent due to its very novelty, which did not contain the ‘imperial vice’ the other models had so often shown and which had always led to their political and cultural decline.

Contraste, Dissonanzen, Missklänge: Zum Verhältnis von Idylle und Tourismus in literarischen Schweiz-Reisen des 19. Jahrhunderts (Ida Hahn-Hahn, Hans Christian Andersen)

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt
Keyword(s):  
19Th Century ◽  
The Other ◽  
Hans Christian Andersen ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.

ON DETERMINING THE SEX OF THE UNBORN CHILD

PEDIATRICS ◽  
1973 ◽  
Vol 52 (4) ◽  
pp. 541-541
Author(s):  
T. E. C.
Keyword(s):  
19Th Century ◽  
The Other ◽  
Unborn Child ◽  
Great Probability ◽  
The 19Th Century

Dr. Eugene Beckland, considered by some of his contemporaries to be the most distinguished French physiologist of the first half of the 19th century, offered the rules cited below for telling the sexes of children before they were born.* There are tolerably conclusive rules, for telling the sexes of children before they are born; and were I to be guided entirely by the testimony of my own experience, I would say, that these rules are infallible. Ladies experience more sickness with boys than with girls, probably because they are generally larger and more lively. Their foreign appetites are also of a stronger, better defined, and more natural character. For instance, with one they will long for meat, spiritous liquors, etc.; with the other, for chalk, isinglass, and various substances, which would be quite repugnant to her at other times. Anain roundness of form promises a boy; whereas when the tendency is nearly all to the front, and the hips and back give but little evidence of the lady's situation, the great probability is, that the little stranger is a girl. At all events, these indications never have deceived me.1

scholarly journals Kant, Nietzsche and the idealization of friendship into nihilism

2013 ◽  
Vol 54 (128) ◽  
pp. 401-417
Author(s):  
Paul van Tongeren
Keyword(s):  
19Th Century ◽  
Literary Imagination ◽  
The Other ◽  
Other Hand ◽  
History Of ◽  
The One ◽  
Articles Of Faith ◽  
The 19Th Century

Is friendship still possible under nihilistic conditions? Kant and Nietzsche are important stages in the history of the idealization of friendship, which leads inevitably to the problem of nihilism. Nietzsche himself claims on the one hand that only something like friendship can save us in our nihilistic condition, but on the other hand that precisely friendship has been unmasked and become impossible by these very conditions. It seems we are struck in the nihilistic paradox of not being allowed to believe in the possibility of what we cannot do without. Literary imagination since the 19th century seems to make us even more skeptical. Maybe Beckett provides an illustration of a way out that fits well to Nietzsche's claim that only "the most moderate, those who do not require any extreme articles of faith" will be able to cope with nihilism.

Content and Consistency in the Endogenous Depressive Pattern

1966 ◽  
Vol 112 (486) ◽  
pp. 471-484 ◽  
Author(s):  
Saul H. Rosenthal ◽  
Gerald L. Klerman
Keyword(s):  
19Th Century ◽  
The Other ◽  
Psychotic Depression ◽  
Public Attention ◽  
Half Century ◽  
Manic Depressive ◽  
Wide Range ◽  
The 19Th Century ◽  
Mourning And Melancholia ◽  
The Way

As currently used, the diagnosis of depression includes a wide range of clinical phenomena. This has not always been the case. Near the end of the 19th century, when the term depression began to evolve the meanings that it has today it was applied primarily to psychotics. The formulations of Freud in Mourning and Melancholia (1917), and of Kraepelin in Manic Depressive Insanity (1921) were based upon observations of patients who were both depressed and psychotic. In their work the contrast was between psychotic depression (or “melancholia”) on one hand, and normal sadness on the other. In the succeeding half-century, however, as psychiatry has extended its boundaries, increasing attention has been focused on non-psychotic depressions, often called “neurotic” or “reactive.” As these “neurotic” or “reactive” depressions reached public attention, a debate began over the way in which the depressive population should be described and the extent to which it should be subdivided. Critical and often sarcastic written battles were fought between the separatists and the unifiers during the 1920's and 1930's. These debates have been informatively chronicled by Partridge (1949). We have found it useful to divide these theorists into unifiers, dualists, and pluralists.

scholarly journals PEMIKIRAN JAMALUDDIN AL-AFGHANI (JAMAL AD-DIN AL-AFGHANI) (1838 – 1897 M)

2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
The West ◽  
Unique Position ◽  
Islamic Reform ◽  
Other Hand ◽  
The People ◽  
The One ◽  
The 19Th Century

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 

scholarly journals Suomen mukana ja mukaan seuralaisuussuhteen ilmaisijoina: kiintopisteen ilmaisukeinot, konstruktiot ja osallistujien symmetriaero

Virittäjä ◽  
2017 ◽  
Vol 121 (2) ◽  
Author(s):  
Krista Ojutkangas
Keyword(s):  
19Th Century ◽  
Research Question ◽  
The Other ◽  
Syntactic Variation ◽  
Main Research ◽  
Corpus Data ◽  
The Asymmetry ◽  
Grammatical Roles ◽  
The 19Th Century

Tutkimuksen tavoitteena on selvittää, millaisissa konstruktioissa suomen seuralaisuutta ilmaisevat mukana ja mukaan esiintyvät. Seuralaisuussuhteelle on tyypillistä, että suhteen osallistujat tai vähintään kiintopiste ovat ihmisiä ja että osallistujien välillä on symmetriaero: seuralainen (engl. companion) osallistuu tilanteeseen epäsuorasti, seurattavan (engl. accompanee) välityksellä. Suomen grammeille ominaiseen tapaan mukana- ja mukaan-sanoja käytetään syntaktisesti monenlaisissa asemissa siten, että kiintopisteen (seurattavan) ilmaisun tyyppi vaihtelee. Tutkimuksessa selvitetäänkin, mikä on kiintopisteen ilmaisutavan rooli siinä, miten seuralaisuussuhteen osallistujien välinen epäsymmetria hahmottuu. Tutkimuksen syntaktisessa luokittelussa pidetään lähtökohtana postpositiokonstruktiota, jossa osallistujien välisen symmetriaeron voi katsoa perustuvan kiintopisteen viitepisteroolin kautta grammin semantiikkaan (tyyppi lapio oli kaivajan mukana). Symmetriaero sen sijaan voimistuu, kun kiintopiste edustuu omistusliitteen välityksellä subjektina (tyyppi hän otti lapion mukaansa) tai kun se ilmaistaan teemapaikalla paikallissijaisena adverbiaalina (tyyppi hänellä oli lapio mukana[an]). Symmetriaero sen sijaan heikkenee, jos (toissijainen) kiintopiste ilmaistaan adverbiaalina muualla kuin teemapaikalla (tyyppi hän oli mukana kaivamassa), ja vetäytyy taustatiedoksi, kun kiintopistettä ei ilmaista lainkaan (tyyppi hän on mukana). Tutkimus perustuu aineistoon, jossa ovat edustettuina 1800-luvun kirjakieli, Lauseopin arkiston murrehaastattelut ja nykykirjakieli. Aineisto osoittaa, että mukana- ja mukaan-grammeilla ilmaistuissa seuralaisuussuhteissa on tapahtunut muutos: 1800-luvun kirjakielen ja pääosin 1960-luvulla tallennetun murreaineiston esiintymissä yleisin kiintopiste on ihminen, kun taas nykykirjakielen aineistossa kiintopisteeksi hahmottuu tyypillisimmin toiminta. Kiintopisteen semanttinen tyyppi ja sen kielellinen ilmaisukeino ovat suorassa suhteessa toisiinsa. Ihmiskiintopiste ilmaistaan yleisimmin subjektin kanssa samaviitteisellä omistusliitteellä tai teemapaikkaisella paikallissijaisella elementillä ja toimintakiintopiste puolestaan ei-teemapaikkaisella paikallissijaisella elementillä. Eri ilmaisukeinot jakautuvat eri verbien ympärille rakentuvien konstruktioiden kesken. Tutkimuksen perusteella voi todeta, että esiintymäkonstruktiolla on merkittävä rooli siinä, millaista seuralaisuutta mukana- tai mukaan-grammilla kuvataan.   Finnish mukana and mukaan ‘with, along’ as comitative markers: Grammatical roles of expressions of the landmarks, constructions, and asymmetry between the participants of the accompaniment relation The topic of this article is the syntax of Finnish comitative markers mukana and mukaan ’with, along’. Comitative markers express accompaniment relations, which are typically conceived as being asymmetrical: the accompanee (landmark) is the pre-dominant participant, while the companion (trajector) is involved in the situation only via the accompanee (see Stolz et al. 2006: 26–27). However, markers such as mukana and mukaan are used in several syntactic constructions where the grammatical roles of expressions of the accompanees/landmarks vary. The main research question of the article is, how does the grammatical role of expression of the accompanee/landmark affect the asymmetry between the participants of the accompaniment relation. Five syntactic construction types were analysed from a corpus data. On the basis of this study, it is shown that syntactic variation has an effect on the conceived asymmetry between the accompanee and the companion, and that syntax makes an important contribution to the semantics of comitative constructions. In strongly asymmetric accompaniment relations, a human accompanee is expressed by a possessive suffix affixed to the comitative marker, or by a clause-initial adverbial. On the other hand, the question of asymmetry contracts to the background when the accompanee is expressed by a non-clause-initial adverbial and when the accompanee is implicit, without any overt marking. The research is based on a corpus data comprising 19th-century written Finnish, dialect interviews, and modern written Finnish. The data shows that accompaniment relations expressed by mukana and mukaan have changed: in the 19th-century and dialect data, the majority of the landmarks are humans, but in the modern data activities dominate as (secondary) landmarks.  

scholarly journals ROME AND CARTHAGE BY A.V. TIMOFEEV: ON THE PROBLEM OF THE GENESIS OF “HISTORICAL FANTASY” AS A GENRE VARIETY OF RUSSIAN ROMANTIC DRAMA OF THE 19TH CENTURY

2021 ◽  
pp. 142-163
Author(s):  
ARKADII MAN'KOVSKII
Keyword(s):  
19Th Century ◽  
Religious Tradition ◽  
The Other ◽  
Literary Critic ◽  
Historical Events ◽  
Romantic Drama ◽  
The One ◽  
Historical Fantasy ◽  
The 19Th Century ◽  
The Way

The paper explores the genre of scarcely studied play by Russian minor writer Alexei V. Timofeev (1812-1883) Rome and Carthage (1837). Timofeev’s contemporary literary critic Osip Senkovskii treated like poet’s failure his use of romantic techniques in the play on ancient plot. Taking into account this opinion the paper analyzes the paratextual elements in the play, the way of describing characters, the division of the play into acts, the connection of the plot events with historical facts. The paper argues that the play approaches the kind of romantic drama, which the author suggests to call “historical fantasy” Its main feature is the coexisting in the plot mythology and religious tradition, on the one hand, and historical events, on the other, the heroes of historical chronicles and the heroes of folk legends, belief in miracles and rationalism. The goal of historical fantasy is to produce a generalized image of the time, to convey the spirit of the epoch while the dramatic action takes a secondary place. Samples of the genre were given in the works of Alexander A. Shakhovskoi, Alexander I. Gertsen, Apollon N. Maikov. Timofeev’s play was just in the way to this kind of drama.

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