scholarly journals Las historias literarias colombianas y los estudios de género

2016 ◽  
Vol 4 (2) ◽  
pp. 43
Author(s):  
Carmiña Navia Velasco
Keyword(s):  
Literary History ◽  
Pierre Bourdieu ◽  
Literary Texts ◽  
Literary Field ◽  
Women's Voices ◽  
Las Mujeres

Resumen: Se aborda la discusión sobre las historiasliterarias colombianas en relación con el concepto delcanon a partir de la pregunta por el lugar que ocupa laproducción literaria femenina en las concepciones sobrelo que ha sido la literatura en este país. Se examinan, ala luz de de la categoría de género, los procesosliterarios que han configurado la tradición canónicaen el país, constatando cómo se han ignorado las vocesde las mujeres y con ello, sus textos se han perdido muchasveces. Este panorama comienza a cambiar con el trabajocrítico de María Mercedes Jaramillo, Angela InésRobledo, Flor María Rodríguez Arenas, Betty Osorio deNegret, Luisa Ballesteros. En su trabajo se repiensan lasbases de la nación moderna, desde una perspectiva quequiere integrar discursos que han permanecido periféricos.Se emplea el concepto de campo literario desarrolladopor Pierre Bourdieu, en el cual es central laproblemática de la distribución de capital cultural ypoder para examinar la posición de las mujeres en elcampo literario colombiano. Finalmente, se orienta laindagación hacia la recepción: ¿Cómo fueron recepcionadaslas obras escritas por mujeres? ¿Qué posibilidadestuvieron de circulación? ¿Desde qué presupuestosfueron leídas? La consideración concienzudade estas interrogantes permitirá construir una visión másamplia y más real del pueblo y de la cultura en Colombia.Palabras clave: historia literaria, canon, género,mujeres, campo literario, recepciónAbstract: This article discusses Colombian literaryhistory in relation to the concept of the canon, startingout from the question about the place the literaryproduction by women occupies in the conceptions aboutliterature in this country. In light of the category ofgender, the literary processes that have given shape tothe canonic tradition in Colombia are examined,discovering how women’s voices have been ignored,leading often to the loss of their literary texts. Thispanorama begins to change with the critical work ofMaría Mercedes Jaramillo, Angela Inés Robledo, FlorMaría Rodríguez Arenas, Betty Osorio de Negret, LuisaBallesteros, where the bases of the modern nation isrethought, from a perspective that would integratediscourses that have remained peripheral.The concept of literary field advanced by PierreBourdieu, in which the problem of the distribution ofcapital and power is central, is used to examine theposition of women in the Colombia literary field. Howwere the works by women received? What possibilitiesdid they have of being distributed? From whatpresuppositions were they read? The conscientiousconsideration of these questions will allow for theconstruction of a wider view of the Colombian peopleand their culture.Key words: literary history, canon, gender, women,literary field, reception

scholarly journals Modellen in de Nederlandse literatuur. De jaren 1900-1920

2014 ◽  
Vol 19 (3) ◽  
pp. 185-204
Author(s):  
Gillis Dorleijn ◽  
Dirk de Geest ◽  
Pieter Verstraeten
Keyword(s):  
World War I ◽  
Literary History ◽  
Cultural Practices ◽  
Cultural Models ◽  
Literary Texts ◽  
Literary Field ◽  
Concept Model ◽  
Cultural Behavior ◽  
Institutional Infrastructure ◽  
Dutch Literature

Abstract Models in Dutch Literature 1900-1920. An IntroductionIn Dutch literary history, the timespan between 1900 and 1920 has often been conceived of as a period of relative calm and stability in contrast to the preceding fin-de-siècle years and the years following World War I. Recent publications, however, broadening their scope from the canonical literary texts and the major authors to a more comprehensive view on literary culture, have revealed that the first decades of the 20th century saw important changes in the structure of the literary field, alongside (and in close connection to) the emergence of new cultural practices. This special issue of Nederlandse Letterkunde wants to chart some of these changes, ranging from the rise of new genres and new ideas about literature and authorship, to a reorganization of the institutional infrastructure of literature. In the introduction we argue that, to analyze such phenomena, it is fruitful to focus on the development, reinterpretation and circulation of literary and cultural models, since all cultural behavior is model-based, as are cultural artifacts, which might in turn function as models themselves for new practices or products. To illustrate the possibilities of the concept ‘model’ we present a brief case study on the literary interview, a media genre emerging internationally at that time, followed by some general reflections on the ‘model’ approach in literary and cultural studies.

scholarly journals The literary field of queer cultural production in contemporary India: considering popular queer texts via Bourdieu

2021 ◽  
Vol 2 (4) ◽  
pp. e21048
Author(s):  
Anil Pradhan
Keyword(s):  
Cultural Production ◽  
Pierre Bourdieu ◽  
Literary Texts ◽  
Literary Field ◽  
Indian Context ◽  
Art And Literature ◽  
Queer Culture ◽  
Field Of Cultural Production ◽  
Popular Texts

In The Field of Cultural Production: Essays on Art and Literature, sociologist Pierre Bourdieu puts forward the idea that culture is discursively produced and that the field that informs, constitutes, and problematizes cultural production is crucial towards understanding how cultural transactions, dynamics, and politics work. Since literature is a key marker of society’s outlook on and reception of sensitive subjects like non-heteronormativity, this article focuses on the queer literary field – LGBTQ+-related texts and publication – in/of contemporary India. To this end, I look into trends in publication of Indian queer literary texts in English since 1976 through Bourdieu’s concept of the cultural production of the field of queer literature and consider popular texts like Shikhandi: And Other Queer Tales They Don’t Tell You; Our Impossible Love; She Swiped Right into my Heart, and read them vis-à-vis Bourdieu’s theorization, in order to conceptualize an idea about how texts and contexts interact with each other towards (re-)producing and (re-)constructing contemporary queer culture(s) in the Indian context.

STRATEGI KEPENYAIRAN IMAN BUDHI SANTOSA DALAM ARENA SASTRA: KAJIAN SOSIOLOGI PIERRE BOURDIEU (POETRY STRATEGY OF IMAN BUDHI SANTOSA IN LITERARY FIELD: A STUDY ON SOCIOLOGY PIERRE BOURDIEU)

Widyaparwa ◽  
2016 ◽  
Vol 44 (1) ◽  
pp. 67-72
Author(s):  
Ahmad Zamzuri
Keyword(s):  
Pierre Bourdieu ◽  
Descriptive Study ◽  
Current Position ◽  
Literary Field

Iman Budhi Santosa (IBS) di arena sastra Yogyakarta dikenal sebagai penyair legitimet, baik dipandang dari kualitas karya maupun konsekrasi dalam dunia sastra. Posisi IBS berkaitan erat dengan Persada Studi Klub (PSK), komunitas sastra yang dibimbing oleh Umbu Landu Paranggi. Penelitian ini akan mengkaji strategi IBS dalam mencapai posisi saat ini. Tujuan penelitian ini untuk mengetahui strategi IBS dalam mencapai posisi penyair saat ini dengan menggunakan teori sosiologi Pierre Bourdieu. Penelitian ini bersifat deskriptif. Dari hasil analisis menunjukkan bahwa IBS cenderung meng-gunakan strategi simbolik dalam pencapaiannya sebagai penyair dan posisinya sebagai pengasuh para penulis.Iman Budhi Santosa (IBS) in Yogyakarta literary arena known as a legitimate poet, either seen from his works quality or his consecration in the literary world. IBS position is closely related to Persada Studi Club (PSK), which is guided by Umbu Landu Paranggi. This study investigates the IBS strategy in achieving his current position. The research aims to find out IBS strategy in achieving the poet current position by using Pierre Bourdieu sociology theory. The research is a descriptive study. The analysis shows that IBS tends to use symbolic strategy in his achievement as a poet and his position as a tutor for writers.

Historical Romance

2018 ◽  
Author(s):  
Ina Ferris
Keyword(s):  
Eighteenth Century ◽  
Literary History ◽  
Literary Form ◽  
Private Life ◽  
Distinct Form ◽  
Literary Field ◽  
History Writing ◽  
Historical Romance ◽  
Late Eighteenth Century ◽  
Late Eighteenth

This chapter looks at historical romance. Late eighteenth-century historiography began to expand its purview to unofficial spheres of social, cultural, and private life typically cultivated by informal genres such as memoirs, biographies, and novels. The ‘matter’ of history was being increasingly redefined, and this had two key effects that bear on the question of historical romance. First, the ‘reframing’ of the historical field generated a marked reciprocity among the different historical genres in the literary field, as they borrowed material and tactics from one another; second, it led to a splintering albeit not displacement of ‘general’ history, as new branches of history writing took shape, notably that of literary history as a distinct form of history. Hence romance now denoted not only the realm of ‘fancy’ but a superseded literary form of renewed interest in the rethinking of the national past.

Las protestas feministas de 2019: aspectos estético-políticos. Un análisis a partir de la perspectiva de Pierre Bourdieu

2021 ◽  
pp. 11
Author(s):  
Alejandro Peña García
Keyword(s):  
Pierre Bourdieu ◽  
Las Mujeres

La materia de análisis de este ensayo son las expresiones de protesta de mujeres durante 2019, específicamente el fenómeno #MeToo en México, las marchas de agosto y noviembre, la iniciativa del colectivo Restauradoras con Glitter, también en México, y la performance “Un violador en tu camino” del colectivo chileno LasTesis. Se analiza, a partir de la perspectiva sociológica de Pierre Bourdieu, el desarrollo de estos fenómenos como combates en el terreno simbólico dentro de la lucha más amplia de las mujeres por el reconocimiento y cumplimiento de su derecho a no ser violentadas, esto con el objetivo de entender los sentidos y la centralidad que adquieren expresiones de carácter estético en las luchas políticas del movimiento feminista

scholarly journals Podwójne życie tłumacza

1970 ◽  
Vol 9 (1) ◽  
Author(s):  
Monika Gawlak
Keyword(s):  
Moral Development ◽  
Social Participation ◽  
Pierre Bourdieu ◽  
Literary Translation ◽  
Social Dimension ◽  
Literary Field ◽  
Social Field ◽  
The Social ◽  
The Individual ◽  
Methodological Considerations

Translator’s Double LifeThe manner of functioning of South Slavic literature translators in the social field is presented in the article as a case of “multiplied social participation”, participation in the “game”, which they treat as an incentive for cultural, intellectual and moral development in the individual and social dimension. Methodological considerations on the translation presented in the article are based on the concepts of Barnard Lahire, Pierre Bourdieu, and Roger Caillois.KEY WORDS: Bernard Lahire, Pierre Bourdieu, literary field, game, Roger Caillois, literary translation

scholarly journals Płynne formy celebracji: Festiwale a polskie pole literackie

2017 ◽  
Author(s):  
Grzegorz Jankowicz ◽  
Jan Sowa
Keyword(s):  
Pierre Bourdieu ◽  
Methodological Framework ◽  
Literary Field ◽  
Determining Factors ◽  
Theory Of Fields ◽  
Changes Over Time ◽  
Over Time

Liquid forms of celebration: Festivals and the Polish literary fieldThe text aims to analyze the position of literary festivals within the Polish literary field. The process described is dynamic in character (the position of particular festivals changes over time). The authors attempt to grasp this dynamic, including its determining factors and the transformations it introduces in the literary field. The methodological framework of the article is provided by the category of theory of fields, developed by Pierre Bourdieu. Płynne formy celebracji: Festiwale a polskie pole literackieTekst ma na celu analizę pozycji, jaką festiwale poświęcone literaturze zajmują w obrębie polskiego pola literackiego. Pole to ma charakter dynamiczny (pozycja poszczególnych festiwali zmienia się wraz z upływem czasu). Autorzy starają się uchwycić ową dynamikę, zrozumieć determinujące ją czynniki, a także związane z tym przemiany w obrębie pola literackiego. Ramę metodologiczną tekstu stanowi kategoria teorii pól wypracowana przez Pierre’a Bourdieu.

scholarly journals Vies en Vlaams: de literaire contestatie uit de jaren zestig

1970 ◽  
Vol 64 ◽  
pp. 117-128
Author(s):  
Liesbeth Plateau
Keyword(s):  
Literary History ◽  
Systematic Investigation ◽  
Nineteen Sixties ◽  
Literary Field ◽  
Short Life ◽  
Short Life Span ◽  
Cultural Life ◽  
Key Players ◽  
High Degree ◽  
Insight Into

This contribution presents an introductory analysis of one of the key players of the socalled“stenciled revolution” in Flanders in the nineteen sixties. Before concepts likeprovo distressed the entire societal and cultural life in the Netherlands, certain phenomenain Flanders anticipated to this. From 1963, small stenciled magazines shot up likemushrooms in the Flemish literary field. Due to their aggressive stand against the literaryestablishment, the critics quickly caught sight of them and engaged in an energeticpolemic. Because of their involvement in the literary polemics, the stenciled magazinesshortly determined the literary life to a high degree. However, partly due to their complexhistory and short life span, a systematic investigation of this phenomenon has not yet beenconducted. Nevertheless, the underground- magazines of the “stenciled revolution” are invarious ways relevant to a renewed literary history, as they explore both the literary-criticaland the creative-literary boundaries of the traditional contrast between literature andnon-literature. In this article, I focus on one of the most creative-literary oriented of theseFlemish stenciled magazines, namely daele (1966-1968), to gain an insight into the identityof the “stenciled revolution”.

scholarly journals Sounding Silence: Inspiration And Passiveness In The Reading Of Early Modern Women

2017 ◽  
Author(s):  
Daniel Essig García
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Early Modern ◽  
Literary History ◽  
Silent Reading ◽  
Cultural Practice ◽  
Religious Experiences ◽  
Material Change ◽  
Early Modern Women ◽  
Las Mujeres

Abstract: cultural and material change described by historians of reading intersects with literary history in different and complex ways. An example is the cultural practice of silent reading in intimacy, which came to be pivotal for the literature of sensibility. It was gendered female in the eighteenth century and looked upon with disfavour, notably by moralists and pedagogues. However, not very long before, silent reading was associated with spirituality and women’s religious experiences, and was compatible with the virtues expected of the “lady of the Renaissance”. Several texts from the seventeenth century, notably diaries by women, will be discussed. Título en español: “Resonancia del silencio: inspiración y pasividad en la lectura femenina en el siglo XVII”.Resumen:los cambios culturales y materiales que describe la historia de la lectura entran en relaciones variadas y complejas con la historia literaria. Un ejemplo de esa dialéctica es la evolución de la práctica de la lectura silenciosa en recogimiento, que alcanzó una importancia extraordinaria para la novelística del Dieciocho. Se consideraba propia de las mujeres y estaba mal vista por moralistas y pedagogos. No mucho antes, empero, la lectura en silencio había sido un componente de la experiencia espiritual y religiosa de la mujer del Renacimiento, y como tal compatible con las virtudes femeninas. El artículo incluye comentarios de varios textos del diecisiete, en particular diarios de mujeres.

“Puede decirse que el roto era como pan blanco, si no francés, en medio de aquella mezcolanza de razas”: “chinos” y mujeres como representaciones del subalterno en la narrativa de la Guerra del Pacífico (1879-1884). / “It can be said that roto was ...

2016 ◽  
Vol 5 (10) ◽  
pp. 91-112
Author(s):  
Claudio A. Véliz Rojas
Keyword(s):  
Pierre Bourdieu ◽  
Symbolic Violence ◽  
Pacific War ◽  
Representation Of Women ◽  
The Pacific ◽  
National Values ◽  
Las Mujeres

El texto de Daniel Riquelme Bajo la Tienda (edición de 1958) escribe la identidad chilena sobre la representación subalterna de mujeres y ‘chinos’. Utilizando el contexto de la guerra del Pacífico (1879-1884), la narrativa de Riquelme justifica la superioridad del roto chileno soportada por las representaciones subalternas de estos grupos. Al interior de sus relatos, loschinos y las mujeres operan como referentes de contraste para la reafirmación de los valores nacionales. En este sentido y con el objetivo de sustentar teóricamente mi análisis, me serviré del concepto “subalternidad” explicado por el Grupo Latinoamericano de Estudios Subalternos así como por la investigadora india Gayatri Chakravarty Spivak. Asimismo, aplicaré las categorías desarrolladas por el teórico francés Pierre Bourdieu respecto a la existencia de un habitus, una hexis corporal y un uso constante de violencia simbólica, para la develación de los modos de dominación que ejercen los rotos chilenos sobre dichos grupos subalternos. The text of Daniel Riquelme Bajo la Tienda (1958 edition) writes the chilean identity about the subaltern representation of women and ‘Chinese’. Using the context of the Pacific War (1879-1884), Riquelme’s narrative justifies the superiority of the chilean rupture supported by the subaltern representations of these groups. Within their narratives, the Chinese and the women operate as contrasting references for the reaffirmation of national values. In this sense and in order to theoretically support my analysis, I will use the concept “subalternity” explained by the Grupo Latinoamericano de Estudios Subalternos as well as by the Indian researcher Gayatri Chakravarty Spivak. I will also apply the categories developed by the french theorist Pierre Bourdieu regarding the existence of a habitus, a corporal hexis and a constant use of symbolic violence, for the unveiling of the modes of domination exercised by the Chilean ruptures on these subalterngroups.

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