scholarly journals Peculiarities of artistic thinking of Mehmet Nuzhet

2020 ◽  
pp. 51-59
Author(s):  
Tair Nuridinovich Kirimov
Keyword(s):  
Literary Criticism ◽  
Textual Analysis ◽  
Theoretical Framework ◽  
Psychological Type ◽  
Psychological State ◽  
National Spirit ◽  
Artistic Heritage ◽  
Crimean Tatar ◽  
Direct Reflection

The goal of this work is determine the peculiarities and origins of artistic thinking of the Crimean Tatar writer of the XX century Mehmet Nuzhet. The methodological and theoretical framework of this research is comprised of the works of U. Ipchi, E. Shemizade, J. Bekirov, A. Altanly, I. Kerimov, Y. Kandymov and others. The aforementioned authors made an indisputable contribution to the development of Crimean Tatar literature and literary criticism. The artistic heritage of M. Nuzhet is diverse and unique. His poetic, prosaic and translation works are fused with national spirit. The actions and feelings of the protagonists of the artist’s lyrical works are a direct reflection of his psychological state. This article pays special attention to the psychological type of the lyricist. Using comparative, textual analysis, the author examines the published and original handwritten texts by M. Nuzhet. The conclusion is made that the writer systematically worked on the study of the depth feelings, emotions and ways their expression. The application of traditional folk poetic forms, genres, images allows creating the new patterns of influence upon the audience. Conveying the eternal anthropological topics, he transforms into a wise folk storyteller and preacher. For depicting the life realities, he disguises an old poor man or a street drunkard. Poetic alliterations and assonances enliven these images. In the process of declamation of such poems, the audience is captivated by the text and uses various mimic emotions intended by the context.

scholarly journals Ethnocultural code in the Crimean Tatar literary criticism (on the example of Shakir Selim’s literary-criticism article by “About Shamil Alyadin, Charyks and a Pocket Knife”)

Litera ◽  
2021 ◽  
pp. 104-117
Author(s):  
Mukhamed-Ali Usmanovich Sulaimanov
Keyword(s):  
Literary Criticism ◽  
Critical Analysis ◽  
Methodological Pluralism ◽  
Basic Principles ◽  
Artistic Heritage ◽  
Crimean Tatar

  Based on the analysis of causality and reasonableness of arguments of such literary scholars as Shakir Selim and Shamil Alyadin, this article attempt to determine the ethnocultural code of the Crimean Tatar literary criticism. The author applies the approach of methodological pluralism, as well as hermeneutical, logical, historical-genetic, comparative-typological, phenomenological, and psychological methods. This allows considering various perspectives of the aforementioned literary scholars upon the variants of critical analysis of the artistic heritage of the classic of Crimean Tatar literature Memet Nuzet. The article outlines the basic principles of literary criticism, declared by Shakir Selim and Shamil Alyadin, as well as their dependence on the ethnocultural code of the Crimean Tatars. The scientific novelty of this research consists in the attempt of carrying out a comprehensive hermeneutical analysis of Shakir Selim’s literary-criticism work “About Shamil Alyadin, Charyks and the Pocket Knife” through the prism of methodological pluralism in the aspect of ethnocultural code. The author’s main contribution consists in the reflection of the “clash of opinions” of three literary critics – this is the critical article by Shakir Selim, based on the response of Pirae Kadri-Zade, written to Shamil Alyadin’s criticism essay on the poem composed by the classic of the Crimean Tatar literature Memet Nuzet.  

scholarly journals A Legitimate End to Illegitimate Beginning: A Critical Analysis of Mariam’s Character in A Thousand Splendid Suns

2017 ◽  
Vol 7 (1) ◽  
pp. 113
Author(s):  
Samina Akhtar ◽  
Muhammad Rauf ◽  
Saima Ikram ◽  
Gulrukh Raees
Keyword(s):  
Social Status ◽  
Literary Criticism ◽  
Personal Identity ◽  
Research Methodology ◽  
Critical Analysis ◽  
Textual Analysis ◽  
Battered Woman ◽  
Feminist Literary Criticism ◽  
Close Textual Analysis ◽  
Societal Attitude

This paper is an attempt to portray the plight of Mariam that she undergoes due to her illegitimate social status. The study focuses on the critical societal attitude towards the illegitimate unfortunate women. Mariam begins her life with a “harami” status; continues her struggle for personal identity, suffer and endures as a battered woman and leave this world as a woman of consequences by digging herself out of the lower social status that society attached to her. The study analyzes Mariam’s endurance, struggles and resistance in her strenuous journey to attain legitimate ending. The researcher used feminist literary criticism to interpret the text as a research methodology and adopted close textual analysis of the text by Khaled Hosseini, A Thousand Splendid Suns.

scholarly journals The Employment of Metaphor and Simile in Selected Siswati Poetry

2019 ◽  
Vol 15 (5) ◽  
pp. 181
Author(s):  
Jozi Joseph Thwala
Keyword(s):  
Literary Criticism ◽  
Textual Analysis ◽  
Language Skills ◽  
Research Work ◽  
Real Life ◽  
Connotative Meaning ◽  
Figures Of Speech ◽  
Poetic Diction ◽  
The Senses ◽  
The Mind

The focus of this research work on selected descriptive of images refers to the analytic survey of metaphor and simile. They are selected, defined, explained and interpreted. Their significances in bringing about poetic diction, licence, meaning, message and themes are highlighted. They are fundamental figures of speech that implicitly and explicitly display the emotive value, connotative meaning, literariness and language skills. The poetic images reflect and represent real life situations through poetic skills and meanings. The literary criticism, comparative and textual analysis is evident when the objects are looked at from animate to inanimate and inanimate to animate. They serve as basic methodologies that are backing the theories and strategies on selected figures of speech. Imagery is the use of words that brings picture of the mind of the receiver or recipient and appeal to the senses. It is, however, manifested in various forms for resemblances, contrasts and comparisons. Artistic language through images revealed poetic views, assertion and facts.

Structure and Meaning in Old Norse Literature: New Approaches to Textual Analysis and Literary Criticism

1988 ◽  
Vol 101 (401) ◽  
pp. 365
Author(s):  
W. Edson Richmond ◽  
John Lindow ◽  
Lars Lonnroth ◽  
Gerd Wolfgang Weber
Keyword(s):  
Literary Criticism ◽  
Textual Analysis ◽  
Old Norse ◽  
New Approaches ◽  
Old Norse Literature

scholarly journals Bad Machinery and the Economics of Free Comics: A Webcomic Case Study

2015 ◽  
Vol 8 (4) ◽  
Author(s):  
Paddy Johnston
Keyword(s):  
Literary Criticism ◽  
Interdisciplinary Approach ◽  
Theoretical Framework ◽  
Commercial Activities ◽  
Comics Studies ◽  
The Uk

 John Allison is one of a small number of alternative cartoonists in the UK today earning a living from their cartooning. However, since he began his first webcomic, Bobbins, in 1998, he has given all of his comics content away for free online. This article presents John Allison’s comics, most notably his series Bad Machinery, as a case study of how to make free webcomics an economically viable labour, achieved by Allison’s use of webcomics as a springboard for other commercial activities such as illustration work and printed comics. Taking an interdisciplinary approach consistent with the wider field of Comics Studies, this article draws upon concepts from sociology, literary criticism and economics to provide a theoretical framework through which to understand webcomics as labour, and thus to understand through this reading the economics of free webcomics, with John Allison as the exemplary web cartoonist. 

scholarly journals POPULISM IN BRAZIL’S 2018 GENERAL ELECTIONS: AN ANALYSIS OF BOLSONARO’S CAMPAIGN SPEECHES

2020 ◽  
pp. 103-127
Author(s):  
Eduardo Ryo Tamaki ◽  
Mario Fuks
Keyword(s):  
Textual Analysis ◽  
Theoretical Framework ◽  
Analysis Method ◽  
Preliminary Results ◽  
Campaign Speeches ◽  
General Elections

Abstract Through an analysis of Bolsonaro’s speeches during his official campaign, we aim to identify the presence of populist traits in his discourse. Preliminary results suggest that Bolsonaro’s discourse have, compared to its predecessors, higher levels of populism. As a theoretical framework, we use the ideational approach to populism. The data was collected and analyzed by Team Populism using the “holistic grading” textual analysis method. Results revealed that, despite his anti-elite, polarizing, and Manichean speech, Bolsonaro is an incomplete populist. In his rhetoric, populist traits vie for space with patriotic elements.

scholarly journals Writing the sixties

1993 ◽  
Author(s):  
Αναστασία Οικονομίδου
Keyword(s):  
Literary Criticism ◽  
Textual Analysis ◽  
British Society ◽  
John Fowles ◽  
Margaret Drabble ◽  
Literary Context ◽  
The Social ◽  
The Sixties ◽  
Legislative Changes ◽  
The 1960S

This thesis examines how changes in gender relations occurring in the British society of the 1960s were depicted in the fiction of the period. In particular, it analyses the specific gender representations found in the work of Kingsley Amis, John Fowles and Margaret Drabble. By locating the major differences in the way gender is inscribed in the work of the above authors it raises the question of the role of the gender and ideological position of the writers in the establishment of their perspective. The analysis revolves round the central question of the relation between literature and its context. Therefore, it situates the novels in question within the social, ideological and literary context of the time when they were produced and, through a detailed textual analysis, it delineates the multiple and complex ways in which the particular fictions engage with their context. The first chapter offers an account of the social and ideological context of the sixties by concentrating on three particular areas: legislative changes, ideological debates and the emergence of radical movements. The second chapter establishes the critical perspective from which the novels are approached by situating it within the broader framework of contemporary schools of feminist literary criticism. The third, fourth and fifth chapters are devoted to a textual analysis of three major novels by each of the three authors.

Reception of Dostoevsky’s Artistic Heritage in the Works of Italian Writers at the Turn of the 19th–20th Centuries

2021 ◽  
pp. 233-255
Author(s):  
Irina V. Dergacheva ◽  
Keyword(s):  
Literary Criticism ◽  
Gabriele D'annunzio ◽  
Italian Culture ◽  
Grazia Deledda ◽  
Artistic Heritage ◽  
Reading Circle

At present, there is no doubt about the recognition and high assessment of the artistic, journalistic and epistolary heritage of F.M. Dostoevsky in Italian culture and literary criticism. S. Aloe described in detail the difficult process of acquaintance of Italian Slavists and writers with the work of Dostoevsky, complicated for a number of years by the lack of translations of his works into Italian — readers could only get acquainted with French translations of his texts [Aloe]. The readers’ notes in the Viesse Cabinet in Florence, which allowed researchers to get acquainted with the writer’s reading circle, after 1881, the year of the writer’s death, showed the growing interest of Italian readers and foreign travelers to the works of Dostoevsky. The article analyzes the reception of the ideological and artistic heritage of F.M. Dostoevsky in the works of Italian writers, representatives of the verist movement, Gabriele D’Annunzio, Luigi Capuana and Grazia Deledda, at the turn of the 19th and 20th centuries.

Morality and the Assessment of Literature

Philosophy ◽  
1962 ◽  
Vol 37 (141) ◽  
pp. 193-207 ◽  
Author(s):  
David Pole
Keyword(s):  
General Theory ◽  
Literary Criticism ◽  
Stock Exchange ◽  
Psychological State ◽  
Small Contribution ◽  
Ordinary Sense ◽  
Critical Approach ◽  
Critical Theories ◽  
The Subject ◽  
Practical Criticism

At the beginning of The Principles of Literary Criticism I. A. Richards complained of the chaos of critical theories—a complaint that we hear pretty often, generally from theorists about to add to it, each making his small contribution. Richards' own contribution was a plan for reckoning the merit of poetry in terms of the more or less organised psychological state that it serves to induce in its readers: for poetry, he held, organises our ‘attitudes’—a term that may be taken in different ways. The theoretical picture that Richards connects with it, a vivid enough picture in its way, is of a kind of stock exchange of neural impulses; but perhaps in his practical criticism the word reverts to its ordinary sense. And surely the practical criticism, not the neurological speculation, is what has served to keep Richards' work alive. This is the aspect, at least, to which I shall confine my attention here; my concern is with the use of these and similar concepts in the practical business of criticism. For here we have critical approach, a technique and an orientation, that has in point of fact increasingly established itself. And the fact is one, surely, that aesthetics cannot ignore; a general theory should take notice of practice. But if this is only to add still more to the notorious chaos, I cannot see any alternative course short of abandoning the subject altogether; and that alternative, at least for those who are instinctive theorists and generalisers, is an impossible one.

Sign in / Sign up

Export Citation Format

Share Document