scholarly journals FEMINIST AND STRUCTURAL NARRATOLOGIE AS IDENTITY (RE)-CONFIGURATIONS IN AFRICAN NARRATIVES: A META-CRITICAL EXPOSITION OF LITERARY ARTICLES

2017 ◽  
Vol 6 (1) ◽  
pp. 21
Author(s):  
Christopher Babatunde Ogunyemi
Keyword(s):  
Gender Identity ◽  
African Literature ◽  
Colonial Literature ◽  
Post Colonial ◽  
The World ◽  
Feminist Narratology ◽  
The Way

Research in African literature articulated a number of literary and philosophical theories, particularly in the way that they can potentially undo conventional understandings of gender in the Nigerian context. This paper seeks to apply these insights in the form of a critical narratology.� Although narratology has a structuralist or formalist orientation, having its theoretical beginning in Saussure�s modern linguistics, and like structuralism, aspires to �scientific� or �universalist� claims, it, also, examines the way in which narratives affect the way we perceive the world. This paper will attempt to mobilise narratology critically, with the benefit of the insights emerging from various articles, in order to help our understanding of the question of gender and social themes in Nigerian post-colonial literature. Most especially, this paper will visualise the analysis of structural narratology and finally with feminist narratology in order to correct the inadequacies of structural narratology and the suppression of women in texts.Keywords: African literature, feminist narratology, gender identity, structural narratology

scholarly journals BHAKTI MOVEMENT IN INDIA AND CONTRIBUTIONS TO GUJARATI BHAKTI POETRY BY NARSINH MEHTA AND GANGASATI

2020 ◽  
pp. 105-113
Author(s):  
Ami Upadhyay ◽  
Dushyant Nimavat
Keyword(s):  
21St Century ◽  
Native Language ◽  
Devotional Literature ◽  
Colonial Literature ◽  
Post Colonial ◽  
The World ◽  
Regional Languages

The devotional literature we find in India's regional languages is sometimes referred to as Bhakti's literature. Since the poets from Bhakti Panth are more social and cultural, they are more thinkers and more social than literary figures. The translation of classics is particularly meaningful when a native language is translated into English. The classics are introduced to the world. In contemporary Shri Aurobindo and Dilp Chitre did, what Hsuan-tsang did for Sanskrit scripts. A. K. Ramanujan has also made a strong flow of translation in the post-colonial literature and Bhakti has been one of these literatures. This article explores the devotional poems of Narsinh Mehta that are important even in the 21st century.

Decolonising cities of the global South in the classroom and beyond

2020 ◽  
Vol 91 (5) ◽  
pp. 535-552
Author(s):  
Astrid Wood
Keyword(s):  
Global South ◽  
Colonial Literature ◽  
The South ◽  
Post Colonial ◽  
The North ◽  
The World ◽  
North And South

In the post-colonial context, the global South has become the approved nomenclature for the non-European, non-Western parts of the world. The term promises a departure from post-colonial development geographies and from the material and discursive legacies of colonialism by ostensibly blurring the bifurcations between developed and developing, rich and poor, centre and periphery. In concept, the post-colonial literature mitigates the disparity between cities of the North and South by highlighting the achievements of elsewhere. But what happens when we try to teach this approach in the classroom? How do we locate the South without relying on concepts of otherness? And how do we communicate the importance of the South without re-creating the regional hierarchies that have dominated for far too long? This article outlines the academic arguments before turning to the opportunities and constraints associated with delivering an undergraduate module that teaches post-colonial concepts without relying on colonial constructs.

scholarly journals Inner Conflicts and Racial Prejudices-An Analyses of Expatriates in ‘Bye Bye Blackbird’

2020 ◽  
Vol 8 (1) ◽  
pp. 18
Author(s):  
Dr. Indu Goyal
Keyword(s):  
Colonial Literature ◽  
Anita Desai ◽  
Shared Experience ◽  
The Unconscious ◽  
Post Colonial ◽  
Adjustment Difficulties ◽  
Indian Immigrants ◽  
The World ◽  
Jhumpa Lahiri ◽  
Migrant People

 At present many women writers like Jhumpa Lahiri, Bhabani Bhattacharya and Anita Desai have worked on the issues of expatriation and the complexities in the life of diasporas. Anita Desai dives deep into the unconscious and subconscious psyche of the expatriates and their nausea, nostalgia and longings to their native land. Expatriation appears as a recurrent motif in post-colonial literature across the world because it constitutes not only the commonly shared experience of the migrant people but also the creative sensibility of their writers. Desai highlights the physical and psychological problems of Indian immigrants and explores the adjustment difficulties that they face in England.

scholarly journals History of Early Colonization and Displacement of the Aboriginals: Oscar and Lucinda

2021 ◽  
Vol 1 (2) ◽  
pp. 35-40
Author(s):  
Ashok Kumar Pathania ◽  
◽  
Dr. Anshu Raj Purohit ◽  
Dr. Subhash Verma ◽  
Keyword(s):  
Historical Fiction ◽  
Main Stream ◽  
Colonial Literature ◽  
Truth Telling ◽  
Post Colonial ◽  
The Past ◽  
British Colonization ◽  
The World ◽  
Ruling Elites ◽  
History Of

The post colonial literature questions the legitimacy and completeness of history written in form of the chronicles of kings, princes, privileged ruling elites and the colonial and imperial ways of ruling the weaker territories across the world. Such power based narratives of the rulers, also termed as ‘mainstream history’, offer, either less space, for the indigenous, ‘subalterns’ or the conquered, or misrepresented them as the black, inferiors, uncivilized or aboriginals. The mainstreaming of history in this sense is the authoritative completeness or truth telling of the past. It is propagated as a matter of telling the story of past which can never be available as undistorted or pure. The novels of Peter Carey, the famous Australian novelist, re-evaluate the intricacies of history written by mainstream historians through their writings. In the historical fiction of Carey the convicts, rebellions, historical legends, systematic suppression and colonization of Aboriginals find justifiable records of their voices which could find place in the main stream version of history. The present paper is an attempt to analyse Peter Carey’s Oscar and Lucinda (1988) as purely a historical projection of nineteenth century Australia that portrays the early phase of British colonization of the continent particularly when the British administrators and historians were writing the saga of discovering and settling a newly occupied landmass. It unravels the process of spreading the Christianity in the newly occupied land which was one of the main strategies of British colonization across its colonies.

scholarly journals The resurrection of South African literature in Dutch? Some remarks on canonisation of minority literatures

Literator ◽  
2012 ◽  
Vol 33 (2) ◽  
Author(s):  
Olf Praamstra ◽  
Eep Francken
Keyword(s):  
South African ◽  
Literary History ◽  
African Literature ◽  
Colonial Literature ◽  
Post Colonial ◽  
East Indies ◽  
Peripheral Area ◽  
South African Literature ◽  
History Of ◽  
Minority Literatures

To gain entry into literary history and into the canon of literature may be quite difficult for a writer in general; for an author from a cultural periphery it is nearly impossible. For him there is only one road to canonisation: by way of a separate literary history of his peripheral area. Dutch (post)colonial literature is a case in point. Writers from the former Dutch East Indies (Indonesia), the Dutch Antilles and Surinam have been saved from oblivion because histories of their regional literatures have been published. In contrast, South African literature in Dutch (not to be confused with Afrikaans literature) in the course of the twentieth century dropped out of the picture. Although, strictly speaking, there is a need for more preliminary studies, a concise history of this specific body of literature is highly desirable as well.

scholarly journals altri canoni / canoni altri

2011 ◽  
Keyword(s):  
Virtual World ◽  
American Culture ◽  
Literary Studies ◽  
Literary Canon ◽  
Colonial Literature ◽  
Post Colonial ◽  
Western Intellectual ◽  
Anglo American ◽  
Conceptual Hierarchies ◽  
The Way

The concept of the literary canon is one of the most debated and controversial in the western intellectual tradition. This book offers ten contributions by Italian scholars of Anglo-American culture addressing the way in which the concept of the literary canon holds out against areas traditionally considered as external or extraneous to it. The essays range over different topics: the etymological analysis of the term "canon"; the relations between canon and performativity; paraliterature – a universe populated by non-hierarchic genres; the relations between post-colonial literature and the canon; postmodern biofiction; studies on translation and finally gay and lesbian literature. The book ends with a meditation on the innovations wrought on the Anglo-American canon by the virtual world of Internet and with a reading proposal originating from a different area of literary studies. Taken as a whole, the intention of the book is to pave the way to democratisation and pluralism in literary studies, going beyond the limitations set by the traditional scale of values of the "western canon". It proposes a frequentation of the geographical and cultural borderlines and hence of the areas of resistance that such borderlines pose to the dominant conceptual hierarchies within and around us, enabling us to glimpse an original future for literature and for western culture in a broader sense.

Becoming Politicized

2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou
Keyword(s):  
Collective Identity ◽  
Political Socialization ◽  
Greek Society ◽  
Economic Vulnerability ◽  
The World ◽  
The Future ◽  
Identity Model ◽  
Beliefs About The Future ◽  
Of Greece ◽  
The Way

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.

Restrained Airs: The Diegetic Surface and Nondiegetic Depth of British Film Music

2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey
Keyword(s):  
Film Music ◽  
The World ◽  
British Cinema ◽  
Film Making ◽  
The Way

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.

Profilometry. Using Corneo-scleral topography for scleral lens fitting

The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer
Keyword(s):  
Ocular Surface ◽  
World Wide ◽  
Contact Lenses ◽  
The Past ◽  
The World ◽  
The Future ◽  
The Way

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.

Los criterios de textualidad en la hermenéutica de Paul Ricoeur. Un análisis crítico

2008 ◽  
Vol 14 ◽  
Author(s):  
Adrián Bertorello
Keyword(s):  
Structural Analysis ◽  
Reading Strategies ◽  
Paul Ricoeur ◽  
Material Base ◽  
The World ◽  
Paul Ricœur ◽  
Text Writing ◽  
The Way

RESUMENEl trabajo examina críticamente la afirmación central de la hermenéutica de Paul Ricoeur, a saber, que el soporte material de la escritura es el rasgo determinante para que una secuencia discursiva sea considerada como un texto. La escritura cancela las condiciones fácticas de la enunciación y crea, de este modo, un ámbito de sentido estable en el que se puede validar una concepción de la subjetividad que está implicada en las dos estrategias de lecturas (el análisis estructural y la apropiación), esto es, un sujeto pasivo que se constituye por la idealidad del significado. Asimismo, el trabajo intentará precisar una serie de ambigüedades en el uso que Ricoeur hace del «ser en el mundo» para sostener la referencialidad del discurso.PALABRAS CLAVETEXTO, ESCRITURA, REFERENCIA, SUBJETIVIDAD, MUNDOABSTRACTThis paper critically examines the main assertion of Paul Ricoeur´s hermeneutics, i.e., that the material base of writing is the determining feature to consider a discursive sequence as a text. Writing cancels the factual conditions of enunciation and creates, in this way, a background of stable meaning where it is possible to validate a conception of subjectivity implicated in the two reading strategies (the structural analysis and the appropriation), i.e., a passive subject constituted by the ideality of meaning. Likewise, this paper aims to clarify some ambiguities in the way Ricoeur uses the «beings in the world» to support the discourse referentiality.KEY WORDSTEXT, WRITING, REFERENCE, SUBJECTIVITY, WORLD

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